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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81CC4A it is the complementary color #7E33B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81CC4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81CC4A shade: #86CC45, #97DE58, #A8F06B, #B9FF7E and #CAFF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81CC4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81CC4A shade: #81CC4A, #70BA37, #5FA824, #4E9611 and #3D8400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81CC4A shade: #82CD4C, #A5CD4C, #C8CD4C, #CDAF4C and #CD8C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81CC4A shade: #82CD4C, #60CD4C, #4CCD5B, #4CCD7E and #4CCDA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81CC4A shade matches the following richer shades: #82CD4C, #7FDF39 and #7DF227

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81CC4A shade: #82CD4C, #85BA5F, #88A771, #8B9584 and #8E8296

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81CC4A shade: #C8CD4C, #A6CD4C, #84CD4C, #61CD4C and #4CCD59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81CC4A shade: #5A9A2C, #6DBB35, #82CD4C, #99D66C and #AFDF8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81CC4A shade: #81CC4A, #4CCDAF and #CD4CB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81CC4A shade: #81CC4A, #4C84CD and #CD4C84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81CC4A shade: #81CC4A, #4CCDAF, #954CCD and #CD4C6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81CC4A shade: #81CC4A, #4CC4CD, #954CCD and #CD554C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 64 / 20

HEX #81CC4A

RGB 129 204 74

HSL 94.62, 0.56%, 0.55%

LAB 75.04, -45.02, 55.71

 

Complementary color

CMYK 30 / 72 / 0 / 29

HEX #7E33B5

RGB 126 51 181

HSL 274.62, 0.56%, 0.45%

LAB 38.09, 54.66, -55.4

 

CMYK 34 / 0 / 66 / 20

HEX #86CC45

RGB 134 204 69

HSL 91.11, 0.57%, 0.54%

LAB 75.25, -43.7, 58.07

 

CMYK 32 / 0 / 60 / 13

HEX #97DE58

RGB 151 222 88

HSL 91.79, 0.67%, 0.61%

LAB 81.58, -43.91, 57.31

 

CMYK 30 / 0 / 55 / 6

HEX #A8F06B

RGB 168 240 107

HSL 92.48, 0.82%, 0.68%

LAB 87.83, -44, 56.35

 

CMYK 27 / 0 / 51 / 0

HEX #B9FF7E

RGB 185 255 126

HSL 92.56, 1%, 0.75%

LAB 93.16, -42.73, 54.3

 

CMYK 21 / 0 / 43 / 0

HEX #CAFF91

RGB 202 255 145

HSL 88.91, 1%, 0.78%

LAB 94.36, -34.68, 47.08

 

CMYK 37 / 0 / 64 / 20

HEX #81CC4A

RGB 129 204 74

HSL 94.62, 0.56%, 0.55%

LAB 75.04, -45.02, 55.71

 

CMYK 40 / 0 / 70 / 27

HEX #70BA37

RGB 112 186 55

HSL 93.89, 0.54%, 0.47%

LAB 68.63, -44.74, 56.3

 

CMYK 43 / 0 / 79 / 34

HEX #5FA824

RGB 95 168 36

HSL 93.18, 0.65%, 0.4%

LAB 62.14, -44.25, 56.3

 

CMYK 48 / 0 / 89 / 41

HEX #4E9611

RGB 78 150 17

HSL 92.48, 0.8%, 0.33%

LAB 55.56, -43.44, 55.18

 

CMYK 54 / 0 / 100 / 48

HEX #3D8400

RGB 61 132 0

HSL 92.27, 1%, 0.26%

LAB 48.88, -42.23, 52.54

 

CMYK 37 / 0 / 63 / 20

HEX #82CD4C

RGB 130 205 76

HSL 94.88, 0.56%, 0.55%

LAB 75.41, -44.93, 55.29

 

CMYK 20 / 0 / 63 / 20

HEX #A5CD4C

RGB 165 205 76

HSL 78.6, 0.56%, 0.55%

LAB 77.39, -32.11, 58.02

 

