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Color name
HEX #817C164C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #817C164C it is the complementary color #7E83E94C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #817C164C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #817C164C shade: #867C114C, #978E244C, #A8A0374C, #B9B24A4C and #CAC45D4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #817C164C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #817C164C shade: #817C164C, #706A034C, #5F58004C, #4E46004C and #3D34004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #817C164C shade: #837E16, #836016, #834316, #832616 and #831616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #817C164C shade: #837E16, #6B8316, #4D8316, #308316 and #16831A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #817C164C shade matches the following richer shades: #837E16 and #8F890A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #817C164C shade: #837E16, #767323, #6A672F, #5E5C3B and #515148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #817C164C shade: #834316, #836016, #837D16, #6B8316 and #4E8316

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #817C164C shade: #3C3A0A, #605C10, #837E16, #A6A01C and #C9C222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #817C164C shade: #817C16, #168326 and #521683

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #817C164C shade: #817C16, #16837D and #7D1683

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #817C164C shade: #817C16, #168326, #161C83 and #831673

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #817C164C shade: #817C16, #168347, #161C83 and #831652

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 25 / 15

HEX #817C164C

RGBA 129 124 22 0.3

HSLA 57.2, 0.71%, 0.3%, 0.3

LABA 50.85, -9.76, 51.14, 0.3

 

Complementary color

CMYK 14 / 13 / 0 / 3

HEX #7E83E94C

RGBA 126 131 233 0.3

HSLA 237.2, 0.71%, 0.7%, 0.3

LABA 58.56, 24.39, -52.34, 0.3

 

CMYK 0 / 2 / 26 / 14

HEX #867C114C

RGBA 134 124 17 0.3

HSLA 54.87, 0.77%, 0.3%, 0.3

LABA 51.29, -7.58, 53.07, 0.3

 

CMYK 0 / 2 / 23 / 12

HEX #978E244C

RGBA 151 142 36 0.3

HSLA 55.3, 0.61%, 0.37%, 0.3

LABA 58.09, -8.88, 53.81, 0.3

 

CMYK 0 / 1 / 20 / 10

HEX #A8A0374C

RGBA 168 160 55 0.3

HSLA 55.75, 0.51%, 0.44%, 0.3

LABA 64.76, -9.91, 53.5, 0.3

 

CMYK 0 / 1 / 18 / 8

HEX #B9B24A4C

RGBA 185 178 74 0.3

HSLA 56.22, 0.44%, 0.51%, 0.3

LABA 71.32, -10.74, 52.69, 0.3

 

CMYK 0 / 1 / 16 / 6

HEX #CAC45D4C

RGBA 202 196 93 0.3

HSLA 56.7, 0.51%, 0.58%, 0.3

LABA 77.77, -11.42, 51.66, 0.3

 

CMYK 0 / 1 / 25 / 15

HEX #817C164C

RGBA 129 124 22 0.3

HSLA 57.2, 0.71%, 0.3%, 0.3

LABA 50.85, -9.76, 51.14, 0.3

 

CMYK 0 / 2 / 29 / 17

HEX #706A034C

RGBA 112 106 3 0.3

HSLA 56.7, 0.95%, 0.23%, 0.3

LABA 43.89, -8.33, 49.47, 0.3

 

CMYK 0 / 2 / 30 / 19

HEX #5F58004C

RGBA 95 88 0 0.3

HSLA 55.58, 1%, 0.19%, 0.3

LABA 36.77, -6.43, 44.3, 0.3

 

CMYK 0 / 3 / 30 / 21

HEX #4E46004C

RGBA 78 70 0 0.3

HSLA 53.85, 1%, 0.15%, 0.3

LABA 29.41, -4.34, 38.17, 0.3

 

CMYK 0 / 4 / 30 / 23

HEX #3D34004C

RGBA 61 52 0 0.3

HSLA 51.15, 1%, 0.12%, 0.3

LABA 21.76, -2.09, 30.37, 0.3

 

