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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8159DB it is the complementary color #7EA624. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8159DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8159DB shade: #8659D6, #976BE9, #A87DFC, #B98FFF and #CAA1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8159DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8159DB shade: #8159DB, #7047C8, #5F35B5, #4E23A2 and #3D118F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8159DB shade: #8058DA, #A358DA, #C658DA, #DA58CB and #DA58A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8159DB shade: #8058DA, #5D58DA and #5858DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8159DB shade matches the following richer shades: #8058DA, #7A47EB and #7337FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8159DB shade: #8058DA, #8668CA, #8D79B9, #9389A9 and #999A98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8159DB shade: #5876DA, #5C58DA, #7F58DA, #A258DA and #C558DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8159DB shade: #5428B7, #6636D3, #8058DA, #9A7AE2 and #B39BE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8159DB shade: #8159DB, #DA5899 and #65DA58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8159DB shade: #8159DB, #DA7F58 and #58DA7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8159DB shade: #8159DB, #DA5899, #B3DA58 and #58DA99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8159DB shade: #8159DB, #DA5872, #B3DA58 and #58DAC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 59 / 0 / 14

HEX #8159DB

RGB 129 89 219

HSL 258.46, 0.64%, 0.6%

LAB 48.17, 45.53, -61.11

 

Complementary color

CMYK 24 / 0 / 78 / 35

HEX #7EA624

RGB 126 166 36

HSL 78.46, 0.64%, 0.4%

LAB 63.21, -31.84, 57.9

 

CMYK 37 / 58 / 0 / 16

HEX #8659D6

RGB 134 89 214

HSL 261.6, 0.6%, 0.59%

LAB 48.35, 45.3, -57.95

 

CMYK 35 / 54 / 0 / 9

HEX #976BE9

RGB 151 107 233

HSL 260.95, 0.74%, 0.67%

LAB 55.05, 44.21, -57.82

 

CMYK 33 / 50 / 0 / 1

HEX #A87DFC

RGB 168 125 252

HSL 260.31, 0.95%, 0.74%

LAB 61.67, 43.16, -57.68

 

CMYK 27 / 44 / 0 / 0

HEX #B98FFF

RGB 185 143 255

HSL 262.5, 1%, 0.78%

LAB 67.41, 38.31, -50.11

 

CMYK 21 / 37 / 0 / 0

HEX #CAA1FF

RGB 202 161 255

HSL 266.17, 1%, 0.82%

LAB 73.07, 33.13, -41.13

 

CMYK 41 / 59 / 0 / 14

HEX #8159DB

RGB 129 89 219

HSL 258.46, 0.64%, 0.6%

LAB 48.17, 45.53, -61.11

 

CMYK 44 / 65 / 0 / 22

HEX #7047C8

RGB 112 71 200

HSL 259.07, 0.54%, 0.53%

LAB 41.41, 46.74, -61.23

 

CMYK 48 / 71 / 0 / 29

HEX #5F35B5

RGB 95 53 181

HSL 259.69, 0.55%, 0.46%

LAB 34.63, 47.9, -61.2

 

CMYK 52 / 78 / 0 / 36

HEX #4E23A2

RGB 78 35 162

HSL 260.31, 0.64%, 0.39%

LAB 27.93, 48.76, -60.86

 

CMYK 57 / 88 / 0 / 44

HEX #3D118F

RGB 61 17 143

HSL 260.95, 0.79%, 0.31%

LAB 21.49, 48.81, -59.86

 

CMYK 41 / 60 / 0 / 15

HEX #8058DA

RGB 128 88 218

HSL 258.46, 0.64%, 0.6%

LAB 47.79, 45.6, -61.15

 

CMYK 25 / 60 / 0 / 15

HEX #A358DA

RGB 163 88 218

HSL 274.62, 0.64%, 0.6%

LAB 51.64, 53.53, -54.76

 

CMYK 9 / 60 / 0 / 15

HEX #C658DA

RGB 198 88 218

HSL 290.77, 0.64%, 0.6%

LAB 56.13, 61.99, -47.33

 

CMYK 0 / 60 / 7 / 15

HEX #DA58CB

RGB 218 88 203

HSL 306.92, 0.64%, 0.6%

LAB 58.22, 64.45, -35.34

 

CMYK 0 / 60 / 23 / 15

HEX #DA58A8

RGB 218 88 168

HSL 323.08, 0.64%, 0.6%

LAB 56.79, 59.27, -17.42

 

CMYK 41 / 60 / 0 / 15

HEX #8058DA

RGB 128 88 218

HSL 258.46, 0.64%, 0.6%

LAB 47.79, 45.6, -61.15

 

CMYK 57 / 60 / 0 / 15

HEX #5D58DA

RGB 93 88 218

HSL 242.31, 0.64%, 0.6%

LAB 44.76, 38.74, -66.21

 

CMYK 60 / 60 / 0 / 15

HEX #5858DA

RGB 88 88 218

HSL 240, 0.64%, 0.6%

LAB 44.4, 37.89, -66.81

 

CMYK 41 / 60 / 0 / 15

HEX #8058DA

RGB 128 88 218

HSL 258.46, 0.64%, 0.6%

LAB 47.79, 45.6, -61.15

 

CMYK 48 / 70 / 0 / 8

HEX #7A47EB

RGB 122 71 235

HSL 258.66, 0.8%, 0.6%

LAB 45.14, 57.99, -75.13

 

CMYK 54 / 78 / 0 / 2

HEX #7337FB

RGB 115 55 251

HSL 258.37, 0.96%, 0.6%

LAB 43.27, 68.45, -87.21

 

