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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8165AA it is the complementary color #7E9A55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8165AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8165AA shade: #8665A5, #9777B8, #A889CB, #B99BDE and #CAADF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8165AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8165AA shade: #8165AA, #705397, #5F4184, #4E2F71 and #3D1D5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8165AA shade: #8164AA, #9364AA, #A664AA, #AA649B and #AA6488

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8165AA shade: #8164AA, #6E64AA and #6464AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8165AA shade matches the following richer shades: #8164AA, #7D51BD, #793ED1, #762AE4 and #7217F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8165AA shade: #8164AA, #847897, #888B83, #8C9F70 and #8FB25C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8165AA shade: #646EAA, #6E64AA, #8064AA, #9364AA and #A564AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8165AA shade: #594379, #6C5194, #8164AA, #967FB9 and #AC9AC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8165AA shade: #8165AA, #AA6480 and #64AA64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8165AA shade: #8165AA, #AA8064 and #64AA80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8165AA shade: #8165AA, #AA6480, #8EAA64 and #64AA8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8165AA shade: #8165AA, #AA646B, #8EAA64 and #64AAA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 41 / 0 / 33

HEX #8165AA

RGB 129 101 170

HSL 264.35, 0.29%, 0.53%

LAB 48.1, 25.78, -32.93

 

Complementary color

CMYK 18 / 0 / 45 / 40

HEX #7E9A55

RGB 126 154 85

HSL 84.35, 0.29%, 0.47%

LAB 60.07, -21.83, 32.96

 

CMYK 19 / 39 / 0 / 35

HEX #8665A5

RGB 134 101 165

HSL 270.94, 0.26%, 0.52%

LAB 48.38, 26.11, -29.54

 

CMYK 18 / 35 / 0 / 28

HEX #9777B8

RGB 151 119 184

HSL 269.54, 0.31%, 0.59%

LAB 55.31, 25.36, -29.64

 

CMYK 17 / 33 / 0 / 20

HEX #A889CB

RGB 168 137 203

HSL 268.18, 0.39%, 0.67%

LAB 62.11, 24.67, -29.76

 

CMYK 17 / 30 / 0 / 13

HEX #B99BDE

RGB 185 155 222

HSL 266.87, 0.5%, 0.74%

LAB 68.77, 24.05, -29.9

 

CMYK 16 / 28 / 0 / 5

HEX #CAADF1

RGB 202 173 241

HSL 265.59, 0.71%, 0.81%

LAB 75.32, 23.47, -30.05

 

CMYK 24 / 41 / 0 / 33

HEX #8165AA

RGB 129 101 170

HSL 264.35, 0.29%, 0.53%

LAB 48.1, 25.78, -32.93

 

CMYK 26 / 45 / 0 / 41

HEX #705397

RGB 112 83 151

HSL 265.59, 0.29%, 0.46%

LAB 41, 26.66, -32.95

 

CMYK 28 / 51 / 0 / 48

HEX #5F4184

RGB 95 65 132

HSL 266.87, 0.34%, 0.39%

LAB 33.73, 27.63, -32.99

 

CMYK 31 / 58 / 0 / 56

HEX #4E2F71

RGB 78 47 113

HSL 268.18, 0.41%, 0.31%

LAB 26.29, 28.68, -33.03

 

CMYK 35 / 69 / 0 / 63

HEX #3D1D5E

RGB 61 29 94

HSL 269.54, 0.53%, 0.24%

LAB 18.71, 29.71, -32.95

 

CMYK 24 / 41 / 0 / 33

HEX #8164AA

RGB 129 100 170

HSL 264.86, 0.29%, 0.53%

LAB 47.86, 26.37, -33.32

 

CMYK 14 / 41 / 0 / 33

HEX #9364AA

RGB 147 100 170

HSL 280.29, 0.29%, 0.53%

LAB 49.76, 31.9, -30.2

 

