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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81B2F84C it is the complementary color #7E4D074C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81B2F84C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81B2F84C shade: #86B2F34C, #97C4FF4C, #A8D6FF4C, #B9E8FF4C and #CAFAFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81B2F84C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81B2F84C shade: #81B2F84C, #70A0E54C, #5F8ED24C, #4E7CBF4C and #3D6AAC4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81B2F84C shade: #82B2F8, #8292F8, #9182F8, #B182F8 and #D082F8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81B2F84C shade: #82B2F8, #8292F8 and #8282F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81B2F84C shade matches the following richer shades: #82B2F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81B2F84C shade: #82B2F8, #8CB4ED, #97B6E2, #A2B8D8 and #ADBACD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81B2F84C shade: #82F2F8, #82D2F8, #82B3F8, #8293F8 and #8F82F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81B2F84C shade: #3483F3, #5B9AF5, #82B2F8, #A9CAFA and #D0E2FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81B2F84C shade: #81B2F8, #DE82F8 and #E2F882

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81B2F84C shade: #81B2F8, #F882B3 and #B3F882

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81B2F84C shade: #81B2F8, #DE82F8, #F8C782 and #9BF882

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81B2F84C shade: #81B2F8, #F882EE, #F8C782 and #82F88C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 8 / 0 / 1

HEX #81B2F84C

RGBA 129 178 248 0.3

HSLA 215.29, 0.89%, 0.74%, 0.3

LABA 71.75, 2.36, -39.79, 0.3

 

Complementary color

CMYK 0 / 12 / 28 / 15

HEX #7E4D074C

RGBA 126 77 7 0.3

HSLA 35.29, 0.89%, 0.26%, 0.3

LABA 37.41, 15.63, 44.25, 0.3

 

CMYK 13 / 8 / 0 / 1

HEX #86B2F34C

RGBA 134 178 243 0.3

HSLA 215.78, 0.82%, 0.74%, 0.3

LABA 71.81, 2.12, -36.96, 0.3

 

CMYK 12 / 7 / 0 / 0

HEX #97C4FF4C

RGBA 151 196 255 0.3

HSLA 214.04, 1%, 0.8%, 0.3

LABA 78.04, -0.23, -33.7, 0.3

 

CMYK 10 / 5 / 0 / 0

HEX #A8D6FF4C

RGBA 168 214 255 0.3

HSLA 208.28, 1%, 0.83%, 0.3

LABA 83.78, -5.38, -24.82, 0.3

 

CMYK 8 / 3 / 0 / 0

HEX #B9E8FF4C

RGBA 185 232 255 0.3

HSLA 199.71, 1%, 0.86%, 0.3

LABA 89.51, -9.98, -16.06, 0.3

 

CMYK 6 / 1 / 0 / 0

HEX #CAFAFF4C

RGBA 202 250 255 0.3

HSLA 185.66, 1%, 0.9%, 0.3

LABA 95.22, -14.12, -7.44, 0.3

 

CMYK 14 / 8 / 0 / 1

HEX #81B2F84C

RGBA 129 178 248 0.3

HSLA 215.29, 0.89%, 0.74%, 0.3

LABA 71.75, 2.36, -39.79, 0.3

 

CMYK 15 / 9 / 0 / 3

HEX #70A0E54C

RGBA 112 160 229 0.3

HSLA 215.38, 0.69%, 0.67%, 0.3

LABA 65.16, 3.01, -39.78, 0.3

 

CMYK 16 / 10 / 0 / 5

HEX #5F8ED24C

RGBA 95 142 210 0.3

HSLA 215.48, 0.56%, 0.6%, 0.3

LABA 58.44, 3.8, -39.79, 0.3

 

CMYK 18 / 11 / 0 / 8

HEX #4E7CBF4C

RGBA 78 124 191 0.3

HSLA 215.58, 0.47%, 0.53%, 0.3

LABA 51.61, 4.76, -39.84, 0.3

 

