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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81787C it is the complementary color #7E8783. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81787C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81787C shade: #867877, #978A8A, #A89C9D, #B9AEB0 and #CAC0C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81787C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81787C shade: #81787C, #706669, #5F5456, #4E4243 and #3D3030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81787C shade: #82787C, #82787A and #827878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81787C shade: #82787C, #82787F, #827882, #7F7882 and #7D7882

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81787C shade matches the following richer shades: #82787C, #96647A, #AA5078, #BF3B76 and #D32773

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81787C shade: #82787C, #6E8C7F, #5AA081, #45B583 and #31C985

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81787C shade: #827882, #82787F, #82787C, #82787A and #827978

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81787C shade: #575053, #6C6468, #82787C, #968D91 and #AAA3A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81787C shade: #81787C, #827F78 and #788082

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81787C shade: #81787C, #7C8278 and #787C82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81787C shade: #81787C, #827F78, #78827D and #787A82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81787C shade: #81787C, #818278, #78827D and #787882

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 4 / 49

HEX #81787C

RGB 129 120 124

HSL 333.33, 0.04%, 0.49%

LAB 51.33, 4.21, -0.95

 

Complementary color

CMYK 7 / 0 / 3 / 47

HEX #7E8783

RGB 126 135 131

HSL 153.33, 0.04%, 0.51%

LAB 55.48, -4.11, 1

 

CMYK 0 / 10 / 11 / 47

HEX #867877

RGB 134 120 119

HSL 4, 0.06%, 0.5%

LAB 51.65, 5.2, 2.5

 

CMYK 0 / 9 / 9 / 41

HEX #978A8A

RGB 151 138 138

HSL 0, 0.06%, 0.57%

LAB 58.59, 4.86, 1.76

 

CMYK 0 / 7 / 7 / 34

HEX #A89C9D

RGB 168 156 157

HSL 355, 0.06%, 0.64%

LAB 65.39, 4.56, 1.05

 

CMYK 0 / 6 / 5 / 27

HEX #B9AEB0

RGB 185 174 176

HSL 349.09, 0.07%, 0.7%

LAB 72.04, 4.29, 0.38

 

CMYK 0 / 5 / 3 / 21

HEX #CAC0C3

RGB 202 192 195

HSL 342, 0.09%, 0.77%

LAB 78.58, 4.04, -0.26

 

CMYK 0 / 7 / 4 / 49

HEX #81787C

RGB 129 120 124

HSL 333.33, 0.04%, 0.49%

LAB 51.33, 4.21, -0.95

 

CMYK 0 / 9 / 6 / 56

HEX #706669

RGB 112 102 105

HSL 342, 0.05%, 0.42%

LAB 44.19, 4.53, -0.26

 

CMYK 0 / 12 / 9 / 63

HEX #5F5456

RGB 95 84 86

HSL 349.09, 0.06%, 0.35%

LAB 36.83, 4.9, 0.48

 

CMYK 0 / 15 / 14 / 69

HEX #4E4243

RGB 78 66 67

HSL 355, 0.08%, 0.28%

LAB 29.21, 5.34, 1.29

 

CMYK 0 / 21 / 21 / 76

HEX #3D3030

RGB 61 48 48

HSL 0, 0.12%, 0.21%

LAB 21.28, 5.89, 2.23

 

CMYK 0 / 8 / 5 / 49

HEX #82787C

RGB 130 120 124

HSL 336, 0.04%, 0.49%

LAB 51.42, 4.59, -0.81

 

CMYK 0 / 8 / 6 / 49

HEX #82787A

RGB 130 120 122

HSL 348, 0.04%, 0.49%

LAB 51.36, 4.21, 0.28

 

CMYK 0 / 8 / 8 / 49

HEX #827878

RGB 130 120 120

HSL 0, 0.04%, 0.49%

LAB 51.31, 3.83, 1.38

 

CMYK 0 / 8 / 5 / 49

HEX #82787C

RGB 130 120 124

HSL 336, 0.04%, 0.49%

LAB 51.42, 4.59, -0.81

 

CMYK 0 / 8 / 2 / 49

HEX #82787F

RGB 130 120 127

HSL 318, 0.04%, 0.49%

LAB 51.51, 5.18, -2.44

 

CMYK 0 / 8 / 0 / 49

HEX #827882

RGB 130 120 130

HSL 300, 0.04%, 0.49%

LAB 51.6, 5.78, -4.07

 

CMYK 2 / 8 / 0 / 49

HEX #7F7882

RGB 127 120 130

HSL 282, 0.04%, 0.49%

LAB 51.33, 4.66, -4.5

 

CMYK 4 / 8 / 0 / 49

HEX #7D7882

RGB 125 120 130

HSL 270, 0.04%, 0.49%

LAB 51.16, 3.92, -4.78

 

CMYK 0 / 8 / 5 / 49

HEX #82787C

RGB 130 120 124

HSL 336, 0.04%, 0.49%

LAB 51.42, 4.59, -0.81

 

CMYK 0 / 33 / 19 / 41

HEX #96647A

RGB 150 100 122

HSL 333.6, 0.2%, 0.49%

LAB 48.26, 23.57, -4.03

 

CMYK 0 / 53 / 29 / 33

HEX #AA5078

RGB 170 80 120

HSL 333.33, 0.36%, 0.49%

LAB 46.5, 41.45, -5.14

 

CMYK 0 / 69 / 38 / 25

HEX #BF3B76

RGB 191 59 118

HSL 333.18, 0.53%, 0.49%

LAB 46.33, 57.25, -3.8

 

CMYK 0 / 82 / 45 / 17

HEX #D32773

RGB 211 39 115

HSL 333.49, 0.69%, 0.49%

LAB 47.67, 68.55, 0.43

 

