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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #812D4D it is the complementary color #7ED2B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #812D4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #812D4D shade: #862D48, #973F5B, #A8516E, #B96381 and #CA7594

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #812D4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #812D4D shade: #812D4D, #701B3A, #5F0927, #4E0014 and #3D0001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #812D4D shade: #802D4D, #802D36 and #802D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #812D4D shade: #802D4D, #802D63, #802D7A, #712D80 and #5A2D80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #812D4D shade matches the following richer shades: #802D4D, #8E1F49, #9C1146 and #AA0343

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #812D4D shade: #802D4D, #723B50, #644953, #565757 and #48655A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #812D4D shade: #802D79, #802D63, #802D4D, #802D37 and #803A2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #812D4D shade: #431828, #62223B, #802D4D, #9F385F and #BD4371

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #812D4D shade: #812D4D, #80712D and #2D6E80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #812D4D shade: #812D4D, #4D802D and #2D4D80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #812D4D shade: #812D4D, #80712D, #2D8060 and #2D3C80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #812D4D shade: #812D4D, #77802D, #2D8060 and #372D80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 40 / 49

HEX #812D4D

RGB 129 45 77

HSL 337.14, 0.48%, 0.34%

LAB 31.99, 39.24, -0.29

 

Complementary color

CMYK 40 / 0 / 15 / 18

HEX #7ED2B2

RGB 126 210 178

HSL 157.14, 0.48%, 0.66%

LAB 78.31, -32.8, 7.89

 

CMYK 0 / 66 / 46 / 47

HEX #862D48

RGB 134 45 72

HSL 341.8, 0.5%, 0.35%

LAB 32.73, 40.37, 4.15

 

CMYK 0 / 58 / 40 / 41

HEX #973F5B

RGB 151 63 91

HSL 340.91, 0.41%, 0.42%

LAB 39.39, 39.75, 1.98

 

CMYK 0 / 52 / 35 / 34

HEX #A8516E

RGB 168 81 110

HSL 340, 0.35%, 0.49%

LAB 46.09, 38.92, 0.3

 

CMYK 0 / 46 / 30 / 27

HEX #B96381

RGB 185 99 129

HSL 339.07, 0.38%, 0.56%

LAB 52.76, 38.04, -1.07

 

CMYK 0 / 42 / 27 / 21

HEX #CA7594

RGB 202 117 148

HSL 338.12, 0.45%, 0.63%

LAB 59.36, 37.16, -2.22

 

CMYK 0 / 65 / 40 / 49

HEX #812D4D

RGB 129 45 77

HSL 337.14, 0.48%, 0.34%

LAB 31.99, 39.24, -0.29

 

CMYK 0 / 76 / 48 / 56

HEX #701B3A

RGB 112 27 58

HSL 338.12, 0.61%, 0.27%

LAB 25.36, 39.34, 2.35

 

CMYK 0 / 91 / 59 / 63

HEX #5F0927

RGB 95 9 39

HSL 339.07, 0.83%, 0.2%

LAB 19.12, 38.24, 6.23

 

CMYK 0 / 100 / 74 / 69

HEX #4E0014

RGB 78 0 20

HSL 344.62, 1%, 0.15%

LAB 13.65, 34.78, 11.92

 

CMYK 0 / 100 / 98 / 76

HEX #3D0001

RGB 61 0 1

HSL 359.02, 1%, 0.12%

LAB 8.94, 28.89, 13.72

 

CMYK 0 / 65 / 40 / 50

HEX #802D4D

RGB 128 45 77

HSL 336.87, 0.48%, 0.34%

LAB 31.81, 38.9, -0.57

 

CMYK 0 / 65 / 58 / 50

HEX #802D36

RGB 128 45 54

HSL 353.49, 0.48%, 0.34%

LAB 31.19, 36.56, 13.59

 

CMYK 0 / 65 / 65 / 50

HEX #802D2D

RGB 128 45 45

HSL 0, 0.48%, 0.34%

LAB 31.01, 35.86, 19.18

 

CMYK 0 / 65 / 40 / 50

HEX #802D4D

RGB 128 45 77

HSL 336.87, 0.48%, 0.34%

LAB 31.81, 38.9, -0.57

 

CMYK 0 / 65 / 23 / 50

HEX #802D63

RGB 128 45 99

HSL 320.96, 0.48%, 0.34%

LAB 32.63, 41.87, -13.59

 

CMYK 0 / 65 / 5 / 50

HEX #802D7A

RGB 128 45 122

HSL 304.34, 0.48%, 0.34%

LAB 33.71, 45.65, -26.49

 

CMYK 12 / 65 / 0 / 50

HEX #712D80

RGB 113 45 128

HSL 289.16, 0.48%, 0.34%

LAB 31.68, 42.8, -33.61

 

CMYK 30 / 65 / 0 / 50

HEX #5A2D80

RGB 90 45 128

HSL 272.53, 0.48%, 0.34%

LAB 28.4, 36.93, -39.05

 

CMYK 0 / 65 / 40 / 50

HEX #802D4D

RGB 128 45 77

HSL 336.87, 0.48%, 0.34%

LAB 31.81, 38.9, -0.57

 

CMYK 0 / 78 / 49 / 44

HEX #8E1F49

RGB 142 31 73

HSL 337.3, 0.64%, 0.34%

LAB 32.28, 48.48, 3.06

 

CMYK 0 / 89 / 55 / 39

HEX #9C1146

RGB 156 17 70

HSL 337.12, 0.8%, 0.34%

LAB 33.8, 55.66, 7.57

 

CMYK 0 / 98 / 61 / 33

HEX #AA0343

RGB 170 3 67

HSL 337.01, 0.97%, 0.34%

LAB 36.02, 60.91, 13.06

 

