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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81B025 it is the complementary color #7E4FDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81B025. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81B025 shade: #86B020, #97C233, #A8D446, #B9E659 and #CAF86C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81B025. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81B025 shade: #81B025, #709E12, #5F8C00, #4E7A00 and #3D6800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81B025 shade: #82B125, #A7B125, #B19525, #B16F25 and #B14A25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81B025 shade: #82B125, #5CB125, #37B125, #25B13A and #25B160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81B025 shade matches the following richer shades: #82B125, #87C214 and #8DD303

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81B025 shade: #82B125, #7C9F37, #768E48, #717D59 and #6B6B6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81B025 shade: #B19525, #A7B125, #82B125, #5DB125 and #38B125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81B025 shade: #506D17, #698F1E, #82B125, #9BD22D and #ABDA4F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81B025 shade: #81B025, #25B170 and #A725B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81B025 shade: #81B025, #2582B1 and #B12582

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81B025 shade: #81B025, #25B170, #5425B1 and #B12566

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81B025 shade: #81B025, #25B19A, #5425B1 and #B1253D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 79 / 31

HEX #81B025

RGB 129 176 37

HSL 80.29, 0.65%, 0.42%

LAB 66.41, -35.21, 60.62

 

Complementary color

CMYK 42 / 64 / 0 / 15

HEX #7E4FDA

RGB 126 79 218

HSL 260.29, 0.65%, 0.58%

LAB 45.76, 50.08, -64.46

 

CMYK 24 / 0 / 82 / 31

HEX #86B020

RGB 134 176 32

HSL 77.5, 0.69%, 0.41%

LAB 66.69, -33.45, 62.42

 

CMYK 22 / 0 / 74 / 24

HEX #97C233

RGB 151 194 51

HSL 78.04, 0.58%, 0.48%

LAB 73.16, -34.11, 62.96

 

CMYK 21 / 0 / 67 / 17

HEX #A8D446

RGB 168 212 70

HSL 78.59, 0.62%, 0.55%

LAB 79.53, -34.6, 62.75

 

CMYK 20 / 0 / 61 / 10

HEX #B9E659

RGB 185 230 89

HSL 79.15, 0.74%, 0.63%

LAB 85.82, -34.97, 62.12

 

CMYK 19 / 0 / 56 / 3

HEX #CAF86C

RGB 202 248 108

HSL 79.71, 0.91%, 0.7%

LAB 92.03, -35.23, 61.26

 

CMYK 27 / 0 / 79 / 31

HEX #81B025

RGB 129 176 37

HSL 80.29, 0.65%, 0.42%

LAB 66.41, -35.21, 60.62

 

CMYK 29 / 0 / 89 / 38

HEX #709E12

RGB 112 158 18

HSL 79.71, 0.8%, 0.35%

LAB 59.84, -34.43, 59.31

 

CMYK 32 / 0 / 100 / 45

HEX #5F8C00

RGB 95 140 0

HSL 79.29, 1%, 0.27%

LAB 53.16, -33.42, 56.58

 

CMYK 36 / 0 / 100 / 52

HEX #4E7A00

RGB 78 122 0

HSL 81.64, 1%, 0.24%

LAB 46.36, -31.97, 50.93

 

CMYK 41 / 0 / 100 / 59

HEX #3D6800

RGB 61 104 0

HSL 84.81, 1%, 0.2%

LAB 39.4, -30.46, 45.14

 

CMYK 27 / 0 / 79 / 31

HEX #82B125

RGB 130 177 37

HSL 80.14, 0.65%, 0.42%

LAB 66.77, -35.28, 60.97

 

CMYK 6 / 0 / 79 / 31

HEX #A7B125

RGB 167 177 37

HSL 64.29, 0.65%, 0.42%

LAB 69.32, -19.96, 64.24

 

CMYK 0 / 16 / 79 / 31

HEX #B19525

RGB 177 149 37

HSL 48, 0.65%, 0.42%

LAB 62.49, -0.88, 58.42

 

