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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #811B95 it is the complementary color #7EE46A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #811B95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #811B95 shade: #861B90, #972DA3, #A83FB6, #B951C9 and #CA63DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #811B95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #811B95 shade: #811B95, #700982, #5F006F, #4E005C and #3D0049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #811B95 shade: #831C97, #971C8A, #971C69, #971C47 and #971C26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #811B95 shade: #831C97, #611C97, #401C97, #1F1C97 and #1C1C97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #811B95 shade matches the following richer shades: #831C97 and #8C0DA5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #811B95 shade: #831C97, #792A88, #6F397A, #66476C and #5C555D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #811B95 shade: #411C97, #611C97, #821C97, #971C8B and #971C6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #811B95 shade: #460F51, #641574, #831C97, #A122BA and #BC2DD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #811B95 shade: #811B95, #97201C and #1C9751

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #811B95 shade: #811B95, #97821C and #1C9782

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #811B95 shade: #811B95, #97201C, #30971C and #1C9397

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #811B95 shade: #811B95, #97451C, #30971C and #1C6E97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 82 / 0 / 42

HEX #811B95

RGB 129 27 149

HSL 290.16, 0.69%, 0.35%

LAB 33.18, 57.43, -44.06

 

Complementary color

CMYK 45 / 0 / 54 / 11

HEX #7EE46A

RGB 126 228 106

HSL 110.16, 0.69%, 0.65%

LAB 82.36, -52.58, 49.87

 

CMYK 7 / 81 / 0 / 44

HEX #861B90

RGB 134 27 144

HSL 294.87, 0.68%, 0.34%

LAB 33.7, 57.51, -40.11

 

CMYK 7 / 72 / 0 / 36

HEX #972DA3

RGB 151 45 163

HSL 293.9, 0.57%, 0.41%

LAB 39.75, 58.63, -41.82

 

CMYK 8 / 65 / 0 / 29

HEX #A83FB6

RGB 168 63 182

HSL 292.94, 0.49%, 0.48%

LAB 45.98, 58.93, -43

 

CMYK 8 / 60 / 0 / 21

HEX #B951C9

RGB 185 81 201

HSL 292, 0.53%, 0.55%

LAB 52.3, 58.75, -43.83

 

CMYK 8 / 55 / 0 / 14

HEX #CA63DC

RGB 202 99 220

HSL 291.07, 0.63%, 0.63%

LAB 58.65, 58.29, -44.45

 

CMYK 13 / 82 / 0 / 42

HEX #811B95

RGB 129 27 149

HSL 290.16, 0.69%, 0.35%

LAB 33.18, 57.43, -44.06

 

CMYK 14 / 93 / 0 / 49

HEX #700982

RGB 112 9 130

HSL 291.07, 0.87%, 0.27%

LAB 27.44, 55, -41.68

 

CMYK 14 / 100 / 0 / 56

HEX #5F006F

RGB 95 0 111

HSL 291.35, 1%, 0.22%

LAB 22.23, 50.5, -38.13

 

CMYK 15 / 100 / 0 / 64

HEX #4E005C

RGB 78 0 92

HSL 290.87, 1%, 0.18%

LAB 17.42, 44.19, -33.56

 

CMYK 16 / 100 / 0 / 71

HEX #3D0049

RGB 61 0 73

HSL 290.14, 1%, 0.14%

LAB 12.44, 37.64, -28.83

 

CMYK 13 / 81 / 0 / 41

HEX #831C97

RGB 131 28 151

HSL 290.24, 0.69%, 0.35%

LAB 33.75, 57.9, -44.35

 

CMYK 0 / 81 / 9 / 41

HEX #971C8A

RGB 151 28 138

HSL 306.34, 0.69%, 0.35%

LAB 36.45, 59.79, -31.86

 

CMYK 0 / 81 / 30 / 41

HEX #971C69

RGB 151 28 105

HSL 322.44, 0.69%, 0.35%

LAB 34.86, 55.27, -13.64

 

CMYK 0 / 81 / 53 / 41

HEX #971C47

RGB 151 28 71

HSL 339.02, 0.69%, 0.35%

LAB 33.7, 51.8, 6.63

 

CMYK 0 / 81 / 75 / 41

HEX #971C26

RGB 151 28 38

HSL 355.12, 0.69%, 0.35%

LAB 33.03, 49.73, 27.1

 

CMYK 13 / 81 / 0 / 41

HEX #831C97

RGB 131 28 151

HSL 290.24, 0.69%, 0.35%

LAB 33.75, 57.9, -44.35

 

CMYK 36 / 81 / 0 / 41

HEX #611C97

RGB 97 28 151

HSL 273.66, 0.69%, 0.35%

LAB 28.4, 51.79, -53.28

 

CMYK 58 / 81 / 0 / 41

HEX #401C97

RGB 64 28 151

HSL 257.56, 0.69%, 0.35%

LAB 24.18, 47, -60.37

 

CMYK 79 / 81 / 0 / 41

HEX #1F1C97

RGB 31 28 151

HSL 241.46, 0.69%, 0.35%

LAB 21.42, 43.88, -65.02

 

CMYK 81 / 81 / 0 / 41

HEX #1C1C97

RGB 28 28 151

HSL 240, 0.69%, 0.35%

LAB 21.25, 43.69, -65.3

 

CMYK 13 / 81 / 0 / 41

HEX #831C97

RGB 131 28 151

HSL 290.24, 0.69%, 0.35%

LAB 33.75, 57.9, -44.35

 

CMYK 15 / 92 / 0 / 35

HEX #8C0DA5

RGB 140 13 165

HSL 290.13, 0.85%, 0.35%

LAB 35.16, 65.27, -50.49

 