CMYK 19 / 12 / 0 / 10

HEX #3D6AAC4C

RGBA 61 106 172 0.3

HSLA 215.68, 0.48%, 0.46%, 0.3

LABA 44.63, 5.98, -39.91, 0.3

 

CMYK 48 / 28 / 0 / 3

HEX #82B2F8

RGB 130 178 248

HSL 215.59, 0.89%, 0.74%

LAB 71.8, 2.59, -39.7

 

CMYK 48 / 41 / 0 / 3

HEX #8292F8

RGB 130 146 248

HSL 231.86, 0.89%, 0.74%

LAB 63.41, 20.91, -52.9

 

CMYK 42 / 48 / 0 / 3

HEX #9182F8

RGB 145 130 248

HSL 247.63, 0.89%, 0.74%

LAB 60.57, 33.72, -57.35

 

CMYK 29 / 48 / 0 / 3

HEX #B182F8

RGB 177 130 248

HSL 263.9, 0.89%, 0.74%

LAB 63.42, 41.69, -52.65

 

CMYK 16 / 48 / 0 / 3

HEX #D082F8

RGB 208 130 248

HSL 279.66, 0.89%, 0.74%

LAB 66.64, 49.95, -47.35

 

CMYK 48 / 28 / 0 / 3

HEX #82B2F8

RGB 130 178 248

HSL 215.59, 0.89%, 0.74%

LAB 71.8, 2.59, -39.7

 

CMYK 48 / 41 / 0 / 3

HEX #8292F8

RGB 130 146 248

HSL 231.86, 0.89%, 0.74%

LAB 63.41, 20.91, -52.9

 

CMYK 48 / 48 / 0 / 3

HEX #8282F8

RGB 130 130 248

HSL 240, 0.89%, 0.74%

LAB 59.42, 30.29, -59.25

 

CMYK 48 / 28 / 0 / 3

HEX #82B2F8

RGB 130 178 248

HSL 215.59, 0.89%, 0.74%

LAB 71.8, 2.59, -39.7

 

CMYK 48 / 28 / 0 / 3

HEX #82B2F8

RGB 130 178 248

HSL 215.59, 0.89%, 0.74%

LAB 71.8, 2.59, -39.7

 

CMYK 41 / 24 / 0 / 7

HEX #8CB4ED

RGB 140 180 237

HSL 215.26, 0.73%, 0.74%

LAB 72.45, 0.86, -32.69

 

CMYK 33 / 19 / 0 / 11

HEX #97B6E2

RGB 151 182 226

HSL 215.2, 0.56%, 0.74%

LAB 73.24, -0.16, -25.45

 

CMYK 25 / 15 / 0 / 15

HEX #A2B8D8

RGB 162 184 216

HSL 215.56, 0.41%, 0.74%

LAB 74.14, -0.47, -18.57

 

CMYK 16 / 9 / 0 / 20

HEX #ADBACD

RGB 173 186 205

HSL 215.63, 0.24%, 0.74%

LAB 75.08, -0.57, -11.09

 

CMYK 48 / 2 / 0 / 3

HEX #82F2F8

RGB 130 242 248

HSL 183.05, 0.89%, 0.74%

LAB 89.41, -30.48, -12.83

 

CMYK 48 / 15 / 0 / 3

HEX #82D2F8

RGB 130 210 248

HSL 199.32, 0.89%, 0.74%

LAB 80.53, -14.6, -26.24

 

CMYK 48 / 28 / 0 / 3

HEX #82B3F8

RGB 130 179 248

HSL 215.08, 0.89%, 0.74%

LAB 72.07, 2.04, -39.28

 

CMYK 48 / 41 / 0 / 3

HEX #8293F8

RGB 130 147 248

HSL 231.36, 0.89%, 0.74%

LAB 63.66, 20.32, -52.5

 

CMYK 42 / 48 / 0 / 3

HEX #8F82F8

RGB 143 130 248

HSL 246.61, 0.89%, 0.74%

LAB 60.41, 33.25, -57.62

 