CMYK 0 / 37 / 79 / 31

HEX #B16F25

RGB 177 111 37

HSL 31.71, 0.65%, 0.42%

LAB 52.78, 20.2, 49.44

 

CMYK 0 / 58 / 79 / 31

HEX #B14A25

RGB 177 74 37

HSL 15.86, 0.65%, 0.42%

LAB 44.77, 39.92, 41.65

 

CMYK 27 / 0 / 79 / 31

HEX #82B125

RGB 130 177 37

HSL 80.14, 0.65%, 0.42%

LAB 66.77, -35.28, 60.97

 

CMYK 48 / 0 / 79 / 31

HEX #5CB125

RGB 92 177 37

HSL 96.43, 0.65%, 0.42%

LAB 64.85, -48.77, 58.49

 

CMYK 69 / 0 / 79 / 31

HEX #37B125

RGB 55 177 37

HSL 112.29, 0.65%, 0.42%

LAB 63.66, -58.22, 56.95

 

CMYK 79 / 0 / 67 / 31

HEX #25B13A

RGB 37 177 58

HSL 129, 0.65%, 0.42%

LAB 63.46, -59.42, 48.93

 

CMYK 79 / 0 / 46 / 31

HEX #25B160

RGB 37 177 96

HSL 145.29, 0.65%, 0.42%

LAB 63.9, -54.14, 31.36

 

CMYK 27 / 0 / 79 / 31

HEX #82B125

RGB 130 177 37

HSL 80.14, 0.65%, 0.42%

LAB 66.77, -35.28, 60.97

 

CMYK 30 / 0 / 90 / 24

HEX #87C214

RGB 135 194 20

HSL 80.34, 0.81%, 0.42%

LAB 72.08, -41.49, 69.66

 

CMYK 33 / 0 / 99 / 17

HEX #8DD303

RGB 141 211 3

HSL 80.19, 0.97%, 0.42%

LAB 77.43, -46.78, 76.07

 

CMYK 27 / 0 / 79 / 31

HEX #82B125

RGB 130 177 37

HSL 80.14, 0.65%, 0.42%

LAB 66.77, -35.28, 60.97

 

CMYK 22 / 0 / 65 / 38

HEX #7C9F37

RGB 124 159 55

HSL 80.19, 0.49%, 0.42%

LAB 61.1, -28.13, 48.63

 

CMYK 17 / 0 / 49 / 44

HEX #768E48

RGB 118 142 72

HSL 80.57, 0.33%, 0.42%

LAB 55.75, -20.48, 34.28

 

CMYK 10 / 0 / 29 / 51

HEX #717D59

RGB 113 125 89

HSL 80, 0.17%, 0.42%

LAB 50.57, -11.16, 18.2

 

CMYK 0 / 0 / 0 / 58

HEX #6B6B6B

RGB 107 107 107

HSL 0, 0%, 0.42%

LAB 45.22, 0, -0.01

 

CMYK 0 / 16 / 79 / 31

HEX #B19525

RGB 177 149 37

HSL 48, 0.65%, 0.42%

LAB 62.49, -0.88, 58.42

 

CMYK 6 / 0 / 79 / 31

HEX #A7B125

RGB 167 177 37

HSL 64.29, 0.65%, 0.42%

LAB 69.32, -19.96, 64.24

 

CMYK 27 / 0 / 79 / 31

HEX #82B125

RGB 130 177 37

HSL 80.14, 0.65%, 0.42%

LAB 66.77, -35.28, 60.97

 

CMYK 47 / 0 / 79 / 31

HEX #5DB125

RGB 93 177 37

HSL 96, 0.65%, 0.42%

LAB 64.89, -48.46, 58.55

 

CMYK 68 / 0 / 79 / 31

HEX #38B125

RGB 56 177 37

HSL 111.86, 0.65%, 0.42%

LAB 63.69, -58.02, 56.98

 

