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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8153CD it is the complementary color #7EAC32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8153CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8153CD shade: #8653C8, #9765DB, #A877EE, #B989FF and #CA9BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8153CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8153CD shade: #8153CD, #7041BA, #5F2FA7, #4E1D94 and #3D0B81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8153CD shade: #8051CD, #A151CD, #C251CD, #CD51B6 and #CD5194

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8153CD shade: #8051CD, #5E51CD and #5151CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8153CD shade matches the following richer shades: #8051CD, #7B3FDF and #772DF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8153CD shade: #8051CD, #8463BA, #8975A8, #8D8896 and #919A84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8153CD shade: #5166CD, #5D51CD, #7E51CD, #9F51CD and #C051CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8153CD shade: #582E9D, #6A37BD, #8051CD, #9771D6 and #AE91DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8153CD shade: #8153CD, #CD5187 and #55CD51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8153CD shade: #8153CD, #CD7E51 and #51CD7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8153CD shade: #8153CD, #CD5187, #9FCD51 and #51CD97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8153CD shade: #8153CD, #CD5162, #9FCD51 and #51CDBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 60 / 0 / 20

HEX #8153CD

RGB 129 83 205

HSL 262.62, 0.55%, 0.56%

LAB 45.99, 45.13, -56.62

 

Complementary color

CMYK 27 / 0 / 71 / 33

HEX #7EAC32

RGB 126 172 50

HSL 82.62, 0.55%, 0.44%

LAB 65.1, -33.83, 54.85

 

CMYK 33 / 59 / 0 / 22

HEX #8653C8

RGB 134 83 200

HSL 266.15, 0.52%, 0.55%

LAB 46.21, 45, -53.35

 

CMYK 31 / 54 / 0 / 14

HEX #9765DB

RGB 151 101 219

HSL 265.42, 0.62%, 0.63%

LAB 52.95, 43.99, -53.3

 

CMYK 29 / 50 / 0 / 7

HEX #A877EE

RGB 168 119 238

HSL 264.71, 0.78%, 0.7%

LAB 59.61, 43.02, -53.23

 

CMYK 27 / 46 / 0 / 0

HEX #B989FF

RGB 185 137 255

HSL 264.41, 1%, 0.77%

LAB 66.08, 41.61, -52.22

 

CMYK 21 / 39 / 0 / 0

HEX #CA9BFF

RGB 202 155 255

HSL 268.2, 1%, 0.8%

LAB 71.7, 36.41, -43.26

 

CMYK 37 / 60 / 0 / 20

HEX #8153CD

RGB 129 83 205

HSL 262.62, 0.55%, 0.56%

LAB 45.99, 45.13, -56.62

 

CMYK 40 / 65 / 0 / 27

HEX #7041BA

RGB 112 65 186

HSL 263.31, 0.48%, 0.49%

LAB 39.19, 46.2, -56.65

 

CMYK 43 / 72 / 0 / 35

HEX #5F2FA7

RGB 95 47 167

HSL 264, 0.56%, 0.42%

LAB 32.38, 47.15, -56.51

 

CMYK 47 / 80 / 0 / 42

HEX #4E1D94

RGB 78 29 148

HSL 264.71, 0.67%, 0.35%

LAB 25.67, 47.65, -56

 

CMYK 53 / 91 / 0 / 49

HEX #3D0B81

RGB 61 11 129

HSL 265.42, 0.84%, 0.27%

LAB 19.29, 47.03, -54.7

 

CMYK 38 / 60 / 0 / 20

HEX #8051CD

RGB 128 81 205

HSL 262.74, 0.55%, 0.56%

LAB 45.47, 46, -57.46

 

CMYK 21 / 60 / 0 / 20

HEX #A151CD

RGB 161 81 205

HSL 278.71, 0.55%, 0.56%

LAB 49.34, 53.66, -51.04

 

CMYK 5 / 60 / 0 / 20

HEX #C251CD

RGB 194 81 205

HSL 294.68, 0.55%, 0.56%

LAB 53.77, 61.72, -43.71

 

CMYK 0 / 60 / 11 / 20

HEX #CD51B6

RGB 205 81 182

HSL 311.13, 0.55%, 0.56%

LAB 54.28, 60.7, -29.57

 

CMYK 0 / 60 / 28 / 20

HEX #CD5194

RGB 205 81 148

HSL 327.58, 0.55%, 0.56%

LAB 52.95, 55.86, -11.7

 

CMYK 38 / 60 / 0 / 20

HEX #8051CD

RGB 128 81 205

HSL 262.74, 0.55%, 0.56%

LAB 45.47, 46, -57.46

 

CMYK 54 / 60 / 0 / 20

HEX #5E51CD

RGB 94 81 205

HSL 246.29, 0.55%, 0.56%

LAB 42.27, 39.03, -62.8

 

CMYK 60 / 60 / 0 / 20

HEX #5151CD

RGB 81 81 205

HSL 240, 0.55%, 0.56%

LAB 41.28, 36.75, -64.44

 

CMYK 38 / 60 / 0 / 20

HEX #8051CD

RGB 128 81 205

HSL 262.74, 0.55%, 0.56%

LAB 45.47, 46, -57.46

 

CMYK 45 / 72 / 0 / 13

HEX #7B3FDF

RGB 123 63 223

HSL 262.5, 0.71%, 0.56%

LAB 42.9, 58.87, -71.97

 

CMYK 51 / 81 / 0 / 5

HEX #772DF1

RGB 119 45 241

HSL 262.65, 0.88%, 0.56%

LAB 41.45, 70.24, -84.57

 

CMYK 38 / 60 / 0 / 20

HEX #8051CD

RGB 128 81 205

HSL 262.74, 0.55%, 0.56%

LAB 45.47, 46, -57.46

 

