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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #813AD0 it is the complementary color #7EC52F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #813AD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #813AD0 shade: #863ACB, #974CDE, #A85EF1, #B970FF and #CA82FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #813AD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #813AD0 shade: #813AD0, #7028BD, #5F16AA, #4E0497 and #3D0084

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #813AD0 shade: #813ACF, #A93ACF, #CF3ACD, #CF3AA5 and #CF3A7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #813AD0 shade: #813ACF, #583ACF and #3A3ACF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #813AD0 shade matches the following richer shades: #813ACF, #8026E3 and #7F12F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #813AD0 shade: #813ACF, #824EBB, #8362A8, #847594 and #858980

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #813AD0 shade: #3A44CF, #583ACF, #803ACF, #A73ACF and #CF3ACF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #813AD0 shade: #582493, #6C2CB4, #813ACF, #965BD7 and #AB7CDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #813AD0 shade: #813AD0, #CF3A6C and #3ACF44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #813AD0 shade: #813AD0, #CF803A and #3ACF80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #813AD0 shade: #813AD0, #CF3A6C, #8ACF3A and #3ACF9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #813AD0 shade: #813AD0, #CF3A3F, #8ACF3A and #3ACFCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 72 / 0 / 18

HEX #813AD0

RGB 129 58 208

HSL 268.4, 0.61%, 0.52%

LAB 41.61, 58.47, -65.45

 

Complementary color

CMYK 36 / 0 / 76 / 23

HEX #7EC52F

RGB 126 197 47

HSL 88.4, 0.61%, 0.48%

LAB 72.61, -45.01, 63.27

 

CMYK 34 / 71 / 0 / 20

HEX #863ACB

RGB 134 58 203

HSL 271.45, 0.58%, 0.51%

LAB 41.85, 58.2, -62.12

 

CMYK 32 / 66 / 0 / 13

HEX #974CDE

RGB 151 76 222

HSL 270.82, 0.69%, 0.58%

LAB 48.29, 57.68, -62.5

 

CMYK 30 / 61 / 0 / 5

HEX #A85EF1

RGB 168 94 241

HSL 270.2, 0.84%, 0.66%

LAB 54.74, 56.93, -62.69

 

CMYK 27 / 56 / 0 / 0

HEX #B970FF

RGB 185 112 255

HSL 270.63, 1%, 0.72%

LAB 60.89, 54.93, -60.48

 

CMYK 21 / 49 / 0 / 0

HEX #CA82FF

RGB 202 130 255

HSL 274.56, 1%, 0.75%

LAB 66.32, 49.84, -51.72

 

CMYK 38 / 72 / 0 / 18

HEX #813AD0

RGB 129 58 208

HSL 268.4, 0.61%, 0.52%

LAB 41.61, 58.47, -65.45

 

CMYK 41 / 79 / 0 / 26

HEX #7028BD

RGB 112 40 189

HSL 268.99, 0.65%, 0.45%

LAB 35.27, 58.62, -64.79

 

CMYK 44 / 87 / 0 / 33

HEX #5F16AA

RGB 95 22 170

HSL 269.59, 0.77%, 0.38%

LAB 29.18, 57.9, -63.56

 

CMYK 48 / 97 / 0 / 41

HEX #4E0497

RGB 78 4 151

HSL 270.2, 0.95%, 0.3%

LAB 23.48, 55.8, -61.47

 

CMYK 54 / 100 / 0 / 48

HEX #3D0084

RGB 61 0 132

HSL 267.73, 1%, 0.26%

LAB 18.62, 50.85, -57.71

 

CMYK 38 / 72 / 0 / 19

HEX #813ACF

RGB 129 58 207

HSL 268.59, 0.61%, 0.52%

LAB 41.53, 58.22, -64.99

 

CMYK 18 / 72 / 0 / 19

HEX #A93ACF

RGB 169 58 207

HSL 284.7, 0.61%, 0.52%

LAB 46.93, 65.89, -55.99

 

CMYK 0 / 72 / 1 / 19

HEX #CF3ACD

RGB 207 58 205

HSL 300.81, 0.61%, 0.52%

LAB 52.62, 73.42, -45.42

 

CMYK 0 / 72 / 20 / 19

HEX #CF3AA5

RGB 207 58 165

HSL 316.91, 0.61%, 0.52%

LAB 50.7, 67.58, -25.16

 

CMYK 0 / 72 / 40 / 19

HEX #CF3A7D

RGB 207 58 125

HSL 333.02, 0.61%, 0.52%

LAB 49.22, 62.86, -3.48

 

CMYK 38 / 72 / 0 / 19

HEX #813ACF

RGB 129 58 207

HSL 268.59, 0.61%, 0.52%

LAB 41.53, 58.22, -64.99

 

CMYK 57 / 72 / 0 / 19

HEX #583ACF

RGB 88 58 207

HSL 252.08, 0.61%, 0.52%

LAB 37.13, 51.62, -72.37

 

CMYK 72 / 72 / 0 / 19

HEX #3A3ACF

RGB 58 58 207

HSL 240, 0.61%, 0.52%

LAB 34.86, 48.05, -76.17

 

CMYK 38 / 72 / 0 / 19

HEX #813ACF

RGB 129 58 207

HSL 268.59, 0.61%, 0.52%

LAB 41.53, 58.22, -64.99

 

CMYK 44 / 83 / 0 / 11

HEX #8026E3

RGB 128 38 227

HSL 268.57, 0.77%, 0.52%

LAB 40.45, 70.34, -78.25

 

CMYK 49 / 93 / 0 / 3

HEX #7F12F7

RGB 127 18 247

HSL 268.56, 0.93%, 0.52%

LAB 40.67, 79.29, -89.21

 