CMYK 79 / 46 / 0 / 5

HEX #3483F3

RGB 52 131 243

HSL 215.18, 0.89%, 0.58%

LAB 55.52, 15.1, -62.97

 

CMYK 63 / 37 / 0 / 4

HEX #5B9AF5

RGB 91 154 245

HSL 215.45, 0.89%, 0.66%

LAB 63.28, 7.37, -51.59

 

CMYK 48 / 28 / 0 / 3

HEX #82B2F8

RGB 130 178 248

HSL 215.59, 0.89%, 0.74%

LAB 71.8, 2.59, -39.7

 

CMYK 32 / 19 / 0 / 2

HEX #A9CAFA

RGB 169 202 250

HSL 215.56, 0.89%, 0.82%

LAB 80.5, 0.03, -27.16

 

CMYK 17 / 10 / 0 / 1

HEX #D0E2FC

RGB 208 226 252

HSL 215.45, 0.88%, 0.9%

LAB 89.31, -0.74, -14.63

 

CMYK 48 / 28 / 0 / 3

HEX #81B2F8

RGB 129 178 248

HSL 215.29, 0.89%, 0.74%

LAB 71.75, 2.36, -39.79

 

CMYK 10 / 48 / 0 / 3

HEX #DE82F8

RGB 222 130 248

HSL 286.78, 0.89%, 0.74%

LAB 68.22, 53.76, -44.75

 

CMYK 9 / 0 / 48 / 3

HEX #E2F882

RGB 226 248 130

HSL 71.19, 0.89%, 0.74%

LAB 93.85, -24.19, 53.87

 

CMYK 48 / 28 / 0 / 3

HEX #81B2F8

RGB 129 178 248

HSL 215.29, 0.89%, 0.74%

LAB 71.75, 2.36, -39.79

 

CMYK 0 / 48 / 28 / 3

HEX #F882B3

RGB 248 130 179

HSL 335.08, 0.89%, 0.74%

LAB 68.88, 50.37, -5.15

 

CMYK 28 / 0 / 48 / 3

HEX #B3F882

RGB 179 248 130

HSL 95.08, 0.89%, 0.74%

LAB 90.93, -41.27, 49.65

 

CMYK 48 / 28 / 0 / 3

HEX #81B2F8

RGB 129 178 248

HSL 215.29, 0.89%, 0.74%

LAB 71.75, 2.36, -39.79

 

CMYK 10 / 48 / 0 / 3

HEX #DE82F8

RGB 222 130 248

HSL 286.78, 0.89%, 0.74%

LAB 68.22, 53.76, -44.75

 

CMYK 0 / 20 / 48 / 3

HEX #F8C782

RGB 248 199 130

HSL 35.08, 0.89%, 0.74%

LAB 83.13, 9.03, 41.01

 

CMYK 38 / 0 / 48 / 3

HEX #9BF882

RGB 155 248 130

HSL 107.29, 0.89%, 0.74%

LAB 89.73, -49.12, 47.89

 

CMYK 48 / 28 / 0 / 3

HEX #81B2F8

RGB 129 178 248

HSL 215.29, 0.89%, 0.74%

LAB 71.75, 2.36, -39.79

 

CMYK 0 / 48 / 4 / 3

HEX #F882EE

RGB 248 130 238

HSL 305.08, 0.89%, 0.74%

LAB 70.94, 59.2, -34.8

 

CMYK 0 / 20 / 48 / 3

HEX #F8C782

RGB 248 199 130

HSL 35.08, 0.89%, 0.74%

LAB 83.13, 9.03, 41.01

 

CMYK 48 / 0 / 44 / 3

HEX #82F88C

RGB 130 248 140

HSL 125.08, 0.89%, 0.74%

LAB 88.82, -54.99, 41.72

 

Description

Color code: HEX #81B2F84C | qconv.com Color code: HEX #81B2F84C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 178 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 178 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 8 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 8% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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