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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81790F it is the complementary color #7E86F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81790F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81790F shade: #86790A, #978B1D, #A89D30, #B9AF43 and #CAC156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81790F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81790F shade: #81790F, #706700, #5F5500, #4E4300 and #3D3100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81790F shade: #80780F, #80590F, #803B0F, #801D0F and #800F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81790F shade: #80780F, #69800F, #4B800F, #2C800F and #0F8010

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81790F shade matches the following richer shades: #80780F and #8B8203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81790F shade: #80780F, #746E1B, #696426, #5D5A32 and #52503D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81790F shade: #803A0F, #80580F, #80760F, #6B800F and #4D800F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81790F shade: #363306, #5B550B, #80780F, #A59B13 and #CABD18

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81790F shade: #81790F, #0F801C and #490F80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81790F shade: #81790F, #0F8076 and #760F80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81790F shade: #81790F, #0F801C, #0F1880 and #800F73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81790F shade: #81790F, #0F803E, #0F1880 and #800F51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 88 / 49

HEX #81790F

RGB 129 121 15

HSL 55.79, 0.79%, 0.28%

LAB 49.95, -8.32, 52.26

 

Complementary color

CMYK 48 / 44 / 0 / 6

HEX #7E86F0

RGB 126 134 240

HSL 235.79, 0.79%, 0.72%

LAB 59.69, 24.68, -54.43

 

CMYK 0 / 10 / 93 / 47

HEX #86790A

RGB 134 121 10

HSL 53.71, 0.86%, 0.28%

LAB 50.41, -6.08, 53.91

 

CMYK 0 / 8 / 81 / 41

HEX #978B1D

RGB 151 139 29

HSL 54.1, 0.68%, 0.35%

LAB 57.21, -7.54, 55.36

 

CMYK 0 / 7 / 71 / 34

HEX #A89D30

RGB 168 157 48

HSL 54.5, 0.56%, 0.42%

LAB 63.88, -8.71, 55.43

 

CMYK 0 / 5 / 64 / 27

HEX #B9AF43

RGB 185 175 67

HSL 54.92, 0.47%, 0.49%

LAB 70.44, -9.66, 54.82

 

CMYK 0 / 4 / 57 / 21

HEX #CAC156

RGB 202 193 86

HSL 55.34, 0.52%, 0.56%

LAB 76.9, -10.43, 53.89

 

CMYK 0 / 6 / 88 / 49

HEX #81790F

RGB 129 121 15

HSL 55.79, 0.79%, 0.28%

LAB 49.95, -8.32, 52.26

 

CMYK 0 / 8 / 100 / 56

HEX #706700

RGB 112 103 0

HSL 55.18, 1%, 0.22%

LAB 42.98, -6.7, 49.55

 

CMYK 0 / 11 / 100 / 63

HEX #5F5500

RGB 95 85 0

HSL 53.68, 1%, 0.19%

LAB 35.85, -4.66, 43.64

 

CMYK 0 / 14 / 100 / 69

HEX #4E4300

RGB 78 67 0

HSL 51.54, 1%, 0.15%

LAB 28.47, -2.49, 37.41

 

CMYK 0 / 20 / 100 / 76

HEX #3D3100

RGB 61 49 0

HSL 48.2, 1%, 0.12%

LAB 20.78, -0.14, 29.31

 

CMYK 0 / 6 / 88 / 50

HEX #80780F

RGB 128 120 15

HSL 55.75, 0.79%, 0.28%

LAB 49.56, -8.24, 51.91

 

CMYK 0 / 30 / 88 / 50

HEX #80590F

RGB 128 89 15

HSL 39.29, 0.79%, 0.28%

LAB 40.85, 9.66, 44.7

 

CMYK 0 / 54 / 88 / 50

HEX #803B0F

RGB 128 59 15

HSL 23.36, 0.79%, 0.28%

LAB 33.46, 27.12, 38.51

 

CMYK 0 / 77 / 88 / 50

HEX #801D0F

RGB 128 29 15

HSL 7.43, 0.79%, 0.28%

LAB 28.12, 41.28, 33.95

 

CMYK 0 / 88 / 88 / 50

HEX #800F0F

RGB 128 15 15

HSL 0, 0.79%, 0.28%

LAB 26.64, 45.46, 32.66

 

CMYK 0 / 6 / 88 / 50

HEX #80780F

RGB 128 120 15

HSL 55.75, 0.79%, 0.28%

LAB 49.56, -8.24, 51.91

 

CMYK 18 / 0 / 88 / 50

HEX #69800F

RGB 105 128 15

HSL 72.21, 0.79%, 0.28%

LAB 50.07, -23.06, 51.56

 

CMYK 41 / 0 / 88 / 50

HEX #4B800F

RGB 75 128 15

HSL 88.14, 0.79%, 0.28%

LAB 48.22, -35.33, 49.24

 

CMYK 66 / 0 / 88 / 50

HEX #2C800F

RGB 44 128 15

HSL 104.6, 0.79%, 0.28%

LAB 46.99, -44.92, 47.68

 

CMYK 88 / 0 / 88 / 50

HEX #0F8010

RGB 15 128 16

HSL 120.53, 0.79%, 0.28%

LAB 46.41, -49.82, 46.71

 

CMYK 0 / 6 / 88 / 50

HEX #80780F

RGB 128 120 15

HSL 55.75, 0.79%, 0.28%

LAB 49.56, -8.24, 51.91

 

CMYK 0 / 6 / 98 / 45

HEX #8B8203

RGB 139 130 3

HSL 56.03, 0.96%, 0.28%

LAB 53.45, -8.82, 57.73

 

