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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #817892 it is the complementary color #7E876D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #817892. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #817892 shade: #86788D, #978AA0, #A89CB3, #B9AEC6 and #CAC0D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #817892. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #817892 shade: #817892, #70667F, #5F546C, #4E4259 and #3D3046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #817892 shade: #807792, #887792, #8F7792, #92778E and #927787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #817892 shade: #807792, #797792 and #777792

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #817892 shade matches the following richer shades: #807792, #7A63A6, #7450BA, #6E3CCD and #6828E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #817892 shade: #807792, #878B7E, #8D9F6A, #93B357 and #99C643

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #817892 shade: #777D92, #797792, #807792, #877792 and #8E7792

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #817892 shade: #585165, #6C647C, #807792, #968EA4 and #ABA5B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #817892 shade: #817892, #927784 and #799277

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #817892 shade: #817892, #928077 and #779280

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #817892 shade: #817892, #927784, #899277 and #779285

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #817892 shade: #817892, #92777C, #899277 and #77928E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 18 / 0 / 43

HEX #817892

RGB 129 120 146

HSL 260.77, 0.11%, 0.52%

LAB 52.03, 8.82, -12.82

 

Complementary color

CMYK 7 / 0 / 19 / 47

HEX #7E876D

RGB 126 135 109

HSL 80.77, 0.11%, 0.48%

LAB 54.94, -8.22, 12.89

 

CMYK 5 / 15 / 0 / 45

HEX #86788D

RGB 134 120 141

HSL 280, 0.08%, 0.51%

LAB 52.31, 9.51, -9.43

 

CMYK 6 / 14 / 0 / 37

HEX #978AA0

RGB 151 138 160

HSL 275.45, 0.1%, 0.58%

LAB 59.25, 9.13, -9.88

 

CMYK 6 / 13 / 0 / 30

HEX #A89CB3

RGB 168 156 179

HSL 271.3, 0.13%, 0.66%

LAB 66.03, 8.79, -10.33

 

CMYK 7 / 12 / 0 / 22

HEX #B9AEC6

RGB 185 174 198

HSL 267.5, 0.17%, 0.73%

LAB 72.67, 8.47, -10.78

 

CMYK 7 / 12 / 0 / 15

HEX #CAC0D9

RGB 202 192 217

HSL 264, 0.25%, 0.8%

LAB 79.19, 8.18, -11.22

 

CMYK 12 / 18 / 0 / 43

HEX #817892

RGB 129 120 146

HSL 260.77, 0.11%, 0.52%

LAB 52.03, 8.82, -12.82

 

CMYK 12 / 20 / 0 / 50

HEX #70667F

RGB 112 102 127

HSL 264, 0.11%, 0.45%

LAB 44.91, 9.22, -12.46

 

CMYK 12 / 22 / 0 / 58

HEX #5F546C

RGB 95 84 108

HSL 267.5, 0.13%, 0.38%

LAB 37.58, 9.68, -12.11

 

CMYK 12 / 26 / 0 / 65

HEX #4E4259

RGB 78 66 89

HSL 271.3, 0.15%, 0.3%

LAB 30, 10.22, -11.79

 

CMYK 13 / 31 / 0 / 73

HEX #3D3046

RGB 61 48 70

HSL 275.45, 0.19%, 0.23%

LAB 22.12, 10.87, -11.49

 

CMYK 12 / 18 / 0 / 43

HEX #807792

RGB 128 119 146

HSL 260, 0.11%, 0.52%

LAB 51.68, 9.05, -13.37

 

CMYK 7 / 18 / 0 / 43

HEX #887792

RGB 136 119 146

HSL 277.78, 0.11%, 0.52%

LAB 52.4, 11.87, -12.2

 

CMYK 2 / 18 / 0 / 43

HEX #8F7792

RGB 143 119 146

HSL 293.33, 0.11%, 0.52%

LAB 53.07, 14.38, -11.13

 

CMYK 0 / 18 / 3 / 43

HEX #92778E

RGB 146 119 142

HSL 308.89, 0.11%, 0.52%

LAB 53.23, 14.67, -8.52

 

CMYK 0 / 18 / 8 / 43

HEX #927787

RGB 146 119 135

HSL 324.44, 0.11%, 0.52%

LAB 53.01, 13.33, -4.75

 

CMYK 12 / 18 / 0 / 43

HEX #807792

RGB 128 119 146

HSL 260, 0.11%, 0.52%

LAB 51.68, 9.05, -13.37

 

CMYK 17 / 18 / 0 / 43

HEX #797792

RGB 121 119 146

HSL 244.44, 0.11%, 0.52%

LAB 51.08, 6.63, -14.33

 

CMYK 18 / 18 / 0 / 43

HEX #777792

RGB 119 119 146

HSL 240, 0.11%, 0.52%

LAB 50.91, 5.95, -14.6

 

CMYK 12 / 18 / 0 / 43

HEX #807792

RGB 128 119 146

HSL 260, 0.11%, 0.52%

LAB 51.68, 9.05, -13.37

 

CMYK 27 / 40 / 0 / 35

HEX #7A63A6

RGB 122 99 166

HSL 260.6, 0.27%, 0.52%

LAB 46.73, 23.85, -32.79

 

CMYK 38 / 57 / 0 / 27

HEX #7450BA

RGB 116 80 186

HSL 260.38, 0.43%, 0.52%

LAB 42.76, 38.75, -50.87

 

CMYK 46 / 71 / 0 / 20

HEX #6E3CCD

RGB 110 60 205

HSL 260.69, 0.59%, 0.52%

LAB 39.5, 53.45, -67.23

 

CMYK 54 / 82 / 0 / 12

HEX #6828E1

RGB 104 40 225

HSL 260.76, 0.76%, 0.52%

LAB 37.66, 66.4, -81.8

 

