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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81D62B it is the complementary color #7E29D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81D62B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81D62B shade: #86D626, #97E839, #A8FA4C, #B9FF5F and #CAFF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81D62B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81D62B shade: #81D62B, #70C418, #5FB205, #4EA000 and #3D8E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81D62B shade: #80D629, #AFD629, #D6CF29, #D6A029 and #D67129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81D62B shade: #80D629, #51D629, #29D62F, #29D65E and #29D68D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81D62B shade matches the following richer shades: #80D629 and #80EB14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81D62B shade: #80D629, #80C23D, #80AD52, #809867 and #80847B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81D62B shade: #D6CE29, #B1D629, #82D629, #54D629 and #29D62C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81D62B shade: #57911C, #6BB422, #80D629, #95DD4B and #A9E36E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81D62B shade: #81D62B, #29D69F and #D629C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81D62B shade: #81D62B, #2982D6 and #D62982

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81D62B shade: #81D62B, #29D69F, #7D29D6 and #D62960

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81D62B shade: #81D62B, #29D6D3, #7D29D6 and #D6292C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 80 / 16

HEX #81D62B

RGB 129 214 43

HSL 89.82, 0.68%, 0.5%

LAB 77.84, -51.15, 69.39

 

Complementary color

CMYK 41 / 81 / 0 / 17

HEX #7E29D4

RGB 126 41 212

HSL 269.82, 0.68%, 0.5%

LAB 39.2, 65.69, -71.7

 

CMYK 37 / 0 / 82 / 16

HEX #86D626

RGB 134 214 38

HSL 87.27, 0.7%, 0.49%

LAB 78.05, -49.67, 70.98

 

CMYK 35 / 0 / 75 / 9

HEX #97E839

RGB 151 232 57

HSL 87.77, 0.79%, 0.57%

LAB 84.27, -50.29, 71.68

 

CMYK 33 / 0 / 70 / 2

HEX #A8FA4C

RGB 168 250 76

HSL 88.28, 0.95%, 0.64%

LAB 90.42, -50.73, 71.68

 

CMYK 27 / 0 / 63 / 0

HEX #B9FF5F

RGB 185 255 95

HSL 86.25, 1%, 0.69%

LAB 92.87, -45.56, 67.34

 

CMYK 21 / 0 / 55 / 0

HEX #CAFF72

RGB 202 255 114

HSL 82.55, 1%, 0.72%

LAB 94.01, -37.87, 60.91

 

CMYK 40 / 0 / 80 / 16

HEX #81D62B

RGB 129 214 43

HSL 89.82, 0.68%, 0.5%

LAB 77.84, -51.15, 69.39

 

CMYK 43 / 0 / 88 / 23

HEX #70C418

RGB 112 196 24

HSL 89.3, 0.78%, 0.43%

LAB 71.55, -50.37, 68.02

 

CMYK 47 / 0 / 97 / 30

HEX #5FB205

RGB 95 178 5

HSL 88.79, 0.95%, 0.36%

LAB 65.19, -49.28, 65.28

 

CMYK 51 / 0 / 100 / 37

HEX #4EA000

RGB 78 160 0

HSL 90.75, 1%, 0.31%

LAB 58.75, -47.8, 60.58

 

CMYK 57 / 0 / 100 / 44

HEX #3D8E00

RGB 61 142 0

HSL 94.23, 1%, 0.28%

LAB 52.22, -46.04, 55.17

 

CMYK 40 / 0 / 81 / 16

HEX #80D629

RGB 128 214 41

HSL 89.83, 0.68%, 0.5%

LAB 77.78, -51.58, 69.86

 

CMYK 18 / 0 / 81 / 16

HEX #AFD629

RGB 175 214 41

HSL 73.53, 0.68%, 0.5%

LAB 80.39, -34.24, 73.17

 

CMYK 0 / 3 / 81 / 16

HEX #D6CF29

RGB 214 207 41

HSL 57.57, 0.68%, 0.5%

LAB 81.34, -14.73, 75.12

 

CMYK 0 / 25 / 81 / 16

HEX #D6A029

RGB 214 160 41

HSL 41.27, 0.68%, 0.5%

LAB 69.18, 9.71, 64.53

 

CMYK 0 / 47 / 81 / 16

HEX #D67129

RGB 214 113 41

HSL 24.97, 0.68%, 0.5%

LAB 58.29, 34.85, 54.72

 

CMYK 40 / 0 / 81 / 16

HEX #80D629

RGB 128 214 41

HSL 89.83, 0.68%, 0.5%

LAB 77.78, -51.58, 69.86

 

CMYK 62 / 0 / 81 / 16

HEX #51D629

RGB 81 214 41

HSL 106.13, 0.68%, 0.5%

LAB 76.07, -64.8, 67.67

 

CMYK 81 / 0 / 78 / 16

HEX #29D62F

RGB 41 214 47

HSL 122.08, 0.68%, 0.5%

LAB 75.31, -71.2, 64.96

 

CMYK 81 / 0 / 56 / 16

HEX #29D65E

RGB 41 214 94

HSL 138.38, 0.68%, 0.5%

LAB 75.68, -66.58, 46.91

 

CMYK 81 / 0 / 34 / 16

HEX #29D68D

RGB 41 214 141

HSL 154.68, 0.68%, 0.5%

LAB 76.37, -58.58, 24.4

 

CMYK 40 / 0 / 81 / 16

HEX #80D629

RGB 128 214 41

HSL 89.83, 0.68%, 0.5%

LAB 77.78, -51.58, 69.86

 

CMYK 46 / 0 / 91 / 8

HEX #80EB14

RGB 128 235 20

HSL 89.86, 0.84%, 0.5%

LAB 84, -60.31, 79.3

 