CMYK 13 / 81 / 0 / 41

HEX #831C97

RGB 131 28 151

HSL 290.24, 0.69%, 0.35%

LAB 33.75, 57.9, -44.35

 

CMYK 11 / 69 / 0 / 47

HEX #792A88

RGB 121 42 136

HSL 290.43, 0.53%, 0.35%

LAB 32.92, 47.8, -36.55

 

CMYK 9 / 53 / 0 / 52

HEX #6F397A

RGB 111 57 122

HSL 289.85, 0.36%, 0.35%

LAB 33.37, 34.71, -27.21

 

CMYK 6 / 34 / 0 / 58

HEX #66476C

RGB 102 71 108

HSL 290.27, 0.21%, 0.35%

LAB 34.83, 20.35, -16.25

 

CMYK 1 / 9 / 0 / 64

HEX #5C555D

RGB 92 85 93

HSL 292.5, 0.04%, 0.35%

LAB 37.05, 4.51, -3.61

 

CMYK 57 / 81 / 0 / 41

HEX #411C97

RGB 65 28 151

HSL 258.05, 0.69%, 0.35%

LAB 24.29, 47.12, -60.18

 

CMYK 36 / 81 / 0 / 41

HEX #611C97

RGB 97 28 151

HSL 273.66, 0.69%, 0.35%

LAB 28.4, 51.79, -53.28

 

CMYK 14 / 81 / 0 / 41

HEX #821C97

RGB 130 28 151

HSL 289.76, 0.69%, 0.35%

LAB 33.59, 57.71, -44.63

 

CMYK 0 / 81 / 8 / 41

HEX #971C8B

RGB 151 28 139

HSL 305.85, 0.69%, 0.35%

LAB 36.51, 59.95, -32.39

 

CMYK 0 / 81 / 30 / 41

HEX #971C6A

RGB 151 28 106

HSL 321.95, 0.69%, 0.35%

LAB 34.9, 55.39, -14.22

 

CMYK 14 / 81 / 0 / 68

HEX #460F51

RGB 70 15 81

HSL 290, 0.69%, 0.19%

LAB 16.69, 35.61, -27.39

 

CMYK 14 / 82 / 0 / 55

HEX #641574

RGB 100 21 116

HSL 289.89, 0.69%, 0.27%

LAB 25.28, 47.2, -36.39

 

CMYK 13 / 81 / 0 / 41

HEX #831C97

RGB 131 28 151

HSL 290.24, 0.69%, 0.35%

LAB 33.75, 57.9, -44.35

 

CMYK 13 / 82 / 0 / 27

HEX #A122BA

RGB 161 34 186

HSL 290.13, 0.69%, 0.43%

LAB 41.64, 68.18, -52.36

 

CMYK 13 / 79 / 0 / 15

HEX #BC2DD8

RGB 188 45 216

HSL 290.18, 0.69%, 0.51%

LAB 48.92, 75.38, -57.81

 

CMYK 13 / 82 / 0 / 42

HEX #811B95

RGB 129 27 149

HSL 290.16, 0.69%, 0.35%

LAB 33.18, 57.43, -44.06

 

CMYK 0 / 79 / 81 / 41

HEX #97201C

RGB 151 32 28

HSL 1.95, 0.69%, 0.35%

LAB 33.34, 48.12, 33.44

 

CMYK 81 / 0 / 46 / 41

HEX #1C9751

RGB 28 151 81

HSL 145.85, 0.69%, 0.35%

LAB 55.05, -48.41, 27.87

 

CMYK 13 / 82 / 0 / 42

HEX #811B95

RGB 129 27 149

HSL 290.16, 0.69%, 0.35%

LAB 33.18, 57.43, -44.06

 

CMYK 0 / 14 / 81 / 41

HEX #97821C

RGB 151 130 28

HSL 49.76, 0.69%, 0.35%

LAB 54.69, -2.63, 53.44

 

CMYK 81 / 0 / 14 / 41

HEX #1C9782

RGB 28 151 130

HSL 169.76, 0.69%, 0.35%

LAB 56.08, -37.08, 1.92

 

CMYK 13 / 82 / 0 / 42

HEX #811B95

RGB 129 27 149

HSL 290.16, 0.69%, 0.35%

LAB 33.18, 57.43, -44.06

 

CMYK 0 / 79 / 81 / 41

HEX #97201C

RGB 151 32 28

HSL 1.95, 0.69%, 0.35%

LAB 33.34, 48.12, 33.44

 

CMYK 68 / 0 / 81 / 41

HEX #30971C

RGB 48 151 28

HSL 110.24, 0.69%, 0.35%

LAB 54.91, -51.42, 51.37

 

CMYK 81 / 3 / 0 / 41

HEX #1C9397

RGB 28 147 151

HSL 181.95, 0.69%, 0.35%

LAB 55.43, -28.97, -11.07

 

CMYK 13 / 82 / 0 / 42

HEX #811B95

RGB 129 27 149

HSL 290.16, 0.69%, 0.35%

LAB 33.18, 57.43, -44.06

 

CMYK 0 / 54 / 81 / 41

HEX #97451C

RGB 151 69 28

HSL 20, 0.69%, 0.35%

LAB 39.44, 31.82, 39.44

 

CMYK 68 / 0 / 81 / 41

HEX #30971C

RGB 48 151 28

HSL 110.24, 0.69%, 0.35%

LAB 54.91, -51.42, 51.37

 

CMYK 81 / 27 / 0 / 41

HEX #1C6E97

RGB 28 110 151

HSL 200, 0.69%, 0.35%

LAB 43.7, -9.03, -29.06

 

Description

Color code: HEX #811B95 | qconv.com Color code: HEX #811B95 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 27 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 27 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 82 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 82% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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