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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #812BA9 it is the complementary color #7ED456. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #812BA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #812BA9 shade: #862BA4, #973DB7, #A84FCA, #B961DD and #CA73F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #812BA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #812BA9 shade: #812BA9, #701996, #5F0783, #4E0070 and #3D005D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #812BA9 shade: #822CAA, #A42CAA, #AA2C8E, #AA2C6C and #AA2C4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #812BA9 shade: #822CAA, #602CAA, #3E2CAA and #2C2CAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #812BA9 shade matches the following richer shades: #822CAA, #881BBC and #8F09CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #812BA9 shade: #822CAA, #7C3D99, #764F88, #6F6076 and #697165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #812BA9 shade: #3D2CAA, #5E2CAA, #802CAA, #A22CAA and #AA2C91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #812BA9 shade: #501B69, #692389, #822CAA, #9B35CB and #AB55D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #812BA9 shade: #812BA9, #AA2C3D and #2CAA4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #812BA9 shade: #812BA9, #AA802C and #2CAA80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #812BA9 shade: #812BA9, #AA2C3D, #56AA2C and #2CAA99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #812BA9 shade: #812BA9, #AA412C, #56AA2C and #2C95AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 75 / 0 / 34

HEX #812BA9

RGB 129 43 169

HSL 280.95, 0.59%, 0.42%

LAB 36.48, 55.94, -50.85

 

Complementary color

CMYK 41 / 0 / 59 / 17

HEX #7ED456

RGB 126 212 86

HSL 100.95, 0.59%, 0.58%

LAB 77.4, -48.24, 53.13

 

CMYK 18 / 74 / 0 / 36

HEX #862BA4

RGB 134 43 164

HSL 285.12, 0.58%, 0.41%

LAB 36.89, 55.93, -47.16

 

CMYK 17 / 67 / 0 / 28

HEX #973DB7

RGB 151 61 183

HSL 284.26, 0.5%, 0.48%

LAB 43.26, 56.03, -48.07

 

CMYK 17 / 61 / 0 / 21

HEX #A84FCA

RGB 168 79 202

HSL 283.41, 0.54%, 0.55%

LAB 49.71, 55.68, -48.66

 

CMYK 16 / 56 / 0 / 13

HEX #B961DD

RGB 185 97 221

HSL 282.58, 0.65%, 0.62%

LAB 56.17, 55.09, -49.07

 

CMYK 16 / 52 / 0 / 6

HEX #CA73F0

RGB 202 115 240

HSL 281.76, 0.81%, 0.7%

LAB 62.6, 54.38, -49.36

 

CMYK 24 / 75 / 0 / 34

HEX #812BA9

RGB 129 43 169

HSL 280.95, 0.59%, 0.42%

LAB 36.48, 55.94, -50.85

 

CMYK 25 / 83 / 0 / 41

HEX #701996

RGB 112 25 150

HSL 281.76, 0.71%, 0.34%

LAB 30.26, 55.11, -49.54

 

CMYK 27 / 95 / 0 / 49

HEX #5F0783

RGB 95 7 131

HSL 282.58, 0.9%, 0.27%

LAB 24.4, 52.86, -47.39

 

CMYK 30 / 100 / 0 / 56

HEX #4E0070

RGB 78 0 112

HSL 281.79, 1%, 0.22%

LAB 19.18, 48.18, -43.88

 

CMYK 34 / 100 / 0 / 64

HEX #3D005D

RGB 61 0 93

HSL 279.35, 1%, 0.18%

LAB 14.3, 41.85, -39.45

 

CMYK 24 / 74 / 0 / 33

HEX #822CAA

RGB 130 44 170

HSL 280.95, 0.59%, 0.42%

LAB 36.84, 55.96, -50.87

 

CMYK 4 / 74 / 0 / 33

HEX #A42CAA

RGB 164 44 170

HSL 297.14, 0.59%, 0.42%

LAB 42.15, 63.03, -42.05

 

