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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #818CB1 it is the complementary color #7E734E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #818CB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #818CB1 shade: #868CAC, #979EBF, #A8B0D2, #B9C2E5 and #CAD4F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #818CB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #818CB1 shade: #818CB1, #707A9E, #5F688B, #4E5678 and #3D4465

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #818CB1 shade: #818CB1, #8381B1, #9081B1, #9D81B1 and #AA81B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #818CB1 shade: #818CB1 and #8181B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #818CB1 shade matches the following richer shades: #818CB1, #7083C2, #607AD2, #4F71E3 and #3F68F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #818CB1 shade: #818CB1, #9195A1, #A29E90, #B2A780 and #C3AF6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #818CB1 shade: #81A6B1, #8199B1, #818CB1, #8281B1 and #8F81B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #818CB1 shade: #55618B, #6774A2, #818CB1, #9AA3C1 and #B4BAD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #818CB1 shade: #818CB1, #B081B1 and #A0B181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #818CB1 shade: #818CB1, #B1818C and #8CB181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #818CB1 shade: #818CB1, #B081B1, #B1A681 and #82B181

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #818CB1 shade: #818CB1, #B181A4, #B1A681 and #81B18E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 21 / 0 / 31

HEX #818CB1

RGB 129 140 177

HSL 226.25, 0.24%, 0.6%

LAB 58.6, 4.54, -20.73

 

Complementary color

CMYK 0 / 9 / 38 / 51

HEX #7E734E

RGB 126 115 78

HSL 46.25, 0.24%, 0.4%

LAB 48.57, -1.61, 22.04

 

CMYK 22 / 19 / 0 / 33

HEX #868CAC

RGB 134 140 172

HSL 230.53, 0.19%, 0.6%

LAB 58.79, 4.9, -17.55

 

CMYK 21 / 17 / 0 / 25

HEX #979EBF

RGB 151 158 191

HSL 229.5, 0.24%, 0.67%

LAB 65.59, 4.63, -17.83

 

CMYK 20 / 16 / 0 / 18

HEX #A8B0D2

RGB 168 176 210

HSL 228.57, 0.32%, 0.74%

LAB 72.25, 4.37, -18.12

 

CMYK 19 / 15 / 0 / 10

HEX #B9C2E5

RGB 185 194 229

HSL 227.73, 0.46%, 0.81%

LAB 78.78, 4.13, -18.42

 

CMYK 19 / 15 / 0 / 3

HEX #CAD4F8

RGB 202 212 248

HSL 226.96, 0.77%, 0.88%

LAB 85.21, 3.91, -18.74

 

CMYK 27 / 21 / 0 / 31

HEX #818CB1

RGB 129 140 177

HSL 226.25, 0.24%, 0.6%

LAB 58.6, 4.54, -20.73

 

CMYK 29 / 23 / 0 / 38

HEX #707A9E

RGB 112 122 158

HSL 226.96, 0.19%, 0.53%

LAB 51.65, 4.88, -20.54

 

CMYK 32 / 25 / 0 / 45

HEX #5F688B

RGB 95 104 139

HSL 227.73, 0.19%, 0.46%

LAB 44.51, 5.28, -20.39

 

CMYK 35 / 28 / 0 / 53

HEX #4E5678

RGB 78 86 120

HSL 228.57, 0.21%, 0.39%

LAB 37.17, 5.74, -20.3

 

CMYK 40 / 33 / 0 / 60

HEX #3D4465

RGB 61 68 101

HSL 229.5, 0.25%, 0.32%

LAB 29.58, 6.33, -20.27

 

CMYK 27 / 21 / 0 / 31

HEX #818CB1

RGB 129 140 177

HSL 226.25, 0.24%, 0.6%

LAB 58.6, 4.54, -20.73

 

CMYK 26 / 27 / 0 / 31

HEX #8381B1

RGB 131 129 177

HSL 242.5, 0.24%, 0.6%

LAB 55.79, 11.56, -25.03

 

