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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81711F it is the complementary color #7E8EE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81711F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81711F shade: #86711A, #97832D, #A89540, #B9A753 and #CAB966

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81711F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81711F shade: #81711F, #705F0C, #5F4D00, #4E3B00 and #3D2900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81711F shade: #7F701F, #7F561F, #7F3C1F, #7F211F and #7F1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81711F shade: #7F701F, #757F1F, #5B7F1F, #417F1F and #277F1F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81711F shade matches the following richer shades: #7F701F, #8C7812 and #998105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81711F shade: #7F701F, #72672C, #665E38, #595645 and #4C4D52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81711F shade: #7F3C1F, #7F551F, #7F6F1F, #767F1F and #5C7F1F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81711F shade: #3D350F, #5E5217, #7F701F, #A08D27 and #C2AA2F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81711F shade: #81711F, #1F7F22 and #491F7F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81711F shade: #81711F, #1F7F6F and #6F1F7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81711F shade: #81711F, #1F7F22, #1F2F7F and #7F1F7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81711F shade: #81711F, #1F7F3F, #1F2F7F and #7F1F5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 76 / 49

HEX #81711F

RGB 129 113 31

HSL 50.2, 0.61%, 0.31%

LAB 47.72, -3.23, 45.12

 

Complementary color

CMYK 44 / 37 / 0 / 12

HEX #7E8EE0

RGB 126 142 224

HSL 230.2, 0.61%, 0.69%

LAB 60.93, 15.28, -43.59

 

CMYK 0 / 16 / 81 / 47

HEX #86711A

RGB 134 113 26

HSL 48.33, 0.68%, 0.31%

LAB 48.2, -1.09, 47.65

 

CMYK 0 / 13 / 70 / 41

HEX #97832D

RGB 151 131 45

HSL 48.68, 0.54%, 0.38%

LAB 55.07, -2.4, 47.3

 

CMYK 0 / 11 / 62 / 34

HEX #A89540

RGB 168 149 64

HSL 49.04, 0.45%, 0.45%

LAB 61.82, -3.44, 46.37

 

CMYK 0 / 10 / 55 / 27

HEX #B9A753

RGB 185 167 83

HSL 49.41, 0.42%, 0.53%

LAB 68.44, -4.28, 45.22

 

CMYK 0 / 8 / 50 / 21

HEX #CAB966

RGB 202 185 102

HSL 49.8, 0.49%, 0.6%

LAB 74.96, -4.97, 43.99

 

CMYK 0 / 12 / 76 / 49

HEX #81711F

RGB 129 113 31

HSL 50.2, 0.61%, 0.31%

LAB 47.72, -3.23, 45.12

 

CMYK 0 / 15 / 89 / 56

HEX #705F0C

RGB 112 95 12

HSL 49.8, 0.81%, 0.24%

LAB 40.66, -1.76, 44.7

 

CMYK 0 / 19 / 100 / 63

HEX #5F4D00

RGB 95 77 0

HSL 48.63, 1%, 0.19%

LAB 33.44, 0.15, 41.93

 

CMYK 0 / 24 / 100 / 69

HEX #4E3B00

RGB 78 59 0

HSL 45.38, 1%, 0.15%

LAB 26, 2.55, 35.27

 

CMYK 0 / 33 / 100 / 76

HEX #3D2900

RGB 61 41 0

HSL 40.33, 1%, 0.12%

LAB 18.27, 5.18, 26.43

 

CMYK 0 / 12 / 76 / 50

HEX #7F701F

RGB 127 112 31

HSL 50.63, 0.61%, 0.31%

LAB 47.23, -3.61, 44.58

 

CMYK 0 / 32 / 76 / 50

HEX #7F561F

RGB 127 86 31

HSL 34.38, 0.61%, 0.31%

LAB 40.03, 11.6, 37.41

 

CMYK 0 / 53 / 76 / 50

HEX #7F3C1F

RGB 127 60 31

HSL 18.13, 0.61%, 0.31%

LAB 33.65, 26.77, 30.72

 

