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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #814817 it is the complementary color #7EB7E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #814817. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #814817 shade: #864812, #975A25, #A86C38, #B97E4B and #CA905E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #814817. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #814817 shade: #814817, #703604, #5F2400, #4E1200 and #3D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #814817 shade: #824817, #822C17 and #821717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #814817 shade: #824817, #826517, #828217, #658217 and #488217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #814817 shade matches the following richer shades: #824817 and #8E480B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #814817 shade: #824817, #764923, #694A30, #5D4B3C and #514C48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #814817 shade: #821720, #822B17, #824717, #826417 and #828017

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #814817 shade: #3C210B, #5F3511, #824817, #A55C1D and #C87023

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #814817 shade: #814817, #3C8217 and #1C1782

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #814817 shade: #814817, #178247 and #471782

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #814817 shade: #814817, #3C8217, #175282 and #5D1782

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #814817 shade: #814817, #1C8217, #175282 and #7D1782

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 82 / 49

HEX #814817

RGB 129 72 23

HSL 27.74, 0.7%, 0.3%

LAB 36.68, 20.43, 37.96

 

Complementary color

CMYK 46 / 21 / 0 / 9

HEX #7EB7E8

RGB 126 183 232

HSL 207.74, 0.7%, 0.7%

LAB 72.31, -5.65, -30.25

 

CMYK 0 / 46 / 87 / 47

HEX #864812

RGB 134 72 18

HSL 27.93, 0.76%, 0.3%

LAB 37.38, 22.51, 41.02

 

CMYK 0 / 40 / 75 / 41

HEX #975A25

RGB 151 90 37

HSL 27.89, 0.61%, 0.37%

LAB 44.27, 20.56, 39.87

 

CMYK 0 / 36 / 67 / 34

HEX #A86C38

RGB 168 108 56

HSL 27.86, 0.5%, 0.44%

LAB 51.08, 18.91, 38.29

 

CMYK 0 / 32 / 59 / 27

HEX #B97E4B

RGB 185 126 75

HSL 27.82, 0.44%, 0.51%

LAB 57.79, 17.52, 36.66

 

CMYK 0 / 29 / 53 / 21

HEX #CA905E

RGB 202 144 94

HSL 27.78, 0.5%, 0.58%

LAB 64.41, 16.33, 35.11

 

CMYK 0 / 44 / 82 / 49

HEX #814817

RGB 129 72 23

HSL 27.74, 0.7%, 0.3%

LAB 36.68, 20.43, 37.96

 

CMYK 0 / 52 / 96 / 56

HEX #703604

RGB 112 54 4

HSL 27.78, 0.93%, 0.23%

LAB 29.64, 22.6, 38.7

 

CMYK 0 / 62 / 100 / 63

HEX #5F2400

RGB 95 36 0

HSL 22.74, 1%, 0.19%

LAB 22.64, 25.09, 32.86

 

CMYK 0 / 77 / 100 / 69

HEX #4E1200

RGB 78 18 0

HSL 13.85, 1%, 0.15%

LAB 15.76, 27.17, 24.04

 

CMYK 0 / 100 / 100 / 76

HEX #3D0000

RGB 61 0 0

HSL 0, 1%, 0.12%

LAB 8.93, 28.84, 14.1

 

CMYK 0 / 45 / 82 / 49

HEX #824817

RGB 130 72 23

HSL 27.48, 0.7%, 0.3%

LAB 36.82, 20.89, 38.15

 

CMYK 0 / 66 / 82 / 49

HEX #822C17

RGB 130 44 23

HSL 11.78, 0.7%, 0.3%

LAB 30.9, 35.93, 32.44

 

CMYK 0 / 82 / 82 / 49

HEX #821717

RGB 130 23 23

HSL 0, 0.7%, 0.3%

LAB 27.9, 44.17, 29.43

 

CMYK 0 / 45 / 82 / 49

HEX #824817

RGB 130 72 23

HSL 27.48, 0.7%, 0.3%

LAB 36.82, 20.89, 38.15

 

CMYK 0 / 22 / 82 / 49

HEX #826517

RGB 130 101 23

HSL 43.74, 0.7%, 0.3%

LAB 44.4, 3.81, 45.13

 

CMYK 0 / 0 / 82 / 49

HEX #828217

RGB 130 130 23

HSL 60, 0.7%, 0.3%

LAB 52.7, -12.52, 52.49

 

CMYK 22 / 0 / 82 / 49

HEX #658217

RGB 101 130 23

HSL 76.26, 0.7%, 0.3%

LAB 50.45, -25.5, 49.63

 

CMYK 45 / 0 / 82 / 49

HEX #488217

RGB 72 130 23

HSL 92.52, 0.7%, 0.3%

LAB 48.77, -36.91, 47.47

 

CMYK 0 / 45 / 82 / 49

HEX #824817

RGB 130 72 23

HSL 27.48, 0.7%, 0.3%

LAB 36.82, 20.89, 38.15

 

CMYK 0 / 49 / 92 / 44

HEX #8E480B

RGB 142 72 11

HSL 27.94, 0.86%, 0.3%

LAB 38.57, 25.88, 44.97

 

CMYK 0 / 45 / 82 / 49

HEX #824817

RGB 130 72 23

HSL 27.48, 0.7%, 0.3%

LAB 36.82, 20.89, 38.15

 

