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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81BE29 it is the complementary color #7E41D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81BE29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81BE29 shade: #86BE24, #97D037, #A8E24A, #B9F45D and #CAFF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81BE29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81BE29 shade: #81BE29, #70AC16, #5F9A03, #4E8800 and #3D7600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81BE29 shade: #80BD28, #A9BD28, #BDAA28, #BD8228 and #BD5928

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81BE29 shade: #80BD28, #58BD28, #30BD28, #28BD49 and #28BD71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81BE29 shade matches the following richer shades: #80BD28, #84D016 and #87E203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81BE29 shade: #80BD28, #7DAB3B, #7A984D, #768660 and #737372

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81BE29 shade: #BDA928, #A9BD28, #82BD28, #5ABD28 and #32BD28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81BE29 shade: #52791A, #699B21, #80BD28, #95D53A and #A8DC5C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81BE29 shade: #81BE29, #28BD82 and #BD28BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81BE29 shade: #81BE29, #2882BD and #BD2882

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81BE29 shade: #81BE29, #28BD82, #6428BD and #BD2864

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81BE29 shade: #81BE29, #28BDAE, #6428BD and #BD2837

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 78 / 25

HEX #81BE29

RGB 129 190 41

HSL 84.56, 0.65%, 0.45%

LAB 70.63, -41.25, 63.32

 

Complementary color

CMYK 41 / 70 / 0 / 16

HEX #7E41D6

RGB 126 65 214

HSL 264.56, 0.65%, 0.55%

LAB 42.87, 56.16, -66.86

 

CMYK 29 / 0 / 81 / 25

HEX #86BE24

RGB 134 190 36

HSL 81.82, 0.68%, 0.44%

LAB 70.89, -39.6, 65.09

 

CMYK 27 / 0 / 74 / 18

HEX #97D037

RGB 151 208 55

HSL 82.35, 0.62%, 0.52%

LAB 77.26, -40.2, 65.58

 

CMYK 26 / 0 / 67 / 11

HEX #A8E24A

RGB 168 226 74

HSL 82.89, 0.72%, 0.59%

LAB 83.55, -40.63, 65.38

 

CMYK 24 / 0 / 62 / 4

HEX #B9F45D

RGB 185 244 93

HSL 83.44, 0.87%, 0.66%

LAB 89.77, -40.93, 64.78

 

CMYK 21 / 0 / 56 / 0

HEX #CAFF70

RGB 202 255 112

HSL 82.24, 1%, 0.72%

LAB 93.99, -38.04, 61.76

 

CMYK 32 / 0 / 78 / 25

HEX #81BE29

RGB 129 190 41

HSL 84.56, 0.65%, 0.45%

LAB 70.63, -41.25, 63.32

 

CMYK 35 / 0 / 87 / 33

HEX #70AC16

RGB 112 172 22

HSL 84, 0.77%, 0.38%

LAB 64.17, -40.52, 62.14

 

CMYK 38 / 0 / 98 / 40

HEX #5F9A03

RGB 95 154 3

HSL 83.44, 0.96%, 0.31%

LAB 57.61, -39.53, 59.55

 

CMYK 43 / 0 / 100 / 47

HEX #4E8800

RGB 78 136 0

HSL 85.59, 1%, 0.27%

LAB 50.95, -38.13, 54.49

 

CMYK 48 / 0 / 100 / 54

HEX #3D7600

RGB 61 118 0

HSL 88.98, 1%, 0.23%

LAB 44.16, -36.57, 48.84

 

CMYK 32 / 0 / 79 / 26

HEX #80BD28

RGB 128 189 40

HSL 84.56, 0.65%, 0.45%

LAB 70.27, -41.23, 63.27

 

CMYK 11 / 0 / 79 / 26

HEX #A9BD28

RGB 169 189 40

HSL 68.05, 0.65%, 0.45%

LAB 72.88, -24.92, 66.61

 