CMYK 19 / 27 / 0 / 31

HEX #9081B1

RGB 144 129 177

HSL 258.75, 0.24%, 0.6%

LAB 56.88, 15.69, -23.25

 

CMYK 11 / 27 / 0 / 31

HEX #9D81B1

RGB 157 129 177

HSL 275, 0.24%, 0.6%

LAB 58.08, 19.96, -21.32

 

CMYK 4 / 27 / 0 / 31

HEX #AA81B1

RGB 170 129 177

HSL 291.25, 0.24%, 0.6%

LAB 59.36, 24.31, -19.24

 

CMYK 27 / 21 / 0 / 31

HEX #818CB1

RGB 129 140 177

HSL 226.25, 0.24%, 0.6%

LAB 58.6, 4.54, -20.73

 

CMYK 27 / 27 / 0 / 31

HEX #8181B1

RGB 129 129 177

HSL 240, 0.24%, 0.6%

LAB 55.63, 10.94, -25.29

 

CMYK 27 / 21 / 0 / 31

HEX #818CB1

RGB 129 140 177

HSL 226.25, 0.24%, 0.6%

LAB 58.6, 4.54, -20.73

 

CMYK 42 / 32 / 0 / 24

HEX #7083C2

RGB 112 131 194

HSL 226.1, 0.4%, 0.6%

LAB 55.66, 9.5, -35.05

 

CMYK 54 / 42 / 0 / 18

HEX #607AD2

RGB 96 122 210

HSL 226.32, 0.56%, 0.6%

LAB 53.01, 15.97, -48.37

 

CMYK 65 / 50 / 0 / 11

HEX #4F71E3

RGB 79 113 227

HSL 226.22, 0.73%, 0.6%

LAB 50.71, 24.02, -61.72

 

CMYK 74 / 57 / 0 / 5

HEX #3F68F3

RGB 63 104 243

HSL 226.33, 0.88%, 0.6%

LAB 48.8, 33.09, -73.83

 

CMYK 27 / 21 / 0 / 31

HEX #818CB1

RGB 129 140 177

HSL 226.25, 0.24%, 0.6%

LAB 58.6, 4.54, -20.73

 

CMYK 10 / 7 / 0 / 37

HEX #9195A1

RGB 145 149 161

HSL 225, 0.08%, 0.6%

LAB 61.73, 1.01, -6.8

 

CMYK 0 / 2 / 11 / 36

HEX #A29E90

RGB 162 158 144

HSL 46.67, 0.09%, 0.6%

LAB 65.08, -1.07, 7.82

 

CMYK 0 / 6 / 28 / 30

HEX #B2A780

RGB 178 167 128

HSL 46.8, 0.25%, 0.6%

LAB 68.5, -2.23, 21.65

 

CMYK 0 / 10 / 43 / 24

HEX #C3AF6F

RGB 195 175 111

HSL 45.71, 0.41%, 0.6%

LAB 71.83, -1.7, 35.38

 

CMYK 27 / 6 / 0 / 31

HEX #81A6B1

RGB 129 166 177

HSL 193.75, 0.24%, 0.6%

LAB 65.84, -9.97, -9.79

 

CMYK 27 / 14 / 0 / 31

HEX #8199B1

RGB 129 153 177

HSL 210, 0.24%, 0.6%

LAB 62.19, -2.83, -15.27

 

CMYK 27 / 21 / 0 / 31

HEX #818CB1

RGB 129 140 177

HSL 226.25, 0.24%, 0.6%

LAB 58.6, 4.54, -20.73

 

CMYK 27 / 27 / 0 / 31

HEX #8281B1

RGB 130 129 177

HSL 241.25, 0.24%, 0.6%

LAB 55.71, 11.25, -25.16

 

CMYK 19 / 27 / 0 / 31

HEX #8F81B1

RGB 143 129 177

HSL 257.5, 0.24%, 0.6%

LAB 56.8, 15.37, -23.39

 

