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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81E342 it is the complementary color #7E1CBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81E342. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81E342 shade: #86E33D, #97F550, #A8FF63, #B9FF76 and #CAFF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81E342. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81E342 shade: #81E342, #70D12F, #5FBF1C, #4EAD09 and #3D9B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81E342 shade: #80E240, #ABE240, #D7E240, #E2C240 and #E29640

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81E342 shade: #80E240, #54E240, #40E258, #40E284 and #40E2B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81E342 shade matches the following richer shades: #80E240 and #7CF42E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81E342 shade: #80E240, #84D152, #87BF64, #8BAD75 and #8F9C87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81E342 shade: #D8E240, #ACE240, #81E240, #56E240 and #40E256

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81E342 shade: #57B51B, #69D920, #80E240, #98E864 and #B0ED88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81E342 shade: #81E342, #40E2C2 and #E240C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81E342 shade: #81E342, #4081E2 and #E24081

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81E342 shade: #81E342, #40E2C2, #A240E2 and #E24061

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81E342 shade: #81E342, #40D2E2, #A240E2 and #E25040

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 71 / 11

HEX #81E342

RGB 129 227 66

HSL 96.52, 0.74%, 0.57%

LAB 81.84, -54.97, 65.95

 

Complementary color

CMYK 33 / 85 / 0 / 26

HEX #7E1CBD

RGB 126 28 189

HSL 276.52, 0.74%, 0.43%

LAB 35.87, 64.64, -63.74

 

CMYK 41 / 0 / 73 / 11

HEX #86E33D

RGB 134 227 61

HSL 93.61, 0.75%, 0.56%

LAB 82.02, -53.72, 67.94

 

CMYK 38 / 0 / 67 / 4

HEX #97F550

RGB 151 245 80

HSL 94.18, 0.89%, 0.64%

LAB 88.19, -54.1, 67.67

 

CMYK 34 / 0 / 61 / 0

HEX #A8FF63

RGB 168 255 99

HSL 93.46, 1%, 0.69%

LAB 92.02, -51.07, 64.53

 

CMYK 27 / 0 / 54 / 0

HEX #B9FF76

RGB 185 255 118

HSL 90.66, 1%, 0.73%

LAB 93.08, -43.55, 57.81

 

CMYK 21 / 0 / 46 / 0

HEX #CAFF89

RGB 202 255 137

HSL 86.95, 1%, 0.77%

LAB 94.26, -35.58, 50.75

 

CMYK 43 / 0 / 71 / 11

HEX #81E342

RGB 129 227 66

HSL 96.52, 0.74%, 0.57%

LAB 81.84, -54.97, 65.95

 

CMYK 46 / 0 / 78 / 18

HEX #70D12F

RGB 112 209 47

HSL 95.93, 0.64%, 0.5%

LAB 75.61, -54.44, 65.9

 

CMYK 50 / 0 / 85 / 25

HEX #5FBF1C

RGB 95 191 28

HSL 95.34, 0.74%, 0.43%

LAB 69.31, -53.64, 64.98

 

CMYK 55 / 0 / 95 / 32

HEX #4EAD09

RGB 78 173 9

HSL 94.76, 0.9%, 0.36%

LAB 62.95, -52.45, 62.69

 

CMYK 61 / 0 / 100 / 39

HEX #3D9B00

RGB 61 155 0

HSL 96.39, 1%, 0.3%

LAB 56.52, -50.78, 58.57

 

CMYK 43 / 0 / 72 / 11

HEX #80E240

RGB 128 226 64

HSL 96.3, 0.74%, 0.57%

LAB 81.48, -55.03, 66.29

 

CMYK 24 / 0 / 72 / 11

HEX #ABE240

RGB 171 226 64

HSL 80.37, 0.74%, 0.57%

LAB 83.66, -40.13, 69.18

 

CMYK 5 / 0 / 72 / 11

HEX #D7E240

RGB 215 226 64

HSL 64.07, 0.74%, 0.57%

LAB 86.61, -22.74, 73.05

 

CMYK 0 / 14 / 72 / 11

HEX #E2C240

RGB 226 194 64

HSL 48.15, 0.74%, 0.57%

LAB 79.11, -2.13, 66.08

 

CMYK 0 / 34 / 72 / 11

HEX #E29640

RGB 226 150 64

HSL 31.85, 0.74%, 0.57%

LAB 68.28, 21.15, 55.14

 

CMYK 43 / 0 / 72 / 11

HEX #80E240

RGB 128 226 64

HSL 96.3, 0.74%, 0.57%

LAB 81.48, -55.03, 66.29

 

CMYK 63 / 0 / 72 / 11

HEX #54E240

RGB 84 226 64

HSL 112.59, 0.74%, 0.57%

LAB 79.98, -66.68, 64.28

 

CMYK 72 / 0 / 61 / 11

HEX #40E258

RGB 64 226 88

HSL 128.89, 0.74%, 0.57%

LAB 79.72, -68.15, 54.38

 

CMYK 72 / 0 / 42 / 11

HEX #40E284

RGB 64 226 132

HSL 145.19, 0.74%, 0.57%

LAB 80.26, -61.83, 34.26

 

CMYK 72 / 0 / 22 / 11

HEX #40E2B0

RGB 64 226 176

HSL 161.48, 0.74%, 0.57%

LAB 81.08, -52.89, 12.64

 

CMYK 43 / 0 / 72 / 11

HEX #80E240

RGB 128 226 64

HSL 96.3, 0.74%, 0.57%

LAB 81.48, -55.03, 66.29

 

CMYK 49 / 0 / 81 / 4

HEX #7CF42E

RGB 124 244 46

HSL 96.36, 0.9%, 0.57%

LAB 86.59, -63.95, 76.5

 

