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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #814D29 it is the complementary color #7EB2D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #814D29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #814D29 shade: #864D24, #975F37, #A8714A, #B9835D and #CA9570

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #814D29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #814D29 shade: #814D29, #703B16, #5F2903, #4E1700 and #3D0500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #814D29 shade: #804C28, #803528 and #802828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #814D29 shade: #804C28, #806428, #807B28, #6D8028 and #558028

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #814D29 shade matches the following richer shades: #804C28, #8E4A1B and #9B470D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #814D29 shade: #804C28, #724F36, #655144, #575451 and #49565F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #814D29 shade: #802834, #803428, #804B28, #806328 and #807A28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #814D29 shade: #412715, #613A1E, #804C28, #9F5F32 and #BF723C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #814D29 shade: #814D29, #4B8028 and #282880

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #814D29 shade: #814D29, #28804B and #4B2880

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #814D29 shade: #814D29, #4B8028, #285D80 and #5D2880

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #814D29 shade: #814D29, #318028, #285D80 and #772880

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 68 / 49

HEX #814D29

RGB 129 77 41

HSL 24.55, 0.52%, 0.33%

LAB 38.08, 18.46, 30.17

 

Complementary color

CMYK 41 / 17 / 0 / 16

HEX #7EB2D6

RGB 126 178 214

HSL 204.55, 0.52%, 0.67%

LAB 70.27, -7.88, -23.57

 

CMYK 0 / 43 / 73 / 47

HEX #864D24

RGB 134 77 36

HSL 25.1, 0.58%, 0.33%

LAB 38.73, 20.4, 33.81

 

CMYK 0 / 37 / 64 / 41

HEX #975F37

RGB 151 95 55

HSL 25, 0.47%, 0.4%

LAB 45.69, 18.79, 32.01

 

CMYK 0 / 33 / 56 / 34

HEX #A8714A

RGB 168 113 74

HSL 24.89, 0.39%, 0.47%

LAB 52.54, 17.44, 30.31

 

CMYK 0 / 29 / 50 / 27

HEX #B9835D

RGB 185 131 93

HSL 24.78, 0.4%, 0.55%

LAB 59.29, 16.3, 28.75

 

CMYK 0 / 26 / 45 / 21

HEX #CA9570

RGB 202 149 112

HSL 24.67, 0.46%, 0.62%

LAB 65.92, 15.33, 27.32

 

CMYK 0 / 40 / 68 / 49

HEX #814D29

RGB 129 77 41

HSL 24.55, 0.52%, 0.33%

LAB 38.08, 18.46, 30.17

 

CMYK 0 / 47 / 80 / 56

HEX #703B16

RGB 112 59 22

HSL 24.67, 0.67%, 0.26%

LAB 30.95, 20.26, 32

 

CMYK 0 / 57 / 97 / 63

HEX #5F2903

RGB 95 41 3

HSL 24.78, 0.94%, 0.19%

LAB 23.76, 22.37, 32.78

 

CMYK 0 / 71 / 100 / 69

HEX #4E1700

RGB 78 23 0

HSL 17.69, 1%, 0.15%

LAB 16.66, 24.73, 25.17

 

CMYK 0 / 92 / 100 / 76

HEX #3D0500

RGB 61 5 0

HSL 4.92, 1%, 0.12%

LAB 9.8, 26.33, 15.36

 

CMYK 0 / 41 / 69 / 50

HEX #804C28

RGB 128 76 40

HSL 24.55, 0.52%, 0.33%

LAB 37.68, 18.53, 30.23

 

CMYK 0 / 59 / 69 / 50

HEX #803528

RGB 128 53 40

HSL 8.86, 0.52%, 0.33%

LAB 32.46, 31.5, 24.11

 

CMYK 0 / 69 / 69 / 50

HEX #802828

RGB 128 40 40

HSL 0, 0.52%, 0.33%

LAB 30.06, 37.86, 21.19

 

CMYK 0 / 41 / 69 / 50

HEX #804C28

RGB 128 76 40

HSL 24.55, 0.52%, 0.33%

LAB 37.68, 18.53, 30.23

 

CMYK 0 / 22 / 69 / 50

HEX #806428

RGB 128 100 40

HSL 40.91, 0.52%, 0.33%

LAB 44.03, 4.33, 37.27

 

CMYK 0 / 4 / 69 / 50

HEX #807B28

RGB 128 123 40

HSL 56.59, 0.52%, 0.33%

LAB 50.58, -8.8, 44.17

 

CMYK 15 / 0 / 69 / 50

HEX #6D8028

RGB 109 128 40

HSL 72.95, 0.52%, 0.33%

LAB 50.5, -20.05, 43.59

 

CMYK 34 / 0 / 69 / 50

HEX #558028

RGB 85 128 40

HSL 89.32, 0.52%, 0.33%

LAB 48.91, -30.02, 41.44

 

CMYK 0 / 41 / 69 / 50

HEX #804C28

RGB 128 76 40

HSL 24.55, 0.52%, 0.33%

LAB 37.68, 18.53, 30.23

 

CMYK 0 / 48 / 81 / 44

HEX #8E4A1B

RGB 142 74 27

HSL 24.52, 0.68%, 0.33%

LAB 39.12, 25.23, 39.11

 

CMYK 0 / 54 / 92 / 39

HEX #9B470D

RGB 155 71 13

HSL 24.51, 0.85%, 0.33%

LAB 40.42, 32, 46.64

 

CMYK 0 / 41 / 69 / 50

HEX #804C28

RGB 128 76 40

HSL 24.55, 0.52%, 0.33%

LAB 37.68, 18.53, 30.23

 

