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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81E024 it is the complementary color #7E1FDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81E024. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81E024 shade: #86E01F, #97F232, #A8FF45, #B9FF58 and #CAFF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81E024. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81E024 shade: #81E024, #70CE11, #5FBC00, #4EAA00 and #3D9800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81E024 shade: #81E024, #B4E024, #E0D924, #E0A724 and #E07424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81E024 shade: #81E024, #4FE024, #24E02D, #24E05F and #24E092

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81E024 shade matches the following richer shades: #81E024 and #81F410

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81E024 shade: #81E024, #81CC39, #81B74D, #82A361 and #828F75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81E024 shade: #E0DA24, #B4E024, #82E024, #50E024 and #24E02B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81E024 shade: #589B16, #6DBF1B, #81E024, #96E548 and #ABEA6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81E024 shade: #81E024, #24E0A8 and #E024CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81E024 shade: #81E024, #2482E0 and #E02482

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81E024 shade: #81E024, #24E0A8, #8224E0 and #E0245D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81E024 shade: #81E024, #24E0E0, #8224E0 and #E02424

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 84 / 12

HEX #81E024

RGB 129 224 36

HSL 90.32, 0.75%, 0.51%

LAB 80.8, -55.38, 73.78

 

Complementary color

CMYK 42 / 86 / 0 / 14

HEX #7E1FDB

RGB 126 31 219

HSL 270.32, 0.75%, 0.49%

LAB 38.78, 70.33, -76.42

 

CMYK 40 / 0 / 86 / 12

HEX #86E01F

RGB 134 224 31

HSL 87.98, 0.76%, 0.5%

LAB 81, -53.91, 75.11

 

CMYK 38 / 0 / 79 / 5

HEX #97F232

RGB 151 242 50

HSL 88.44, 0.88%, 0.57%

LAB 87.15, -54.66, 76.39

 

CMYK 34 / 0 / 73 / 0

HEX #A8FF45

RGB 168 255 69

HSL 88.06, 1%, 0.64%

LAB 91.81, -53.19, 75.44

 

CMYK 27 / 0 / 65 / 0

HEX #B9FF58

RGB 185 255 88

HSL 85.15, 1%, 0.67%

LAB 92.81, -46.07, 70.01

 

CMYK 21 / 0 / 58 / 0

HEX #CAFF6B

RGB 202 255 107

HSL 81.49, 1%, 0.71%

LAB 93.94, -38.47, 63.85

 

CMYK 42 / 0 / 84 / 12

HEX #81E024

RGB 129 224 36

HSL 90.32, 0.75%, 0.51%

LAB 80.8, -55.38, 73.78

 

CMYK 46 / 0 / 92 / 19

HEX #70CE11

RGB 112 206 17

HSL 89.84, 0.85%, 0.44%

LAB 74.59, -54.43, 71.72

 

CMYK 49 / 0 / 100 / 26

HEX #5FBC00

RGB 95 188 0

HSL 89.68, 1%, 0.37%

LAB 68.31, -53.19, 68.36

 

CMYK 54 / 0 / 100 / 33

HEX #4EAA00

RGB 78 170 0

HSL 92.47, 1%, 0.33%

LAB 61.97, -51.55, 63.11

 

CMYK 60 / 0 / 100 / 40

HEX #3D9800

RGB 61 152 0

HSL 95.92, 1%, 0.3%

LAB 55.53, -49.7, 57.78

 

CMYK 42 / 0 / 84 / 12

HEX #81E024

RGB 129 224 36

HSL 90.32, 0.75%, 0.51%

LAB 80.8, -55.38, 73.78

 

CMYK 20 / 0 / 84 / 12

HEX #B4E024

RGB 180 224 36

HSL 74.04, 0.75%, 0.51%

LAB 83.52, -36.97, 77.2

 

CMYK 0 / 3 / 84 / 12

HEX #E0D924

RGB 224 217 36

HSL 57.77, 0.75%, 0.51%

LAB 84.79, -15.6, 79.55

 

CMYK 0 / 25 / 84 / 12

HEX #E0A724

RGB 224 167 36

HSL 41.81, 0.75%, 0.51%

LAB 71.97, 10.17, 68.89

 

CMYK 0 / 48 / 84 / 12

HEX #E07424

RGB 224 116 36

HSL 25.53, 0.75%, 0.51%

LAB 60.31, 37.17, 59.01

 

CMYK 42 / 0 / 84 / 12

HEX #81E024

RGB 129 224 36

HSL 90.32, 0.75%, 0.51%

LAB 80.8, -55.38, 73.78

 

CMYK 65 / 0 / 84 / 12

HEX #4FE024

RGB 79 224 36

HSL 106.28, 0.75%, 0.51%

LAB 79.1, -68.73, 71.63

 

CMYK 84 / 0 / 80 / 12

HEX #24E02D

RGB 36 224 45

HSL 122.87, 0.75%, 0.51%

LAB 78.39, -74.73, 68.44

 

CMYK 84 / 0 / 58 / 12

HEX #24E05F

RGB 36 224 95

HSL 138.83, 0.75%, 0.51%

LAB 78.76, -70.11, 50.08

 

CMYK 84 / 0 / 35 / 12

HEX #24E092

RGB 36 224 146

HSL 155.11, 0.75%, 0.51%

LAB 79.48, -61.65, 26.01

 

CMYK 42 / 0 / 84 / 12

HEX #81E024

RGB 129 224 36

HSL 90.32, 0.75%, 0.51%

LAB 80.8, -55.38, 73.78

 

CMYK 47 / 0 / 93 / 4

HEX #81F410

RGB 129 244 16

HSL 90.26, 0.91%, 0.51%

LAB 86.7, -63.38, 81.99

 