CMYK 0 / 74 / 76 / 50

HEX #7F211F

RGB 127 33 31

HSL 1.25, 0.61%, 0.31%

LAB 28.64, 39.99, 25.15

 

CMYK 0 / 76 / 76 / 50

HEX #7F1F1F

RGB 127 31 31

HSL 0, 0.61%, 0.31%

LAB 28.36, 40.77, 24.83

 

CMYK 0 / 12 / 76 / 50

HEX #7F701F

RGB 127 112 31

HSL 50.63, 0.61%, 0.31%

LAB 47.23, -3.61, 44.58

 

CMYK 8 / 0 / 76 / 50

HEX #757F1F

RGB 117 127 31

HSL 66.25, 0.61%, 0.31%

LAB 50.76, -16.51, 47.65

 

CMYK 28 / 0 / 76 / 50

HEX #5B7F1F

RGB 91 127 31

HSL 82.5, 0.61%, 0.31%

LAB 48.89, -27.8, 45.2

 

CMYK 49 / 0 / 76 / 50

HEX #417F1F

RGB 65 127 31

HSL 98.75, 0.61%, 0.31%

LAB 47.5, -37.52, 43.36

 

CMYK 69 / 0 / 76 / 50

HEX #277F1F

RGB 39 127 31

HSL 115, 0.61%, 0.31%

LAB 46.59, -44.68, 42.15

 

CMYK 0 / 12 / 76 / 50

HEX #7F701F

RGB 127 112 31

HSL 50.63, 0.61%, 0.31%

LAB 47.23, -3.61, 44.58

 

CMYK 0 / 14 / 87 / 45

HEX #8C7812

RGB 140 120 18

HSL 50.16, 0.77%, 0.31%

LAB 50.75, -2.5, 52.6

 

CMYK 0 / 16 / 97 / 40

HEX #998105

RGB 153 129 5

HSL 50.27, 0.94%, 0.31%

LAB 54.54, -1.7, 58.78

 

CMYK 0 / 12 / 76 / 50

HEX #7F701F

RGB 127 112 31

HSL 50.63, 0.61%, 0.31%

LAB 47.23, -3.61, 44.58

 

CMYK 0 / 10 / 61 / 55

HEX #72672C

RGB 114 103 44

HSL 50.57, 0.44%, 0.31%

LAB 43.45, -3.72, 34.2

 

CMYK 0 / 8 / 45 / 60

HEX #665E38

RGB 102 94 56

HSL 49.57, 0.29%, 0.31%

LAB 39.77, -2.83, 22.91

 

CMYK 0 / 3 / 22 / 65

HEX #595645

RGB 89 86 69

HSL 51, 0.13%, 0.31%

LAB 36.38, -2.01, 10.35

 

CMYK 7 / 6 / 0 / 68

HEX #4C4D52

RGB 76 77 82

HSL 230, 0.04%, 0.31%

LAB 32.82, 0.72, -3.09

 

CMYK 0 / 53 / 76 / 50

HEX #7F3C1F

RGB 127 60 31

HSL 18.13, 0.61%, 0.31%

LAB 33.65, 26.77, 30.72

 

CMYK 0 / 33 / 76 / 50

HEX #7F551F

RGB 127 85 31

HSL 33.75, 0.61%, 0.31%

LAB 39.76, 12.2, 37.14

 

CMYK 0 / 13 / 76 / 50

HEX #7F6F1F

RGB 127 111 31

HSL 50, 0.61%, 0.31%

LAB 46.95, -3.04, 44.3

 

CMYK 7 / 0 / 76 / 50

HEX #767F1F

RGB 118 127 31

HSL 65.63, 0.61%, 0.31%

LAB 50.84, -16.06, 47.76

 

CMYK 28 / 0 / 76 / 50

HEX #5C7F1F

RGB 92 127 31

HSL 81.88, 0.61%, 0.31%

LAB 48.95, -27.39, 45.28

 

