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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81CF3C it is the complementary color #7E30C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81CF3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81CF3C shade: #86CF37, #97E14A, #A8F35D, #B9FF70 and #CAFF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81CF3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81CF3C shade: #81CF3C, #70BD29, #5FAB16, #4E9903 and #3D8700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81CF3C shade: #80CE3B, #A7CE3B, #CECC3B, #CEA53B and #CE7D3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81CF3C shade: #80CE3B, #58CE3B, #3BCE45, #3BCE6D and #3BCE94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81CF3C shade matches the following richer shades: #80CE3B, #7EE127 and #7DF513

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81CF3C shade: #80CE3B, #81BA4E, #82A662, #839276 and #847E8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81CF3C shade: #CECB3B, #A9CE3B, #82CE3B, #5ACE3B and #3BCE42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81CF3C shade: #579224, #6BB32C, #80CE3B, #95D65C and #AADE7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81CF3C shade: #81CF3C, #3BCEA4 and #CE3BBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81CF3C shade: #81CF3C, #3B82CE and #CE3B82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81CF3C shade: #81CF3C, #3BCEA4, #873BCE and #CE3B64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81CF3C shade: #81CF3C, #3BCBCE, #873BCE and #CE3D3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 71 / 19

HEX #81CF3C

RGB 129 207 60

HSL 91.84, 0.6%, 0.52%

LAB 75.83, -47.35, 62.03

 

Complementary color

CMYK 35 / 75 / 0 / 24

HEX #7E30C3

RGB 126 48 195

HSL 271.84, 0.6%, 0.48%

LAB 38.71, 59.15, -62.63

 

CMYK 35 / 0 / 73 / 19

HEX #86CF37

RGB 134 207 55

HSL 88.82, 0.61%, 0.51%

LAB 76.05, -45.94, 64.09

 

CMYK 33 / 0 / 67 / 12

HEX #97E14A

RGB 151 225 74

HSL 89.4, 0.72%, 0.59%

LAB 82.34, -46.31, 63.83

 

CMYK 31 / 0 / 62 / 5

HEX #A8F35D

RGB 168 243 93

HSL 90, 0.86%, 0.66%

LAB 88.55, -46.55, 63.18

 

CMYK 27 / 0 / 56 / 0

HEX #B9FF70

RGB 185 255 112

HSL 89.37, 1%, 0.72%

LAB 93.02, -44.12, 60.39

 

CMYK 21 / 0 / 49 / 0

HEX #CAFF83

RGB 202 255 131

HSL 85.65, 1%, 0.76%

LAB 94.19, -36.23, 53.46

 

CMYK 38 / 0 / 71 / 19

HEX #81CF3C

RGB 129 207 60

HSL 91.84, 0.6%, 0.52%

LAB 75.83, -47.35, 62.03

 

CMYK 41 / 0 / 78 / 26

HEX #70BD29

RGB 112 189 41

HSL 91.22, 0.64%, 0.45%

LAB 69.47, -46.85, 61.93

 

CMYK 44 / 0 / 87 / 33

HEX #5FAB16

RGB 95 171 22

HSL 90.6, 0.77%, 0.38%

LAB 63.02, -46.1, 60.83

 

CMYK 49 / 0 / 98 / 40

HEX #4E9903

RGB 78 153 3

HSL 90, 0.96%, 0.31%

LAB 56.49, -45.01, 58.34

 

CMYK 55 / 0 / 100 / 47

HEX #3D8700

RGB 61 135 0

HSL 92.89, 1%, 0.26%

LAB 49.88, -43.39, 53.33

 

CMYK 38 / 0 / 71 / 19

HEX #80CE3B

RGB 128 206 59

HSL 91.84, 0.6%, 0.52%

LAB 75.48, -47.34, 62.02

 

CMYK 19 / 0 / 71 / 19

HEX #A7CE3B

RGB 167 206 59

HSL 75.92, 0.6%, 0.52%

LAB 77.68, -32.9, 64.94

 