CMYK 0 / 65 / 40 / 50

HEX #802D4D

RGB 128 45 77

HSL 336.87, 0.48%, 0.34%

LAB 31.81, 38.9, -0.57

 

CMYK 0 / 48 / 30 / 55

HEX #723B50

RGB 114 59 80

HSL 337.09, 0.32%, 0.34%

LAB 32.45, 26.84, -1.85

 

CMYK 0 / 27 / 17 / 61

HEX #644953

RGB 100 73 83

HSL 337.78, 0.16%, 0.34%

LAB 34.19, 13.24, -1.43

 

CMYK 1 / 0 / 0 / 66

HEX #565757

RGB 86 87 87

HSL 180, 0.01%, 0.34%

LAB 36.9, -0.4, -0.15

 

CMYK 29 / 0 / 11 / 60

HEX #48655A

RGB 72 101 90

HSL 157.24, 0.17%, 0.34%

LAB 40.28, -13.27, 2.79

 

CMYK 0 / 65 / 5 / 50

HEX #802D79

RGB 128 45 121

HSL 305.06, 0.48%, 0.34%

LAB 33.66, 45.47, -25.95

 

CMYK 0 / 65 / 23 / 50

HEX #802D63

RGB 128 45 99

HSL 320.96, 0.48%, 0.34%

LAB 32.63, 41.87, -13.59

 

CMYK 0 / 65 / 40 / 50

HEX #802D4D

RGB 128 45 77

HSL 336.87, 0.48%, 0.34%

LAB 31.81, 38.9, -0.57

 

CMYK 0 / 65 / 57 / 50

HEX #802D37

RGB 128 45 55

HSL 352.77, 0.48%, 0.34%

LAB 31.21, 36.64, 12.97

 

CMYK 0 / 55 / 65 / 50

HEX #803A2D

RGB 128 58 45

HSL 9.4, 0.48%, 0.34%

LAB 33.57, 29.16, 22.4

 

CMYK 0 / 64 / 40 / 74

HEX #431828

RGB 67 24 40

HSL 337.67, 0.47%, 0.18%

LAB 15.49, 22.73, -0.47

 

CMYK 0 / 65 / 40 / 62

HEX #62223B

RGB 98 34 59

HSL 336.56, 0.48%, 0.26%

LAB 23.86, 31.6, -0.85

 

CMYK 0 / 65 / 40 / 50

HEX #802D4D

RGB 128 45 77

HSL 336.87, 0.48%, 0.34%

LAB 31.81, 38.9, -0.57

 

CMYK 0 / 65 / 40 / 38

HEX #9F385F

RGB 159 56 95

HSL 337.28, 0.48%, 0.42%

LAB 39.62, 46.19, -0.03

 

CMYK 0 / 65 / 40 / 26

HEX #BD4371

RGB 189 67 113

HSL 337.38, 0.48%, 0.5%

LAB 47.01, 52.88, 0.21

 

CMYK 0 / 65 / 40 / 49

HEX #812D4D

RGB 129 45 77

HSL 337.14, 0.48%, 0.34%

LAB 31.99, 39.24, -0.29

 

CMYK 0 / 12 / 65 / 50

HEX #80712D

RGB 128 113 45

HSL 49.16, 0.48%, 0.34%

LAB 47.74, -2.85, 38.85

 

CMYK 65 / 14 / 0 / 50

HEX #2D6E80

RGB 45 110 128

HSL 193.01, 0.48%, 0.34%

LAB 43.16, -14.69, -16.11

 

CMYK 0 / 65 / 40 / 49

HEX #812D4D

RGB 129 45 77

HSL 337.14, 0.48%, 0.34%

LAB 31.99, 39.24, -0.29

 

CMYK 40 / 0 / 65 / 50

HEX #4D802D

RGB 77 128 45

HSL 96.87, 0.48%, 0.34%

LAB 48.52, -32.58, 38.63

 

CMYK 65 / 40 / 0 / 50

HEX #2D4D80

RGB 45 77 128

HSL 216.87, 0.48%, 0.34%

LAB 32.75, 5.57, -32.32

 

CMYK 0 / 65 / 40 / 49

HEX #812D4D

RGB 129 45 77

HSL 337.14, 0.48%, 0.34%

LAB 31.99, 39.24, -0.29

 

CMYK 0 / 12 / 65 / 50

HEX #80712D

RGB 128 113 45

HSL 49.16, 0.48%, 0.34%

LAB 47.74, -2.85, 38.85

 

CMYK 65 / 0 / 25 / 50

HEX #2D8060

RGB 45 128 96

HSL 156.87, 0.48%, 0.34%

LAB 48.06, -33.1, 10.13

 

CMYK 65 / 53 / 0 / 50

HEX #2D3C80

RGB 45 60 128

HSL 229.16, 0.48%, 0.34%

LAB 27.7, 17.07, -40.4

 

CMYK 0 / 65 / 40 / 49

HEX #812D4D

RGB 129 45 77

HSL 337.14, 0.48%, 0.34%

LAB 31.99, 39.24, -0.29

 

CMYK 7 / 0 / 65 / 50

HEX #77802D

RGB 119 128 45

HSL 66.51, 0.48%, 0.34%

LAB 51.32, -15.27, 42.49

 

CMYK 65 / 0 / 25 / 50

HEX #2D8060

RGB 45 128 96

HSL 156.87, 0.48%, 0.34%

LAB 48.06, -33.1, 10.13

 

CMYK 57 / 65 / 0 / 50

HEX #372D80

RGB 55 45 128

HSL 247.23, 0.48%, 0.34%

LAB 24.47, 29.07, -45.6

 

Description

Color code: HEX #812D4D | qconv.com Color code: HEX #812D4D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 45 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 45 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 40 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 40% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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