CMYK 0 / 38 / 70 / 54

HEX #764923

RGB 118 73 35

HSL 27.47, 0.54%, 0.3%

LAB 35.47, 15.4, 30.13

 

CMYK 0 / 30 / 54 / 59

HEX #694A30

RGB 105 74 48

HSL 27.37, 0.37%, 0.3%

LAB 34.22, 9.8, 20.67

 

CMYK 0 / 19 / 35 / 64

HEX #5D4B3C

RGB 93 75 60

HSL 27.27, 0.22%, 0.3%

LAB 33.32, 5.12, 11.8

 

CMYK 0 / 6 / 11 / 68

HEX #514C48

RGB 81 76 72

HSL 26.67, 0.06%, 0.3%

LAB 32.67, 1.26, 3.11

 

CMYK 0 / 82 / 75 / 49

HEX #821720

RGB 130 23 32

HSL 354.95, 0.7%, 0.3%

LAB 28.01, 44.52, 23.96

 

CMYK 0 / 67 / 82 / 49

HEX #822B17

RGB 130 43 23

HSL 11.21, 0.7%, 0.3%

LAB 30.73, 36.39, 32.26

 

CMYK 0 / 45 / 82 / 49

HEX #824717

RGB 130 71 23

HSL 26.92, 0.7%, 0.3%

LAB 36.58, 21.46, 37.92

 

CMYK 0 / 23 / 82 / 49

HEX #826417

RGB 130 100 23

HSL 43.18, 0.7%, 0.3%

LAB 44.12, 4.4, 44.88

 

CMYK 0 / 2 / 82 / 49

HEX #828017

RGB 130 128 23

HSL 58.88, 0.7%, 0.3%

LAB 52.11, -11.44, 51.97

 

CMYK 0 / 45 / 82 / 76

HEX #3C210B

RGB 60 33 11

HSL 26.94, 0.69%, 0.14%

LAB 15.86, 10.71, 18.96

 

CMYK 0 / 44 / 82 / 63

HEX #5F3511

RGB 95 53 17

HSL 27.69, 0.7%, 0.22%

LAB 26.79, 15.67, 29.54

 

CMYK 0 / 45 / 82 / 49

HEX #824817

RGB 130 72 23

HSL 27.48, 0.7%, 0.3%

LAB 36.82, 20.89, 38.15

 

CMYK 0 / 44 / 82 / 35

HEX #A55C1D

RGB 165 92 29

HSL 27.79, 0.7%, 0.38%

LAB 46.63, 25.25, 46.47

 

CMYK 0 / 44 / 83 / 22

HEX #C87023

RGB 200 112 35

HSL 28, 0.7%, 0.46%

LAB 56.08, 29.44, 54.39

 

CMYK 0 / 44 / 82 / 49

HEX #814817

RGB 129 72 23

HSL 27.74, 0.7%, 0.3%

LAB 36.68, 20.43, 37.96

 

CMYK 54 / 0 / 82 / 49

HEX #3C8217

RGB 60 130 23

HSL 99.25, 0.7%, 0.3%

LAB 48.24, -40.87, 46.8

 

CMYK 78 / 82 / 0 / 49

HEX #1C1782

RGB 28 23 130

HSL 242.8, 0.7%, 0.3%

LAB 17.79, 39.36, -57.92

 

CMYK 0 / 44 / 82 / 49

HEX #814817

RGB 129 72 23

HSL 27.74, 0.7%, 0.3%

LAB 36.68, 20.43, 37.96

 

CMYK 82 / 0 / 45 / 49

HEX #178247

RGB 23 130 71

HSL 146.92, 0.7%, 0.3%

LAB 47.76, -42.98, 23.89

 

CMYK 45 / 82 / 0 / 49

HEX #471782

RGB 71 23 130

HSL 266.92, 0.7%, 0.3%

LAB 22.17, 44.38, -50.54

 

CMYK 0 / 44 / 82 / 49

HEX #814817

RGB 129 72 23

HSL 27.74, 0.7%, 0.3%

LAB 36.68, 20.43, 37.96

 

CMYK 54 / 0 / 82 / 49

HEX #3C8217

RGB 60 130 23

HSL 99.25, 0.7%, 0.3%

LAB 48.24, -40.87, 46.8

 

CMYK 82 / 37 / 0 / 49

HEX #175282

RGB 23 82 130

HSL 206.92, 0.7%, 0.3%

LAB 33.62, -0.39, -32.23

 

CMYK 28 / 82 / 0 / 49

HEX #5D1782

RGB 93 23 130

HSL 279.25, 0.7%, 0.3%

LAB 25.42, 48.1, -45.11

 

CMYK 0 / 44 / 82 / 49

HEX #814817

RGB 129 72 23

HSL 27.74, 0.7%, 0.3%

LAB 36.68, 20.43, 37.96

 

CMYK 78 / 0 / 82 / 49

HEX #1C8217

RGB 28 130 23

HSL 117.2, 0.7%, 0.3%

LAB 47.33, -48.37, 45.62

 

CMYK 82 / 37 / 0 / 49

HEX #175282

RGB 23 82 130

HSL 206.92, 0.7%, 0.3%

LAB 33.62, -0.39, -32.23

 

CMYK 4 / 82 / 0 / 49

HEX #7D1782

RGB 125 23 130

HSL 297.2, 0.7%, 0.3%

LAB 30.84, 54.34, -36.09

 

Description

Color code: HEX #814817 | qconv.com Color code: HEX #814817 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 72 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 72 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 82 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 82% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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