CMYK 2 / 0 / 63 / 20

HEX #C8CD4C

RGB 200 205 76

HSL 62.33, 0.56%, 0.55%

LAB 79.88, -18, 61.42

 

CMYK 0 / 15 / 63 / 20

HEX #CDAF4C

RGB 205 175 76

HSL 46.05, 0.56%, 0.55%

LAB 72.34, -0.49, 53.42

 

CMYK 0 / 32 / 63 / 20

HEX #CD8C4C

RGB 205 140 76

HSL 29.77, 0.56%, 0.55%

LAB 63.55, 18.38, 43.53

 

CMYK 37 / 0 / 63 / 20

HEX #82CD4C

RGB 130 205 76

HSL 94.88, 0.56%, 0.55%

LAB 75.41, -44.93, 55.29

 

CMYK 53 / 0 / 63 / 20

HEX #60CD4C

RGB 96 205 76

HSL 110.7, 0.56%, 0.55%

LAB 73.98, -55.31, 53.3

 

CMYK 63 / 0 / 56 / 20

HEX #4CCD5B

RGB 76 205 91

HSL 126.98, 0.56%, 0.55%

LAB 73.52, -58.38, 45.89

 

CMYK 63 / 0 / 39 / 20

HEX #4CCD7E

RGB 76 205 126

HSL 143.26, 0.56%, 0.55%

LAB 74, -52.97, 29.14

 

CMYK 63 / 0 / 22 / 20

HEX #4CCDA0

RGB 76 205 160

HSL 159.07, 0.56%, 0.55%

LAB 74.66, -46.02, 12.09

 

CMYK 37 / 0 / 63 / 20

HEX #82CD4C

RGB 130 205 76

HSL 94.88, 0.56%, 0.55%

LAB 75.41, -44.93, 55.29

 

CMYK 43 / 0 / 74 / 13

HEX #7FDF39

RGB 127 223 57

HSL 94.7, 0.72%, 0.55%

LAB 80.51, -54.62, 67.67

 

CMYK 48 / 0 / 84 / 5

HEX #7DF227

RGB 125 242 39

HSL 94.58, 0.89%, 0.55%

LAB 86.01, -63.22, 77.63

 

CMYK 37 / 0 / 63 / 20

HEX #82CD4C

RGB 130 205 76

HSL 94.88, 0.56%, 0.55%

LAB 75.41, -44.93, 55.29

 

CMYK 28 / 0 / 49 / 27

HEX #85BA5F

RGB 133 186 95

HSL 94.95, 0.4%, 0.55%

LAB 70.13, -33.48, 40.42

 

CMYK 19 / 0 / 32 / 35

HEX #88A771

RGB 136 167 113

HSL 94.44, 0.23%, 0.55%

LAB 65.01, -20.7, 24.53

 

CMYK 7 / 0 / 11 / 42

HEX #8B9584

RGB 139 149 132

HSL 95.29, 0.07%, 0.55%

LAB 60.47, -6.89, 7.75

 

CMYK 5 / 13 / 0 / 41

HEX #8E8296

RGB 142 130 150

HSL 276, 0.09%, 0.55%

LAB 56.01, 8.46, -9.06

 

CMYK 2 / 0 / 63 / 20

HEX #C8CD4C

RGB 200 205 76

HSL 62.33, 0.56%, 0.55%

LAB 79.88, -18, 61.42

 

CMYK 19 / 0 / 63 / 20

HEX #A6CD4C

RGB 166 205 76

HSL 78.14, 0.56%, 0.55%

LAB 77.45, -31.72, 58.11

 

CMYK 36 / 0 / 63 / 20

HEX #84CD4C

RGB 132 205 76

HSL 93.95, 0.56%, 0.55%

LAB 75.51, -44.25, 55.42

 

CMYK 53 / 0 / 63 / 20

HEX #61CD4C

RGB 97 205 76

HSL 110.23, 0.56%, 0.55%

LAB 74.01, -55.04, 53.35

 

