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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #819FAF it is the complementary color #7E6050. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #819FAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #819FAF shade: #869FAA, #97B1BD, #A8C3D0, #B9D5E3 and #CAE7F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #819FAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #819FAF shade: #819FAF, #708D9C, #5F7B89, #4E6976 and #3D5763

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #819FAF shade: #83A0AF, #8394AF, #8388AF, #8A83AF and #9683AF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #819FAF shade: #83A0AF, #8394AF, #8388AF and #8383AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #819FAF shade matches the following richer shades: #83A0AF, #72A5C0, #62AAD0, #51AFE1 and #41B4F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #819FAF shade: #83A0AF, #939B9F, #A4968E, #B4917E and #C58C6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #819FAF shade: #83AFA6, #83ACAF, #83A0AF, #8395AF and #8389AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #819FAF shade: #577788, #698D9F, #83A0AF, #9CB3C0 and #B5C6D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #819FAF shade: #819FAF, #9A83AF and #AFAC83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #819FAF shade: #819FAF, #AF83A0 and #A0AF83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #819FAF shade: #819FAF, #9A83AF, #AF9283 and #98AF83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #819FAF shade: #819FAF, #A883AF, #AF9283 and #8AAF83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 9 / 0 / 31

HEX #819FAF

RGB 129 159 175

HSL 200.87, 0.22%, 0.6%

LAB 63.8, -6.64, -11.72

 

Complementary color

CMYK 0 / 24 / 37 / 51

HEX #7E6050

RGB 126 96 80

HSL 20.87, 0.22%, 0.4%

LAB 43.33, 9.79, 13.83

 

CMYK 21 / 6 / 0 / 33

HEX #869FAA

RGB 134 159 170

HSL 198.33, 0.17%, 0.6%

LAB 63.97, -6.23, -8.63

 

CMYK 20 / 6 / 0 / 26

HEX #97B1BD

RGB 151 177 189

HSL 198.95, 0.22%, 0.67%

LAB 70.66, -6.27, -9.09

 

CMYK 19 / 6 / 0 / 18

HEX #A8C3D0

RGB 168 195 208

HSL 199.5, 0.3%, 0.74%

LAB 77.23, -6.31, -9.56

 

CMYK 19 / 6 / 0 / 11

HEX #B9D5E3

RGB 185 213 227

HSL 200, 0.43%, 0.81%

LAB 83.68, -6.36, -10.02

 

CMYK 18 / 6 / 0 / 4

HEX #CAE7F6

RGB 202 231 246

HSL 200.45, 0.71%, 0.88%

LAB 90.03, -6.41, -10.47

 

CMYK 26 / 9 / 0 / 31

HEX #819FAF

RGB 129 159 175

HSL 200.87, 0.22%, 0.6%

LAB 63.8, -6.64, -11.72

 

CMYK 28 / 10 / 0 / 39

HEX #708D9C

RGB 112 141 156

HSL 200.45, 0.18%, 0.53%

LAB 56.97, -6.58, -11.3

 

CMYK 31 / 10 / 0 / 46

HEX #5F7B89

RGB 95 123 137

HSL 200, 0.18%, 0.45%

LAB 49.98, -6.52, -10.88

 

CMYK 34 / 11 / 0 / 54

HEX #4E6976

RGB 78 105 118

HSL 199.5, 0.2%, 0.38%

LAB 42.81, -6.45, -10.47

 

CMYK 38 / 12 / 0 / 61

HEX #3D5763

RGB 61 87 99

HSL 198.95, 0.24%, 0.31%

LAB 35.42, -6.37, -10.05

 

CMYK 25 / 9 / 0 / 31

HEX #83A0AF

RGB 131 160 175

HSL 200.45, 0.22%, 0.6%

LAB 64.21, -6.56, -11.09

 

CMYK 25 / 15 / 0 / 31

HEX #8394AF

RGB 131 148 175

HSL 216.82, 0.22%, 0.6%

LAB 60.87, 0.12, -16.13

 

CMYK 25 / 22 / 0 / 31

HEX #8388AF

RGB 131 136 175

HSL 233.18, 0.22%, 0.6%

LAB 57.59, 6.98, -21.12

 