CMYK 0 / 8 / 5 / 49

HEX #82787C

RGB 130 120 124

HSL 336, 0.04%, 0.49%

LAB 51.42, 4.59, -0.81

 

CMYK 21 / 0 / 9 / 45

HEX #6E8C7F

RGB 110 140 127

HSL 154, 0.12%, 0.49%

LAB 55.69, -13.41, 3.46

 

CMYK 44 / 0 / 19 / 37

HEX #5AA081

RGB 90 160 129

HSL 153.43, 0.28%, 0.49%

LAB 60.69, -29.51, 9.35

 

CMYK 62 / 0 / 28 / 29

HEX #45B583

RGB 69 181 131

HSL 153.21, 0.45%, 0.49%

LAB 66.48, -43.61, 16.26

 

CMYK 76 / 0 / 34 / 21

HEX #31C985

RGB 49 201 133

HSL 153.16, 0.61%, 0.49%

LAB 72.31, -54.46, 23.11

 

CMYK 0 / 8 / 0 / 49

HEX #827882

RGB 130 120 130

HSL 300, 0.04%, 0.49%

LAB 51.6, 5.78, -4.07

 

CMYK 0 / 8 / 2 / 49

HEX #82787F

RGB 130 120 127

HSL 318, 0.04%, 0.49%

LAB 51.51, 5.18, -2.44

 

CMYK 0 / 8 / 5 / 49

HEX #82787C

RGB 130 120 124

HSL 336, 0.04%, 0.49%

LAB 51.42, 4.59, -0.81

 

CMYK 0 / 8 / 6 / 49

HEX #82787A

RGB 130 120 122

HSL 348, 0.04%, 0.49%

LAB 51.36, 4.21, 0.28

 

CMYK 0 / 7 / 8 / 49

HEX #827978

RGB 130 121 120

HSL 6, 0.04%, 0.49%

LAB 51.58, 3.25, 1.78

 

CMYK 0 / 8 / 5 / 66

HEX #575053

RGB 87 80 83

HSL 334.29, 0.04%, 0.33%

LAB 34.78, 3.49, -0.73

 

CMYK 0 / 7 / 4 / 58

HEX #6C6468

RGB 108 100 104

HSL 330, 0.04%, 0.41%

LAB 43.21, 3.96, -1.12

 

CMYK 0 / 8 / 5 / 49

HEX #82787C

RGB 130 120 124

HSL 336, 0.04%, 0.49%

LAB 51.42, 4.59, -0.81

 

CMYK 0 / 6 / 3 / 41

HEX #968D91

RGB 150 141 145

HSL 333.33, 0.04%, 0.57%

LAB 59.51, 4.09, -0.93

 

CMYK 0 / 4 / 2 / 33

HEX #AAA3A6

RGB 170 163 166

HSL 334.29, 0.04%, 0.65%

LAB 67.65, 3.08, -0.66

 

CMYK 0 / 7 / 4 / 49

HEX #81787C

RGB 129 120 124

HSL 333.33, 0.04%, 0.49%

LAB 51.33, 4.21, -0.95

 

CMYK 0 / 2 / 8 / 49

HEX #827F78

RGB 130 127 120

HSL 42, 0.04%, 0.49%

LAB 53.26, -0.2, 4.2

 

CMYK 8 / 2 / 0 / 49

HEX #788082

RGB 120 128 130

HSL 192, 0.04%, 0.49%

LAB 53, -2.53, -2.11

 

CMYK 0 / 7 / 4 / 49

HEX #81787C

RGB 129 120 124

HSL 333.33, 0.04%, 0.49%

LAB 51.33, 4.21, -0.95

 

CMYK 5 / 0 / 8 / 49

HEX #7C8278

RGB 124 130 120

HSL 96, 0.04%, 0.49%

LAB 53.61, -4.2, 4.64

 

CMYK 8 / 5 / 0 / 49

HEX #787C82

RGB 120 124 130

HSL 216, 0.04%, 0.49%

LAB 51.86, -0.24, -3.78

 

CMYK 0 / 7 / 4 / 49

HEX #81787C

RGB 129 120 124

HSL 333.33, 0.04%, 0.49%

LAB 51.33, 4.21, -0.95

 

CMYK 0 / 2 / 8 / 49

HEX #827F78

RGB 130 127 120

HSL 42, 0.04%, 0.49%

LAB 53.26, -0.2, 4.2

 

CMYK 8 / 0 / 4 / 49

HEX #78827D

RGB 120 130 125

HSL 150, 0.04%, 0.49%

LAB 53.43, -4.71, 1.43

 

CMYK 8 / 6 / 0 / 49

HEX #787A82

RGB 120 122 130

HSL 228, 0.04%, 0.49%

LAB 51.29, 0.92, -4.62

 

CMYK 0 / 7 / 4 / 49

HEX #81787C

RGB 129 120 124

HSL 333.33, 0.04%, 0.49%

LAB 51.33, 4.21, -0.95

 

CMYK 1 / 0 / 8 / 49

HEX #818278

RGB 129 130 120

HSL 66, 0.04%, 0.49%

LAB 54.01, -2.3, 5.28

 

CMYK 8 / 0 / 4 / 49

HEX #78827D

RGB 120 130 125

HSL 150, 0.04%, 0.49%

LAB 53.43, -4.71, 1.43

 

CMYK 8 / 8 / 0 / 49

HEX #787882

RGB 120 120 130

HSL 240, 0.04%, 0.49%

LAB 50.73, 2.09, -5.45

 

Description

Color code: HEX #81787C | qconv.com Color code: HEX #81787C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 120 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 120 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 4 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 4% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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