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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #817C2E it is the complementary color #7E83D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #817C2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #817C2E shade: #867C29, #978E3C, #A8A04F, #B9B262 and #CAC475

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #817C2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #817C2E shade: #817C2E, #706A1B, #5F5808, #4E4600 and #3D3400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #817C2E shade: #7F7B2E, #7F652E, #7F4F2E, #7F392E and #7F2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #817C2E shade: #7F7B2E, #6E7F2E, #587F2E, #427F2E and #2E7F2F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #817C2E shade matches the following richer shades: #7F7B2E, #8D8720, #9C9312 and #AAA004

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #817C2E shade: #7F7B2E, #716E3C, #63624A, #555658 and #474966

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #817C2E shade: #7F4F2E, #7F642E, #7F7A2E, #6F7F2E and #597F2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #817C2E shade: #434018, #615D23, #7F7B2E, #9E9839 and #BCB444

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #817C2E shade: #817C2E, #2E7F39 and #592E7F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #817C2E shade: #817C2E, #2E7F7A and #7A2E7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #817C2E shade: #817C2E, #2E7F39, #2E337F and #7F2E75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #817C2E shade: #817C2E, #2E7F51, #2E337F and #7F2E5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 64 / 49

HEX #817C2E

RGB 129 124 46

HSL 56.39, 0.47%, 0.34%

LAB 51.01, -8.5, 41.95

 

Complementary color

CMYK 40 / 37 / 0 / 18

HEX #7E83D1

RGB 126 131 209

HSL 236.39, 0.47%, 0.66%

LAB 57.34, 17.48, -40.84

 

CMYK 0 / 7 / 69 / 47

HEX #867C29

RGB 134 124 41

HSL 53.55, 0.53%, 0.34%

LAB 51.43, -6.54, 44.78

 

CMYK 0 / 6 / 60 / 41

HEX #978E3C

RGB 151 142 60

HSL 54.07, 0.43%, 0.41%

LAB 58.28, -7.44, 43.89

 

CMYK 0 / 5 / 53 / 34

HEX #A8A04F

RGB 168 160 79

HSL 54.61, 0.36%, 0.48%

LAB 64.99, -8.16, 42.75

 

CMYK 0 / 4 / 47 / 27

HEX #B9B262

RGB 185 178 98

HSL 55.17, 0.38%, 0.55%

LAB 71.58, -8.73, 41.53

 

CMYK 0 / 3 / 42 / 21

HEX #CAC475

RGB 202 196 117

HSL 55.76, 0.45%, 0.63%

LAB 78.06, -9.2, 40.32

 

CMYK 0 / 4 / 64 / 49

HEX #817C2E

RGB 129 124 46

HSL 56.39, 0.47%, 0.34%

LAB 51.01, -8.5, 41.95

 

CMYK 0 / 5 / 76 / 56

HEX #706A1B

RGB 112 106 27

HSL 55.76, 0.61%, 0.27%

LAB 43.99, -7.51, 42.54

 

CMYK 0 / 7 / 92 / 63

HEX #5F5808

RGB 95 88 8

HSL 55.17, 0.84%, 0.2%

LAB 36.8, -6.17, 41.89

 

CMYK 0 / 10 / 100 / 69

HEX #4E4600

RGB 78 70 0

HSL 53.85, 1%, 0.15%

LAB 29.41, -4.34, 38.17

 

CMYK 0 / 15 / 100 / 76

HEX #3D3400

RGB 61 52 0

HSL 51.15, 1%, 0.12%

LAB 21.76, -2.09, 30.37

 

CMYK 0 / 3 / 64 / 50

HEX #7F7B2E

RGB 127 123 46

HSL 57.04, 0.47%, 0.34%

LAB 50.54, -8.86, 41.39

 

CMYK 0 / 20 / 64 / 50

HEX #7F652E

RGB 127 101 46

HSL 40.74, 0.47%, 0.34%

LAB 44.26, 3.7, 34.45

 

CMYK 0 / 38 / 64 / 50

HEX #7F4F2E

RGB 127 79 46

HSL 24.44, 0.47%, 0.34%

LAB 38.38, 16.73, 27.61

 