CMYK 0 / 1 / 71 / 19

HEX #CECC3B

RGB 206 204 59

HSL 59.18, 0.6%, 0.52%

LAB 79.97, -15.93, 68.14

 

CMYK 0 / 20 / 71 / 19

HEX #CEA53B

RGB 206 165 59

HSL 43.27, 0.6%, 0.52%

LAB 69.72, 4.28, 58.06

 

CMYK 0 / 39 / 71 / 19

HEX #CE7D3B

RGB 206 125 59

HSL 26.94, 0.6%, 0.52%

LAB 59.98, 25.94, 47.97

 

CMYK 38 / 0 / 71 / 19

HEX #80CE3B

RGB 128 206 59

HSL 91.84, 0.6%, 0.52%

LAB 75.48, -47.34, 62.02

 

CMYK 57 / 0 / 71 / 19

HEX #58CE3B

RGB 88 206 59

HSL 108.16, 0.6%, 0.52%

LAB 73.89, -59.24, 59.89

 

CMYK 71 / 0 / 67 / 19

HEX #3BCE45

RGB 59 206 69

HSL 124.08, 0.6%, 0.52%

LAB 73.22, -64.43, 55.1

 

CMYK 71 / 0 / 47 / 19

HEX #3BCE6D

RGB 59 206 109

HSL 140.41, 0.6%, 0.52%

LAB 73.66, -59.27, 37.27

 

CMYK 71 / 0 / 28 / 19

HEX #3BCE94

RGB 59 206 148

HSL 156.33, 0.6%, 0.52%

LAB 74.32, -51.87, 17.96

 

CMYK 38 / 0 / 71 / 19

HEX #80CE3B

RGB 128 206 59

HSL 91.84, 0.6%, 0.52%

LAB 75.48, -47.34, 62.02

 

CMYK 44 / 0 / 83 / 12

HEX #7EE127

RGB 126 225 39

HSL 91.94, 0.76%, 0.52%

LAB 80.98, -56.6, 73.2

 

CMYK 49 / 0 / 92 / 4

HEX #7DF513

RGB 125 245 19

HSL 91.86, 0.92%, 0.52%

LAB 86.86, -64.85, 81.72

 

CMYK 38 / 0 / 71 / 19

HEX #80CE3B

RGB 128 206 59

HSL 91.84, 0.6%, 0.52%

LAB 75.48, -47.34, 62.02

 

CMYK 31 / 0 / 58 / 27

HEX #81BA4E

RGB 129 186 78

HSL 91.67, 0.44%, 0.52%

LAB 69.71, -36.79, 48

 

CMYK 22 / 0 / 41 / 35

HEX #82A662

RGB 130 166 98

HSL 91.76, 0.28%, 0.52%

LAB 64.08, -24.61, 31.26

 

CMYK 10 / 0 / 19 / 43

HEX #839276

RGB 131 146 118

HSL 92.14, 0.11%, 0.52%

LAB 58.69, -10.76, 13.06

 

CMYK 4 / 9 / 0 / 46

HEX #847E8A

RGB 132 126 138

HSL 270, 0.05%, 0.52%

LAB 53.67, 4.67, -5.67

 

CMYK 0 / 1 / 71 / 19

HEX #CECB3B

RGB 206 203 59

HSL 58.78, 0.6%, 0.52%

LAB 79.7, -15.43, 67.88

 

CMYK 18 / 0 / 71 / 19

HEX #A9CE3B

RGB 169 206 59

HSL 75.1, 0.6%, 0.52%

LAB 77.81, -32.11, 65.12

 

CMYK 37 / 0 / 71 / 19

HEX #82CE3B

RGB 130 206 59

HSL 91.02, 0.6%, 0.52%

LAB 75.58, -46.66, 62.15

 

CMYK 56 / 0 / 71 / 19

HEX #5ACE3B

RGB 90 206 59

HSL 107.35, 0.6%, 0.52%

LAB 73.95, -58.74, 59.98

 