CMYK 0 / 13 / 75 / 76

HEX #3D350F

RGB 61 53 15

HSL 49.57, 0.61%, 0.15%

LAB 22.21, -1.83, 24.43

 

CMYK 0 / 13 / 76 / 63

HEX #5E5217

RGB 94 82 23

HSL 49.86, 0.61%, 0.23%

LAB 34.96, -2.47, 34.77

 

CMYK 0 / 12 / 76 / 50

HEX #7F701F

RGB 127 112 31

HSL 50.63, 0.61%, 0.31%

LAB 47.23, -3.61, 44.58

 

CMYK 0 / 12 / 76 / 37

HEX #A08D27

RGB 160 141 39

HSL 50.58, 0.61%, 0.39%

LAB 58.67, -4.12, 53.56

 

CMYK 0 / 12 / 76 / 24

HEX #C2AA2F

RGB 194 170 47

HSL 50.2, 0.61%, 0.47%

LAB 69.77, -4.17, 62.29

 

CMYK 0 / 12 / 76 / 49

HEX #81711F

RGB 129 113 31

HSL 50.2, 0.61%, 0.31%

LAB 47.72, -3.23, 45.12

 

CMYK 76 / 0 / 73 / 50

HEX #1F7F22

RGB 31 127 34

HSL 121.88, 0.61%, 0.31%

LAB 46.43, -45.98, 40.72

 

CMYK 43 / 76 / 0 / 50

HEX #491F7F

RGB 73 31 127

HSL 266.25, 0.61%, 0.31%

LAB 23.43, 40.29, -46.57

 

CMYK 0 / 12 / 76 / 49

HEX #81711F

RGB 129 113 31

HSL 50.2, 0.61%, 0.31%

LAB 47.72, -3.23, 45.12

 

CMYK 76 / 0 / 13 / 50

HEX #1F7F6F

RGB 31 127 111

HSL 170, 0.61%, 0.31%

LAB 47.77, -31.05, 0.87

 

CMYK 13 / 76 / 0 / 50

HEX #6F1F7F

RGB 111 31 127

HSL 290, 0.61%, 0.31%

LAB 29.14, 48.19, -37.07

 

CMYK 0 / 12 / 76 / 49

HEX #81711F

RGB 129 113 31

HSL 50.2, 0.61%, 0.31%

LAB 47.72, -3.23, 45.12

 

CMYK 76 / 0 / 73 / 50

HEX #1F7F22

RGB 31 127 34

HSL 121.88, 0.61%, 0.31%

LAB 46.43, -45.98, 40.72

 

CMYK 76 / 63 / 0 / 50

HEX #1F2F7F

RGB 31 47 127

HSL 230, 0.61%, 0.31%

LAB 23.19, 23.43, -47.13

 

CMYK 0 / 76 / 2 / 50

HEX #7F1F7C

RGB 127 31 124

HSL 301.88, 0.61%, 0.31%

LAB 31.69, 51.28, -30.96

 

CMYK 0 / 12 / 76 / 49

HEX #81711F

RGB 129 113 31

HSL 50.2, 0.61%, 0.31%

LAB 47.72, -3.23, 45.12

 

CMYK 76 / 0 / 50 / 50

HEX #1F7F3F

RGB 31 127 63

HSL 140, 0.61%, 0.31%

LAB 46.75, -42.14, 27.01

 

CMYK 76 / 63 / 0 / 50

HEX #1F2F7F

RGB 31 47 127

HSL 230, 0.61%, 0.31%

LAB 23.19, 23.43, -47.13

 

CMYK 0 / 76 / 25 / 50

HEX #7F1F5F

RGB 127 31 95

HSL 320, 0.61%, 0.31%

LAB 30.2, 46.77, -14.74

 

Description

Color code: HEX #81711F | qconv.com Color code: HEX #81711F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 113 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 113 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 76 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 76% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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