CMYK 27 / 0 / 79 / 57

HEX #506D17

RGB 80 109 23

HSL 80.23, 0.65%, 0.26%

LAB 42.31, -24.04, 41.57

 

CMYK 27 / 0 / 79 / 44

HEX #698F1E

RGB 105 143 30

HSL 80.18, 0.65%, 0.34%

LAB 54.81, -29.8, 51.52

 

CMYK 27 / 0 / 79 / 31

HEX #82B125

RGB 130 177 37

HSL 80.14, 0.65%, 0.42%

LAB 66.77, -35.28, 60.97

 

CMYK 26 / 0 / 79 / 18

HEX #9BD22D

RGB 155 210 45

HSL 80, 0.65%, 0.5%

LAB 78.02, -40.06, 69.5

 

CMYK 22 / 0 / 64 / 15

HEX #ABDA4F

RGB 171 218 79

HSL 80.29, 0.65%, 0.58%

LAB 81.49, -35.56, 61.3

 

CMYK 27 / 0 / 79 / 31

HEX #81B025

RGB 129 176 37

HSL 80.29, 0.65%, 0.42%

LAB 66.41, -35.21, 60.62

 

CMYK 79 / 0 / 37 / 31

HEX #25B170

RGB 37 177 112

HSL 152.14, 0.65%, 0.42%

LAB 64.17, -51.11, 23.26

 

CMYK 6 / 79 / 0 / 31

HEX #A725B1

RGB 167 37 177

HSL 295.71, 0.65%, 0.42%

LAB 42.33, 66.94, -45.89

 

CMYK 27 / 0 / 79 / 31

HEX #81B025

RGB 129 176 37

HSL 80.29, 0.65%, 0.42%

LAB 66.41, -35.21, 60.62

 

CMYK 79 / 27 / 0 / 31

HEX #2582B1

RGB 37 130 177

HSL 200.14, 0.65%, 0.42%

LAB 51.3, -10.17, -32.36

 

CMYK 0 / 79 / 27 / 31

HEX #B12582

RGB 177 37 130

HSL 320.14, 0.65%, 0.42%

LAB 41.66, 62.24, -18.45

 

CMYK 27 / 0 / 79 / 31

HEX #81B025

RGB 129 176 37

HSL 80.29, 0.65%, 0.42%

LAB 66.41, -35.21, 60.62

 

CMYK 79 / 0 / 37 / 31

HEX #25B170

RGB 37 177 112

HSL 152.14, 0.65%, 0.42%

LAB 64.17, -51.11, 23.26

 

CMYK 53 / 79 / 0 / 31

HEX #5425B1

RGB 84 37 177

HSL 260.14, 0.65%, 0.42%

LAB 30.36, 52.77, -65.87

 

CMYK 0 / 79 / 42 / 31

HEX #B12566

RGB 177 37 102

HSL 332.14, 0.65%, 0.42%

LAB 40.62, 59.13, -2.59

 

CMYK 27 / 0 / 79 / 31

HEX #81B025

RGB 129 176 37

HSL 80.29, 0.65%, 0.42%

LAB 66.41, -35.21, 60.62

 

CMYK 79 / 0 / 13 / 31

HEX #25B19A

RGB 37 177 154

HSL 170.14, 0.65%, 0.42%

LAB 65.1, -41.09, 1.54

 

CMYK 53 / 79 / 0 / 31

HEX #5425B1

RGB 84 37 177

HSL 260.14, 0.65%, 0.42%

LAB 30.36, 52.77, -65.87

 

CMYK 0 / 79 / 66 / 31

HEX #B1253D

RGB 177 37 61

HSL 349.71, 0.65%, 0.42%

LAB 39.59, 55.95, 21.9

 

Description

Color code: HEX #81B025 | qconv.com Color code: HEX #81B025 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 176 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 176 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 79 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 79% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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