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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81E453 it is the complementary color #7E1BAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81E453. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81E453 shade: #86E44E, #97F661, #A8FF74, #B9FF87 and #CAFF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81E453. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81E453 shade: #81E453, #70D240, #5FC02D, #4EAE1A and #3D9C07

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81E453 shade: #81E453, #A8E453, #CFE453, #E4D253 and #E4AB53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81E453 shade: #81E453, #5AE453, #53E473, #53E49A and #53E4C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81E453 shade matches the following richer shades: #81E453 and #7BF443

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81E453 shade: #81E453, #87D463, #8DC473, #93B483 and #99A493

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81E453 shade: #D1E453, #AAE453, #83E453, #5DE453 and #53E470

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81E453 shade: #54C61F, #67DF2F, #81E453, #9BEA77 and #B5EF9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81E453 shade: #81E453, #53E4D1 and #E453BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81E453 shade: #81E453, #5383E4 and #E45383

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81E453 shade: #81E453, #53E4D1, #B453E4 and #E45366

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81E453 shade: #81E453, #53CCE4, #B453E4 and #E46B53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 64 / 11

HEX #81E453

RGB 129 228 83

HSL 100.97, 0.73%, 0.61%

LAB 82.26, -54.04, 59.86

 

Complementary color

CMYK 27 / 84 / 0 / 33

HEX #7E1BAC

RGB 126 27 172

HSL 280.97, 0.73%, 0.39%

LAB 34.39, 61.39, -56.05

 

CMYK 41 / 0 / 66 / 11

HEX #86E44E

RGB 134 228 78

HSL 97.6, 0.74%, 0.6%

LAB 82.44, -52.9, 62.13

 

CMYK 39 / 0 / 61 / 4

HEX #97F661

RGB 151 246 97

HSL 98.26, 0.89%, 0.67%

LAB 88.62, -53.1, 61.36

 

CMYK 34 / 0 / 55 / 0

HEX #A8FF74

RGB 168 255 116

HSL 97.55, 1%, 0.73%

LAB 92.18, -49.48, 57.43

 

CMYK 27 / 0 / 47 / 0

HEX #B9FF87

RGB 185 255 135

HSL 95, 1%, 0.76%

LAB 93.27, -41.74, 50.25

 

CMYK 21 / 0 / 40 / 0

HEX #CAFF9A

RGB 202 255 154

HSL 91.49, 1%, 0.8%

LAB 94.49, -33.59, 42.88

 

CMYK 43 / 0 / 64 / 11

HEX #81E453

RGB 129 228 83

HSL 100.97, 0.73%, 0.61%

LAB 82.26, -54.04, 59.86

 

CMYK 47 / 0 / 70 / 18

HEX #70D240

RGB 112 210 64

HSL 100.27, 0.62%, 0.54%

LAB 76.01, -53.72, 60.49

 

CMYK 51 / 0 / 77 / 25

HEX #5FC02D

RGB 95 192 45

HSL 99.59, 0.62%, 0.46%

LAB 69.7, -53.17, 60.64

 

CMYK 55 / 0 / 85 / 32

HEX #4EAE1A

RGB 78 174 26

HSL 98.92, 0.74%, 0.39%

LAB 63.32, -52.3, 59.91

 

CMYK 61 / 0 / 96 / 39

HEX #3D9C07

RGB 61 156 7

HSL 98.26, 0.91%, 0.32%

LAB 56.86, -50.95, 57.76

 

CMYK 43 / 0 / 64 / 11

HEX #81E453

RGB 129 228 83

HSL 100.97, 0.73%, 0.61%

LAB 82.26, -54.04, 59.86

 

CMYK 26 / 0 / 64 / 11

HEX #A8E453

RGB 168 228 83

HSL 84.83, 0.73%, 0.61%

LAB 84.19, -40.86, 62.52

 

CMYK 9 / 0 / 64 / 11

HEX #CFE453

RGB 207 228 83

HSL 68.69, 0.73%, 0.61%

LAB 86.69, -25.88, 65.93

 

CMYK 0 / 8 / 64 / 11

HEX #E4D253

RGB 228 210 83

HSL 52.55, 0.73%, 0.61%

LAB 83.55, -8.45, 63.11

 

CMYK 0 / 25 / 64 / 11

HEX #E4AB53

RGB 228 171 83

HSL 36.41, 0.73%, 0.61%

LAB 73.7, 11.85, 52.36

 

CMYK 43 / 0 / 64 / 11

HEX #81E453

RGB 129 228 83

HSL 100.97, 0.73%, 0.61%

LAB 82.26, -54.04, 59.86

 

CMYK 61 / 0 / 64 / 11

HEX #5AE453

RGB 90 228 83

HSL 117.1, 0.73%, 0.61%

LAB 80.9, -64.4, 57.98

 

CMYK 64 / 0 / 50 / 11

HEX #53E473

RGB 83 228 115

HSL 133.24, 0.73%, 0.61%

LAB 81.05, -61.98, 43.71

 

CMYK 64 / 0 / 32 / 11

HEX #53E49A

RGB 83 228 154

HSL 149.38, 0.73%, 0.61%

LAB 81.65, -55.36, 24.97

 

CMYK 64 / 0 / 15 / 11

HEX #53E4C2

RGB 83 228 194

HSL 165.93, 0.73%, 0.61%

LAB 82.5, -46.62, 5.23

 

CMYK 43 / 0 / 64 / 11

HEX #81E453

RGB 129 228 83

HSL 100.97, 0.73%, 0.61%

LAB 82.26, -54.04, 59.86

 

CMYK 50 / 0 / 73 / 4

HEX #7BF443

RGB 123 244 67

HSL 101.02, 0.89%, 0.61%

LAB 86.66, -63.09, 70.37

 