CMYK 63 / 0 / 57 / 20

HEX #4CCD59

RGB 76 205 89

HSL 126.05, 0.56%, 0.55%

LAB 73.49, -58.64, 46.79

 

CMYK 42 / 0 / 71 / 40

HEX #5A9A2C

RGB 90 154 44

HSL 94.91, 0.56%, 0.39%

LAB 57.53, -39.55, 48.83

 

CMYK 42 / 0 / 72 / 27

HEX #6DBB35

RGB 109 187 53

HSL 94.93, 0.56%, 0.47%

LAB 68.79, -46.3, 57.16

 

CMYK 37 / 0 / 63 / 20

HEX #82CD4C

RGB 130 205 76

HSL 94.88, 0.56%, 0.55%

LAB 75.41, -44.93, 55.29

 

CMYK 29 / 0 / 50 / 16

HEX #99D66C

RGB 153 214 108

HSL 94.53, 0.56%, 0.63%

LAB 79.58, -37.65, 45.89

 

CMYK 22 / 0 / 37 / 13

HEX #AFDF8C

RGB 175 223 140

HSL 94.7, 0.56%, 0.71%

LAB 83.85, -30.03, 35.75

 

CMYK 37 / 0 / 64 / 20

HEX #81CC4A

RGB 129 204 74

HSL 94.62, 0.56%, 0.55%

LAB 75.04, -45.02, 55.71

 

CMYK 63 / 0 / 15 / 20

HEX #4CCDAF

RGB 76 205 175

HSL 166.05, 0.56%, 0.55%

LAB 75.01, -42.47, 4.53

 

CMYK 0 / 63 / 11 / 20

HEX #CD4CB7

RGB 205 76 183

HSL 310.23, 0.56%, 0.55%

LAB 53.56, 62.95, -31.26

 

CMYK 37 / 0 / 64 / 20

HEX #81CC4A

RGB 129 204 74

HSL 94.62, 0.56%, 0.55%

LAB 75.04, -45.02, 55.71

 

CMYK 63 / 36 / 0 / 20

HEX #4C84CD

RGB 76 132 205

HSL 213.95, 0.56%, 0.55%

LAB 54.5, 4.29, -43.25

 

CMYK 0 / 63 / 36 / 20

HEX #CD4C84

RGB 205 76 132

HSL 333.95, 0.56%, 0.55%

LAB 51.63, 56.08, -4.17

 

CMYK 37 / 0 / 64 / 20

HEX #81CC4A

RGB 129 204 74

HSL 94.62, 0.56%, 0.55%

LAB 75.04, -45.02, 55.71

 

CMYK 63 / 0 / 15 / 20

HEX #4CCDAF

RGB 76 205 175

HSL 166.05, 0.56%, 0.55%

LAB 75.01, -42.47, 4.53

 

CMYK 27 / 63 / 0 / 20

HEX #954CCD

RGB 149 76 205

HSL 273.95, 0.56%, 0.55%

LAB 46.93, 53.32, -54.98

 

CMYK 0 / 63 / 48 / 20

HEX #CD4C6A

RGB 205 76 106

HSL 346.05, 0.56%, 0.55%

LAB 50.91, 53.41, 10.39

 

CMYK 37 / 0 / 64 / 20

HEX #81CC4A

RGB 129 204 74

HSL 94.62, 0.56%, 0.55%

LAB 75.04, -45.02, 55.71

 

CMYK 63 / 4 / 0 / 20

HEX #4CC4CD

RGB 76 196 205

HSL 184.19, 0.56%, 0.55%

LAB 73.17, -30.33, -14.44

 

CMYK 27 / 63 / 0 / 20

HEX #954CCD

RGB 149 76 205

HSL 273.95, 0.56%, 0.55%

LAB 46.93, 53.32, -54.98

 

CMYK 0 / 59 / 63 / 20

HEX #CD554C

RGB 205 85 76

HSL 4.19, 0.56%, 0.55%

LAB 51.83, 47.02, 29.42

 

Description

Color code: HEX #81CC4A | qconv.com Color code: HEX #81CC4A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 204 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 204 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 64 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 64% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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