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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8114C9 it is the complementary color #7EEB36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8114C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8114C9 shade: #8614C4, #9726D7, #A838EA, #B94AFD and #CA5CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8114C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8114C9 shade: #8114C9, #7002B6, #5F00A3, #4E0090 and #3D007D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8114C9 shade: #8014C8, #B114C8, #C814AE, #C8147E and #C8144D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8114C9 shade: #8014C8, #5014C8, #1F14C8 and #1414C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8114C9 shade matches the following richer shades: #8014C8 and #8402D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8114C9 shade: #8014C8, #7C25B6, #7937A4, #754992 and #725B81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8114C9 shade: #2014C8, #5014C8, #8014C8, #B014C8 and #C814B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8114C9 shade: #500C7C, #6810A2, #8014C8, #971CE9 and #A842EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8114C9 shade: #8114C9, #C81438 and #14C838

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8114C9 shade: #8114C9, #C88014 and #14C880

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8114C9 shade: #8114C9, #C81438, #5CC814 and #14C8A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8114C9 shade: #8114C9, #C82614, #5CC814 and #14B6C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 90 / 0 / 21

HEX #8114C9

RGB 129 20 201

HSL 276.13, 0.82%, 0.43%

LAB 36.71, 69.41, -69.38

 

Complementary color

CMYK 46 / 0 / 77 / 8

HEX #7EEB36

RGB 126 235 54

HSL 96.13, 0.82%, 0.57%

LAB 84.03, -59.68, 71.97

 

CMYK 32 / 90 / 0 / 23

HEX #8614C4

RGB 134 20 196

HSL 278.86, 0.81%, 0.42%

LAB 37.03, 69.04, -65.91

 

CMYK 30 / 82 / 0 / 16

HEX #9726D7

RGB 151 38 215

HSL 278.31, 0.7%, 0.5%

LAB 42.57, 70.96, -67.78

 

CMYK 28 / 76 / 0 / 8

HEX #A838EA

RGB 168 56 234

HSL 277.75, 0.81%, 0.57%

LAB 48.38, 71.84, -69.05

 

CMYK 27 / 71 / 0 / 1

HEX #B94AFD

RGB 185 74 253

HSL 277.21, 0.98%, 0.64%

LAB 54.35, 72.05, -69.9

 

CMYK 21 / 64 / 0 / 0

HEX #CA5CFF

RGB 202 92 255

HSL 280.49, 1%, 0.68%

LAB 59.37, 68.35, -62.8

 

CMYK 36 / 90 / 0 / 21

HEX #8114C9

RGB 129 20 201

HSL 276.13, 0.82%, 0.43%

LAB 36.71, 69.41, -69.38

 

CMYK 38 / 99 / 0 / 29

HEX #7002B6

RGB 112 2 182

HSL 276.67, 0.98%, 0.36%

LAB 31.5, 66.35, -66.84

 

CMYK 42 / 100 / 0 / 36

HEX #5F00A3

RGB 95 0 163

HSL 274.97, 1%, 0.32%

LAB 26.95, 60.93, -62.99

 

CMYK 46 / 100 / 0 / 44

HEX #4E0090

RGB 78 0 144

HSL 272.5, 1%, 0.28%

LAB 22.42, 55.11, -58.87

 

CMYK 51 / 100 / 0 / 51

HEX #3D007D

RGB 61 0 125

HSL 269.28, 1%, 0.25%

LAB 17.8, 49.19, -54.63

 

CMYK 36 / 90 / 0 / 22

HEX #8014C8

RGB 128 20 200

HSL 276, 0.82%, 0.43%

LAB 36.48, 69.08, -69.18

 

CMYK 12 / 90 / 0 / 22

HEX #B114C8

RGB 177 20 200

HSL 292.33, 0.82%, 0.43%

LAB 44.26, 76.13, -56.19

 

CMYK 0 / 90 / 13 / 22

HEX #C814AE

RGB 200 20 174

HSL 308.67, 0.82%, 0.43%

LAB 46.76, 76.27, -36.72

 

CMYK 0 / 90 / 37 / 22

HEX #C8147E

RGB 200 20 126

HSL 324.67, 0.82%, 0.43%

LAB 44.64, 70.66, -11.05

 

CMYK 0 / 90 / 62 / 22

HEX #C8144D

RGB 200 20 77

HSL 341, 0.82%, 0.43%

LAB 43.23, 66.77, 17.49

 

CMYK 36 / 90 / 0 / 22

HEX #8014C8

RGB 128 20 200

HSL 276, 0.82%, 0.43%

LAB 36.48, 69.08, -69.18

 

CMYK 60 / 90 / 0 / 22

HEX #5014C8

RGB 80 20 200

HSL 260, 0.82%, 0.43%

LAB 30.34, 64.21, -79.51

 

CMYK 85 / 90 / 0 / 22

HEX #1F14C8

RGB 31 20 200

HSL 243.67, 0.82%, 0.43%

LAB 26.63, 61.69, -85.8

 

CMYK 90 / 90 / 0 / 22

HEX #1414C8

RGB 20 20 200

HSL 240, 0.82%, 0.43%

LAB 26.21, 61.44, -86.5

 

CMYK 36 / 90 / 0 / 22

HEX #8014C8

RGB 128 20 200

HSL 276, 0.82%, 0.43%

LAB 36.48, 69.08, -69.18

 

CMYK 39 / 99 / 0 / 15

HEX #8402D9

RGB 132 2 217

HSL 276.28, 0.98%, 0.43%

LAB 37.77, 75.52, -76.9

 