CMYK 43 / 0 / 64 / 11

HEX #81E453

RGB 129 228 83

HSL 100.97, 0.73%, 0.61%

LAB 82.26, -54.04, 59.86

 

CMYK 36 / 0 / 53 / 17

HEX #87D463

RGB 135 212 99

HSL 100.88, 0.57%, 0.61%

LAB 77.96, -43.94, 47.97

 

CMYK 28 / 0 / 41 / 23

HEX #8DC473

RGB 141 196 115

HSL 100.74, 0.41%, 0.61%

LAB 73.79, -32.73, 35.03

 

CMYK 18 / 0 / 27 / 29

HEX #93B483

RGB 147 180 131

HSL 100.41, 0.25%, 0.61%

LAB 69.81, -20.42, 21.41

 

CMYK 7 / 0 / 10 / 36

HEX #99A493

RGB 153 164 147

HSL 98.82, 0.09%, 0.61%

LAB 66.08, -7.13, 7.49

 

CMYK 8 / 0 / 64 / 11

HEX #D1E453

RGB 209 228 83

HSL 67.86, 0.73%, 0.61%

LAB 86.83, -25.08, 66.13

 

CMYK 25 / 0 / 64 / 11

HEX #AAE453

RGB 170 228 83

HSL 84, 0.73%, 0.61%

LAB 84.31, -40.13, 62.68

 

CMYK 43 / 0 / 64 / 11

HEX #83E453

RGB 131 228 83

HSL 100.14, 0.73%, 0.61%

LAB 82.34, -53.42, 59.98

 

CMYK 59 / 0 / 64 / 11

HEX #5DE453

RGB 93 228 83

HSL 115.86, 0.73%, 0.61%

LAB 80.98, -63.72, 58.1

 

CMYK 64 / 0 / 51 / 11

HEX #53E470

RGB 83 228 112

HSL 132, 0.73%, 0.61%

LAB 81.01, -62.41, 45.1

 

CMYK 58 / 0 / 84 / 22

HEX #54C61F

RGB 84 198 31

HSL 100.96, 0.73%, 0.45%

LAB 71.13, -59.09, 65.74

 

CMYK 54 / 0 / 79 / 13

HEX #67DF2F

RGB 103 223 47

HSL 100.91, 0.73%, 0.53%

LAB 79.54, -62.18, 69.47

 

CMYK 43 / 0 / 64 / 11

HEX #81E453

RGB 129 228 83

HSL 100.97, 0.73%, 0.61%

LAB 82.26, -54.04, 59.86

 

CMYK 34 / 0 / 49 / 8

HEX #9BEA77

RGB 155 234 119

HSL 101.22, 0.73%, 0.69%

LAB 85.58, -44.5, 47.99

 

CMYK 24 / 0 / 36 / 6

HEX #B5EF9A

RGB 181 239 154

HSL 100.94, 0.73%, 0.77%

LAB 88.87, -33.47, 35.34

 

CMYK 43 / 0 / 64 / 11

HEX #81E453

RGB 129 228 83

HSL 100.97, 0.73%, 0.61%

LAB 82.26, -54.04, 59.86

 

CMYK 64 / 0 / 8 / 11

HEX #53E4D1

RGB 83 228 209

HSL 172.14, 0.73%, 0.61%

LAB 82.88, -42.89, -2.15

 

CMYK 0 / 64 / 17 / 11

HEX #E453BD

RGB 228 83 189

HSL 316.14, 0.73%, 0.61%

LAB 58.37, 67.02, -26.99

 

CMYK 43 / 0 / 64 / 11

HEX #81E453

RGB 129 228 83

HSL 100.97, 0.73%, 0.61%

LAB 82.26, -54.04, 59.86

 

CMYK 64 / 43 / 0 / 11

HEX #5383E4

RGB 83 131 228

HSL 220.14, 0.73%, 0.61%

LAB 55.76, 13.96, -54.17

 

CMYK 0 / 64 / 43 / 11

HEX #E45383

RGB 228 83 131

HSL 340.14, 0.73%, 0.61%

LAB 56.41, 60.04, 3.85

 

CMYK 43 / 0 / 64 / 11

HEX #81E453

RGB 129 228 83

HSL 100.97, 0.73%, 0.61%

LAB 82.26, -54.04, 59.86

 

CMYK 64 / 0 / 8 / 11

HEX #53E4D1

RGB 83 228 209

HSL 172.14, 0.73%, 0.61%

LAB 82.88, -42.89, -2.15

 

CMYK 21 / 64 / 0 / 11

HEX #B453E4

RGB 180 83 228

HSL 280.14, 0.73%, 0.61%

LAB 53.48, 62, -57.34

 

CMYK 0 / 64 / 55 / 11

HEX #E45366

RGB 228 83 102

HSL 352.14, 0.73%, 0.61%

LAB 55.73, 57.51, 20.01

 

CMYK 43 / 0 / 64 / 11

HEX #81E453

RGB 129 228 83

HSL 100.97, 0.73%, 0.61%

LAB 82.26, -54.04, 59.86

 

CMYK 64 / 11 / 0 / 11

HEX #53CCE4

RGB 83 204 228

HSL 189.93, 0.73%, 0.61%

LAB 76.45, -26.44, -21.9

 

CMYK 21 / 64 / 0 / 11

HEX #B453E4

RGB 180 83 228

HSL 280.14, 0.73%, 0.61%

LAB 53.48, 62, -57.34

 

CMYK 0 / 53 / 64 / 11

HEX #E46B53

RGB 228 107 83

HSL 9.93, 0.73%, 0.61%

LAB 59.56, 45.28, 35.81

 

Description

Color code: HEX #81E453 | qconv.com Color code: HEX #81E453 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 228 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 228 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 64 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 64% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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