CMYK 0 / 4 / 83 / 49

HEX #837E16

RGB 131 126 22

HSL 57.25, 0.71%, 0.3%

LAB 51.62, -9.92, 51.87

 

CMYK 0 / 27 / 83 / 49

HEX #836016

RGB 131 96 22

HSL 40.73, 0.71%, 0.3%

LAB 43.14, 7.18, 44.4

 

CMYK 0 / 49 / 83 / 49

HEX #834316

RGB 131 67 22

HSL 24.77, 0.71%, 0.3%

LAB 35.79, 24.17, 37.69

 

CMYK 0 / 71 / 83 / 49

HEX #832616

RGB 131 38 22

HSL 8.81, 0.71%, 0.3%

LAB 30.08, 38.96, 32.25

 

CMYK 0 / 83 / 83 / 49

HEX #831616

RGB 131 22 22

HSL 0, 0.71%, 0.3%

LAB 28, 44.74, 30.19

 

CMYK 0 / 4 / 83 / 49

HEX #837E16

RGB 131 126 22

HSL 57.25, 0.71%, 0.3%

LAB 51.62, -9.92, 51.87

 

CMYK 18 / 0 / 83 / 49

HEX #6B8316

RGB 107 131 22

HSL 73.21, 0.71%, 0.3%

LAB 51.17, -23.45, 50.73

 

CMYK 41 / 0 / 83 / 49

HEX #4D8316

RGB 77 131 22

HSL 89.72, 0.71%, 0.3%

LAB 49.34, -35.61, 48.39

 

CMYK 63 / 0 / 83 / 49

HEX #308316

RGB 48 131 22

HSL 105.69, 0.71%, 0.3%

LAB 48.16, -44.66, 46.87

 

CMYK 83 / 0 / 80 / 49

HEX #16831A

RGB 22 131 26

HSL 122.2, 0.71%, 0.3%

LAB 47.6, -49.36, 44.85

 

CMYK 0 / 4 / 83 / 49

HEX #837E16

RGB 131 126 22

HSL 57.25, 0.71%, 0.3%

LAB 51.62, -9.92, 51.87

 

CMYK 0 / 4 / 93 / 44

HEX #8F890A

RGB 143 137 10

HSL 57.29, 0.87%, 0.3%

LAB 55.84, -10.64, 58.5

 

CMYK 0 / 4 / 83 / 49

HEX #837E16

RGB 131 126 22

HSL 57.25, 0.71%, 0.3%

LAB 51.62, -9.92, 51.87

 

CMYK 0 / 3 / 70 / 54

HEX #767323

RGB 118 115 35

HSL 57.83, 0.54%, 0.3%

LAB 47.28, -9.3, 42.67

 

CMYK 0 / 3 / 56 / 58

HEX #6A672F

RGB 106 103 47

HSL 56.95, 0.39%, 0.3%

LAB 42.72, -7.18, 31.6

 

CMYK 0 / 2 / 37 / 63

HEX #5E5C3B

RGB 94 92 59

HSL 56.57, 0.23%, 0.3%

LAB 38.46, -4.91, 19.31

 

CMYK 0 / 0 / 11 / 68

HEX #515148

RGB 81 81 72

HSL 60, 0.06%, 0.3%

LAB 34.19, -1.84, 5.3

 

CMYK 0 / 49 / 83 / 49

HEX #834316

RGB 131 67 22

HSL 24.77, 0.71%, 0.3%

LAB 35.79, 24.17, 37.69

 

CMYK 0 / 27 / 83 / 49

HEX #836016

RGB 131 96 22

HSL 40.73, 0.71%, 0.3%

LAB 43.14, 7.18, 44.4

 

CMYK 0 / 5 / 83 / 49

HEX #837D16

RGB 131 125 22

HSL 56.7, 0.71%, 0.3%

LAB 51.33, -9.38, 51.62

 

CMYK 18 / 0 / 83 / 49

HEX #6B8316

RGB 107 131 22

HSL 73.21, 0.71%, 0.3%

LAB 51.17, -23.45, 50.73

 