CMYK 39 / 30 / 0 / 45

HEX #55618B

RGB 85 97 139

HSL 226.67, 0.24%, 0.44%

LAB 41.76, 6.53, -24.72

 

CMYK 36 / 28 / 0 / 36

HEX #6774A2

RGB 103 116 162

HSL 226.78, 0.24%, 0.52%

LAB 49.48, 6.81, -26.28

 

CMYK 27 / 21 / 0 / 31

HEX #818CB1

RGB 129 140 177

HSL 226.25, 0.24%, 0.6%

LAB 58.6, 4.54, -20.73

 

CMYK 20 / 16 / 0 / 24

HEX #9AA3C1

RGB 154 163 193

HSL 226.15, 0.24%, 0.68%

LAB 67.21, 3.25, -16.46

 

CMYK 14 / 11 / 0 / 18

HEX #B4BAD1

RGB 180 186 209

HSL 227.59, 0.24%, 0.76%

LAB 75.71, 2.55, -12.27

 

CMYK 27 / 21 / 0 / 31

HEX #818CB1

RGB 129 140 177

HSL 226.25, 0.24%, 0.6%

LAB 58.6, 4.54, -20.73

 

CMYK 1 / 27 / 0 / 31

HEX #B081B1

RGB 176 129 177

HSL 298.75, 0.24%, 0.6%

LAB 59.98, 26.34, -18.24

 

CMYK 10 / 0 / 27 / 31

HEX #A0B181

RGB 160 177 129

HSL 81.25, 0.24%, 0.6%

LAB 69.83, -14.37, 22.66

 

CMYK 27 / 21 / 0 / 31

HEX #818CB1

RGB 129 140 177

HSL 226.25, 0.24%, 0.6%

LAB 58.6, 4.54, -20.73

 

CMYK 0 / 27 / 21 / 31

HEX #B1818C

RGB 177 129 140

HSL 346.25, 0.24%, 0.6%

LAB 58.92, 20.19, 1.4

 

CMYK 21 / 0 / 27 / 31

HEX #8CB181

RGB 140 177 129

HSL 106.25, 0.24%, 0.6%

LAB 68.46, -21.76, 20.58

 

CMYK 27 / 21 / 0 / 31

HEX #818CB1

RGB 129 140 177

HSL 226.25, 0.24%, 0.6%

LAB 58.6, 4.54, -20.73

 

CMYK 1 / 27 / 0 / 31

HEX #B081B1

RGB 176 129 177

HSL 298.75, 0.24%, 0.6%

LAB 59.98, 26.34, -18.24

 

CMYK 0 / 6 / 27 / 31

HEX #B1A681

RGB 177 166 129

HSL 46.25, 0.24%, 0.6%

LAB 68.17, -1.95, 20.63

 

CMYK 27 / 0 / 27 / 31

HEX #82B181

RGB 130 177 129

HSL 118.75, 0.24%, 0.6%

LAB 67.85, -25.26, 19.65

 

CMYK 27 / 21 / 0 / 31

HEX #818CB1

RGB 129 140 177

HSL 226.25, 0.24%, 0.6%

LAB 58.6, 4.54, -20.73

 

CMYK 0 / 27 / 7 / 31

HEX #B181A4

RGB 177 129 164

HSL 316.25, 0.24%, 0.6%

LAB 59.64, 24.25, -11.32

 

CMYK 0 / 6 / 27 / 31

HEX #B1A681

RGB 177 166 129

HSL 46.25, 0.24%, 0.6%

LAB 68.17, -1.95, 20.63

 

CMYK 27 / 0 / 20 / 31

HEX #81B18E

RGB 129 177 142

HSL 136.25, 0.24%, 0.6%

LAB 68.07, -23.23, 12.84

 

Description

Color code: HEX #818CB1 | qconv.com Color code: HEX #818CB1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 140 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 140 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 21 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 21% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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