CMYK 29 / 47 / 0 / 27

HEX #8463BA

RGB 132 99 186

HSL 262.76, 0.39%, 0.56%

LAB 48.73, 31.85, -41.25

 

CMYK 18 / 30 / 0 / 34

HEX #8975A8

RGB 137 117 168

HSL 263.53, 0.23%, 0.56%

LAB 52.8, 18.34, -24.4

 

CMYK 6 / 9 / 0 / 41

HEX #8D8896

RGB 141 136 150

HSL 261.43, 0.06%, 0.56%

LAB 57.53, 4.65, -6.79

 

CMYK 6 / 0 / 14 / 40

HEX #919A84

RGB 145 154 132

HSL 84.55, 0.1%, 0.56%

LAB 62.34, -7.37, 10.46

 

CMYK 60 / 50 / 0 / 20

HEX #5166CD

RGB 81 102 205

HSL 229.84, 0.55%, 0.56%

LAB 46.53, 23.69, -55.96

 

CMYK 55 / 60 / 0 / 20

HEX #5D51CD

RGB 93 81 205

HSL 245.81, 0.55%, 0.56%

LAB 42.18, 38.85, -62.94

 

CMYK 39 / 60 / 0 / 20

HEX #7E51CD

RGB 126 81 205

HSL 261.77, 0.55%, 0.56%

LAB 45.26, 45.56, -57.81

 

CMYK 22 / 60 / 0 / 20

HEX #9F51CD

RGB 159 81 205

HSL 277.74, 0.55%, 0.56%

LAB 49.09, 53.18, -51.46

 

CMYK 6 / 60 / 0 / 20

HEX #C051CD

RGB 192 81 205

HSL 293.71, 0.55%, 0.56%

LAB 53.49, 61.22, -44.18

 

CMYK 44 / 71 / 0 / 38

HEX #582E9D

RGB 88 46 157

HSL 262.7, 0.55%, 0.4%

LAB 30.55, 43.65, -53.48

 

CMYK 44 / 71 / 0 / 26

HEX #6A37BD

RGB 106 55 189

HSL 262.84, 0.55%, 0.48%

LAB 36.88, 50.99, -62.21

 

CMYK 38 / 60 / 0 / 20

HEX #8051CD

RGB 128 81 205

HSL 262.74, 0.55%, 0.56%

LAB 45.47, 46, -57.46

 

CMYK 29 / 47 / 0 / 16

HEX #9771D6

RGB 151 113 214

HSL 262.57, 0.55%, 0.64%

LAB 55.32, 36.02, -46.7

 

CMYK 22 / 35 / 0 / 13

HEX #AE91DF

RGB 174 145 223

HSL 262.31, 0.55%, 0.72%

LAB 65.42, 26.54, -35.73

 

CMYK 37 / 60 / 0 / 20

HEX #8153CD

RGB 129 83 205

HSL 262.62, 0.55%, 0.56%

LAB 45.99, 45.13, -56.62

 

CMYK 0 / 60 / 34 / 20

HEX #CD5187

RGB 205 81 135

HSL 333.87, 0.55%, 0.56%

LAB 52.52, 54.25, -4.63

 

CMYK 59 / 0 / 60 / 20

HEX #55CD51

RGB 85 205 81

HSL 118.06, 0.55%, 0.56%

LAB 73.67, -57.56, 50.68

 

CMYK 37 / 60 / 0 / 20

HEX #8153CD

RGB 129 83 205

HSL 262.62, 0.55%, 0.56%

LAB 45.99, 45.13, -56.62

 

CMYK 0 / 39 / 60 / 20

HEX #CD7E51

RGB 205 126 81

HSL 21.77, 0.55%, 0.56%

LAB 60.33, 26.34, 37.11

 

CMYK 60 / 0 / 39 / 20

HEX #51CD7E

RGB 81 205 126

HSL 141.77, 0.55%, 0.56%

LAB 74.14, -51.95, 29.35

 

CMYK 37 / 60 / 0 / 20

HEX #8153CD

RGB 129 83 205

HSL 262.62, 0.55%, 0.56%

LAB 45.99, 45.13, -56.62

 

CMYK 0 / 60 / 34 / 20

HEX #CD5187

RGB 205 81 135

HSL 333.87, 0.55%, 0.56%

LAB 52.52, 54.25, -4.63

 

CMYK 22 / 0 / 60 / 20

HEX #9FCD51

RGB 159 205 81

HSL 82.26, 0.55%, 0.56%

LAB 77.06, -34.02, 55.42

 

CMYK 60 / 0 / 26 / 20

HEX #51CD97

RGB 81 205 151

HSL 153.87, 0.55%, 0.56%

LAB 74.6, -47.05, 16.83

 

CMYK 37 / 60 / 0 / 20

HEX #8153CD

RGB 129 83 205

HSL 262.62, 0.55%, 0.56%

LAB 45.99, 45.13, -56.62

 

CMYK 0 / 60 / 52 / 20

HEX #CD5162

RGB 205 81 98

HSL 351.77, 0.55%, 0.56%

LAB 51.55, 50.5, 16.08

 

CMYK 22 / 0 / 60 / 20

HEX #9FCD51

RGB 159 205 81

HSL 82.26, 0.55%, 0.56%

LAB 77.06, -34.02, 55.42

 

CMYK 60 / 0 / 8 / 20

HEX #51CDBC

RGB 81 205 188

HSL 171.77, 0.55%, 0.56%

LAB 75.48, -38.32, -1.79

 

Description

Color code: HEX #8153CD | qconv.com Color code: HEX #8153CD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 83 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 83 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 60 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 60% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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