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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #816CFDCE it is the complementary color #7E9302CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #816CFDCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #816CFDCE shade: #866CF8CE, #977EFFCE, #A890FFCE, #B9A2FFCE and #CAB4FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #816CFDCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #816CFDCE shade: #816CFDCE, #705AEACE, #5F48D7CE, #4E36C4CE and #3D24B1CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #816CFDCE shade: #826DFD, #A96DFD, #CF6DFD, #F66DFD and #FD6DDD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #816CFDCE shade: #826DFD and #6D6DFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #816CFDCE shade matches the following richer shades: #826DFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #816CFDCE shade: #826DFD, #8B79F1, #9385E5, #9C91D9 and #A49DCD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #816CFDCE shade: #6DA7FD, #6D80FD, #806DFD, #A76DFD and #CD6DFD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #816CFDCE shade: #3C1CFC, #5F45FC, #826DFD, #A596FD and #C8BFFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #816CFDCE shade: #816CFD, #FD6DCD and #94FD6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #816CFDCE shade: #816CFD, #FD806D and #6DFD80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #816CFDCE shade: #816CFD, #FD6DCD, #EAFD6D and #6DFD9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #816CFDCE shade: #816CFD, #FD6DA2, #EAFD6D and #6DFDC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 46 / 0 / 1

HEX #816CFDCE

RGBA 129 108 253 0.81

HSLA 248.69, 0.97%, 0.71%, 0.81

LABA 54.54, 44.32, -69.88, 0.81

 

Complementary color

CMYK 12 / 0 / 80 / 34

HEX #7E9302CE

RGBA 126 147 2 0.81

HSLA 68.69, 0.97%, 0.29%, 0.81

LABA 57.37, -23.66, 60.36, 0.81

 

CMYK 37 / 46 / 0 / 2

HEX #866CF8CE

RGBA 134 108 248 0.81

HSLA 251.14, 0.91%, 0.7%, 0.81

LABA 54.63, 43.9, -66.94, 0.81

 

CMYK 33 / 41 / 0 / 0

HEX #977EFFCE

RGBA 151 126 255 0.81

HSLA 251.63, 1%, 0.75%, 0.81

LABA 60.53, 39.33, -61.23, 0.81

 

CMYK 28 / 35 / 0 / 0

HEX #A890FFCE

RGBA 168 144 255 0.81

HSLA 252.97, 1%, 0.78%, 0.81

LABA 66.13, 33.29, -52.24, 0.81

 

CMYK 22 / 30 / 0 / 0

HEX #B9A2FFCE

RGBA 185 162 255 0.81

HSLA 254.84, 1%, 0.82%, 0.81

LABA 71.81, 27.76, -43.2, 0.81

 

CMYK 17 / 24 / 0 / 0

HEX #CAB4FFCE

RGBA 202 180 255 0.81

HSLA 257.6, 1%, 0.85%, 0.81

LABA 77.53, 22.72, -34.2, 0.81

 

CMYK 40 / 46 / 0 / 1

HEX #816CFDCE

RGBA 129 108 253 0.81

HSLA 248.69, 0.97%, 0.71%, 0.81

LABA 54.54, 44.32, -69.88, 0.81

 

CMYK 42 / 50 / 0 / 7

HEX #705AEACE

RGBA 112 90 234 0.81

HSLA 249.17, 0.77%, 0.64%, 0.81

LABA 47.88, 45.84, -70.14, 0.81

 

CMYK 45 / 54 / 0 / 13

HEX #5F48D7CE

RGBA 95 72 215 0.81

HSLA 249.65, 0.64%, 0.56%, 0.81

LABA 41.17, 47.45, -70.33, 0.81

 

CMYK 49 / 59 / 0 / 19

HEX #4E36C4CE

RGBA 78 54 196 0.81

HSLA 250.14, 0.57%, 0.49%, 0.81

LABA 34.49, 49.09, -70.34, 0.81

 