CMYK 0 / 55 / 64 / 50

HEX #7F392E

RGB 127 57 46

HSL 8.15, 0.47%, 0.34%

LAB 33.21, 29.37, 21.29

 

CMYK 0 / 64 / 64 / 50

HEX #7F2E2E

RGB 127 46 46

HSL 0, 0.47%, 0.34%

LAB 31.03, 35.08, 18.52

 

CMYK 0 / 3 / 64 / 50

HEX #7F7B2E

RGB 127 123 46

HSL 57.04, 0.47%, 0.34%

LAB 50.54, -8.86, 41.39

 

CMYK 13 / 0 / 64 / 50

HEX #6E7F2E

RGB 110 127 46

HSL 72.59, 0.47%, 0.34%

LAB 50.32, -18.63, 40.75

 

CMYK 31 / 0 / 64 / 50

HEX #587F2E

RGB 88 127 46

HSL 88.89, 0.47%, 0.34%

LAB 48.82, -27.83, 38.67

 

CMYK 48 / 0 / 64 / 50

HEX #427F2E

RGB 66 127 46

HSL 105.19, 0.47%, 0.34%

LAB 47.67, -35.82, 37.06

 

CMYK 64 / 0 / 63 / 50

HEX #2E7F2F

RGB 46 127 47

HSL 120.74, 0.47%, 0.34%

LAB 46.93, -41.43, 35.54

 

CMYK 0 / 3 / 64 / 50

HEX #7F7B2E

RGB 127 123 46

HSL 57.04, 0.47%, 0.34%

LAB 50.54, -8.86, 41.39

 

CMYK 0 / 4 / 77 / 45

HEX #8D8720

RGB 141 135 32

HSL 56.7, 0.63%, 0.34%

LAB 55.17, -9.82, 52.18

 

CMYK 0 / 6 / 88 / 39

HEX #9C9312

RGB 156 147 18

HSL 56.09, 0.79%, 0.34%

LAB 59.87, -9.89, 60.68

 

CMYK 0 / 6 / 98 / 33

HEX #AAA004

RGB 170 160 4

HSL 56.39, 0.95%, 0.34%

LAB 64.72, -10.67, 67.17

 

CMYK 0 / 3 / 64 / 50

HEX #7F7B2E

RGB 127 123 46

HSL 57.04, 0.47%, 0.34%

LAB 50.54, -8.86, 41.39

 

CMYK 0 / 3 / 47 / 56

HEX #716E3C

RGB 113 110 60

HSL 56.6, 0.31%, 0.34%

LAB 45.62, -6.66, 28.19

 

CMYK 0 / 1 / 25 / 61

HEX #63624A

RGB 99 98 74

HSL 57.6, 0.14%, 0.34%

LAB 41.03, -4.02, 13.85

 

CMYK 3 / 2 / 0 / 65

HEX #555658

RGB 85 86 88

HSL 220, 0.02%, 0.34%

LAB 36.54, 0.04, -1.3

 

CMYK 30 / 28 / 0 / 60

HEX #474966

RGB 71 73 102

HSL 236.13, 0.18%, 0.34%

LAB 31.95, 6.61, -17.16

 

CMYK 0 / 38 / 64 / 50

HEX #7F4F2E

RGB 127 79 46

HSL 24.44, 0.47%, 0.34%

LAB 38.38, 16.73, 27.61

 

CMYK 0 / 21 / 64 / 50

HEX #7F642E

RGB 127 100 46

HSL 40, 0.47%, 0.34%

LAB 43.98, 4.28, 34.13

 

CMYK 0 / 4 / 64 / 50

HEX #7F7A2E

RGB 127 122 46

HSL 56.3, 0.47%, 0.34%

LAB 50.25, -8.31, 41.08

 

CMYK 13 / 0 / 64 / 50

HEX #6F7F2E

RGB 111 127 46

HSL 71.85, 0.47%, 0.34%

LAB 50.4, -18.2, 40.85

 