CMYK 38 / 72 / 0 / 19

HEX #813ACF

RGB 129 58 207

HSL 268.59, 0.61%, 0.52%

LAB 41.53, 58.22, -64.99

 

CMYK 30 / 58 / 0 / 27

HEX #824EBB

RGB 130 78 187

HSL 268.62, 0.44%, 0.52%

LAB 43.92, 43.52, -49.51

 

CMYK 22 / 42 / 0 / 34

HEX #8362A8

RGB 131 98 168

HSL 268.29, 0.29%, 0.52%

LAB 47.48, 27.67, -32.73

 

CMYK 11 / 21 / 0 / 42

HEX #847594

RGB 132 117 148

HSL 269.03, 0.13%, 0.52%

LAB 51.57, 12.08, -14.66

 

CMYK 3 / 0 / 7 / 46

HEX #858980

RGB 133 137 128

HSL 86.67, 0.04%, 0.52%

LAB 56.52, -3.22, 4.31

 

CMYK 72 / 67 / 0 / 19

HEX #3A44CF

RGB 58 68 207

HSL 235.97, 0.61%, 0.52%

LAB 37, 42.19, -72.66

 

CMYK 57 / 72 / 0 / 19

HEX #583ACF

RGB 88 58 207

HSL 252.08, 0.61%, 0.52%

LAB 37.13, 51.62, -72.37

 

CMYK 38 / 72 / 0 / 19

HEX #803ACF

RGB 128 58 207

HSL 268.19, 0.61%, 0.52%

LAB 41.41, 58.05, -65.2

 

CMYK 19 / 72 / 0 / 19

HEX #A73ACF

RGB 167 58 207

HSL 283.89, 0.61%, 0.52%

LAB 46.64, 65.49, -56.47

 

CMYK 0 / 72 / 0 / 19

HEX #CF3ACF

RGB 207 58 207

HSL 300, 0.61%, 0.52%

LAB 52.73, 73.74, -46.4

 

CMYK 40 / 76 / 0 / 42

HEX #582493

RGB 88 36 147

HSL 268.11, 0.61%, 0.36%

LAB 27.96, 45.94, -51.59

 

CMYK 40 / 76 / 0 / 29

HEX #6C2CB4

RGB 108 44 180

HSL 268.24, 0.61%, 0.44%

LAB 34.57, 54.16, -60.64

 

CMYK 38 / 72 / 0 / 19

HEX #813ACF

RGB 129 58 207

HSL 268.59, 0.61%, 0.52%

LAB 41.53, 58.22, -64.99

 

CMYK 30 / 58 / 0 / 16

HEX #965BD7

RGB 150 91 215

HSL 268.55, 0.61%, 0.6%

LAB 50.54, 48.19, -54.9

 

CMYK 23 / 44 / 0 / 13

HEX #AB7CDF

RGB 171 124 223

HSL 268.48, 0.61%, 0.68%

LAB 60.25, 37.48, -43.84

 

CMYK 38 / 72 / 0 / 18

HEX #813AD0

RGB 129 58 208

HSL 268.4, 0.61%, 0.52%

LAB 41.61, 58.47, -65.45

 

CMYK 0 / 72 / 48 / 19

HEX #CF3A6C

RGB 207 58 108

HSL 339.87, 0.61%, 0.52%

LAB 48.73, 61.25, 6.14

 

CMYK 72 / 0 / 67 / 19

HEX #3ACF44

RGB 58 207 68

HSL 124.03, 0.61%, 0.52%

LAB 73.51, -65.02, 55.81

 

CMYK 38 / 72 / 0 / 18

HEX #813AD0

RGB 129 58 208

HSL 268.4, 0.61%, 0.52%

LAB 41.61, 58.47, -65.45

 

CMYK 0 / 38 / 72 / 19

HEX #CF803A

RGB 207 128 58

HSL 28.19, 0.61%, 0.52%

LAB 60.79, 24.69, 49.34

 

CMYK 72 / 0 / 38 / 19

HEX #3ACF80

RGB 58 207 128

HSL 148.19, 0.61%, 0.52%

LAB 74.24, -56.47, 28.35

 

CMYK 38 / 72 / 0 / 18

HEX #813AD0

RGB 129 58 208

HSL 268.4, 0.61%, 0.52%

LAB 41.61, 58.47, -65.45

 

CMYK 0 / 72 / 48 / 19

HEX #CF3A6C

RGB 207 58 108

HSL 339.87, 0.61%, 0.52%

LAB 48.73, 61.25, 6.14

 

CMYK 33 / 0 / 72 / 19

HEX #8ACF3A

RGB 138 207 58

HSL 87.79, 0.61%, 0.52%

LAB 76.27, -44.34, 63.34

 

CMYK 72 / 0 / 24 / 19

HEX #3ACF9D

RGB 58 207 157

HSL 159.87, 0.61%, 0.52%

LAB 74.8, -50.4, 13.83

 

CMYK 38 / 72 / 0 / 18

HEX #813AD0

RGB 129 58 208

HSL 268.4, 0.61%, 0.52%

LAB 41.61, 58.47, -65.45

 

CMYK 0 / 72 / 70 / 19

HEX #CF3A3F

RGB 207 58 63

HSL 357.99, 0.61%, 0.52%

LAB 47.82, 58.18, 32.13

 

CMYK 33 / 0 / 72 / 19

HEX #8ACF3A

RGB 138 207 58

HSL 87.79, 0.61%, 0.52%

LAB 76.27, -44.34, 63.34

 

CMYK 72 / 0 / 2 / 19

HEX #3ACFCA

RGB 58 207 202

HSL 177.99, 0.61%, 0.52%

LAB 75.94, -38.87, -8.72

 

Description

Color code: HEX #813AD0 | qconv.com Color code: HEX #813AD0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 58 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 58 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 72 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 72% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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