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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81DB3C it is the complementary color #7E24C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81DB3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81DB3C shade: #86DB37, #97ED4A, #A8FF5D, #B9FF70 and #CAFF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81DB3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81DB3C shade: #81DB3C, #70C929, #5FB716, #4EA503 and #3D9300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81DB3C shade: #82DB3D, #ADDB3D, #D7DB3D, #DBB53D and #DB8A3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81DB3C shade: #82DB3D, #57DB3D, #3DDB4E, #3DDB78 and #3DDBA3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81DB3C shade matches the following richer shades: #82DB3D and #7FEE2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81DB3C shade: #82DB3D, #84C950, #87B662, #89A475 and #8C9187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81DB3C shade: #D9DB3D, #AFDB3D, #84DB3D, #5ADB3D and #3DDB4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81DB3C shade: #5AA71F, #6DCA25, #82DB3D, #98E260 and #AFE883

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81DB3C shade: #81DB3C, #3DDBB4 and #DB3DC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81DB3C shade: #81DB3C, #3D84DB and #DB3D84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81DB3C shade: #81DB3C, #3DDBB4, #943DDB and #DB3D65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81DB3C shade: #81DB3C, #3DD4DB, #943DDB and #DB453D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 73 / 14

HEX #81DB3C

RGB 129 219 60

HSL 93.96, 0.69%, 0.55%

LAB 79.42, -52.22, 65.62

 

Complementary color

CMYK 35 / 82 / 0 / 24

HEX #7E24C3

RGB 126 36 195

HSL 273.96, 0.69%, 0.45%

LAB 37.18, 63.55, -65.12

 

CMYK 39 / 0 / 75 / 14

HEX #86DB37

RGB 134 219 55

HSL 91.1, 0.69%, 0.54%

LAB 79.62, -50.88, 67.56

 

CMYK 36 / 0 / 69 / 7

HEX #97ED4A

RGB 151 237 74

HSL 91.66, 0.82%, 0.61%

LAB 85.83, -51.29, 67.45

 

CMYK 34 / 0 / 64 / 0

HEX #A8FF5D

RGB 168 255 93

HSL 92.22, 1%, 0.68%

LAB 91.97, -51.56, 66.9

 

CMYK 27 / 0 / 56 / 0

HEX #B9FF70

RGB 185 255 112

HSL 89.37, 1%, 0.72%

LAB 93.02, -44.12, 60.39

 

CMYK 21 / 0 / 49 / 0

HEX #CAFF83

RGB 202 255 131

HSL 85.65, 1%, 0.76%

LAB 94.19, -36.23, 53.46

 

CMYK 41 / 0 / 73 / 14

HEX #81DB3C

RGB 129 219 60

HSL 93.96, 0.69%, 0.55%

LAB 79.42, -52.22, 65.62

 

CMYK 44 / 0 / 80 / 21

HEX #70C929

RGB 112 201 41

HSL 93.38, 0.66%, 0.47%

LAB 73.14, -51.66, 65.35

 

CMYK 48 / 0 / 88 / 28

HEX #5FB716

RGB 95 183 22

HSL 92.8, 0.79%, 0.4%

LAB 66.79, -50.81, 64.07

 

CMYK 53 / 0 / 98 / 35

HEX #4EA503

RGB 78 165 3

HSL 92.22, 0.96%, 0.33%

LAB 60.37, -49.62, 61.42

 

CMYK 59 / 0 / 100 / 42

HEX #3D9300

RGB 61 147 0

HSL 95.1, 1%, 0.29%

LAB 53.88, -47.89, 56.48

 

CMYK 41 / 0 / 72 / 14

HEX #82DB3D

RGB 130 219 61

HSL 93.8, 0.69%, 0.55%

LAB 79.47, -51.83, 65.34

 

CMYK 21 / 0 / 72 / 14

HEX #ADDB3D

RGB 173 219 61

HSL 77.47, 0.69%, 0.55%

LAB 81.78, -36.4, 68.39

 