CMYK 0 / 74 / 16 / 33

HEX #AA2C8E

RGB 170 44 142

HSL 313.33, 0.59%, 0.42%

LAB 41.69, 60, -25.85

 

CMYK 0 / 74 / 36 / 33

HEX #AA2C6C

RGB 170 44 108

HSL 329.52, 0.59%, 0.42%

LAB 40.3, 55.66, -6.98

 

CMYK 0 / 74 / 56 / 33

HEX #AA2C4A

RGB 170 44 74

HSL 345.71, 0.59%, 0.42%

LAB 39.31, 52.46, 13.07

 

CMYK 24 / 74 / 0 / 33

HEX #822CAA

RGB 130 44 170

HSL 280.95, 0.59%, 0.42%

LAB 36.84, 55.96, -50.87

 

CMYK 44 / 74 / 0 / 33

HEX #602CAA

RGB 96 44 170

HSL 264.76, 0.59%, 0.42%

LAB 32.24, 49.57, -58.55

 

CMYK 64 / 74 / 0 / 33

HEX #3E2CAA

RGB 62 44 170

HSL 248.57, 0.59%, 0.42%

LAB 28.72, 44.43, -64.46

 

CMYK 74 / 74 / 0 / 33

HEX #2C2CAA

RGB 44 44 170

HSL 240, 0.59%, 0.42%

LAB 27.41, 42.44, -66.66

 

CMYK 24 / 74 / 0 / 33

HEX #822CAA

RGB 130 44 170

HSL 280.95, 0.59%, 0.42%

LAB 36.84, 55.96, -50.87

 

CMYK 28 / 86 / 0 / 26

HEX #881BBC

RGB 136 27 188

HSL 280.62, 0.75%, 0.42%

LAB 37.2, 66.18, -60.91

 

CMYK 30 / 96 / 0 / 20

HEX #8F09CD

RGB 143 9 205

HSL 281.02, 0.92%, 0.42%

LAB 38.63, 73.59, -68.49

 

CMYK 24 / 74 / 0 / 33

HEX #822CAA

RGB 130 44 170

HSL 280.95, 0.59%, 0.42%

LAB 36.84, 55.96, -50.87

 

CMYK 19 / 60 / 0 / 40

HEX #7C3D99

RGB 124 61 153

HSL 281.09, 0.43%, 0.42%

LAB 37.7, 43.04, -39.3

 

CMYK 13 / 42 / 0 / 47

HEX #764F88

RGB 118 79 136

HSL 281.05, 0.27%, 0.42%

LAB 39.95, 27.29, -25.48

 

CMYK 6 / 19 / 0 / 54

HEX #6F6076

RGB 111 96 118

HSL 280.91, 0.1%, 0.42%

LAB 42.84, 10.48, -10.15

 

CMYK 7 / 0 / 11 / 56

HEX #697165

RGB 105 113 101

HSL 100, 0.06%, 0.42%

LAB 46.65, -5.48, 5.62

 

CMYK 64 / 74 / 0 / 33

HEX #3D2CAA

RGB 61 44 170

HSL 248.1, 0.59%, 0.42%

LAB 28.63, 44.3, -64.6

 

CMYK 45 / 74 / 0 / 33

HEX #5E2CAA

RGB 94 44 170

HSL 263.81, 0.59%, 0.42%

LAB 32, 49.22, -58.95

 

CMYK 25 / 74 / 0 / 33

HEX #802CAA

RGB 128 44 170

HSL 280, 0.59%, 0.42%

LAB 36.54, 55.56, -51.35

 

CMYK 5 / 74 / 0 / 33

HEX #A22CAA

RGB 162 44 170

HSL 296.19, 0.59%, 0.42%

LAB 41.82, 62.6, -42.59

 

CMYK 0 / 74 / 15 / 33

HEX #AA2C91

RGB 170 44 145

HSL 311.9, 0.59%, 0.42%

LAB 41.83, 60.43, -27.46

 