CMYK 53 / 65 / 0 / 25

HEX #3D24B1CE

RGBA 61 36 177 0.81

HSLA 250.64, 0.66%, 0.42%, 0.81

LABA 27.92, 50.53, -69.97, 0.81

 

CMYK 49 / 57 / 0 / 1

HEX #826DFD

RGB 130 109 253

HSL 248.75, 0.97%, 0.71%

LAB 54.84, 43.95, -69.39

 

CMYK 33 / 57 / 0 / 1

HEX #A96DFD

RGB 169 109 253

HSL 265, 0.97%, 0.71%

LAB 58.48, 52.3, -63.34

 

CMYK 18 / 57 / 0 / 1

HEX #CF6DFD

RGB 207 109 253

HSL 280.83, 0.97%, 0.71%

LAB 62.76, 61.27, -56.25

 

CMYK 3 / 57 / 0 / 1

HEX #F66DFD

RGB 246 109 253

HSL 297.08, 0.97%, 0.71%

LAB 67.74, 70.82, -48.04

 

CMYK 0 / 57 / 13 / 1

HEX #FD6DDD

RGB 253 109 221

HSL 313.33, 0.97%, 0.71%

LAB 67.31, 67.51, -30.97

 

CMYK 49 / 57 / 0 / 1

HEX #826DFD

RGB 130 109 253

HSL 248.75, 0.97%, 0.71%

LAB 54.84, 43.95, -69.39

 

CMYK 57 / 57 / 0 / 1

HEX #6D6DFD

RGB 109 109 253

HSL 240, 0.97%, 0.71%

LAB 53.25, 40.04, -72.03

 

CMYK 49 / 57 / 0 / 1

HEX #826DFD

RGB 130 109 253

HSL 248.75, 0.97%, 0.71%

LAB 54.84, 43.95, -69.39

 

CMYK 49 / 57 / 0 / 1

HEX #826DFD

RGB 130 109 253

HSL 248.75, 0.97%, 0.71%

LAB 54.84, 43.95, -69.39

 

CMYK 42 / 50 / 0 / 5

HEX #8B79F1

RGB 139 121 241

HSL 249, 0.81%, 0.71%

LAB 57.57, 35.58, -58.3

 

CMYK 36 / 42 / 0 / 10

HEX #9385E5

RGB 147 133 229

HSL 248.75, 0.65%, 0.71%

LAB 60.46, 27.32, -47

 

CMYK 28 / 33 / 0 / 15

HEX #9C91D9

RGB 156 145 217

HSL 249.17, 0.49%, 0.71%

LAB 63.61, 19.8, -35.32

 

CMYK 20 / 23 / 0 / 20

HEX #A49DCD

RGB 164 157 205

HSL 248.75, 0.32%, 0.71%

LAB 66.84, 12.54, -23.63

 

CMYK 57 / 34 / 0 / 1

HEX #6DA7FD

RGB 109 167 253

HSL 215.83, 0.97%, 0.71%

LAB 68.01, 5.78, -48.44

 

CMYK 57 / 49 / 0 / 1

HEX #6D80FD

RGB 109 128 253

HSL 232.08, 0.97%, 0.71%

LAB 57.83, 28.72, -64.64

 

CMYK 49 / 57 / 0 / 1

HEX #806DFD

RGB 128 109 253

HSL 247.92, 0.97%, 0.71%

LAB 54.68, 43.56, -69.66

 

CMYK 34 / 57 / 0 / 1

HEX #A76DFD

RGB 167 109 253

HSL 264.17, 0.97%, 0.71%

LAB 58.27, 51.85, -63.68

 

CMYK 19 / 57 / 0 / 1

HEX #CD6DFD

RGB 205 109 253

HSL 280, 0.97%, 0.71%

LAB 62.51, 60.78, -56.65

 