CMYK 2 / 41 / 0 / 33

HEX #A664AA

RGB 166 100 170

HSL 296.57, 0.29%, 0.53%

LAB 51.98, 37.85, -26.59

 

CMYK 0 / 41 / 9 / 33

HEX #AA649B

RGB 170 100 155

HSL 312.86, 0.29%, 0.53%

LAB 51.87, 36.36, -17.94

 

CMYK 0 / 41 / 20 / 33

HEX #AA6488

RGB 170 100 136

HSL 329.14, 0.29%, 0.53%

LAB 51.2, 33.18, -7.74

 

CMYK 24 / 41 / 0 / 33

HEX #8164AA

RGB 129 100 170

HSL 264.86, 0.29%, 0.53%

LAB 47.86, 26.37, -33.32

 

CMYK 35 / 41 / 0 / 33

HEX #6E64AA

RGB 110 100 170

HSL 248.57, 0.29%, 0.53%

LAB 46.09, 20.81, -36.23

 

CMYK 41 / 41 / 0 / 33

HEX #6464AA

RGB 100 100 170

HSL 240, 0.29%, 0.53%

LAB 45.26, 18.05, -37.59

 

CMYK 24 / 41 / 0 / 33

HEX #8164AA

RGB 129 100 170

HSL 264.86, 0.29%, 0.53%

LAB 47.86, 26.37, -33.32

 

CMYK 34 / 57 / 0 / 26

HEX #7D51BD

RGB 125 81 189

HSL 264.44, 0.45%, 0.53%

LAB 44.12, 41.15, -50.39

 

CMYK 42 / 70 / 0 / 18

HEX #793ED1

RGB 121 62 209

HSL 264.08, 0.62%, 0.53%

LAB 41.4, 55.43, -66.41

 

CMYK 48 / 82 / 0 / 11

HEX #762AE4

RGB 118 42 228

HSL 264.52, 0.78%, 0.53%

LAB 39.76, 68.04, -79.99

 

CMYK 54 / 91 / 0 / 3

HEX #7217F7

RGB 114 23 247

HSL 264.38, 0.93%, 0.53%

LAB 39.42, 77.3, -91.33

 

CMYK 24 / 41 / 0 / 33

HEX #8164AA

RGB 129 100 170

HSL 264.86, 0.29%, 0.53%

LAB 47.86, 26.37, -33.32

 

CMYK 13 / 21 / 0 / 41

HEX #847897

RGB 132 120 151

HSL 263.23, 0.13%, 0.53%

LAB 52.48, 10.98, -15.04

 

CMYK 2 / 0 / 6 / 45

HEX #888B83

RGB 136 139 131

HSL 82.5, 0.03%, 0.53%

LAB 57.4, -2.65, 3.88

 

CMYK 12 / 0 / 30 / 38

HEX #8C9F70

RGB 140 159 112

HSL 84.26, 0.2%, 0.53%

LAB 62.96, -15.21, 22.38

 

CMYK 20 / 0 / 48 / 30

HEX #8FB25C

RGB 143 178 92

HSL 84.42, 0.36%, 0.53%

LAB 68.35, -26.29, 39.88

 

CMYK 41 / 35 / 0 / 33

HEX #646EAA

RGB 100 110 170

HSL 231.43, 0.29%, 0.53%

LAB 47.96, 11.9, -33.33

 

CMYK 35 / 41 / 0 / 33

HEX #6E64AA

RGB 110 100 170

HSL 248.57, 0.29%, 0.53%

LAB 46.09, 20.81, -36.23

 

CMYK 25 / 41 / 0 / 33

HEX #8064AA

RGB 128 100 170

HSL 264, 0.29%, 0.53%

LAB 47.76, 26.07, -33.48

 

CMYK 14 / 41 / 0 / 33

HEX #9364AA

RGB 147 100 170

HSL 280.29, 0.29%, 0.53%

LAB 49.76, 31.9, -30.2

 