CMYK 40 / 0 / 81 / 16

HEX #80D629

RGB 128 214 41

HSL 89.83, 0.68%, 0.5%

LAB 77.78, -51.58, 69.86

 

CMYK 34 / 0 / 69 / 24

HEX #80C23D

RGB 128 194 61

HSL 89.77, 0.52%, 0.5%

LAB 71.9, -42.13, 57.61

 

CMYK 26 / 0 / 53 / 32

HEX #80AD52

RGB 128 173 82

HSL 89.67, 0.36%, 0.5%

LAB 65.82, -30.73, 41.53

 

CMYK 16 / 0 / 32 / 40

HEX #809867

RGB 128 152 103

HSL 89.39, 0.19%, 0.5%

LAB 59.91, -17.54, 23.08

 

CMYK 3 / 0 / 7 / 48

HEX #80847B

RGB 128 132 123

HSL 86.67, 0.04%, 0.5%

LAB 54.58, -3.25, 4.34

 

CMYK 0 / 4 / 81 / 16

HEX #D6CE29

RGB 214 206 41

HSL 57.23, 0.68%, 0.5%

LAB 81.07, -14.23, 74.89

 

CMYK 17 / 0 / 81 / 16

HEX #B1D629

RGB 177 214 41

HSL 72.83, 0.68%, 0.5%

LAB 80.52, -33.44, 73.34

 

CMYK 39 / 0 / 81 / 16

HEX #82D629

RGB 130 214 41

HSL 89.13, 0.68%, 0.5%

LAB 77.87, -50.91, 69.98

 

CMYK 61 / 0 / 81 / 16

HEX #54D629

RGB 84 214 41

HSL 105.09, 0.68%, 0.5%

LAB 76.15, -64.12, 67.77

 

CMYK 81 / 0 / 79 / 16

HEX #29D62C

RGB 41 214 44

HSL 121.04, 0.68%, 0.5%

LAB 75.29, -71.38, 65.83

 

CMYK 40 / 0 / 81 / 43

HEX #57911C

RGB 87 145 28

HSL 89.74, 0.68%, 0.34%

LAB 54.41, -37.77, 51.42

 

CMYK 41 / 0 / 81 / 29

HEX #6BB422

RGB 107 180 34

HSL 90, 0.68%, 0.42%

LAB 66.43, -45.21, 61.08

 

CMYK 40 / 0 / 81 / 16

HEX #80D629

RGB 128 214 41

HSL 89.83, 0.68%, 0.5%

LAB 77.78, -51.58, 69.86

 

CMYK 33 / 0 / 66 / 13

HEX #95DD4B

RGB 149 221 75

HSL 89.59, 0.68%, 0.58%

LAB 81.08, -45.24, 62.08

 

CMYK 26 / 0 / 52 / 11

HEX #A9E36E

RGB 169 227 110

HSL 89.74, 0.68%, 0.66%

LAB 84.22, -37.61, 50.75

 

CMYK 40 / 0 / 80 / 16

HEX #81D62B

RGB 129 214 43

HSL 89.82, 0.68%, 0.5%

LAB 77.84, -51.15, 69.39

 

CMYK 81 / 0 / 26 / 16

HEX #29D69F

RGB 41 214 159

HSL 160.92, 0.68%, 0.5%

LAB 76.72, -54.67, 15.42

 

CMYK 0 / 81 / 7 / 16

HEX #D629C8

RGB 214 41 200

HSL 304.86, 0.68%, 0.5%

LAB 51.9, 78.73, -43.62

 

CMYK 40 / 0 / 80 / 16

HEX #81D62B

RGB 129 214 43

HSL 89.82, 0.68%, 0.5%

LAB 77.84, -51.15, 69.39

 

CMYK 81 / 39 / 0 / 16

HEX #2982D6

RGB 41 130 214

HSL 209.13, 0.68%, 0.5%

LAB 53.27, 3.87, -50.36

 

CMYK 0 / 81 / 39 / 16

HEX #D62982

RGB 214 41 130

HSL 329.13, 0.68%, 0.5%

LAB 48.88, 70.19, -6.87

 

CMYK 40 / 0 / 80 / 16

HEX #81D62B

RGB 129 214 43

HSL 89.82, 0.68%, 0.5%

LAB 77.84, -51.15, 69.39

 

CMYK 81 / 0 / 26 / 16

HEX #29D69F

RGB 41 214 159

HSL 160.92, 0.68%, 0.5%

LAB 76.72, -54.67, 15.42

 

CMYK 42 / 81 / 0 / 16

HEX #7D29D6

RGB 125 41 214

HSL 269.13, 0.68%, 0.5%

LAB 39.24, 66, -72.79

 

CMYK 0 / 81 / 55 / 16

HEX #D62960

RGB 214 41 96

HSL 340.92, 0.68%, 0.5%

LAB 47.91, 67.33, 12.53

 

CMYK 40 / 0 / 80 / 16

HEX #81D62B

RGB 129 214 43

HSL 89.82, 0.68%, 0.5%

LAB 77.84, -51.15, 69.39

 

CMYK 81 / 0 / 1 / 16

HEX #29D6D3

RGB 41 214 211

HSL 178.96, 0.68%, 0.5%

LAB 78.03, -41.16, -10.47

 

CMYK 42 / 81 / 0 / 16

HEX #7D29D6

RGB 125 41 214

HSL 269.13, 0.68%, 0.5%

LAB 39.24, 66, -72.79

 

CMYK 0 / 81 / 79 / 16

HEX #D6292C

RGB 214 41 44

HSL 358.96, 0.68%, 0.5%

LAB 47.06, 64.72, 42.48

 

Description

Color code: HEX #81D62B | qconv.com Color code: HEX #81D62B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 214 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 214 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 80 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 80% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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