CMYK 0 / 6 / 88 / 50

HEX #80780F

RGB 128 120 15

HSL 55.75, 0.79%, 0.28%

LAB 49.56, -8.24, 51.91

 

CMYK 0 / 5 / 77 / 55

HEX #746E1B

RGB 116 110 27

HSL 55.96, 0.62%, 0.28%

LAB 45.56, -7.88, 44.17

 

CMYK 0 / 5 / 64 / 59

HEX #696426

RGB 105 100 38

HSL 55.52, 0.47%, 0.28%

LAB 41.62, -6.7, 34.96

 

CMYK 0 / 3 / 46 / 64

HEX #5D5A32

RGB 93 90 50

HSL 55.81, 0.3%, 0.28%

LAB 37.61, -5.33, 23.48

 

CMYK 0 / 2 / 26 / 68

HEX #52503D

RGB 82 80 61

HSL 54.29, 0.15%, 0.28%

LAB 33.71, -2.78, 11.53

 

CMYK 0 / 55 / 88 / 50

HEX #803A0F

RGB 128 58 15

HSL 22.83, 0.79%, 0.28%

LAB 33.24, 27.67, 38.33

 

CMYK 0 / 31 / 88 / 50

HEX #80580F

RGB 128 88 15

HSL 38.76, 0.79%, 0.28%

LAB 40.58, 10.25, 44.48

 

CMYK 0 / 8 / 88 / 50

HEX #80760F

RGB 128 118 15

HSL 54.69, 0.79%, 0.28%

LAB 48.98, -7.13, 51.43

 

CMYK 16 / 0 / 88 / 50

HEX #6B800F

RGB 107 128 15

HSL 71.15, 0.79%, 0.28%

LAB 50.21, -22.18, 51.74

 

CMYK 40 / 0 / 88 / 50

HEX #4D800F

RGB 77 128 15

HSL 87.08, 0.79%, 0.28%

LAB 48.32, -34.59, 49.37

 

CMYK 0 / 6 / 89 / 79

HEX #363306

RGB 54 51 6

HSL 56.25, 0.8%, 0.12%

LAB 20.69, -4.89, 26.54

 

CMYK 0 / 7 / 88 / 64

HEX #5B550B

RGB 91 85 11

HSL 55.5, 0.78%, 0.2%

LAB 35.49, -6.31, 39.76

 

CMYK 0 / 6 / 88 / 50

HEX #80780F

RGB 128 120 15

HSL 55.75, 0.79%, 0.28%

LAB 49.56, -8.24, 51.91

 

CMYK 0 / 6 / 88 / 35

HEX #A59B13

RGB 165 155 19

HSL 55.89, 0.79%, 0.36%

LAB 62.92, -10.04, 63.26

 

CMYK 0 / 6 / 88 / 21

HEX #CABD18

RGB 202 189 24

HSL 55.62, 0.79%, 0.44%

LAB 75.46, -11.23, 73.67

 

CMYK 0 / 6 / 88 / 49

HEX #81790F

RGB 129 121 15

HSL 55.79, 0.79%, 0.28%

LAB 49.95, -8.32, 52.26

 

CMYK 88 / 0 / 78 / 50

HEX #0F801C

RGB 15 128 28

HSL 126.9, 0.79%, 0.28%

LAB 46.48, -49.03, 43.02

 

CMYK 43 / 88 / 0 / 50

HEX #490F80

RGB 73 15 128

HSL 270.8, 0.79%, 0.28%

LAB 21.27, 47.07, -50.75

 

CMYK 0 / 6 / 88 / 49

HEX #81790F

RGB 129 121 15

HSL 55.79, 0.79%, 0.28%

LAB 49.95, -8.32, 52.26

 

CMYK 88 / 0 / 8 / 50

HEX #0F8076

RGB 15 128 118

HSL 174.69, 0.79%, 0.28%

LAB 48.07, -31.13, -2.85

 

CMYK 8 / 88 / 0 / 50

HEX #760F80

RGB 118 15 128

HSL 294.69, 0.79%, 0.28%

LAB 28.78, 54.57, -38.21

 

CMYK 0 / 6 / 88 / 49

HEX #81790F

RGB 129 121 15

HSL 55.79, 0.79%, 0.28%

LAB 49.95, -8.32, 52.26

 

CMYK 88 / 0 / 78 / 50

HEX #0F801C

RGB 15 128 28

HSL 126.9, 0.79%, 0.28%

LAB 46.48, -49.03, 43.02

 

CMYK 88 / 81 / 0 / 50

HEX #0F1880

RGB 15 24 128

HSL 235.22, 0.79%, 0.28%

LAB 17.05, 37.33, -57.89

 

CMYK 0 / 88 / 10 / 50

HEX #800F73

RGB 128 15 115

HSL 306.9, 0.79%, 0.28%

LAB 29.83, 54.43, -28.18

 

CMYK 0 / 6 / 88 / 49

HEX #81790F

RGB 129 121 15

HSL 55.79, 0.79%, 0.28%

LAB 49.95, -8.32, 52.26

 

CMYK 88 / 0 / 52 / 50

HEX #0F803E

RGB 15 128 62

HSL 144.96, 0.79%, 0.28%

LAB 46.83, -44.73, 27.59

 

CMYK 88 / 81 / 0 / 50

HEX #0F1880

RGB 15 24 128

HSL 235.22, 0.79%, 0.28%

LAB 17.05, 37.33, -57.89

 

CMYK 0 / 88 / 37 / 50

HEX #800F51

RGB 128 15 81

HSL 324.96, 0.79%, 0.28%

LAB 28.18, 49.92, -8.61

 

Description

Color code: HEX #81790F | qconv.com Color code: HEX #81790F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 121 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 121 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 88 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 88% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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