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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #815A60 it is the complementary color #7EA59F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #815A60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #815A60 shade: #865A5B, #976C6E, #A87E81, #B99094 and #CAA2A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #815A60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #815A60 shade: #815A60, #70484D, #5F363A, #4E2427 and #3D1214

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #815A60 shade: #815A60 and #815A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #815A60 shade: #815A60, #815A6B, #815A75, #815A80 and #785A81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #815A60 shade matches the following richer shades: #815A60, #934854, #A53647, #B7253B and #C8132F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #815A60 shade: #815A60, #706C6C, #5E7D79, #4C8F85 and #3AA191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #815A60 shade: #815A76, #815A6B, #815A60, #815E5A and #81685A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #815A60 shade: #51383C, #69494E, #815A60, #996C73 and #AA848A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #815A60 shade: #815A60, #80815A and #5A7081

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #815A60 shade: #815A60, #60815A and #5A6081

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #815A60 shade: #815A60, #80815A, #5A817B and #5B5A81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #815A60 shade: #815A60, #74815A, #5A817B and #675A81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 26 / 49

HEX #815A60

RGB 129 90 96

HSL 350.77, 0.18%, 0.43%

LAB 42.5, 16.98, 2.98

 

Complementary color

CMYK 24 / 0 / 4 / 35

HEX #7EA59F

RGB 126 165 159

HSL 170.77, 0.18%, 0.57%

LAB 64.84, -14.51, -1.23

 

CMYK 0 / 33 / 32 / 47

HEX #865A5B

RGB 134 90 91

HSL 358.64, 0.2%, 0.44%

LAB 42.97, 18.27, 6.79

 

CMYK 0 / 28 / 27 / 41

HEX #976C6E

RGB 151 108 110

HSL 357.21, 0.17%, 0.51%

LAB 50.01, 17.44, 5.69

 

CMYK 0 / 25 / 23 / 34

HEX #A87E81

RGB 168 126 129

HSL 355.71, 0.19%, 0.58%

LAB 56.91, 16.72, 4.71

 

CMYK 0 / 22 / 20 / 27

HEX #B99094

RGB 185 144 148

HSL 354.15, 0.23%, 0.65%

LAB 63.67, 16.08, 3.83

 

CMYK 0 / 20 / 17 / 21

HEX #CAA2A7

RGB 202 162 167

HSL 352.5, 0.27%, 0.71%

LAB 70.31, 15.52, 3.01

 

CMYK 0 / 30 / 26 / 49

HEX #815A60

RGB 129 90 96

HSL 350.77, 0.18%, 0.43%

LAB 42.5, 16.98, 2.98

 

CMYK 0 / 36 / 31 / 56

HEX #70484D

RGB 112 72 77

HSL 352.5, 0.22%, 0.36%

LAB 35.23, 17.85, 4.08

 

CMYK 0 / 43 / 39 / 63

HEX #5F363A

RGB 95 54 58

HSL 354.15, 0.28%, 0.29%

LAB 27.78, 18.87, 5.42

 

CMYK 0 / 54 / 50 / 69

HEX #4E2427

RGB 78 36 39

HSL 355.71, 0.37%, 0.22%

LAB 20.16, 20.07, 7.16

 

CMYK 0 / 70 / 67 / 76

HEX #3D1214

RGB 61 18 20

HSL 357.21, 0.54%, 0.15%

LAB 12.45, 21.3, 9.63

 

CMYK 0 / 30 / 26 / 49

HEX #815A60

RGB 129 90 96

HSL 350.77, 0.18%, 0.43%

LAB 42.5, 16.98, 2.98

 

CMYK 0 / 30 / 30 / 49

HEX #815A5A

RGB 129 90 90

HSL 0, 0.18%, 0.43%

LAB 42.33, 16.06, 6.42

 

CMYK 0 / 30 / 26 / 49

HEX #815A60

RGB 129 90 96

HSL 350.77, 0.18%, 0.43%

LAB 42.5, 16.98, 2.98

 

CMYK 0 / 30 / 17 / 49

HEX #815A6B

RGB 129 90 107

HSL 333.85, 0.18%, 0.43%

LAB 42.82, 18.81, -3.27

 

CMYK 0 / 30 / 9 / 49

HEX #815A75

RGB 129 90 117

HSL 318.46, 0.18%, 0.43%

LAB 43.16, 20.63, -8.88

 

CMYK 0 / 30 / 1 / 49

HEX #815A80

RGB 129 90 128

HSL 301.54, 0.18%, 0.43%

LAB 43.56, 22.78, -14.95

 

CMYK 7 / 30 / 0 / 49

HEX #785A81

RGB 120 90 129

HSL 286.15, 0.18%, 0.43%

LAB 42.6, 19.8, -17.12

 

CMYK 0 / 30 / 26 / 49

HEX #815A60

RGB 129 90 96

HSL 350.77, 0.18%, 0.43%

LAB 42.5, 16.98, 2.98

 

CMYK 0 / 51 / 43 / 42

HEX #934854

RGB 147 72 84

HSL 350.4, 0.34%, 0.43%

LAB 40.37, 32.8, 7.68

 

CMYK 0 / 67 / 57 / 35

HEX #A53647

RGB 165 54 71

HSL 350.81, 0.51%, 0.43%

LAB 39.74, 46.75, 15.39

 

CMYK 0 / 80 / 68 / 28

HEX #B7253B

RGB 183 37 59

HSL 350.96, 0.66%, 0.43%

LAB 40.75, 57.58, 24.85

 

CMYK 0 / 91 / 77 / 22

HEX #C8132F

RGB 200 19 47

HSL 350.72, 0.83%, 0.43%

LAB 42.69, 65.52, 35.29

 