CMYK 0 / 31 / 53 / 55

HEX #724F36

RGB 114 79 54

HSL 25, 0.36%, 0.33%

LAB 36.81, 11.53, 20.58

 

CMYK 0 / 20 / 33 / 60

HEX #655144

RGB 101 81 68

HSL 23.64, 0.2%, 0.33%

LAB 36.12, 6.19, 10.79

 

CMYK 0 / 3 / 7 / 66

HEX #575451

RGB 87 84 81

HSL 30, 0.04%, 0.33%

LAB 35.91, 0.6, 2.18

 

CMYK 23 / 9 / 0 / 63

HEX #49565F

RGB 73 86 95

HSL 204.55, 0.13%, 0.33%

LAB 35.79, -2.82, -6.91

 

CMYK 0 / 69 / 59 / 50

HEX #802834

RGB 128 40 52

HSL 351.82, 0.52%, 0.33%

LAB 30.29, 38.7, 13.7

 

CMYK 0 / 59 / 69 / 50

HEX #803428

RGB 128 52 40

HSL 8.18, 0.52%, 0.33%

LAB 32.25, 32.02, 23.86

 

CMYK 0 / 41 / 69 / 50

HEX #804B28

RGB 128 75 40

HSL 23.86, 0.52%, 0.33%

LAB 37.43, 19.12, 29.95

 

CMYK 0 / 23 / 69 / 50

HEX #806328

RGB 128 99 40

HSL 40.23, 0.52%, 0.33%

LAB 43.75, 4.91, 36.97

 

CMYK 0 / 5 / 69 / 50

HEX #807A28

RGB 128 122 40

HSL 55.91, 0.52%, 0.33%

LAB 50.29, -8.25, 43.87

 

CMYK 0 / 40 / 68 / 75

HEX #412715

RGB 65 39 21

HSL 24.55, 0.51%, 0.17%

LAB 18.49, 10.06, 16.81

 

CMYK 0 / 40 / 69 / 62

HEX #613A1E

RGB 97 58 30

HSL 25.07, 0.53%, 0.25%

LAB 28.54, 14.32, 24.3

 

CMYK 0 / 41 / 69 / 50

HEX #804C28

RGB 128 76 40

HSL 24.55, 0.52%, 0.33%

LAB 37.68, 18.53, 30.23

 

CMYK 0 / 40 / 69 / 38

HEX #9F5F32

RGB 159 95 50

HSL 24.77, 0.52%, 0.41%

LAB 46.69, 21.96, 36.16

 

CMYK 0 / 40 / 69 / 25

HEX #BF723C

RGB 191 114 60

HSL 24.73, 0.52%, 0.49%

LAB 55.52, 25.68, 42.04

 

CMYK 0 / 40 / 68 / 49

HEX #814D29

RGB 129 77 41

HSL 24.55, 0.52%, 0.33%

LAB 38.08, 18.46, 30.17

 

CMYK 41 / 0 / 69 / 50

HEX #4B8028

RGB 75 128 40

HSL 96.14, 0.52%, 0.33%

LAB 48.37, -33.77, 40.7

 

CMYK 69 / 69 / 0 / 50

HEX #282880

RGB 40 40 128

HSL 240, 0.52%, 0.33%

LAB 22.04, 29.77, -49.62

 

CMYK 0 / 40 / 68 / 49

HEX #814D29

RGB 129 77 41

HSL 24.55, 0.52%, 0.33%

LAB 38.08, 18.46, 30.17

 

CMYK 69 / 0 / 41 / 50

HEX #28804B

RGB 40 128 75

HSL 143.86, 0.52%, 0.33%

LAB 47.49, -38.7, 21.38

 

CMYK 41 / 69 / 0 / 50

HEX #4B2880

RGB 75 40 128

HSL 263.86, 0.52%, 0.33%

LAB 25.48, 36.21, -43.87

 

CMYK 0 / 40 / 68 / 49

HEX #814D29

RGB 129 77 41

HSL 24.55, 0.52%, 0.33%

LAB 38.08, 18.46, 30.17

 

CMYK 41 / 0 / 69 / 50

HEX #4B8028

RGB 75 128 40

HSL 96.14, 0.52%, 0.33%

LAB 48.37, -33.77, 40.7

 

CMYK 69 / 27 / 0 / 50

HEX #285D80

RGB 40 93 128

HSL 203.86, 0.52%, 0.33%

LAB 37.55, -5.61, -24.79

 

CMYK 27 / 69 / 0 / 50

HEX #5D2880

RGB 93 40 128

HSL 276.14, 0.52%, 0.33%

LAB 27.85, 40.29, -39.91

 

CMYK 0 / 40 / 68 / 49

HEX #814D29

RGB 129 77 41

HSL 24.55, 0.52%, 0.33%

LAB 38.08, 18.46, 30.17

 

CMYK 62 / 0 / 69 / 50

HEX #318028

RGB 49 128 40

HSL 113.86, 0.52%, 0.33%

LAB 47.29, -41.85, 39.22

 

CMYK 69 / 27 / 0 / 50

HEX #285D80

RGB 40 93 128

HSL 203.86, 0.52%, 0.33%

LAB 37.55, -5.61, -24.79

 

CMYK 7 / 69 / 0 / 50

HEX #772880

RGB 119 40 128

HSL 293.86, 0.52%, 0.33%

LAB 31.8, 46.61, -33.37

 

Description

Color code: HEX #814D29 | qconv.com Color code: HEX #814D29 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 77 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 77 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 68 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 68% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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