CMYK 0 / 10 / 79 / 26

HEX #BDAA28

RGB 189 170 40

HSL 52.35, 0.65%, 0.45%

LAB 69.27, -6.64, 63.99

 

CMYK 0 / 31 / 79 / 26

HEX #BD8228

RGB 189 130 40

HSL 36.24, 0.65%, 0.45%

LAB 58.92, 15.05, 54.52

 

CMYK 0 / 53 / 79 / 26

HEX #BD5928

RGB 189 89 40

HSL 19.73, 0.65%, 0.45%

LAB 49.64, 37.19, 45.65

 

CMYK 32 / 0 / 79 / 26

HEX #80BD28

RGB 128 189 40

HSL 84.56, 0.65%, 0.45%

LAB 70.27, -41.23, 63.27

 

CMYK 53 / 0 / 79 / 26

HEX #58BD28

RGB 88 189 40

HSL 100.67, 0.65%, 0.45%

LAB 68.48, -54.34, 60.95

 

CMYK 75 / 0 / 79 / 26

HEX #30BD28

RGB 48 189 40

HSL 116.78, 0.65%, 0.45%

LAB 67.41, -63.13, 59.56

 

CMYK 79 / 0 / 61 / 26

HEX #28BD49

RGB 40 189 73

HSL 133.29, 0.65%, 0.45%

LAB 67.52, -61.25, 46.96

 

CMYK 79 / 0 / 40 / 26

HEX #28BD71

RGB 40 189 113

HSL 149.4, 0.65%, 0.45%

LAB 68.05, -55.04, 27.9

 

CMYK 32 / 0 / 79 / 26

HEX #80BD28

RGB 128 189 40

HSL 84.56, 0.65%, 0.45%

LAB 70.27, -41.23, 63.27

 

CMYK 37 / 0 / 89 / 18

HEX #84D016

RGB 132 208 22

HSL 84.52, 0.81%, 0.45%

LAB 76.12, -48.43, 72.59

 

CMYK 40 / 0 / 99 / 11

HEX #87E203

RGB 135 226 3

HSL 84.48, 0.97%, 0.45%

LAB 81.59, -54.91, 79.19

 

CMYK 32 / 0 / 79 / 26

HEX #80BD28

RGB 128 189 40

HSL 84.56, 0.65%, 0.45%

LAB 70.27, -41.23, 63.27

 

CMYK 27 / 0 / 65 / 33

HEX #7DAB3B

RGB 125 171 59

HSL 84.64, 0.49%, 0.45%

LAB 64.8, -33.1, 50.9

 

CMYK 20 / 0 / 49 / 40

HEX #7A984D

RGB 122 152 77

HSL 84, 0.33%, 0.45%

LAB 59.09, -23.37, 35.84

 

CMYK 12 / 0 / 28 / 47

HEX #768660

RGB 118 134 96

HSL 85.26, 0.17%, 0.45%

LAB 53.76, -12.97, 18.59

 

CMYK 0 / 0 / 1 / 55

HEX #737372

RGB 115 115 114

HSL 60, 0%, 0.45%

LAB 48.41, -0.2, 0.55

 

CMYK 0 / 11 / 79 / 26

HEX #BDA928

RGB 189 169 40

HSL 51.95, 0.65%, 0.45%

LAB 69, -6.12, 63.75

 

CMYK 11 / 0 / 79 / 26

HEX #A9BD28

RGB 169 189 40

HSL 68.05, 0.65%, 0.45%

LAB 72.88, -24.92, 66.61

 

CMYK 31 / 0 / 79 / 26

HEX #82BD28

RGB 130 189 40

HSL 83.76, 0.65%, 0.45%

LAB 70.38, -40.49, 63.41

 

CMYK 52 / 0 / 79 / 26

HEX #5ABD28

RGB 90 189 40

HSL 99.87, 0.65%, 0.45%

LAB 68.55, -53.78, 61.04

 

CMYK 74 / 0 / 79 / 26

HEX #32BD28

RGB 50 189 40

HSL 115.97, 0.65%, 0.45%

LAB 67.45, -62.8, 59.61

 