CMYK 0 / 30 / 26 / 49

HEX #815A60

RGB 129 90 96

HSL 350.77, 0.18%, 0.43%

LAB 42.5, 16.98, 2.98

 

CMYK 0 / 4 / 4 / 56

HEX #706C6C

RGB 112 108 108

HSL 0, 0.02%, 0.43%

LAB 45.98, 1.55, 0.55

 

CMYK 25 / 0 / 3 / 51

HEX #5E7D79

RGB 94 125 121

HSL 172.26, 0.14%, 0.43%

LAB 50.01, -11.94, -1.44

 

CMYK 47 / 0 / 7 / 44

HEX #4C8F85

RGB 76 143 133

HSL 171.04, 0.31%, 0.43%

LAB 54.94, -23.87, -1.3

 

CMYK 64 / 0 / 10 / 37

HEX #3AA191

RGB 58 161 145

HSL 170.68, 0.47%, 0.43%

LAB 60.28, -33.38, -0.4

 

CMYK 0 / 30 / 9 / 49

HEX #815A76

RGB 129 90 118

HSL 316.92, 0.18%, 0.43%

LAB 43.19, 20.82, -9.43

 

CMYK 0 / 30 / 17 / 49

HEX #815A6B

RGB 129 90 107

HSL 333.85, 0.18%, 0.43%

LAB 42.82, 18.81, -3.27

 

CMYK 0 / 30 / 26 / 49

HEX #815A60

RGB 129 90 96

HSL 350.77, 0.18%, 0.43%

LAB 42.5, 16.98, 2.98

 

CMYK 0 / 27 / 30 / 49

HEX #815E5A

RGB 129 94 90

HSL 6.15, 0.18%, 0.43%

LAB 43.38, 13.68, 7.9

 

CMYK 0 / 19 / 30 / 49

HEX #81685A

RGB 129 104 90

HSL 21.54, 0.18%, 0.43%

LAB 46.05, 7.75, 11.65

 

CMYK 0 / 31 / 26 / 68

HEX #51383C

RGB 81 56 60

HSL 350.4, 0.18%, 0.27%

LAB 26.46, 11.81, 1.95

 

CMYK 0 / 30 / 26 / 59

HEX #69494E

RGB 105 73 78

HSL 350.63, 0.18%, 0.35%

LAB 34.64, 14.45, 2.48

 

CMYK 0 / 30 / 26 / 49

HEX #815A60

RGB 129 90 96

HSL 350.77, 0.18%, 0.43%

LAB 42.5, 16.98, 2.98

 

CMYK 0 / 29 / 25 / 40

HEX #996C73

RGB 153 108 115

HSL 350.67, 0.18%, 0.51%

LAB 50.38, 18.99, 3.27

 

CMYK 0 / 22 / 19 / 33

HEX #AA848A

RGB 170 132 138

HSL 350.53, 0.18%, 0.59%

LAB 58.87, 15.51, 2.38

 

CMYK 0 / 30 / 26 / 49

HEX #815A60

RGB 129 90 96

HSL 350.77, 0.18%, 0.43%

LAB 42.5, 16.98, 2.98

 

CMYK 1 / 0 / 30 / 49

HEX #80815A

RGB 128 129 90

HSL 61.54, 0.18%, 0.43%

LAB 52.98, -7.05, 21.08

 

CMYK 30 / 13 / 0 / 49

HEX #5A7081

RGB 90 112 129

HSL 206.15, 0.18%, 0.43%

LAB 46.11, -3.81, -12.02

 

CMYK 0 / 30 / 26 / 49

HEX #815A60

RGB 129 90 96

HSL 350.77, 0.18%, 0.43%

LAB 42.5, 16.98, 2.98

 

CMYK 26 / 0 / 30 / 49

HEX #60815A

RGB 96 129 90

HSL 110.77, 0.18%, 0.43%

LAB 50.6, -19.78, 17.47

 

CMYK 30 / 26 / 0 / 49

HEX #5A6081

RGB 90 96 129

HSL 230.77, 0.18%, 0.43%

LAB 41.41, 5.86, -19.18

 

CMYK 0 / 30 / 26 / 49

HEX #815A60

RGB 129 90 96

HSL 350.77, 0.18%, 0.43%

LAB 42.5, 16.98, 2.98

 

CMYK 1 / 0 / 30 / 49

HEX #80815A

RGB 128 129 90

HSL 61.54, 0.18%, 0.43%

LAB 52.98, -7.05, 21.08

 

CMYK 30 / 0 / 5 / 49

HEX #5A817B

RGB 90 129 123

HSL 170.77, 0.18%, 0.43%

LAB 51.04, -14.97, -1.13

 

CMYK 29 / 30 / 0 / 49

HEX #5B5A81

RGB 91 90 129

HSL 241.54, 0.18%, 0.43%

LAB 39.78, 9.92, -21.69

 

CMYK 0 / 30 / 26 / 49

HEX #815A60

RGB 129 90 96

HSL 350.77, 0.18%, 0.43%

LAB 42.5, 16.98, 2.98

 

CMYK 10 / 0 / 30 / 49

HEX #74815A

RGB 116 129 90

HSL 80, 0.18%, 0.43%

LAB 52.01, -11.99, 19.61

 

CMYK 30 / 0 / 5 / 49

HEX #5A817B

RGB 90 129 123

HSL 170.77, 0.18%, 0.43%

LAB 51.04, -14.97, -1.13

 

CMYK 20 / 30 / 0 / 49

HEX #675A81

RGB 103 90 129

HSL 260, 0.18%, 0.43%

LAB 40.87, 13.9, -19.93

 

Description

Color code: HEX #815A60 | qconv.com Color code: HEX #815A60 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 90 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 90 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 26 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 26% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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