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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8193CD it is the complementary color #7E6C32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8193CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8193CD shade: #8693C8, #97A5DB, #A8B7EE, #B9C9FF and #CADBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8193CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8193CD shade: #8193CD, #7081BA, #5F6FA7, #4E5D94 and #3D4B81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8193CD shade: #7F92CC, #827FCC, #977FCC, #AB7FCC and #C07FCC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8193CD shade: #7F92CC and #7F7FCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8193CD shade matches the following richer shades: #7F92CC, #718ADB, #6282E9 and #547BF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8193CD shade: #7F92CC, #8E99BE, #9CA1AF, #ABA8A1 and #B9B092

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8193CD shade: #7FBBCC, #7FA7CC, #7F93CC, #817FCC and #957FCC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8193CD shade: #4760B2, #6278C0, #7F92CC, #9DABD8 and #BAC4E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8193CD shade: #8193CD, #C87FCC and #B1CC7F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8193CD shade: #8193CD, #CC7F93 and #93CC7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8193CD shade: #8193CD, #C87FCC, #CCB97F and #83CC7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8193CD shade: #8193CD, #CC7FB9, #CCB97F and #7FCC93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 28 / 0 / 20

HEX #8193CD

RGB 129 147 205

HSL 225.79, 0.43%, 0.65%

LAB 61.6, 7.84, -31.91

 

Complementary color

CMYK 0 / 14 / 60 / 51

HEX #7E6C32

RGB 126 108 50

HSL 45.79, 0.43%, 0.35%

LAB 46.17, -0.53, 34.52

 

CMYK 33 / 27 / 0 / 22

HEX #8693C8

RGB 134 147 200

HSL 228.18, 0.38%, 0.65%

LAB 61.75, 7.91, -28.86

 

CMYK 31 / 25 / 0 / 14

HEX #97A5DB

RGB 151 165 219

HSL 227.65, 0.49%, 0.73%

LAB 68.46, 7.49, -28.95

 

CMYK 29 / 23 / 0 / 7

HEX #A8B7EE

RGB 168 183 238

HSL 227.14, 0.67%, 0.8%

LAB 75.05, 7.11, -29.07

 

CMYK 27 / 21 / 0 / 0

HEX #B9C9FF

RGB 185 201 255

HSL 226.29, 1%, 0.86%

LAB 81.46, 6.3, -28.26

 

CMYK 21 / 14 / 0 / 0

HEX #CADBFF

RGB 202 219 255

HSL 220.75, 1%, 0.9%

LAB 87.21, 1.74, -19.41

 

CMYK 37 / 28 / 0 / 20

HEX #8193CD

RGB 129 147 205

HSL 225.79, 0.43%, 0.65%

LAB 61.6, 7.84, -31.91

 

CMYK 40 / 31 / 0 / 27

HEX #7081BA

RGB 112 129 186

HSL 226.22, 0.35%, 0.58%

LAB 54.75, 8.39, -31.9

 

CMYK 43 / 34 / 0 / 35

HEX #5F6FA7

RGB 95 111 167

HSL 226.67, 0.29%, 0.51%

LAB 47.74, 9.04, -31.95

 

CMYK 47 / 37 / 0 / 42

HEX #4E5D94

RGB 78 93 148

HSL 227.14, 0.31%, 0.44%

LAB 40.55, 9.84, -32.06

 

CMYK 53 / 42 / 0 / 49

HEX #3D4B81

RGB 61 75 129

HSL 227.65, 0.36%, 0.37%

LAB 33.16, 10.86, -32.24

 

CMYK 38 / 28 / 0 / 20

HEX #7F92CC

RGB 127 146 204

HSL 225.19, 0.43%, 0.65%

LAB 61.16, 7.59, -32.05

 

CMYK 36 / 38 / 0 / 20

HEX #827FCC

RGB 130 127 204

HSL 242.34, 0.43%, 0.65%

LAB 56.37, 19.53, -39.51

 

CMYK 26 / 38 / 0 / 20

HEX #977FCC

RGB 151 127 204

HSL 258.7, 0.43%, 0.65%

LAB 58.15, 25.49, -36.6

 

CMYK 16 / 38 / 0 / 20

HEX #AB7FCC

RGB 171 127 204

HSL 274.29, 0.43%, 0.65%

LAB 60.07, 31.48, -33.46

 

CMYK 6 / 38 / 0 / 20

HEX #C07FCC

RGB 192 127 204

HSL 290.65, 0.43%, 0.65%

LAB 62.29, 37.94, -29.84

 

CMYK 38 / 28 / 0 / 20

HEX #7F92CC

RGB 127 146 204

HSL 225.19, 0.43%, 0.65%

LAB 61.16, 7.59, -32.05

 

CMYK 38 / 38 / 0 / 20

HEX #7F7FCC

RGB 127 127 204

HSL 240, 0.43%, 0.65%

LAB 56.14, 18.72, -39.9

 

CMYK 38 / 28 / 0 / 20

HEX #7F92CC

RGB 127 146 204

HSL 225.19, 0.43%, 0.65%

LAB 61.16, 7.59, -32.05

 

CMYK 48 / 37 / 0 / 14

HEX #718ADB

RGB 113 138 219

HSL 225.85, 0.6%, 0.65%

LAB 58.79, 13.01, -44.22

 

CMYK 58 / 44 / 0 / 9

HEX #6282E9

RGB 98 130 233

HSL 225.78, 0.75%, 0.65%

LAB 56.53, 18.98, -55.68

 

CMYK 66 / 50 / 0 / 3

HEX #547BF7

RGB 84 123 247

HSL 225.64, 0.91%, 0.65%

LAB 54.83, 25.51, -66.23

 