CMYK 32 / 0 / 79 / 53

HEX #52791A

RGB 82 121 26

HSL 84.63, 0.65%, 0.29%

LAB 46.37, -28.89, 44.41

 

CMYK 32 / 0 / 79 / 39

HEX #699B21

RGB 105 155 33

HSL 84.59, 0.65%, 0.37%

LAB 58.56, -35.2, 54.06

 

CMYK 32 / 0 / 79 / 26

HEX #80BD28

RGB 128 189 40

HSL 84.56, 0.65%, 0.45%

LAB 70.27, -41.23, 63.27

 

CMYK 30 / 0 / 73 / 16

HEX #95D53A

RGB 149 213 58

HSL 84.77, 0.65%, 0.53%

LAB 78.63, -42.95, 65.86

 

CMYK 24 / 0 / 58 / 14

HEX #A8DC5C

RGB 168 220 92

HSL 84.38, 0.65%, 0.61%

LAB 81.99, -36.55, 56.3

 

CMYK 32 / 0 / 78 / 25

HEX #81BE29

RGB 129 190 41

HSL 84.56, 0.65%, 0.45%

LAB 70.63, -41.25, 63.32

 

CMYK 79 / 0 / 31 / 26

HEX #28BD82

RGB 40 189 130

HSL 156.24, 0.65%, 0.45%

LAB 68.36, -51.57, 19.29

 

CMYK 0 / 79 / 0 / 26

HEX #BD28BD

RGB 189 40 189

HSL 300, 0.65%, 0.45%

LAB 46.99, 72.41, -45.29

 

CMYK 32 / 0 / 78 / 25

HEX #81BE29

RGB 129 190 41

HSL 84.56, 0.65%, 0.45%

LAB 70.63, -41.25, 63.32

 

CMYK 79 / 31 / 0 / 26

HEX #2882BD

RGB 40 130 189

HSL 203.76, 0.65%, 0.45%

LAB 51.94, -5.48, -38.26

 

CMYK 0 / 79 / 31 / 26

HEX #BD2882

RGB 189 40 130

HSL 323.76, 0.65%, 0.45%

LAB 44.16, 64.33, -14.44

 

CMYK 32 / 0 / 78 / 25

HEX #81BE29

RGB 129 190 41

HSL 84.56, 0.65%, 0.45%

LAB 70.63, -41.25, 63.32

 

CMYK 79 / 0 / 31 / 26

HEX #28BD82

RGB 40 189 130

HSL 156.24, 0.65%, 0.45%

LAB 68.36, -51.57, 19.29

 

CMYK 47 / 79 / 0 / 26

HEX #6428BD

RGB 100 40 189

HSL 264.16, 0.65%, 0.45%

LAB 33.78, 56.84, -67.31

 

CMYK 0 / 79 / 47 / 26

HEX #BD2864

RGB 189 40 100

HSL 335.84, 0.65%, 0.45%

LAB 43.15, 61.28, 2.62

 

CMYK 32 / 0 / 78 / 25

HEX #81BE29

RGB 129 190 41

HSL 84.56, 0.65%, 0.45%

LAB 70.63, -41.25, 63.32

 

CMYK 79 / 0 / 8 / 26

HEX #28BDAE

RGB 40 189 174

HSL 173.96, 0.65%, 0.45%

LAB 69.4, -40.59, -3.2

 

CMYK 47 / 79 / 0 / 26

HEX #6428BD

RGB 100 40 189

HSL 264.16, 0.65%, 0.45%

LAB 33.78, 56.84, -67.31

 

CMYK 0 / 79 / 71 / 26

HEX #BD2837

RGB 189 40 55

HSL 353.96, 0.65%, 0.45%

LAB 42.17, 58.26, 29.32

 

Description

Color code: HEX #81BE29 | qconv.com Color code: HEX #81BE29 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 190 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 190 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 78 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 78% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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