CMYK 3 / 41 / 0 / 33

HEX #A564AA

RGB 165 100 170

HSL 295.71, 0.29%, 0.53%

LAB 51.86, 37.54, -26.79

 

CMYK 26 / 45 / 0 / 53

HEX #594379

RGB 89 67 121

HSL 264.44, 0.29%, 0.37%

LAB 32.96, 21.64, -27.42

 

CMYK 27 / 45 / 0 / 42

HEX #6C5194

RGB 108 81 148

HSL 264.18, 0.29%, 0.45%

LAB 39.93, 25.9, -32.86

 

CMYK 24 / 41 / 0 / 33

HEX #8164AA

RGB 129 100 170

HSL 264.86, 0.29%, 0.53%

LAB 47.86, 26.37, -33.32

 

CMYK 19 / 31 / 0 / 27

HEX #967FB9

RGB 150 127 185

HSL 263.79, 0.29%, 0.61%

LAB 57.24, 20.64, -27.24

 

CMYK 14 / 23 / 0 / 22

HEX #AC9AC7

RGB 172 154 199

HSL 264, 0.29%, 0.69%

LAB 66.52, 15.45, -20.71

 

CMYK 24 / 41 / 0 / 33

HEX #8165AA

RGB 129 101 170

HSL 264.35, 0.29%, 0.53%

LAB 48.1, 25.78, -32.93

 

CMYK 0 / 41 / 25 / 33

HEX #AA6480

RGB 170 100 128

HSL 336, 0.29%, 0.53%

LAB 50.94, 31.95, -3.37

 

CMYK 41 / 0 / 41 / 33

HEX #64AA64

RGB 100 170 100

HSL 120, 0.29%, 0.53%

LAB 63.65, -36.67, 29.32

 

CMYK 24 / 41 / 0 / 33

HEX #8165AA

RGB 129 101 170

HSL 264.35, 0.29%, 0.53%

LAB 48.1, 25.78, -32.93

 

CMYK 0 / 25 / 41 / 33

HEX #AA8064

RGB 170 128 100

HSL 24, 0.29%, 0.53%

LAB 56.98, 12.46, 21.49

 

CMYK 41 / 0 / 25 / 33

HEX #64AA80

RGB 100 170 128

HSL 144, 0.29%, 0.53%

LAB 64.17, -31.64, 14.86

 

CMYK 24 / 41 / 0 / 33

HEX #8165AA

RGB 129 101 170

HSL 264.35, 0.29%, 0.53%

LAB 48.1, 25.78, -32.93

 

CMYK 0 / 41 / 25 / 33

HEX #AA6480

RGB 170 100 128

HSL 336, 0.29%, 0.53%

LAB 50.94, 31.95, -3.37

 

CMYK 16 / 0 / 41 / 33

HEX #8EAA64

RGB 142 170 100

HSL 84, 0.29%, 0.53%

LAB 66.07, -21.75, 32.92

 

CMYK 41 / 0 / 16 / 33

HEX #64AA8E

RGB 100 170 142

HSL 156, 0.29%, 0.53%

LAB 64.49, -28.69, 7.57

 

CMYK 24 / 41 / 0 / 33

HEX #8165AA

RGB 129 101 170

HSL 264.35, 0.29%, 0.53%

LAB 48.1, 25.78, -32.93

 

CMYK 0 / 41 / 37 / 33

HEX #AA646B

RGB 170 100 107

HSL 354, 0.29%, 0.53%

LAB 50.36, 29.06, 8.28

 

CMYK 16 / 0 / 41 / 33

HEX #8EAA64

RGB 142 170 100

HSL 84, 0.29%, 0.53%

LAB 66.07, -21.75, 32.92

 

CMYK 41 / 0 / 4 / 33

HEX #64AAA3

RGB 100 170 163

HSL 174, 0.29%, 0.53%

LAB 65.04, -23.75, -3.33

 

Description

Color code: HEX #8165AA | qconv.com Color code: HEX #8165AA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 101 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 101 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 41 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 41% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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