CMYK 40 / 0 / 83 / 49

HEX #4E8316

RGB 78 131 22

HSL 89.17, 0.71%, 0.3%

LAB 49.39, -35.24, 48.46

 

CMYK 0 / 3 / 83 / 76

HEX #3C3A0A

RGB 60 58 10

HSL 57.6, 0.71%, 0.14%

LAB 23.7, -5.87, 28.27

 

CMYK 0 / 4 / 83 / 62

HEX #605C10

RGB 96 92 16

HSL 57, 0.71%, 0.22%

LAB 38.16, -7.73, 40.66

 

CMYK 0 / 4 / 83 / 49

HEX #837E16

RGB 131 126 22

HSL 57.25, 0.71%, 0.3%

LAB 51.62, -9.92, 51.87

 

CMYK 0 / 4 / 83 / 35

HEX #A6A01C

RGB 166 160 28

HSL 57.39, 0.71%, 0.38%

LAB 64.43, -11.99, 62.44

 

CMYK 0 / 3 / 83 / 21

HEX #C9C222

RGB 201 194 34

HSL 57.49, 0.71%, 0.46%

LAB 76.75, -13.97, 72.54

 

CMYK 0 / 4 / 83 / 49

HEX #817C16

RGB 129 124 22

HSL 57.2, 0.71%, 0.3%

LAB 50.85, -9.76, 51.14

 

CMYK 83 / 0 / 71 / 49

HEX #168326

RGB 22 131 38

HSL 128.81, 0.71%, 0.3%

LAB 47.68, -48.31, 40.32

 

CMYK 37 / 83 / 0 / 49

HEX #521683

RGB 82 22 131

HSL 273.03, 0.71%, 0.3%

LAB 23.69, 46.78, -48.62

 

CMYK 0 / 4 / 83 / 49

HEX #817C16

RGB 129 124 22

HSL 57.2, 0.71%, 0.3%

LAB 50.85, -9.76, 51.14

 

CMYK 83 / 0 / 5 / 49

HEX #16837D

RGB 22 131 125

HSL 176.7, 0.71%, 0.3%

LAB 49.35, -29.84, -5.06

 

CMYK 5 / 83 / 0 / 49

HEX #7D1683

RGB 125 22 131

HSL 296.7, 0.71%, 0.3%

LAB 30.81, 54.78, -36.76

 

CMYK 0 / 4 / 83 / 49

HEX #817C16

RGB 129 124 22

HSL 57.2, 0.71%, 0.3%

LAB 50.85, -9.76, 51.14

 

CMYK 83 / 0 / 71 / 49

HEX #168326

RGB 22 131 38

HSL 128.81, 0.71%, 0.3%

LAB 47.68, -48.31, 40.32

 

CMYK 83 / 79 / 0 / 49

HEX #161C83

RGB 22 28 131

HSL 236.7, 0.71%, 0.3%

LAB 18.54, 36.49, -57.32

 

CMYK 0 / 83 / 12 / 49

HEX #831673

RGB 131 22 115

HSL 308.81, 0.71%, 0.3%

LAB 30.97, 53.46, -26.36

 

CMYK 0 / 4 / 83 / 49

HEX #817C16

RGB 129 124 22

HSL 57.2, 0.71%, 0.3%

LAB 50.85, -9.76, 51.14

 

CMYK 83 / 0 / 46 / 49

HEX #168347

RGB 22 131 71

HSL 146.97, 0.71%, 0.3%

LAB 48.08, -43.48, 24.31

 

CMYK 83 / 79 / 0 / 49

HEX #161C83

RGB 22 28 131

HSL 236.7, 0.71%, 0.3%

LAB 18.54, 36.49, -57.32

 

CMYK 0 / 83 / 37 / 49

HEX #831652

RGB 131 22 82

HSL 326.97, 0.71%, 0.3%

LAB 29.43, 49.08, -7.32

 

Description

Color code: HEX #817C164C | qconv.com Color code: HEX #817C164C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 124 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 124 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 25 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 25% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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