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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81711D it is the complementary color #7E8EE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81711D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81711D shade: #867118, #97832B, #A8953E, #B9A751 and #CAB964

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81711D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81711D shade: #81711D, #705F0A, #5F4D00, #4E3B00 and #3D2900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81711D shade: #81711D, #81561D, #813B1D, #81201D and #811D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81711D shade: #81711D, #76811D, #5B811D, #40811D and #25811D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81711D shade matches the following richer shades: #81711D, #8E7A10 and #9A8204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81711D shade: #81711D, #74682A, #676037, #5A5744 and #4E4E50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81711D shade: #813B1D, #81561D, #81701D, #77811D and #5C811D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81711D shade: #3E360E, #5F5316, #81711D, #A28E25 and #C4AC2D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81711D shade: #81711D, #1D8121 and #481D81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81711D shade: #81711D, #1D8170 and #701D81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81711D shade: #81711D, #1D8121, #1D2E81 and #811D7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81711D shade: #81711D, #1D813E, #1D2E81 and #811D60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 78 / 49

HEX #81711D

RGB 129 113 29

HSL 50.4, 0.63%, 0.31%

LAB 47.71, -3.33, 45.89

 

Complementary color

CMYK 44 / 37 / 0 / 11

HEX #7E8EE2

RGB 126 142 226

HSL 230.4, 0.63%, 0.69%

LAB 61.02, 15.86, -44.55

 

CMYK 0 / 16 / 82 / 47

HEX #867118

RGB 134 113 24

HSL 48.55, 0.7%, 0.31%

LAB 48.19, -1.17, 48.34

 

CMYK 0 / 13 / 72 / 41

HEX #97832B

RGB 151 131 43

HSL 48.89, 0.56%, 0.38%

LAB 55.06, -2.51, 48.14

 

CMYK 0 / 11 / 63 / 34

HEX #A8953E

RGB 168 149 62

HSL 49.25, 0.46%, 0.45%

LAB 61.8, -3.58, 47.28

 

CMYK 0 / 10 / 56 / 27

HEX #B9A751

RGB 185 167 81

HSL 49.62, 0.43%, 0.52%

LAB 68.42, -4.44, 46.16

 

CMYK 0 / 8 / 50 / 21

HEX #CAB964

RGB 202 185 100

HSL 50, 0.49%, 0.59%

LAB 74.93, -5.15, 44.95

 

CMYK 0 / 12 / 78 / 49

HEX #81711D

RGB 129 113 29

HSL 50.4, 0.63%, 0.31%

LAB 47.71, -3.33, 45.89

 

CMYK 0 / 15 / 91 / 56

HEX #705F0A

RGB 112 95 10

HSL 50, 0.84%, 0.24%

LAB 40.66, -1.81, 45.22

 

CMYK 0 / 19 / 100 / 63

HEX #5F4D00

RGB 95 77 0

HSL 48.63, 1%, 0.19%

LAB 33.44, 0.15, 41.93

 

CMYK 0 / 24 / 100 / 69

HEX #4E3B00

RGB 78 59 0

HSL 45.38, 1%, 0.15%

LAB 26, 2.55, 35.27

 

CMYK 0 / 33 / 100 / 76

HEX #3D2900

RGB 61 41 0

HSL 40.33, 1%, 0.12%

LAB 18.27, 5.18, 26.43

 

CMYK 0 / 12 / 78 / 49

HEX #81711D

RGB 129 113 29

HSL 50.4, 0.63%, 0.31%

LAB 47.71, -3.33, 45.89

 

CMYK 0 / 33 / 78 / 49

HEX #81561D

RGB 129 86 29

HSL 34.2, 0.63%, 0.31%

LAB 40.26, 12.44, 38.68

 

CMYK 0 / 54 / 78 / 49

HEX #813B1D

RGB 129 59 29

HSL 18, 0.63%, 0.31%

LAB 33.74, 28.07, 32.01

 