CMYK 2 / 0 / 72 / 14

HEX #D7DB3D

RGB 215 219 61

HSL 61.52, 0.69%, 0.55%

LAB 84.71, -19.49, 72.24

 

CMYK 0 / 17 / 72 / 14

HEX #DBB53D

RGB 219 181 61

HSL 45.57, 0.69%, 0.55%

LAB 75.1, 1.51, 63.06

 

CMYK 0 / 37 / 72 / 14

HEX #DB8A3D

RGB 219 138 61

HSL 29.24, 0.69%, 0.55%

LAB 64.62, 24.49, 52.43

 

CMYK 41 / 0 / 72 / 14

HEX #82DB3D

RGB 130 219 61

HSL 93.8, 0.69%, 0.55%

LAB 79.47, -51.83, 65.34

 

CMYK 60 / 0 / 72 / 14

HEX #57DB3D

RGB 87 219 61

HSL 110.13, 0.69%, 0.55%

LAB 77.89, -63.87, 63.24

 

CMYK 72 / 0 / 64 / 14

HEX #3DDB4E

RGB 61 219 78

HSL 126.46, 0.69%, 0.55%

LAB 77.4, -67.43, 56

 

CMYK 72 / 0 / 45 / 14

HEX #3DDB78

RGB 61 219 120

HSL 142.41, 0.69%, 0.55%

LAB 77.88, -61.8, 37.17

 

CMYK 72 / 0 / 26 / 14

HEX #3DDBA3

RGB 61 219 163

HSL 158.73, 0.69%, 0.55%

LAB 78.64, -53.44, 16.04

 

CMYK 41 / 0 / 72 / 14

HEX #82DB3D

RGB 130 219 61

HSL 93.8, 0.69%, 0.55%

LAB 79.47, -51.83, 65.34

 

CMYK 47 / 0 / 82 / 7

HEX #7FEE2B

RGB 127 238 43

HSL 94.15, 0.85%, 0.55%

LAB 84.91, -61.01, 75.76

 

CMYK 41 / 0 / 72 / 14

HEX #82DB3D

RGB 130 219 61

HSL 93.8, 0.69%, 0.55%

LAB 79.47, -51.83, 65.34

 

CMYK 34 / 0 / 60 / 21

HEX #84C950

RGB 132 201 80

HSL 94.21, 0.53%, 0.55%

LAB 74.35, -42.17, 52.42

 

CMYK 26 / 0 / 46 / 29

HEX #87B662

RGB 135 182 98

HSL 93.57, 0.37%, 0.55%

LAB 69.1, -30.51, 37.67

 

CMYK 16 / 0 / 29 / 36

HEX #89A475

RGB 137 164 117

HSL 94.47, 0.21%, 0.55%

LAB 64.29, -18.17, 21.39

 

CMYK 3 / 0 / 7 / 43

HEX #8C9187

RGB 140 145 135

HSL 90, 0.04%, 0.55%

LAB 59.5, -3.75, 4.67

 

CMYK 1 / 0 / 72 / 14

HEX #D9DB3D

RGB 217 219 61

HSL 60.76, 0.69%, 0.55%

LAB 84.87, -18.66, 72.45

 

CMYK 20 / 0 / 72 / 14

HEX #AFDB3D

RGB 175 219 61

HSL 76.71, 0.69%, 0.55%

LAB 81.9, -35.62, 68.56

 

CMYK 40 / 0 / 72 / 14

HEX #84DB3D

RGB 132 219 61

HSL 93.04, 0.69%, 0.55%

LAB 79.56, -51.18, 65.46

 

CMYK 59 / 0 / 72 / 14

HEX #5ADB3D

RGB 90 219 61

HSL 108.99, 0.69%, 0.55%

LAB 77.98, -63.17, 63.35

 

CMYK 72 / 0 / 66 / 14

HEX #3DDB4A

RGB 61 219 74

HSL 124.94, 0.69%, 0.55%

LAB 77.37, -67.83, 57.59

 