CMYK 36 / 90 / 0 / 22

HEX #8014C8

RGB 128 20 200

HSL 276, 0.82%, 0.43%

LAB 36.48, 69.08, -69.18

 

CMYK 32 / 80 / 0 / 29

HEX #7C25B6

RGB 124 37 182

HSL 276, 0.66%, 0.43%

LAB 35.96, 60.05, -59.47

 

CMYK 26 / 66 / 0 / 36

HEX #7937A4

RGB 121 55 164

HSL 276.33, 0.5%, 0.43%

LAB 36.89, 47.84, -47.25

 

CMYK 20 / 50 / 0 / 43

HEX #754992

RGB 117 73 146

HSL 276.16, 0.33%, 0.43%

LAB 38.94, 32.84, -33.16

 

CMYK 12 / 29 / 0 / 49

HEX #725B81

RGB 114 91 129

HSL 276.32, 0.17%, 0.43%

LAB 42.22, 17.08, -17.75

 

CMYK 84 / 90 / 0 / 22

HEX #2014C8

RGB 32 20 200

HSL 244, 0.82%, 0.43%

LAB 26.67, 61.72, -85.72

 

CMYK 60 / 90 / 0 / 22

HEX #5014C8

RGB 80 20 200

HSL 260, 0.82%, 0.43%

LAB 30.34, 64.21, -79.51

 

CMYK 36 / 90 / 0 / 22

HEX #8014C8

RGB 128 20 200

HSL 276, 0.82%, 0.43%

LAB 36.48, 69.08, -69.18

 

CMYK 12 / 90 / 0 / 22

HEX #B014C8

RGB 176 20 200

HSL 292, 0.82%, 0.43%

LAB 44.09, 75.97, -56.47

 

CMYK 0 / 90 / 12 / 22

HEX #C814B0

RGB 200 20 176

HSL 308, 0.82%, 0.43%

LAB 46.86, 76.54, -37.74

 

CMYK 35 / 90 / 0 / 51

HEX #500C7C

RGB 80 12 124

HSL 276.43, 0.82%, 0.27%

LAB 21.67, 48, -47.51

 

CMYK 36 / 90 / 0 / 36

HEX #6810A2

RGB 104 16 162

HSL 276.16, 0.82%, 0.35%

LAB 29.22, 58.8, -58.62

 

CMYK 36 / 90 / 0 / 22

HEX #8014C8

RGB 128 20 200

HSL 276, 0.82%, 0.43%

LAB 36.48, 69.08, -69.18

 

CMYK 35 / 88 / 0 / 9

HEX #971CE9

RGB 151 28 233

HSL 276, 0.82%, 0.51%

LAB 43.2, 77.06, -77.03

 

CMYK 29 / 72 / 0 / 7

HEX #A842EC

RGB 168 66 236

HSL 276, 0.82%, 0.59%

LAB 49.83, 68.51, -67.82

 

CMYK 36 / 90 / 0 / 21

HEX #8114C9

RGB 129 20 201

HSL 276.13, 0.82%, 0.43%

LAB 36.71, 69.41, -69.38

 

CMYK 0 / 90 / 72 / 22

HEX #C81438

RGB 200 20 56

HSL 348, 0.82%, 0.43%

LAB 42.86, 65.72, 30.07

 

CMYK 90 / 0 / 72 / 22

HEX #14C838

RGB 20 200 56

HSL 132, 0.82%, 0.43%

LAB 70.69, -68.29, 57.3

 

CMYK 36 / 90 / 0 / 21

HEX #8114C9

RGB 129 20 201

HSL 276.13, 0.82%, 0.43%

LAB 36.71, 69.41, -69.38

 

CMYK 0 / 36 / 90 / 22

HEX #C88014

RGB 200 128 20

HSL 36, 0.82%, 0.43%

LAB 59.68, 20.42, 62.1

 

CMYK 90 / 0 / 36 / 22

HEX #14C880

RGB 20 200 128

HSL 156, 0.82%, 0.43%

LAB 71.57, -57.77, 24.68

 

CMYK 36 / 90 / 0 / 21

HEX #8114C9

RGB 129 20 201

HSL 276.13, 0.82%, 0.43%

LAB 36.71, 69.41, -69.38

 

CMYK 0 / 90 / 72 / 22

HEX #C81438

RGB 200 20 56

HSL 348, 0.82%, 0.43%

LAB 42.86, 65.72, 30.07

 

CMYK 54 / 0 / 90 / 22

HEX #5CC814

RGB 92 200 20

HSL 96, 0.82%, 0.43%

LAB 71.98, -58.05, 68.79

 

CMYK 90 / 0 / 18 / 22

HEX #14C8A4

RGB 20 200 164

HSL 168, 0.82%, 0.43%

LAB 72.32, -49.42, 6.48

 

CMYK 36 / 90 / 0 / 21

HEX #8114C9

RGB 129 20 201

HSL 276.13, 0.82%, 0.43%

LAB 36.71, 69.41, -69.38

 

CMYK 0 / 81 / 90 / 22

HEX #C82614

RGB 200 38 20

HSL 6, 0.82%, 0.43%

LAB 43.82, 60.95, 50.28

 

CMYK 54 / 0 / 90 / 22

HEX #5CC814

RGB 92 200 20

HSL 96, 0.82%, 0.43%

LAB 71.98, -58.05, 68.79

 

CMYK 90 / 9 / 0 / 22

HEX #14B6C8

RGB 20 182 200

HSL 186, 0.82%, 0.43%

LAB 67.85, -30.97, -19.84

 

Description

Color code: HEX #8114C9 | qconv.com Color code: HEX #8114C9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 20 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 20 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 90 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 90% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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