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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8150F6 it is the complementary color #7EAF09. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8150F6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8150F6 shade: #8650F1, #9762FF, #A874FF, #B986FF and #CA98FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8150F6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8150F6 shade: #8150F6, #703EE3, #5F2CD0, #4E1ABD and #3D08AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8150F6 shade: #8151F6, #AE51F6, #DA51F6, #F651E5 and #F651B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8150F6 shade: #8151F6, #5551F6 and #5151F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8150F6 shade matches the following richer shades: #8151F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8150F6 shade: #8151F6, #875FE7, #8E6ED8, #947DC9 and #9A8CBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8150F6 shade: #517AF6, #5351F6, #7F51F6, #AB51F6 and #D851F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8150F6 shade: #4D0CE8, #6529F4, #8151F6, #9E78F8 and #BA9FFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8150F6 shade: #8150F6, #F651A6 and #64F651

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8150F6 shade: #8150F6, #F67F51 and #51F67F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8150F6 shade: #8150F6, #F651A6, #C7F651 and #51F6A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8150F6 shade: #8150F6, #F65174, #C7F651 and #51F6D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 67 / 0 / 4

HEX #8150F6

RGB 129 80 246

HSL 257.71, 0.9%, 0.64%

LAB 48.33, 57.58, -76.06

 

Complementary color

CMYK 28 / 0 / 95 / 31

HEX #7EAF09

RGB 126 175 9

HSL 77.71, 0.9%, 0.36%

LAB 65.84, -36.79, 65.97

 

CMYK 44 / 67 / 0 / 5

HEX #8650F1

RGB 134 80 241

HSL 260.12, 0.85%, 0.63%

LAB 48.46, 57.13, -73.04

 

CMYK 41 / 62 / 0 / 0

HEX #9762FF

RGB 151 98 255

HSL 260.25, 1%, 0.69%

LAB 54.59, 54.73, -70.8

 

CMYK 34 / 55 / 0 / 0

HEX #A874FF

RGB 168 116 255

HSL 262.45, 1%, 0.73%

LAB 59.92, 48.83, -62.13

 

CMYK 27 / 47 / 0 / 0

HEX #B986FF

RGB 185 134 255

HSL 265.29, 1%, 0.76%

LAB 65.42, 43.25, -53.26

 

CMYK 21 / 40 / 0 / 0

HEX #CA98FF

RGB 202 152 255

HSL 269.13, 1%, 0.8%

LAB 71.03, 38.05, -44.31

 

CMYK 48 / 67 / 0 / 4

HEX #8150F6

RGB 129 80 246

HSL 257.71, 0.9%, 0.64%

LAB 48.33, 57.58, -76.06

 

CMYK 51 / 73 / 0 / 11

HEX #703EE3

RGB 112 62 227

HSL 258.18, 0.75%, 0.57%

LAB 41.9, 58.67, -75.93

 

CMYK 54 / 79 / 0 / 18

HEX #5F2CD0

RGB 95 44 208

HSL 258.66, 0.65%, 0.49%

LAB 35.57, 59.44, -75.48

 

CMYK 59 / 86 / 0 / 26

HEX #4E1ABD

RGB 78 26 189

HSL 259.14, 0.76%, 0.42%

LAB 29.49, 59.5, -74.45

 

CMYK 64 / 95 / 0 / 33

HEX #3D08AA

RGB 61 8 170

HSL 259.63, 0.91%, 0.35%

LAB 23.9, 58.17, -72.43

 

CMYK 48 / 67 / 0 / 4

HEX #8151F6

RGB 129 81 246

HSL 257.45, 0.9%, 0.64%

LAB 48.52, 57.07, -75.76

 

CMYK 29 / 67 / 0 / 4

HEX #AE51F6

RGB 174 81 246

HSL 273.82, 0.9%, 0.64%

LAB 53.53, 65.48, -67.39

 

CMYK 11 / 67 / 0 / 4

HEX #DA51F6

RGB 218 81 246

HSL 289.82, 0.9%, 0.64%

LAB 59.38, 74.6, -57.68

 

CMYK 0 / 67 / 7 / 4

HEX #F651E5

RGB 246 81 229

HSL 306.18, 0.9%, 0.64%

LAB 62.62, 78, -42.81

 

CMYK 0 / 67 / 25 / 4

HEX #F651B8

RGB 246 81 184

HSL 322.55, 0.9%, 0.64%

LAB 60.73, 71.83, -20.26

 

CMYK 48 / 67 / 0 / 4

HEX #8151F6

RGB 129 81 246

HSL 257.45, 0.9%, 0.64%

LAB 48.52, 57.07, -75.76

 

CMYK 65 / 67 / 0 / 4

HEX #5551F6

RGB 85 81 246

HSL 241.45, 0.9%, 0.64%

LAB 44.9, 50.53, -81.83

 

CMYK 67 / 67 / 0 / 4

HEX #5151F6

RGB 81 81 246

HSL 240, 0.9%, 0.64%

LAB 44.64, 50.05, -82.26

 

CMYK 48 / 67 / 0 / 4

HEX #8151F6

RGB 129 81 246

HSL 257.45, 0.9%, 0.64%

LAB 48.52, 57.07, -75.76

 

CMYK 48 / 67 / 0 / 4

HEX #8151F6

RGB 129 81 246

HSL 257.45, 0.9%, 0.64%

LAB 48.52, 57.07, -75.76

 

CMYK 42 / 59 / 0 / 9

HEX #875FE7

RGB 135 95 231

HSL 257.65, 0.74%, 0.64%

LAB 50.81, 46.72, -63.6

 