CMYK 42 / 0 / 84 / 12

HEX #81E024

RGB 129 224 36

HSL 90.32, 0.75%, 0.51%

LAB 80.8, -55.38, 73.78

 

CMYK 37 / 0 / 72 / 20

HEX #81CC39

RGB 129 204 57

HSL 90.61, 0.59%, 0.51%

LAB 74.92, -46.3, 62.19

 

CMYK 30 / 0 / 58 / 28

HEX #81B74D

RGB 129 183 77

HSL 90.57, 0.42%, 0.51%

LAB 68.8, -35.52, 47.42

 

CMYK 20 / 0 / 40 / 36

HEX #82A361

RGB 130 163 97

HSL 90, 0.26%, 0.51%

LAB 63.18, -23.25, 30.63

 

CMYK 9 / 0 / 18 / 44

HEX #828F75

RGB 130 143 117

HSL 90, 0.1%, 0.51%

LAB 57.73, -9.69, 12.28

 

CMYK 0 / 3 / 84 / 12

HEX #E0DA24

RGB 224 218 36

HSL 58.09, 0.75%, 0.51%

LAB 85.06, -16.1, 79.77

 

CMYK 20 / 0 / 84 / 12

HEX #B4E024

RGB 180 224 36

HSL 74.04, 0.75%, 0.51%

LAB 83.52, -36.97, 77.2

 

CMYK 42 / 0 / 84 / 12

HEX #82E024

RGB 130 224 36

HSL 90, 0.75%, 0.51%

LAB 80.84, -55.05, 73.84

 

CMYK 64 / 0 / 84 / 12

HEX #50E024

RGB 80 224 36

HSL 105.96, 0.75%, 0.51%

LAB 79.12, -68.52, 71.67

 

CMYK 84 / 0 / 81 / 12

HEX #24E02B

RGB 36 224 43

HSL 122.23, 0.75%, 0.51%

LAB 78.38, -74.84, 68.97

 

CMYK 43 / 0 / 86 / 39

HEX #589B16

RGB 88 155 22

HSL 90.23, 0.75%, 0.35%

LAB 57.63, -41.93, 56.02

 

CMYK 43 / 0 / 86 / 25

HEX #6DBF1B

RGB 109 191 27

HSL 90, 0.75%, 0.43%

LAB 69.89, -49.28, 65.93

 

CMYK 42 / 0 / 84 / 12

HEX #81E024

RGB 129 224 36

HSL 90.32, 0.75%, 0.51%

LAB 80.8, -55.38, 73.78

 

CMYK 34 / 0 / 69 / 10

HEX #96E548

RGB 150 229 72

HSL 90.19, 0.75%, 0.59%

LAB 83.44, -48.48, 65.71

 

CMYK 27 / 0 / 53 / 8

HEX #ABEA6D

RGB 171 234 109

HSL 90.24, 0.75%, 0.67%

LAB 86.31, -40.13, 53.72

 

CMYK 42 / 0 / 84 / 12

HEX #81E024

RGB 129 224 36

HSL 90.32, 0.75%, 0.51%

LAB 80.8, -55.38, 73.78

 

CMYK 84 / 0 / 25 / 12

HEX #24E0A8

RGB 36 224 168

HSL 162.13, 0.75%, 0.51%

LAB 79.91, -56.89, 15.13

 

CMYK 0 / 84 / 8 / 12

HEX #E024CD

RGB 224 36 205

HSL 306.06, 0.75%, 0.51%

LAB 53.51, 82.4, -43.83

 

CMYK 42 / 0 / 84 / 12

HEX #81E024

RGB 129 224 36

HSL 90.32, 0.75%, 0.51%

LAB 80.8, -55.38, 73.78

 

CMYK 84 / 42 / 0 / 12

HEX #2482E0

RGB 36 130 224

HSL 210, 0.75%, 0.51%

LAB 53.73, 7.19, -55.25

 

CMYK 0 / 84 / 42 / 12

HEX #E02482

RGB 224 36 130

HSL 330, 0.75%, 0.51%

LAB 50.36, 73.71, -4.47

 

CMYK 42 / 0 / 84 / 12

HEX #81E024

RGB 129 224 36

HSL 90.32, 0.75%, 0.51%

LAB 80.8, -55.38, 73.78

 

CMYK 84 / 0 / 25 / 12

HEX #24E0A8

RGB 36 224 168

HSL 162.13, 0.75%, 0.51%

LAB 79.91, -56.89, 15.13

 

CMYK 42 / 84 / 0 / 12

HEX #8224E0

RGB 130 36 224

HSL 270, 0.75%, 0.51%

LAB 40.23, 70.52, -76.89

 

CMYK 0 / 84 / 58 / 12

HEX #E0245D

RGB 224 36 93

HSL 341.81, 0.75%, 0.51%

LAB 49.37, 70.87, 16.68

 

CMYK 42 / 0 / 84 / 12

HEX #81E024

RGB 129 224 36

HSL 90.32, 0.75%, 0.51%

LAB 80.8, -55.38, 73.78

 

CMYK 84 / 0 / 0 / 12

HEX #24E0E0

RGB 36 224 224

HSL 180, 0.75%, 0.51%

LAB 81.33, -42.23, -12.49

 

CMYK 42 / 84 / 0 / 12

HEX #8224E0

RGB 130 36 224

HSL 270, 0.75%, 0.51%

LAB 40.23, 70.52, -76.89

 

CMYK 0 / 84 / 84 / 12

HEX #E02424

RGB 224 36 36

HSL 0, 0.75%, 0.51%

LAB 48.56, 68.45, 48.79

 

Description

Color code: HEX #81E024 | qconv.com Color code: HEX #81E024 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 224 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 224 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 84 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 84% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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