CMYK 38 / 28 / 0 / 20

HEX #7F92CC

RGB 127 146 204

HSL 225.19, 0.43%, 0.65%

LAB 61.16, 7.59, -32.05

 

CMYK 25 / 19 / 0 / 25

HEX #8E99BE

RGB 142 153 190

HSL 226.25, 0.27%, 0.65%

LAB 63.55, 4.37, -20.43

 

CMYK 11 / 8 / 0 / 31

HEX #9CA1AF

RGB 156 161 175

HSL 224.21, 0.11%, 0.65%

LAB 66.25, 1.06, -7.86

 

CMYK 0 / 2 / 6 / 33

HEX #ABA8A1

RGB 171 168 161

HSL 42, 0.06%, 0.65%

LAB 68.92, -0.21, 3.98

 

CMYK 0 / 5 / 21 / 27

HEX #B9B092

RGB 185 176 146

HSL 46.15, 0.22%, 0.65%

LAB 71.85, -1.74, 16.54

 

CMYK 38 / 8 / 0 / 20

HEX #7FBBCC

RGB 127 187 204

HSL 193.25, 0.43%, 0.65%

LAB 72.5, -15.01, -14.7

 

CMYK 38 / 18 / 0 / 20

HEX #7FA7CC

RGB 127 167 204

HSL 208.83, 0.43%, 0.65%

LAB 66.91, -4.28, -23.19

 

CMYK 38 / 28 / 0 / 20

HEX #7F93CC

RGB 127 147 204

HSL 224.42, 0.43%, 0.65%

LAB 61.43, 7.01, -31.63

 

CMYK 37 / 38 / 0 / 20

HEX #817FCC

RGB 129 127 204

HSL 241.56, 0.43%, 0.65%

LAB 56.29, 19.26, -39.64

 

CMYK 27 / 38 / 0 / 20

HEX #957FCC

RGB 149 127 204

HSL 257.14, 0.43%, 0.65%

LAB 57.97, 24.91, -36.89

 

CMYK 60 / 46 / 0 / 30

HEX #4760B2

RGB 71 96 178

HSL 225.98, 0.43%, 0.49%

LAB 42.64, 16.33, -46.57

 

CMYK 49 / 38 / 0 / 25

HEX #6278C0

RGB 98 120 192

HSL 225.96, 0.43%, 0.57%

LAB 51.65, 11.95, -40.27

 

CMYK 38 / 28 / 0 / 20

HEX #7F92CC

RGB 127 146 204

HSL 225.19, 0.43%, 0.65%

LAB 61.16, 7.59, -32.05

 

CMYK 27 / 21 / 0 / 15

HEX #9DABD8

RGB 157 171 216

HSL 225.76, 0.43%, 0.73%

LAB 70.35, 5.16, -24.37

 

CMYK 18 / 14 / 0 / 11

HEX #BAC4E4

RGB 186 196 228

HSL 225.71, 0.44%, 0.81%

LAB 79.34, 3.15, -17.04

 

CMYK 37 / 28 / 0 / 20

HEX #8193CD

RGB 129 147 205

HSL 225.79, 0.43%, 0.65%

LAB 61.6, 7.84, -31.91

 

CMYK 2 / 38 / 0 / 20

HEX #C87FCC

RGB 200 127 204

HSL 296.88, 0.43%, 0.65%

LAB 63.19, 40.42, -28.37

 

CMYK 13 / 0 / 38 / 20

HEX #B1CC7F

RGB 177 204 127

HSL 81.04, 0.43%, 0.65%

LAB 78.5, -21.84, 35.42

 

CMYK 37 / 28 / 0 / 20

HEX #8193CD

RGB 129 147 205

HSL 225.79, 0.43%, 0.65%

LAB 61.6, 7.84, -31.91

 

CMYK 0 / 38 / 28 / 20

HEX #CC7F93

RGB 204 127 147

HSL 344.42, 0.43%, 0.65%

LAB 61.76, 32.39, 1.89

 

CMYK 28 / 0 / 38 / 20

HEX #93CC7F

RGB 147 204 127

HSL 104.42, 0.43%, 0.65%

LAB 76.63, -32.7, 32.63

 

CMYK 37 / 28 / 0 / 20

HEX #8193CD

RGB 129 147 205

HSL 225.79, 0.43%, 0.65%

LAB 61.6, 7.84, -31.91

 

CMYK 2 / 38 / 0 / 20

HEX #C87FCC

RGB 200 127 204

HSL 296.88, 0.43%, 0.65%

LAB 63.19, 40.42, -28.37

 

CMYK 0 / 9 / 38 / 20

HEX #CCB97F

RGB 204 185 127

HSL 45.19, 0.43%, 0.65%

LAB 75.49, -1.57, 31.91

 

CMYK 36 / 0 / 38 / 20

HEX #83CC7F

RGB 131 204 127

HSL 116.88, 0.43%, 0.65%

LAB 75.79, -38, 31.36

 

CMYK 37 / 28 / 0 / 20

HEX #8193CD

RGB 129 147 205

HSL 225.79, 0.43%, 0.65%

LAB 61.6, 7.84, -31.91

 

CMYK 0 / 38 / 9 / 20

HEX #CC7FB9

RGB 204 127 185

HSL 314.81, 0.43%, 0.65%

LAB 62.94, 38.28, -17.99

 

CMYK 0 / 9 / 38 / 20

HEX #CCB97F

RGB 204 185 127

HSL 45.19, 0.43%, 0.65%

LAB 75.49, -1.57, 31.91

 

CMYK 38 / 0 / 28 / 20

HEX #7FCC93

RGB 127 204 147

HSL 135.58, 0.43%, 0.65%

LAB 75.95, -35.87, 21.09

 

Description

Color code: HEX #8193CD | qconv.com Color code: HEX #8193CD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 147 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 147 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 28 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 28% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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