CMYK 0 / 75 / 78 / 49

HEX #81201D

RGB 129 32 29

HSL 1.8, 0.63%, 0.31%

LAB 28.87, 40.97, 26.76

 

CMYK 0 / 78 / 78 / 49

HEX #811D1D

RGB 129 29 29

HSL 0, 0.63%, 0.31%

LAB 28.47, 42.09, 26.32

 

CMYK 0 / 12 / 78 / 49

HEX #81711D

RGB 129 113 29

HSL 50.4, 0.63%, 0.31%

LAB 47.71, -3.33, 45.89

 

CMYK 9 / 0 / 78 / 49

HEX #76811D

RGB 118 129 29

HSL 66.6, 0.63%, 0.31%

LAB 51.43, -17.22, 49.03

 

CMYK 29 / 0 / 78 / 49

HEX #5B811D

RGB 91 129 29

HSL 82.8, 0.63%, 0.31%

LAB 49.51, -28.88, 46.54

 

CMYK 50 / 0 / 78 / 49

HEX #40811D

RGB 64 129 29

HSL 99, 0.63%, 0.31%

LAB 48.11, -38.83, 44.7

 

CMYK 71 / 0 / 78 / 49

HEX #25811D

RGB 37 129 29

HSL 115.2, 0.63%, 0.31%

LAB 47.21, -45.97, 43.51

 

CMYK 0 / 12 / 78 / 49

HEX #81711D

RGB 129 113 29

HSL 50.4, 0.63%, 0.31%

LAB 47.71, -3.33, 45.89

 

CMYK 0 / 14 / 89 / 44

HEX #8E7A10

RGB 142 122 16

HSL 50.48, 0.8%, 0.31%

LAB 51.5, -2.73, 53.81

 

CMYK 0 / 16 / 97 / 40

HEX #9A8204

RGB 154 130 4

HSL 50.4, 0.95%, 0.31%

LAB 54.91, -1.8, 59.28

 

CMYK 0 / 12 / 78 / 49

HEX #81711D

RGB 129 113 29

HSL 50.4, 0.63%, 0.31%

LAB 47.71, -3.33, 45.89

 

CMYK 0 / 10 / 64 / 55

HEX #74682A

RGB 116 104 42

HSL 50.27, 0.47%, 0.31%

LAB 43.92, -3.51, 35.79

 

CMYK 0 / 7 / 47 / 60

HEX #676037

RGB 103 96 55

HSL 51.25, 0.3%, 0.31%

LAB 40.45, -3.67, 24.36

 

CMYK 0 / 3 / 24 / 65

HEX #5A5744

RGB 90 87 68

HSL 51.82, 0.14%, 0.31%

LAB 36.76, -2.34, 11.5

 

CMYK 2 / 2 / 0 / 69

HEX #4E4E50

RGB 78 78 80

HSL 240, 0.01%, 0.31%

LAB 33.24, 0.44, -1.18

 

CMYK 0 / 54 / 78 / 49

HEX #813B1D

RGB 129 59 29

HSL 18, 0.63%, 0.31%

LAB 33.74, 28.07, 32.01

 

CMYK 0 / 33 / 78 / 49

HEX #81561D

RGB 129 86 29

HSL 34.2, 0.63%, 0.31%

LAB 40.26, 12.44, 38.68

 

CMYK 0 / 13 / 78 / 49

HEX #81701D

RGB 129 112 29

HSL 49.8, 0.63%, 0.31%

LAB 47.42, -2.76, 45.62

 

CMYK 8 / 0 / 78 / 49

HEX #77811D

RGB 119 129 29

HSL 66, 0.63%, 0.31%

LAB 51.51, -16.76, 49.14

 

CMYK 29 / 0 / 78 / 49

HEX #5C811D

RGB 92 129 29

HSL 82.2, 0.63%, 0.31%

LAB 49.57, -28.48, 46.62

 