CMYK 12 / 18 / 0 / 43

HEX #807792

RGB 128 119 146

HSL 260, 0.11%, 0.52%

LAB 51.68, 9.05, -13.37

 

CMYK 3 / 0 / 9 / 45

HEX #878B7E

RGB 135 139 126

HSL 78.46, 0.05%, 0.52%

LAB 57.19, -3.96, 6.44

 

CMYK 11 / 0 / 33 / 38

HEX #8D9F6A

RGB 141 159 106

HSL 80.38, 0.22%, 0.52%

LAB 62.93, -15.69, 25.62

 

CMYK 18 / 0 / 51 / 30

HEX #93B357

RGB 147 179 87

HSL 80.87, 0.38%, 0.52%

LAB 68.85, -25.77, 43

 

CMYK 23 / 0 / 66 / 22

HEX #99C643

RGB 153 198 67

HSL 80.61, 0.53%, 0.52%

LAB 74.55, -34.17, 58.45

 

CMYK 18 / 14 / 0 / 43

HEX #777D92

RGB 119 125 146

HSL 226.67, 0.11%, 0.52%

LAB 52.58, 2.43, -12.08

 

CMYK 17 / 18 / 0 / 43

HEX #797792

RGB 121 119 146

HSL 244.44, 0.11%, 0.52%

LAB 51.08, 6.63, -14.33

 

CMYK 12 / 18 / 0 / 43

HEX #807792

RGB 128 119 146

HSL 260, 0.11%, 0.52%

LAB 51.68, 9.05, -13.37

 

CMYK 8 / 18 / 0 / 43

HEX #877792

RGB 135 119 146

HSL 275.56, 0.11%, 0.52%

LAB 52.31, 11.52, -12.35

 

CMYK 3 / 18 / 0 / 43

HEX #8E7792

RGB 142 119 146

HSL 291.11, 0.11%, 0.52%

LAB 52.97, 14.02, -11.29

 

CMYK 13 / 20 / 0 / 60

HEX #585165

RGB 88 81 101

HSL 261, 0.11%, 0.36%

LAB 35.79, 7.3, -10.53

 

CMYK 13 / 19 / 0 / 51

HEX #6C647C

RGB 108 100 124

HSL 260, 0.11%, 0.44%

LAB 43.88, 8.31, -12.24

 

CMYK 12 / 18 / 0 / 43

HEX #807792

RGB 128 119 146

HSL 260, 0.11%, 0.52%

LAB 51.68, 9.05, -13.37

 

CMYK 9 / 13 / 0 / 36

HEX #968EA4

RGB 150 142 164

HSL 261.82, 0.11%, 0.6%

LAB 60.35, 7.34, -10.52

 

CMYK 7 / 10 / 0 / 28

HEX #ABA5B7

RGB 171 165 183

HSL 260, 0.11%, 0.68%

LAB 68.74, 5.63, -8.48

 

CMYK 12 / 18 / 0 / 43

HEX #817892

RGB 129 120 146

HSL 260.77, 0.11%, 0.52%

LAB 52.03, 8.82, -12.82

 

CMYK 0 / 18 / 10 / 43

HEX #927784

RGB 146 119 132

HSL 331.11, 0.11%, 0.52%

LAB 52.92, 12.78, -3.13

 

CMYK 17 / 0 / 18 / 43

HEX #799277

RGB 121 146 119

HSL 115.56, 0.11%, 0.52%

LAB 57.99, -14.32, 11.42

 

CMYK 12 / 18 / 0 / 43

HEX #817892

RGB 129 120 146

HSL 260.77, 0.11%, 0.52%

LAB 52.03, 8.82, -12.82

 

CMYK 0 / 12 / 18 / 43

HEX #928077

RGB 146 128 119

HSL 20, 0.11%, 0.52%

LAB 54.95, 5.32, 7.4

 

CMYK 18 / 0 / 12 / 43

HEX #779280

RGB 119 146 128

HSL 140, 0.11%, 0.52%

LAB 58.07, -13.3, 6.4

 

CMYK 12 / 18 / 0 / 43

HEX #817892

RGB 129 120 146

HSL 260.77, 0.11%, 0.52%

LAB 52.03, 8.82, -12.82

 

CMYK 0 / 18 / 10 / 43

HEX #927784

RGB 146 119 132

HSL 331.11, 0.11%, 0.52%

LAB 52.92, 12.78, -3.13

 

CMYK 6 / 0 / 18 / 43

HEX #899277

RGB 137 146 119

HSL 80, 0.11%, 0.52%

LAB 59.17, -8.29, 13.24

 

CMYK 18 / 0 / 9 / 43

HEX #779285

RGB 119 146 133

HSL 151.11, 0.11%, 0.52%

LAB 58.2, -12.28, 3.73

 

CMYK 12 / 18 / 0 / 43

HEX #817892

RGB 129 120 146

HSL 260.77, 0.11%, 0.52%

LAB 52.03, 8.82, -12.82

 

CMYK 0 / 18 / 15 / 43

HEX #92777C

RGB 146 119 124

HSL 348.89, 0.11%, 0.52%

LAB 52.69, 11.35, 1.22

 

CMYK 6 / 0 / 18 / 43

HEX #899277

RGB 137 146 119

HSL 80, 0.11%, 0.52%

LAB 59.17, -8.29, 13.24

 

CMYK 18 / 0 / 3 / 43

HEX #77928E

RGB 119 146 142

HSL 171.11, 0.11%, 0.52%

LAB 58.45, -10.35, -1.05

 

Description

Color code: HEX #817892 | qconv.com Color code: HEX #817892 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 120 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 120 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 18 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 18% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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