CMYK 30 / 0 / 64 / 50

HEX #597F2E

RGB 89 127 46

HSL 88.15, 0.47%, 0.34%

LAB 48.88, -27.44, 38.75

 

CMYK 0 / 4 / 64 / 74

HEX #434018

RGB 67 64 24

HSL 55.81, 0.47%, 0.18%

LAB 26.52, -4.95, 24.45

 

CMYK 0 / 4 / 64 / 62

HEX #615D23

RGB 97 93 35

HSL 56.13, 0.47%, 0.26%

LAB 38.71, -6.69, 33.04

 

CMYK 0 / 3 / 64 / 50

HEX #7F7B2E

RGB 127 123 46

HSL 57.04, 0.47%, 0.34%

LAB 50.54, -8.86, 41.39

 

CMYK 0 / 4 / 64 / 38

HEX #9E9839

RGB 158 152 57

HSL 56.44, 0.47%, 0.42%

LAB 61.67, -9.94, 49.14

 

CMYK 0 / 4 / 64 / 26

HEX #BCB444

RGB 188 180 68

HSL 56, 0.47%, 0.5%

LAB 72.06, -10.9, 56.19

 

CMYK 0 / 4 / 64 / 49

HEX #817C2E

RGB 129 124 46

HSL 56.39, 0.47%, 0.34%

LAB 51.01, -8.5, 41.95

 

CMYK 64 / 0 / 55 / 50

HEX #2E7F39

RGB 46 127 57

HSL 128.15, 0.47%, 0.34%

LAB 47.05, -40.08, 30.65

 

CMYK 30 / 64 / 0 / 50

HEX #592E7F

RGB 89 46 127

HSL 271.85, 0.47%, 0.34%

LAB 28.41, 35.88, -38.42

 

CMYK 0 / 4 / 64 / 49

HEX #817C2E

RGB 129 124 46

HSL 56.39, 0.47%, 0.34%

LAB 51.01, -8.5, 41.95

 

CMYK 64 / 0 / 4 / 50

HEX #2E7F7A

RGB 46 127 122

HSL 176.3, 0.47%, 0.34%

LAB 48.47, -25.46, -4.55

 

CMYK 4 / 64 / 0 / 50

HEX #7A2E7F

RGB 122 46 127

HSL 296.3, 0.47%, 0.34%

LAB 33.19, 44.5, -30.52

 

CMYK 0 / 4 / 64 / 49

HEX #817C2E

RGB 129 124 46

HSL 56.39, 0.47%, 0.34%

LAB 51.01, -8.5, 41.95

 

CMYK 64 / 0 / 55 / 50

HEX #2E7F39

RGB 46 127 57

HSL 128.15, 0.47%, 0.34%

LAB 47.05, -40.08, 30.65

 

CMYK 64 / 60 / 0 / 50

HEX #2E337F

RGB 46 51 127

HSL 236.3, 0.47%, 0.34%

LAB 25.2, 23.05, -43.82

 

CMYK 0 / 64 / 8 / 50

HEX #7F2E75

RGB 127 46 117

HSL 307.41, 0.47%, 0.34%

LAB 33.46, 44.04, -23.76

 

CMYK 0 / 4 / 64 / 49

HEX #817C2E

RGB 129 124 46

HSL 56.39, 0.47%, 0.34%

LAB 51.01, -8.5, 41.95

 

CMYK 64 / 0 / 36 / 50

HEX #2E7F51

RGB 46 127 81

HSL 145.93, 0.47%, 0.34%

LAB 47.44, -35.81, 17.94

 

CMYK 64 / 60 / 0 / 50

HEX #2E337F

RGB 46 51 127

HSL 236.3, 0.47%, 0.34%

LAB 25.2, 23.05, -43.82

 

CMYK 0 / 64 / 28 / 50

HEX #7F2E5C

RGB 127 46 92

HSL 325.93, 0.47%, 0.34%

LAB 32.34, 40.07, -9.53

 

Description

Color code: HEX #817C2E | qconv.com Color code: HEX #817C2E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 124 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 124 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 64 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 64% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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