CMYK 0 / 13 / 77 / 76

HEX #3E360E

RGB 62 54 14

HSL 50, 0.63%, 0.15%

LAB 22.63, -2.02, 25.43

 

CMYK 0 / 13 / 77 / 63

HEX #5F5316

RGB 95 83 22

HSL 50.14, 0.62%, 0.23%

LAB 35.36, -2.63, 35.65

 

CMYK 0 / 12 / 78 / 49

HEX #81711D

RGB 129 113 29

HSL 50.4, 0.63%, 0.31%

LAB 47.71, -3.33, 45.89

 

CMYK 0 / 12 / 77 / 36

HEX #A28E25

RGB 162 142 37

HSL 50.4, 0.63%, 0.39%

LAB 59.12, -3.84, 54.79

 

CMYK 0 / 12 / 77 / 23

HEX #C4AC2D

RGB 196 172 45

HSL 50.46, 0.63%, 0.47%

LAB 70.48, -4.43, 63.7

 

CMYK 0 / 12 / 78 / 49

HEX #81711D

RGB 129 113 29

HSL 50.4, 0.63%, 0.31%

LAB 47.71, -3.33, 45.89

 

CMYK 78 / 0 / 74 / 49

HEX #1D8121

RGB 29 129 33

HSL 122.4, 0.63%, 0.31%

LAB 47.07, -47.1, 41.78

 

CMYK 44 / 78 / 0 / 49

HEX #481D81

RGB 72 29 129

HSL 265.8, 0.63%, 0.31%

LAB 23.14, 41.61, -48.32

 

CMYK 0 / 12 / 78 / 49

HEX #81711D

RGB 129 113 29

HSL 50.4, 0.63%, 0.31%

LAB 47.71, -3.33, 45.89

 

CMYK 78 / 0 / 13 / 49

HEX #1D8170

RGB 29 129 112

HSL 169.8, 0.63%, 0.31%

LAB 48.43, -31.97, 1.23

 

CMYK 13 / 78 / 0 / 49

HEX #701D81

RGB 112 29 129

HSL 289.8, 0.63%, 0.31%

LAB 29.18, 49.54, -38.25

 

CMYK 0 / 12 / 78 / 49

HEX #81711D

RGB 129 113 29

HSL 50.4, 0.63%, 0.31%

LAB 47.71, -3.33, 45.89

 

CMYK 78 / 0 / 74 / 49

HEX #1D8121

RGB 29 129 33

HSL 122.4, 0.63%, 0.31%

LAB 47.07, -47.1, 41.78

 

CMYK 78 / 64 / 0 / 49

HEX #1D2E81

RGB 29 46 129

HSL 229.8, 0.63%, 0.31%

LAB 23, 24.66, -48.71

 

CMYK 0 / 78 / 2 / 49

HEX #811D7E

RGB 129 29 126

HSL 301.8, 0.63%, 0.31%

LAB 31.93, 52.74, -31.81

 

CMYK 0 / 12 / 78 / 49

HEX #81711D

RGB 129 113 29

HSL 50.4, 0.63%, 0.31%

LAB 47.71, -3.33, 45.89

 

CMYK 78 / 0 / 52 / 49

HEX #1D813E

RGB 29 129 62

HSL 139.8, 0.63%, 0.31%

LAB 47.38, -43.39, 28.32

 

CMYK 78 / 64 / 0 / 49

HEX #1D2E81

RGB 29 46 129

HSL 229.8, 0.63%, 0.31%

LAB 23, 24.66, -48.71

 

CMYK 0 / 78 / 26 / 49

HEX #811D60

RGB 129 29 96

HSL 319.8, 0.63%, 0.31%

LAB 30.38, 48.14, -15.09

 

Description

Color code: HEX #81711D | qconv.com Color code: HEX #81711D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 113 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 113 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 78 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 78% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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