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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81297D it is the complementary color #7ED682. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81297D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81297D shade: #862978, #973B8B, #A84D9E, #B95FB1 and #CA71C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81297D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81297D shade: #81297D, #70176A, #5F0557, #4E0044 and #3D0031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81297D shade: #80287C, #802864, #80284D, #802835 and #802828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81297D shade: #80287C, #6C2880, #552880, #3D2880 and #282880

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81297D shade matches the following richer shades: #80287C, #8E1B88 and #9B0D95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81297D shade: #80287C, #723670, #654463, #575157 and #495F4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81297D shade: #542880, #6B2880, #80287D, #802866 and #80284E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81297D shade: #41153F, #611E5E, #80287C, #9F329A and #BF3CB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81297D shade: #81297D, #803D28 and #288060

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81297D shade: #81297D, #7D8028 and #287D80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81297D shade: #81297D, #803D28, #28802B and #286B80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81297D shade: #81297D, #805728, #28802B and #285180

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 3 / 49

HEX #81297D

RGB 129 41 125

HSL 302.73, 0.52%, 0.33%

LAB 33.42, 48.16, -28.82

 

Complementary color

CMYK 41 / 0 / 39 / 16

HEX #7ED682

RGB 126 214 130

HSL 122.73, 0.52%, 0.67%

LAB 78.54, -43.49, 33.39

 

CMYK 0 / 69 / 10 / 47

HEX #862978

RGB 134 41 120

HSL 309.03, 0.53%, 0.34%

LAB 34, 48.61, -24.71

 

CMYK 0 / 61 / 8 / 41

HEX #973B8B

RGB 151 59 139

HSL 307.83, 0.44%, 0.41%

LAB 40.53, 48.64, -26.08

 

CMYK 0 / 54 / 6 / 34

HEX #A84D9E

RGB 168 77 158

HSL 306.59, 0.37%, 0.48%

LAB 47.11, 48.23, -27.07

 

CMYK 0 / 49 / 4 / 27

HEX #B95FB1

RGB 185 95 177

HSL 305.33, 0.39%, 0.55%

LAB 53.68, 47.63, -27.83

 

CMYK 0 / 44 / 3 / 21

HEX #CA71C4

RGB 202 113 196

HSL 304.04, 0.46%, 0.62%

LAB 60.21, 46.93, -28.45

 

CMYK 0 / 68 / 3 / 49

HEX #81297D

RGB 129 41 125

HSL 302.73, 0.52%, 0.33%

LAB 33.42, 48.16, -28.82

 

CMYK 0 / 79 / 5 / 56

HEX #70176A

RGB 112 23 106

HSL 304.04, 0.66%, 0.26%

LAB 27.01, 47.37, -27.06

 

CMYK 0 / 95 / 8 / 63

HEX #5F0557

RGB 95 5 87

HSL 305.33, 0.9%, 0.2%

LAB 20.94, 45.18, -24.38

 

CMYK 0 / 100 / 13 / 69

HEX #4E0044

RGB 78 0 68

HSL 307.69, 1%, 0.15%

LAB 15.68, 40.01, -19.94

 

CMYK 0 / 100 / 20 / 76

HEX #3D0031

RGB 61 0 49

HSL 311.8, 1%, 0.12%

LAB 10.66, 33.37, -14.51

 

CMYK 0 / 69 / 3 / 50

HEX #80287C

RGB 128 40 124

HSL 302.73, 0.52%, 0.33%

LAB 33.05, 48.14, -28.79

 

CMYK 0 / 69 / 22 / 50

HEX #802864

RGB 128 40 100

HSL 319.09, 0.52%, 0.33%

LAB 31.87, 44.23, -15.4

 

CMYK 0 / 69 / 40 / 50

HEX #80284D

RGB 128 40 77

HSL 334.77, 0.52%, 0.33%

LAB 30.98, 41.17, -1.79

 

CMYK 0 / 69 / 59 / 50

HEX #802835

RGB 128 40 53

HSL 351.14, 0.52%, 0.33%

LAB 30.31, 38.78, 13.07

 

CMYK 0 / 69 / 69 / 50

HEX #802828

RGB 128 40 40

HSL 0, 0.52%, 0.33%

LAB 30.06, 37.86, 21.19

 

CMYK 0 / 69 / 3 / 50

HEX #80287C

RGB 128 40 124

HSL 302.73, 0.52%, 0.33%

LAB 33.05, 48.14, -28.79

 

CMYK 16 / 69 / 0 / 50

HEX #6C2880

RGB 108 40 128

HSL 286.36, 0.52%, 0.33%

LAB 30.07, 43.89, -36.23

 

CMYK 34 / 69 / 0 / 50

HEX #552880

RGB 85 40 128

HSL 270.68, 0.52%, 0.33%

LAB 26.76, 38.44, -41.74

 

CMYK 52 / 69 / 0 / 50

HEX #3D2880

RGB 61 40 128

HSL 254.32, 0.52%, 0.33%

LAB 23.9, 33.34, -46.51

 

CMYK 69 / 69 / 0 / 50

HEX #282880

RGB 40 40 128

HSL 240, 0.52%, 0.33%

LAB 22.04, 29.77, -49.62

 

CMYK 0 / 69 / 3 / 50

HEX #80287C

RGB 128 40 124

HSL 302.73, 0.52%, 0.33%

LAB 33.05, 48.14, -28.79

 

CMYK 0 / 81 / 4 / 44

HEX #8E1B88

RGB 142 27 136

HSL 303.13, 0.68%, 0.33%

LAB 34.62, 57.82, -33.62

 

CMYK 0 / 92 / 4 / 39

HEX #9B0D95

RGB 155 13 149

HSL 302.54, 0.85%, 0.33%

LAB 36.79, 65.24, -38.02

 