CMYK 24 / 74 / 0 / 59

HEX #501B69

RGB 80 27 105

HSL 280.77, 0.59%, 0.26%

LAB 21.98, 38.12, -34.77

 

CMYK 23 / 74 / 0 / 46

HEX #692389

RGB 105 35 137

HSL 281.18, 0.59%, 0.34%

LAB 29.44, 47.37, -42.88

 

CMYK 24 / 74 / 0 / 33

HEX #822CAA

RGB 130 44 170

HSL 280.95, 0.59%, 0.42%

LAB 36.84, 55.96, -50.87

 

CMYK 24 / 74 / 0 / 20

HEX #9B35CB

RGB 155 53 203

HSL 280.8, 0.59%, 0.5%

LAB 43.98, 64.23, -58.54

 

CMYK 19 / 60 / 0 / 17

HEX #AB55D3

RGB 171 85 211

HSL 280.95, 0.59%, 0.58%

LAB 51.68, 55.4, -50.66

 

CMYK 24 / 75 / 0 / 34

HEX #812BA9

RGB 129 43 169

HSL 280.95, 0.59%, 0.42%

LAB 36.48, 55.94, -50.85

 

CMYK 0 / 74 / 64 / 33

HEX #AA2C3D

RGB 170 44 61

HSL 351.9, 0.59%, 0.42%

LAB 39.04, 51.57, 20.92

 

CMYK 74 / 0 / 54 / 33

HEX #2CAA4E

RGB 44 170 78

HSL 136.19, 0.59%, 0.42%

LAB 61.51, -53.56, 37.53

 

CMYK 24 / 75 / 0 / 34

HEX #812BA9

RGB 129 43 169

HSL 280.95, 0.59%, 0.42%

LAB 36.48, 55.94, -50.85

 

CMYK 0 / 25 / 74 / 33

HEX #AA802C

RGB 170 128 44

HSL 40, 0.59%, 0.42%

LAB 56.25, 7.85, 49.57

 

CMYK 74 / 0 / 25 / 33

HEX #2CAA80

RGB 44 170 128

HSL 160, 0.59%, 0.42%

LAB 62.38, -43.89, 12.08

 

CMYK 24 / 75 / 0 / 34

HEX #812BA9

RGB 129 43 169

HSL 280.95, 0.59%, 0.42%

LAB 36.48, 55.94, -50.85

 

CMYK 0 / 74 / 64 / 33

HEX #AA2C3D

RGB 170 44 61

HSL 351.9, 0.59%, 0.42%

LAB 39.04, 51.57, 20.92

 

CMYK 49 / 0 / 74 / 33

HEX #56AA2C

RGB 86 170 44

HSL 100, 0.59%, 0.42%

LAB 62.43, -47.43, 53.74

 

CMYK 74 / 0 / 10 / 33

HEX #2CAA99

RGB 44 170 153

HSL 171.9, 0.59%, 0.42%

LAB 63, -37.46, -0.95

 

CMYK 24 / 75 / 0 / 34

HEX #812BA9

RGB 129 43 169

HSL 280.95, 0.59%, 0.42%

LAB 36.48, 55.94, -50.85

 

CMYK 0 / 62 / 74 / 33

HEX #AA412C

RGB 170 65 44

HSL 10, 0.59%, 0.42%

LAB 42.01, 41.9, 34.66

 

CMYK 49 / 0 / 74 / 33

HEX #56AA2C

RGB 86 170 44

HSL 100, 0.59%, 0.42%

LAB 62.43, -47.43, 53.74

 

CMYK 74 / 12 / 0 / 33

HEX #2C95AA

RGB 44 149 170

HSL 190, 0.59%, 0.42%

LAB 57.01, -22.13, -19.52

 

Description

Color code: HEX #812BA9 | qconv.com Color code: HEX #812BA9 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 43 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 43 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 75 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 75% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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