CMYK 21 / 25 / 0 / 31

HEX #8A83AF

RGB 138 131 175

HSL 249.55, 0.22%, 0.6%

LAB 56.81, 12.12, -22.26

 

CMYK 14 / 25 / 0 / 31

HEX #9683AF

RGB 150 131 175

HSL 265.91, 0.22%, 0.6%

LAB 57.86, 16.04, -20.57

 

CMYK 25 / 9 / 0 / 31

HEX #83A0AF

RGB 131 160 175

HSL 200.45, 0.22%, 0.6%

LAB 64.21, -6.56, -11.09

 

CMYK 25 / 15 / 0 / 31

HEX #8394AF

RGB 131 148 175

HSL 216.82, 0.22%, 0.6%

LAB 60.87, 0.12, -16.13

 

CMYK 25 / 22 / 0 / 31

HEX #8388AF

RGB 131 136 175

HSL 233.18, 0.22%, 0.6%

LAB 57.59, 6.98, -21.12

 

CMYK 25 / 25 / 0 / 31

HEX #8383AF

RGB 131 131 175

HSL 240, 0.22%, 0.6%

LAB 56.24, 9.89, -23.19

 

CMYK 25 / 9 / 0 / 31

HEX #83A0AF

RGB 131 160 175

HSL 200.45, 0.22%, 0.6%

LAB 64.21, -6.56, -11.09

 

CMYK 41 / 14 / 0 / 25

HEX #72A5C0

RGB 114 165 192

HSL 200.77, 0.38%, 0.6%

LAB 65.19, -9.89, -19.21

 

CMYK 53 / 18 / 0 / 18

HEX #62AAD0

RGB 98 170 208

HSL 200.73, 0.54%, 0.6%

LAB 66.44, -11.94, -26.24

 

CMYK 64 / 22 / 0 / 12

HEX #51AFE1

RGB 81 175 225

HSL 200.83, 0.71%, 0.6%

LAB 67.91, -12.7, -33.39

 

CMYK 73 / 25 / 0 / 5

HEX #41B4F1

RGB 65 180 241

HSL 200.8, 0.86%, 0.6%

LAB 69.55, -12.51, -39.6

 

CMYK 25 / 9 / 0 / 31

HEX #83A0AF

RGB 131 160 175

HSL 200.45, 0.22%, 0.6%

LAB 64.21, -6.56, -11.09

 

CMYK 8 / 3 / 0 / 38

HEX #939B9F

RGB 147 155 159

HSL 200, 0.06%, 0.6%

LAB 63.47, -2.05, -3.09

 

CMYK 0 / 9 / 13 / 36

HEX #A4968E

RGB 164 150 142

HSL 21.82, 0.11%, 0.6%

LAB 63.06, 3.77, 6.08

 

CMYK 0 / 19 / 30 / 29

HEX #B4917E

RGB 180 145 126

HSL 21.11, 0.26%, 0.6%

LAB 62.89, 10.34, 15.07

 

CMYK 0 / 29 / 45 / 23

HEX #C58C6D

RGB 197 140 109

HSL 21.14, 0.43%, 0.6%

LAB 63.12, 17.91, 25.16

 

CMYK 25 / 0 / 5 / 31

HEX #83AFA6

RGB 131 175 166

HSL 167.73, 0.22%, 0.6%

LAB 68.2, -16.63, -0.18

 

CMYK 25 / 2 / 0 / 31

HEX #83ACAF

RGB 131 172 175

HSL 184.09, 0.22%, 0.6%

LAB 67.6, -13.03, -6.05

 

CMYK 25 / 9 / 0 / 31

HEX #83A0AF

RGB 131 160 175

HSL 200.45, 0.22%, 0.6%

LAB 64.21, -6.56, -11.09

 

CMYK 25 / 15 / 0 / 31

HEX #8395AF

RGB 131 149 175

HSL 215.45, 0.22%, 0.6%

LAB 61.15, -0.45, -15.71

 