CMYK 34 / 49 / 0 / 15

HEX #8E6ED8

RGB 142 110 216

HSL 258.11, 0.58%, 0.64%

LAB 53.88, 35.89, -50.18

 

CMYK 26 / 38 / 0 / 21

HEX #947DC9

RGB 148 125 201

HSL 258.16, 0.41%, 0.64%

LAB 57.25, 25.03, -36.33

 

CMYK 17 / 25 / 0 / 27

HEX #9A8CBA

RGB 154 140 186

HSL 258.26, 0.25%, 0.64%

LAB 60.93, 14.66, -22.09

 

CMYK 67 / 50 / 0 / 4

HEX #517AF6

RGB 81 122 246

HSL 225.09, 0.9%, 0.64%

LAB 54.37, 25.33, -66.43

 

CMYK 66 / 67 / 0 / 4

HEX #5351F6

RGB 83 81 246

HSL 240.73, 0.9%, 0.64%

LAB 44.77, 50.29, -82.04

 

CMYK 48 / 67 / 0 / 4

HEX #7F51F6

RGB 127 81 246

HSL 256.73, 0.9%, 0.64%

LAB 48.32, 56.73, -76.09

 

CMYK 30 / 67 / 0 / 4

HEX #AB51F6

RGB 171 81 246

HSL 272.73, 0.9%, 0.64%

LAB 53.16, 64.88, -68.01

 

CMYK 12 / 67 / 0 / 4

HEX #D851F6

RGB 216 81 246

HSL 289.09, 0.9%, 0.64%

LAB 59.1, 74.17, -58.14

 

CMYK 67 / 95 / 0 / 9

HEX #4D0CE8

RGB 77 12 232

HSL 257.73, 0.9%, 0.48%

LAB 33.28, 73.43, -93.14

 

CMYK 59 / 83 / 0 / 4

HEX #6529F4

RGB 101 41 244

HSL 257.73, 0.9%, 0.56%

LAB 39.38, 70.52, -89.74

 

CMYK 48 / 67 / 0 / 4

HEX #8151F6

RGB 129 81 246

HSL 257.45, 0.9%, 0.64%

LAB 48.52, 57.07, -75.76

 

CMYK 36 / 52 / 0 / 3

HEX #9E78F8

RGB 158 120 248

HSL 257.81, 0.9%, 0.72%

LAB 59.42, 42.5, -59.13

 

CMYK 26 / 36 / 0 / 2

HEX #BA9FFA

RGB 186 159 250

HSL 257.8, 0.9%, 0.8%

LAB 70.97, 28.51, -41.8

 

CMYK 48 / 67 / 0 / 4

HEX #8150F6

RGB 129 80 246

HSL 257.71, 0.9%, 0.64%

LAB 48.33, 57.58, -76.06

 

CMYK 0 / 67 / 33 / 4

HEX #F651A6

RGB 246 81 166

HSL 329.09, 0.9%, 0.64%

LAB 60.1, 69.7, -10.84

 

CMYK 59 / 0 / 67 / 4

HEX #64F651

RGB 100 246 81

HSL 113.09, 0.9%, 0.64%

LAB 86.61, -68.54, 65.05

 

CMYK 48 / 67 / 0 / 4

HEX #8150F6

RGB 129 80 246

HSL 257.71, 0.9%, 0.64%

LAB 48.33, 57.58, -76.06

 

CMYK 0 / 48 / 67 / 4

HEX #F67F51

RGB 246 127 81

HSL 16.73, 0.9%, 0.64%

LAB 66.03, 42.03, 45.2

 

CMYK 67 / 0 / 48 / 4

HEX #51F67F

RGB 81 246 127

HSL 136.73, 0.9%, 0.64%

LAB 86.6, -66.98, 44.88

 

CMYK 48 / 67 / 0 / 4

HEX #8150F6

RGB 129 80 246

HSL 257.71, 0.9%, 0.64%

LAB 48.33, 57.58, -76.06

 

CMYK 0 / 67 / 33 / 4

HEX #F651A6

RGB 246 81 166

HSL 329.09, 0.9%, 0.64%

LAB 60.1, 69.7, -10.84

 

CMYK 19 / 0 / 67 / 4

HEX #C7F651

RGB 199 246 81

HSL 77.09, 0.9%, 0.64%

LAB 91.07, -37.44, 71.1

 

CMYK 67 / 0 / 35 / 4

HEX #51F6A0

RGB 81 246 160

HSL 148.73, 0.9%, 0.64%

LAB 87.09, -61.45, 29.26

 

CMYK 48 / 67 / 0 / 4

HEX #8150F6

RGB 129 80 246

HSL 257.71, 0.9%, 0.64%

LAB 48.33, 57.58, -76.06

 

CMYK 0 / 67 / 53 / 4

HEX #F65174

RGB 246 81 116

HSL 347.27, 0.9%, 0.64%

LAB 58.73, 64.97, 16.38

 

CMYK 19 / 0 / 67 / 4

HEX #C7F651

RGB 199 246 81

HSL 77.09, 0.9%, 0.64%

LAB 91.07, -37.44, 71.1

 

CMYK 67 / 0 / 15 / 4

HEX #51F6D2

RGB 81 246 210

HSL 166.91, 0.9%, 0.64%

LAB 88.12, -50.67, 4.95

 

Description

Color code: HEX #8150F6 | qconv.com Color code: HEX #8150F6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 80 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 80 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 67 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 67% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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