CMYK 71 / 0 / 68 / 19

HEX #3BCE42

RGB 59 206 66

HSL 122.86, 0.6%, 0.52%

LAB 73.2, -64.72, 56.28

 

CMYK 40 / 0 / 75 / 43

HEX #579224

RGB 87 146 36

HSL 92.18, 0.6%, 0.36%

LAB 54.77, -37.72, 49.06

 

CMYK 40 / 0 / 75 / 30

HEX #6BB32C

RGB 107 179 44

HSL 92, 0.61%, 0.44%

LAB 66.17, -44.26, 57.73

 

CMYK 38 / 0 / 71 / 19

HEX #80CE3B

RGB 128 206 59

HSL 91.84, 0.6%, 0.52%

LAB 75.48, -47.34, 62.02

 

CMYK 30 / 0 / 57 / 16

HEX #95D65C

RGB 149 214 92

HSL 91.97, 0.6%, 0.6%

LAB 79.19, -40.75, 52.81

 

CMYK 23 / 0 / 44 / 13

HEX #AADE7D

RGB 170 222 125

HSL 92.16, 0.6%, 0.68%

LAB 83.06, -33.27, 42.14

 

CMYK 38 / 0 / 71 / 19

HEX #81CF3C

RGB 129 207 60

HSL 91.84, 0.6%, 0.52%

LAB 75.83, -47.35, 62.03

 

CMYK 71 / 0 / 20 / 19

HEX #3BCEA4

RGB 59 206 164

HSL 162.86, 0.6%, 0.52%

LAB 74.67, -48.22, 9.9

 

CMYK 0 / 71 / 9 / 19

HEX #CE3BBC

RGB 206 59 188

HSL 307.35, 0.6%, 0.52%

LAB 51.7, 70.26, -37.07

 

CMYK 38 / 0 / 71 / 19

HEX #81CF3C

RGB 129 207 60

HSL 91.84, 0.6%, 0.52%

LAB 75.83, -47.35, 62.03

 

CMYK 71 / 37 / 0 / 19

HEX #3B82CE

RGB 59 130 206

HSL 211.02, 0.6%, 0.52%

LAB 53.33, 3.08, -45.71

 

CMYK 0 / 71 / 37 / 19

HEX #CE3B82

RGB 206 59 130

HSL 331.02, 0.6%, 0.52%

LAB 49.33, 62.76, -6.36

 

CMYK 38 / 0 / 71 / 19

HEX #81CF3C

RGB 129 207 60

HSL 91.84, 0.6%, 0.52%

LAB 75.83, -47.35, 62.03

 

CMYK 71 / 0 / 20 / 19

HEX #3BCEA4

RGB 59 206 164

HSL 162.86, 0.6%, 0.52%

LAB 74.67, -48.22, 9.9

 

CMYK 34 / 71 / 0 / 19

HEX #873BCE

RGB 135 59 206

HSL 271.02, 0.6%, 0.52%

LAB 42.36, 58.64, -63.03

 

CMYK 0 / 71 / 51 / 19

HEX #CE3B64

RGB 206 59 100

HSL 343.27, 0.6%, 0.52%

LAB 48.47, 59.93, 10.64

 

CMYK 38 / 0 / 71 / 19

HEX #81CF3C

RGB 129 207 60

HSL 91.84, 0.6%, 0.52%

LAB 75.83, -47.35, 62.03

 

CMYK 71 / 1 / 0 / 19

HEX #3BCBCE

RGB 59 203 206

HSL 181.22, 0.6%, 0.52%

LAB 74.89, -35.78, -12.45

 

CMYK 34 / 71 / 0 / 19

HEX #873BCE

RGB 135 59 206

HSL 271.02, 0.6%, 0.52%

LAB 42.36, 58.64, -63.03

 

CMYK 0 / 70 / 71 / 19

HEX #CE3D3B

RGB 206 61 59

HSL 0.82, 0.6%, 0.52%

LAB 47.98, 56.59, 34.6

 

Description

Color code: HEX #81CF3C | qconv.com Color code: HEX #81CF3C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 207 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 207 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 71 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 71% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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