CMYK 25 / 22 / 0 / 31

HEX #8389AF

RGB 131 137 175

HSL 231.82, 0.22%, 0.6%

LAB 57.86, 6.4, -20.71

 

CMYK 36 / 13 / 0 / 47

HEX #577788

RGB 87 119 136

HSL 200.82, 0.22%, 0.44%

LAB 48.26, -6.94, -12.95

 

CMYK 34 / 11 / 0 / 38

HEX #698D9F

RGB 105 141 159

HSL 200, 0.22%, 0.52%

LAB 56.64, -7.94, -13.57

 

CMYK 25 / 9 / 0 / 31

HEX #83A0AF

RGB 131 160 175

HSL 200.45, 0.22%, 0.6%

LAB 64.21, -6.56, -11.09

 

CMYK 19 / 7 / 0 / 25

HEX #9CB3C0

RGB 156 179 192

HSL 201.67, 0.22%, 0.68%

LAB 71.63, -5.09, -9.26

 

CMYK 13 / 5 / 0 / 18

HEX #B5C6D0

RGB 181 198 208

HSL 202.22, 0.22%, 0.76%

LAB 78.91, -3.75, -6.97

 

CMYK 26 / 9 / 0 / 31

HEX #819FAF

RGB 129 159 175

HSL 200.87, 0.22%, 0.6%

LAB 63.8, -6.64, -11.72

 

CMYK 12 / 25 / 0 / 31

HEX #9A83AF

RGB 154 131 175

HSL 271.36, 0.22%, 0.6%

LAB 58.22, 17.37, -19.98

 

CMYK 0 / 2 / 25 / 31

HEX #AFAC83

RGB 175 172 131

HSL 55.91, 0.22%, 0.6%

LAB 69.65, -5.67, 21.54

 

CMYK 26 / 9 / 0 / 31

HEX #819FAF

RGB 129 159 175

HSL 200.87, 0.22%, 0.6%

LAB 63.8, -6.64, -11.72

 

CMYK 0 / 25 / 9 / 31

HEX #AF83A0

RGB 175 131 160

HSL 320.45, 0.22%, 0.6%

LAB 59.78, 21.69, -8.83

 

CMYK 9 / 0 / 25 / 31

HEX #A0AF83

RGB 160 175 131

HSL 80.45, 0.22%, 0.6%

LAB 69.31, -13.03, 20.87

 

CMYK 26 / 9 / 0 / 31

HEX #819FAF

RGB 129 159 175

HSL 200.87, 0.22%, 0.6%

LAB 63.8, -6.64, -11.72

 

CMYK 12 / 25 / 0 / 31

HEX #9A83AF

RGB 154 131 175

HSL 271.36, 0.22%, 0.6%

LAB 58.22, 17.37, -19.98

 

CMYK 0 / 17 / 25 / 31

HEX #AF9283

RGB 175 146 131

HSL 20.45, 0.22%, 0.6%

LAB 62.77, 8.51, 12

 

CMYK 13 / 0 / 25 / 31

HEX #98AF83

RGB 152 175 131

HSL 91.36, 0.22%, 0.6%

LAB 68.73, -16.04, 19.99

 

CMYK 26 / 9 / 0 / 31

HEX #819FAF

RGB 129 159 175

HSL 200.87, 0.22%, 0.6%

LAB 63.8, -6.64, -11.72

 

CMYK 4 / 25 / 0 / 31

HEX #A883AF

RGB 168 131 175

HSL 290.45, 0.22%, 0.6%

LAB 59.57, 22.1, -17.8

 

CMYK 0 / 17 / 25 / 31

HEX #AF9283

RGB 175 146 131

HSL 20.45, 0.22%, 0.6%

LAB 62.77, 8.51, 12

 

CMYK 21 / 0 / 25 / 31

HEX #8AAF83

RGB 138 175 131

HSL 110.45, 0.22%, 0.6%

LAB 67.8, -21.12, 18.56

 

Description

Color code: HEX #819FAF | qconv.com Color code: HEX #819FAF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 159 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 159 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 9 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 9% 0% 31% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - Bluedashed : French ...
Link: http://bluedashed.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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