CMYK 0 / 69 / 3 / 50

HEX #80287C

RGB 128 40 124

HSL 302.73, 0.52%, 0.33%

LAB 33.05, 48.14, -28.79

 

CMYK 0 / 53 / 2 / 55

HEX #723670

RGB 114 54 112

HSL 302, 0.36%, 0.33%

LAB 32.67, 35.23, -21.99

 

CMYK 0 / 33 / 2 / 60

HEX #654463

RGB 101 68 99

HSL 303.64, 0.2%, 0.33%

LAB 33.57, 19.9, -12.51

 

CMYK 0 / 7 / 0 / 66

HEX #575157

RGB 87 81 87

HSL 300, 0.04%, 0.33%

LAB 35.2, 3.72, -2.63

 

CMYK 23 / 0 / 22 / 63

HEX #495F4A

RGB 73 95 74

HSL 122.73, 0.13%, 0.33%

LAB 38.01, -13, 9.35

 

CMYK 34 / 69 / 0 / 50

HEX #542880

RGB 84 40 128

HSL 270, 0.52%, 0.33%

LAB 26.62, 38.21, -41.96

 

CMYK 16 / 69 / 0 / 50

HEX #6B2880

RGB 107 40 128

HSL 285.68, 0.52%, 0.33%

LAB 29.92, 43.65, -36.49

 

CMYK 0 / 69 / 2 / 50

HEX #80287D

RGB 128 40 125

HSL 302.05, 0.52%, 0.33%

LAB 33.11, 48.31, -29.33

 

CMYK 0 / 69 / 20 / 50

HEX #802866

RGB 128 40 102

HSL 317.73, 0.52%, 0.33%

LAB 31.96, 44.53, -16.55

 

CMYK 0 / 69 / 39 / 50

HEX #80284E

RGB 128 40 78

HSL 334.09, 0.52%, 0.33%

LAB 31.01, 41.29, -2.4

 

CMYK 0 / 68 / 3 / 75

HEX #41153F

RGB 65 21 63

HSL 302.73, 0.51%, 0.17%

LAB 15.59, 27.71, -16.76

 

CMYK 0 / 69 / 3 / 62

HEX #611E5E

RGB 97 30 94

HSL 302.69, 0.53%, 0.25%

LAB 24.57, 38.77, -23.27

 

CMYK 0 / 69 / 3 / 50

HEX #80287C

RGB 128 40 124

HSL 302.73, 0.52%, 0.33%

LAB 33.05, 48.14, -28.79

 

CMYK 0 / 69 / 3 / 38

HEX #9F329A

RGB 159 50 154

HSL 302.75, 0.52%, 0.41%

LAB 41.19, 57.05, -34.04

 

CMYK 0 / 69 / 3 / 25

HEX #BF3CB9

RGB 191 60 185

HSL 302.75, 0.52%, 0.49%

LAB 49.27, 66, -39.32

 

CMYK 0 / 68 / 3 / 49

HEX #81297D

RGB 129 41 125

HSL 302.73, 0.52%, 0.33%

LAB 33.42, 48.16, -28.82

 

CMYK 0 / 52 / 69 / 50

HEX #803D28

RGB 128 61 40

HSL 14.32, 0.52%, 0.33%

LAB 34.15, 27.16, 26.13

 

CMYK 69 / 0 / 25 / 50

HEX #288060

RGB 40 128 96

HSL 158.18, 0.52%, 0.33%

LAB 47.92, -34.06, 9.92

 

CMYK 0 / 68 / 3 / 49

HEX #81297D

RGB 129 41 125

HSL 302.73, 0.52%, 0.33%

LAB 33.42, 48.16, -28.82

 

CMYK 2 / 0 / 69 / 50

HEX #7D8028

RGB 125 128 40

HSL 62.05, 0.52%, 0.33%

LAB 51.78, -12.91, 45.31

 

CMYK 69 / 2 / 0 / 50

HEX #287D80

RGB 40 125 128

HSL 182.05, 0.52%, 0.33%

LAB 47.85, -23.65, -9.03

 

CMYK 0 / 68 / 3 / 49

HEX #81297D

RGB 129 41 125

HSL 302.73, 0.52%, 0.33%

LAB 33.42, 48.16, -28.82

 

CMYK 0 / 52 / 69 / 50

HEX #803D28

RGB 128 61 40

HSL 14.32, 0.52%, 0.33%

LAB 34.15, 27.16, 26.13

 

CMYK 69 / 0 / 66 / 50

HEX #28802B

RGB 40 128 43

HSL 122.05, 0.52%, 0.33%

LAB 47.06, -43.65, 37.53

 

CMYK 69 / 16 / 0 / 50

HEX #286B80

RGB 40 107 128

HSL 194.32, 0.52%, 0.33%

LAB 42.04, -13.9, -17.84

 

CMYK 0 / 68 / 3 / 49

HEX #81297D

RGB 129 41 125

HSL 302.73, 0.52%, 0.33%

LAB 33.42, 48.16, -28.82

 

CMYK 0 / 32 / 69 / 50

HEX #805728

RGB 128 87 40

HSL 32.05, 0.52%, 0.33%

LAB 40.51, 12.01, 33.41

 

CMYK 69 / 0 / 66 / 50

HEX #28802B

RGB 40 128 43

HSL 122.05, 0.52%, 0.33%

LAB 47.06, -43.65, 37.53

 

CMYK 69 / 37 / 0 / 50

HEX #285180

RGB 40 81 128

HSL 212.05, 0.52%, 0.33%

LAB 33.76, 1.99, -30.74

 

Description

Color code: HEX #81297D | qconv.com Color code: HEX #81297D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 41 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 41 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 3 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 3% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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