CMYK 76 / 89 / 0 / 1

HEX #3C1CFC

RGB 60 28 252

HSL 248.57, 0.97%, 0.55%

LAB 35.63, 74.09, -100.57

 

CMYK 62 / 73 / 0 / 1

HEX #5F45FC

RGB 95 69 252

HSL 248.52, 0.97%, 0.63%

LAB 43.82, 59.99, -86.92

 

CMYK 49 / 57 / 0 / 1

HEX #826DFD

RGB 130 109 253

HSL 248.75, 0.97%, 0.71%

LAB 54.84, 43.95, -69.39

 

CMYK 35 / 41 / 0 / 1

HEX #A596FD

RGB 165 150 253

HSL 248.74, 0.96%, 0.79%

LAB 67.2, 28.6, -49.46

 

CMYK 21 / 25 / 0 / 0

HEX #C8BFFE

RGB 200 191 254

HSL 248.57, 0.97%, 0.87%

LAB 80.01, 15.9, -29.86

 

CMYK 49 / 57 / 0 / 1

HEX #816CFD

RGB 129 108 253

HSL 248.69, 0.97%, 0.71%

LAB 54.54, 44.32, -69.88

 

CMYK 0 / 57 / 19 / 1

HEX #FD6DCD

RGB 253 109 205

HSL 320, 0.97%, 0.71%

LAB 66.69, 65.2, -22.97

 

CMYK 42 / 0 / 57 / 1

HEX #94FD6D

RGB 148 253 109

HSL 103.75, 0.97%, 0.71%

LAB 90.62, -55.68, 58.46

 

CMYK 49 / 57 / 0 / 1

HEX #816CFD

RGB 129 108 253

HSL 248.69, 0.97%, 0.71%

LAB 54.54, 44.32, -69.88

 

CMYK 0 / 49 / 57 / 1

HEX #FD806D

RGB 253 128 109

HSL 7.92, 0.97%, 0.71%

LAB 67.59, 45.94, 32.36

 

CMYK 57 / 0 / 49 / 1

HEX #6DFD80

RGB 109 253 128

HSL 127.92, 0.97%, 0.71%

LAB 89.42, -63.76, 48.07

 

CMYK 49 / 57 / 0 / 1

HEX #816CFD

RGB 129 108 253

HSL 248.69, 0.97%, 0.71%

LAB 54.54, 44.32, -69.88

 

CMYK 0 / 57 / 19 / 1

HEX #FD6DCD

RGB 253 109 205

HSL 320, 0.97%, 0.71%

LAB 66.69, 65.2, -22.97

 

CMYK 8 / 0 / 57 / 1

HEX #EAFD6D

RGB 234 253 109

HSL 67.92, 0.97%, 0.71%

LAB 95.52, -25.27, 65.34

 

CMYK 57 / 0 / 38 / 1

HEX #6DFD9D

RGB 109 253 157

HSL 140, 0.97%, 0.71%

LAB 89.83, -59.33, 34.54

 

CMYK 49 / 57 / 0 / 1

HEX #816CFD

RGB 129 108 253

HSL 248.69, 0.97%, 0.71%

LAB 54.54, 44.32, -69.88

 

CMYK 0 / 57 / 36 / 1

HEX #FD6DA2

RGB 253 109 162

HSL 337.92, 0.97%, 0.71%

LAB 65.3, 59.8, -0.71

 

CMYK 8 / 0 / 57 / 1

HEX #EAFD6D

RGB 234 253 109

HSL 67.92, 0.97%, 0.71%

LAB 95.52, -25.27, 65.34

 

CMYK 57 / 0 / 21 / 1

HEX #6DFDC8

RGB 109 253 200

HSL 157.92, 0.97%, 0.71%

LAB 90.63, -51.05, 13.82

 

Description

Color code: HEX #816CFDCE | qconv.com Color code: HEX #816CFDCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 108 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 108 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 46 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 46% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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