CMYK 41 / 60 / 0 / 15

HEX #8058DA

RGB 128 88 218

HSL 258.46, 0.64%, 0.6%

LAB 47.79, 45.6, -61.15

 

CMYK 34 / 49 / 0 / 21

HEX #8668CA

RGB 134 104 202

HSL 258.37, 0.48%, 0.6%

LAB 50.96, 33.62, -46.91

 

CMYK 24 / 35 / 0 / 27

HEX #8D79B9

RGB 141 121 185

HSL 258.75, 0.31%, 0.6%

LAB 54.91, 21.33, -30.91

 

CMYK 13 / 19 / 0 / 34

HEX #9389A9

RGB 147 137 169

HSL 258.75, 0.16%, 0.6%

LAB 58.94, 10.24, -15.52

 

CMYK 1 / 0 / 1 / 40

HEX #999A98

RGB 153 154 152

HSL 90, 0.01%, 0.6%

LAB 63.47, -0.74, 0.91

 

CMYK 60 / 46 / 0 / 15

HEX #5876DA

RGB 88 118 218

HSL 226.15, 0.64%, 0.6%

LAB 51.94, 19.43, -54.63

 

CMYK 58 / 60 / 0 / 15

HEX #5C58DA

RGB 92 88 218

HSL 241.85, 0.64%, 0.6%

LAB 44.68, 38.57, -66.33

 

CMYK 42 / 60 / 0 / 15

HEX #7F58DA

RGB 127 88 218

HSL 258, 0.64%, 0.6%

LAB 47.69, 45.38, -61.32

 

CMYK 26 / 60 / 0 / 15

HEX #A258DA

RGB 162 88 218

HSL 274.15, 0.64%, 0.6%

LAB 51.52, 53.3, -54.95

 

CMYK 10 / 60 / 0 / 15

HEX #C558DA

RGB 197 88 218

HSL 290.31, 0.64%, 0.6%

LAB 56, 61.74, -47.55

 

CMYK 54 / 78 / 0 / 28

HEX #5428B7

RGB 84 40 183

HSL 258.46, 0.64%, 0.44%

LAB 31.4, 53.07, -67.73

 

CMYK 52 / 74 / 0 / 17

HEX #6636D3

RGB 102 54 211

HSL 258.34, 0.64%, 0.52%

LAB 38.14, 56.7, -72.97

 

CMYK 41 / 60 / 0 / 15

HEX #8058DA

RGB 128 88 218

HSL 258.46, 0.64%, 0.6%

LAB 47.79, 45.6, -61.15

 

CMYK 32 / 46 / 0 / 11

HEX #9A7AE2

RGB 154 122 226

HSL 258.46, 0.64%, 0.68%

LAB 58.3, 34.72, -48.7

 

CMYK 23 / 33 / 0 / 9

HEX #B39BE9

RGB 179 155 233

HSL 258.46, 0.64%, 0.76%

LAB 68.69, 24.73, -36.12

 

CMYK 41 / 59 / 0 / 14

HEX #8159DB

RGB 129 89 219

HSL 258.46, 0.64%, 0.6%

LAB 48.17, 45.53, -61.11

 

CMYK 0 / 60 / 30 / 15

HEX #DA5899

RGB 218 88 153

HSL 330, 0.64%, 0.6%

LAB 56.27, 57.32, -9.46

 

CMYK 54 / 0 / 60 / 15

HEX #65DA58

RGB 101 218 88

HSL 114, 0.64%, 0.6%

LAB 78.24, -57.63, 52.95

 

CMYK 41 / 59 / 0 / 14

HEX #8159DB

RGB 129 89 219

HSL 258.46, 0.64%, 0.6%

LAB 48.17, 45.53, -61.11

 

CMYK 0 / 42 / 60 / 15

HEX #DA7F58

RGB 218 127 88

HSL 18, 0.64%, 0.6%

LAB 62.33, 31.57, 36.17

 

CMYK 60 / 0 / 42 / 15

HEX #58DA7F

RGB 88 218 127

HSL 138, 0.64%, 0.6%

LAB 78.32, -55.37, 34.35

 

CMYK 41 / 59 / 0 / 14

HEX #8159DB

RGB 129 89 219

HSL 258.46, 0.64%, 0.6%

LAB 48.17, 45.53, -61.11

 

CMYK 0 / 60 / 30 / 15

HEX #DA5899

RGB 218 88 153

HSL 330, 0.64%, 0.6%

LAB 56.27, 57.32, -9.46

 

CMYK 18 / 0 / 60 / 15

HEX #B3DA58

RGB 179 218 88

HSL 78, 0.64%, 0.6%

LAB 82.07, -31.81, 58.31

 

CMYK 60 / 0 / 30 / 15

HEX #58DA99

RGB 88 218 153

HSL 150, 0.64%, 0.6%

LAB 78.76, -50.6, 21.56

 

CMYK 41 / 59 / 0 / 14

HEX #8159DB

RGB 129 89 219

HSL 258.46, 0.64%, 0.6%

LAB 48.17, 45.53, -61.11

 

CMYK 0 / 60 / 48 / 15

HEX #DA5872

RGB 218 88 114

HSL 348, 0.64%, 0.6%

LAB 55.17, 53.09, 11.92

 

CMYK 18 / 0 / 60 / 15

HEX #B3DA58

RGB 179 218 88

HSL 78, 0.64%, 0.6%

LAB 82.07, -31.81, 58.31

 

CMYK 60 / 0 / 12 / 15

HEX #58DAC0

RGB 88 218 192

HSL 168, 0.64%, 0.6%

LAB 79.63, -41.88, 2.15

 

Description

Color code: HEX #8159DB | qconv.com Color code: HEX #8159DB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 89 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 89 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 59 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 59% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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