CMYK 43 / 0 / 72 / 11

HEX #80E240

RGB 128 226 64

HSL 96.3, 0.74%, 0.57%

LAB 81.48, -55.03, 66.29

 

CMYK 37 / 0 / 61 / 18

HEX #84D152

RGB 132 209 82

HSL 96.38, 0.58%, 0.57%

LAB 76.75, -45.4, 54.23

 

CMYK 29 / 0 / 48 / 25

HEX #87BF64

RGB 135 191 100

HSL 96.92, 0.42%, 0.57%

LAB 71.78, -34.48, 39.99

 

CMYK 20 / 0 / 32 / 32

HEX #8BAD75

RGB 139 173 117

HSL 96.43, 0.25%, 0.57%

LAB 67.02, -22.01, 25.1

 

CMYK 8 / 0 / 13 / 39

HEX #8F9C87

RGB 143 156 135

HSL 97.14, 0.1%, 0.57%

LAB 62.82, -8.66, 9.43

 

CMYK 4 / 0 / 72 / 11

HEX #D8E240

RGB 216 226 64

HSL 63.7, 0.74%, 0.57%

LAB 86.68, -22.34, 73.14

 

CMYK 24 / 0 / 72 / 11

HEX #ACE240

RGB 172 226 64

HSL 80, 0.74%, 0.57%

LAB 83.72, -39.75, 69.25

 

CMYK 43 / 0 / 72 / 11

HEX #81E240

RGB 129 226 64

HSL 95.93, 0.74%, 0.57%

LAB 81.53, -54.72, 66.34

 

CMYK 62 / 0 / 72 / 11

HEX #56E240

RGB 86 226 64

HSL 111.85, 0.74%, 0.57%

LAB 80.03, -66.25, 64.35

 

CMYK 72 / 0 / 62 / 11

HEX #40E256

RGB 64 226 86

HSL 128.15, 0.74%, 0.57%

LAB 79.7, -68.37, 55.22

 

CMYK 52 / 0 / 85 / 29

HEX #57B51B

RGB 87 181 27

HSL 96.62, 0.74%, 0.41%

LAB 65.87, -52.28, 62.06

 

CMYK 52 / 0 / 85 / 15

HEX #69D920

RGB 105 217 32

HSL 96.32, 0.74%, 0.49%

LAB 77.72, -60.15, 71.6

 

CMYK 43 / 0 / 72 / 11

HEX #80E240

RGB 128 226 64

HSL 96.3, 0.74%, 0.57%

LAB 81.48, -55.03, 66.29

 

CMYK 34 / 0 / 57 / 9

HEX #98E864

RGB 152 232 100

HSL 96.36, 0.74%, 0.65%

LAB 84.64, -46.7, 55.56

 

CMYK 26 / 0 / 43 / 7

HEX #B0ED88

RGB 176 237 136

HSL 96.24, 0.74%, 0.73%

LAB 87.76, -36.67, 42.77

 

CMYK 43 / 0 / 71 / 11

HEX #81E342

RGB 129 227 66

HSL 96.52, 0.74%, 0.57%

LAB 81.84, -54.97, 65.95

 

CMYK 72 / 0 / 14 / 11

HEX #40E2C2

RGB 64 226 194

HSL 168.15, 0.74%, 0.57%

LAB 81.5, -48.55, 3.73

 

CMYK 0 / 72 / 14 / 11

HEX #E240C2

RGB 226 64 194

HSL 311.85, 0.74%, 0.57%

LAB 55.82, 74.09, -33.86

 

CMYK 43 / 0 / 71 / 11

HEX #81E342

RGB 129 227 66

HSL 96.52, 0.74%, 0.57%

LAB 81.84, -54.97, 65.95

 

CMYK 72 / 43 / 0 / 11

HEX #4081E2

RGB 64 129 226

HSL 215.93, 0.74%, 0.57%

LAB 54.32, 11.55, -55.38

 

CMYK 0 / 72 / 43 / 11

HEX #E24081

RGB 226 64 129

HSL 335.93, 0.74%, 0.57%

LAB 53.41, 66.44, 0.65

 

CMYK 43 / 0 / 71 / 11

HEX #81E342

RGB 129 227 66

HSL 96.52, 0.74%, 0.57%

LAB 81.84, -54.97, 65.95

 

CMYK 72 / 0 / 14 / 11

HEX #40E2C2

RGB 64 226 194

HSL 168.15, 0.74%, 0.57%

LAB 81.5, -48.55, 3.73

 

CMYK 28 / 72 / 0 / 11

HEX #A240E2

RGB 162 64 226

HSL 276.3, 0.74%, 0.57%

LAB 48.06, 66.06, -65.08

 

CMYK 0 / 72 / 57 / 11

HEX #E24061

RGB 226 64 97

HSL 347.78, 0.74%, 0.57%

LAB 52.62, 63.82, 18.72

 

CMYK 43 / 0 / 71 / 11

HEX #81E342

RGB 129 227 66

HSL 96.52, 0.74%, 0.57%

LAB 81.84, -54.97, 65.95

 

CMYK 72 / 7 / 0 / 11

HEX #40D2E2

RGB 64 210 226

HSL 185.93, 0.74%, 0.57%

LAB 77.68, -32.61, -19

 

CMYK 28 / 72 / 0 / 11

HEX #A240E2

RGB 162 64 226

HSL 276.3, 0.74%, 0.57%

LAB 48.06, 66.06, -65.08

 

CMYK 0 / 65 / 72 / 11

HEX #E25040

RGB 226 80 64

HSL 5.93, 0.74%, 0.57%

LAB 54.32, 55.82, 40

 

Description

Color code: HEX #81E342 | qconv.com Color code: HEX #81E342 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 227 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 227 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 71 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 71% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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