CMYK 46 / 0 / 81 / 35

HEX #5AA71F

RGB 90 167 31

HSL 93.97, 0.69%, 0.39%

LAB 61.58, -45.76, 57.2

 

CMYK 46 / 0 / 82 / 21

HEX #6DCA25

RGB 109 202 37

HSL 93.82, 0.69%, 0.47%

LAB 73.3, -53.18, 66.55

 

CMYK 41 / 0 / 72 / 14

HEX #82DB3D

RGB 130 219 61

HSL 93.8, 0.69%, 0.55%

LAB 79.47, -51.83, 65.34

 

CMYK 33 / 0 / 58 / 11

HEX #98E260

RGB 152 226 96

HSL 94.15, 0.69%, 0.63%

LAB 82.87, -44.54, 55.29

 

CMYK 25 / 0 / 44 / 9

HEX #AFE883

RGB 175 232 131

HSL 93.86, 0.69%, 0.71%

LAB 86.24, -35.36, 43.28

 

CMYK 41 / 0 / 73 / 14

HEX #81DB3C

RGB 129 219 60

HSL 93.96, 0.69%, 0.55%

LAB 79.42, -52.22, 65.62

 

CMYK 72 / 0 / 18 / 14

HEX #3DDBB4

RGB 61 219 180

HSL 165.19, 0.69%, 0.55%

LAB 79.01, -49.48, 7.57

 

CMYK 0 / 72 / 11 / 14

HEX #DB3DC4

RGB 219 61 196

HSL 308.73, 0.69%, 0.55%

LAB 54.43, 73.74, -37.26

 

CMYK 41 / 0 / 73 / 14

HEX #81DB3C

RGB 129 219 60

HSL 93.96, 0.69%, 0.55%

LAB 79.42, -52.22, 65.62

 

CMYK 72 / 40 / 0 / 14

HEX #3D84DB

RGB 61 132 219

HSL 213.04, 0.69%, 0.55%

LAB 54.67, 6.8, -50.91

 

CMYK 0 / 72 / 40 / 14

HEX #DB3D84

RGB 219 61 132

HSL 333.04, 0.69%, 0.55%

LAB 51.91, 65.83, -3.49

 

CMYK 41 / 0 / 73 / 14

HEX #81DB3C

RGB 129 219 60

HSL 93.96, 0.69%, 0.55%

LAB 79.42, -52.22, 65.62

 

CMYK 72 / 0 / 18 / 14

HEX #3DDBB4

RGB 61 219 180

HSL 165.19, 0.69%, 0.55%

LAB 79.01, -49.48, 7.57

 

CMYK 32 / 72 / 0 / 14

HEX #943DDB

RGB 148 61 219

HSL 273.04, 0.69%, 0.55%

LAB 45.29, 63.16, -65.67

 

CMYK 0 / 72 / 54 / 14

HEX #DB3D65

RGB 219 61 101

HSL 344.81, 0.69%, 0.55%

LAB 51.08, 63.11, 14.01

 

CMYK 41 / 0 / 73 / 14

HEX #81DB3C

RGB 129 219 60

HSL 93.96, 0.69%, 0.55%

LAB 79.42, -52.22, 65.62

 

CMYK 72 / 3 / 0 / 14

HEX #3DD4DB

RGB 61 212 219

HSL 182.66, 0.69%, 0.55%

LAB 77.99, -35.96, -14.79

 

CMYK 32 / 72 / 0 / 14

HEX #943DDB

RGB 148 61 219

HSL 273.04, 0.69%, 0.55%

LAB 45.29, 63.16, -65.67

 

CMYK 0 / 68 / 72 / 14

HEX #DB453D

RGB 219 69 61

HSL 3.04, 0.69%, 0.55%

LAB 51.44, 57.8, 38.07

 

Description

Color code: HEX #81DB3C | qconv.com Color code: HEX #81DB3C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 219 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 219 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 73 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 73% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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