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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81148B it is the complementary color #7EEB74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81148B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81148B shade: #861486, #972699, #A838AC, #B94ABF and #CA5CD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81148B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81148B shade: #81148B, #700278, #5F0065, #4E0052 and #3D003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81148B shade: #80148A, #8A1474, #8A1454, #8A1434 and #8A1414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81148B shade: #80148A, #60148A, #40148A, #20148A and #14148A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81148B shade matches the following richer shades: #80148A and #8B0797

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81148B shade: #80148A, #76217E, #6B2D71, #603A64 and #564757

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81148B shade: #3F148A, #5F148A, #7E148A, #8A1477 and #8A1457

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81148B shade: #3D0942, #5F0F66, #80148A, #A219AE and #C31ED3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81148B shade: #81148B, #8A2014 and #148A4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81148B shade: #81148B, #8A7E14 and #148A7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81148B shade: #81148B, #8A2014, #208A14 and #147E8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81148B shade: #81148B, #8A4314, #208A14 and #145B8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 86 / 0 / 45

HEX #81148B

RGB 129 20 139

HSL 294.96, 0.75%, 0.31%

LAB 31.88, 57.46, -40

 

Complementary color

CMYK 46 / 0 / 51 / 8

HEX #7EEB74

RGB 126 235 116

HSL 114.96, 0.75%, 0.69%

LAB 84.54, -54.16, 47.84

 

CMYK 0 / 85 / 0 / 47

HEX #861486

RGB 134 20 134

HSL 300, 0.74%, 0.3%

LAB 32.46, 57.59, -35.91

 

CMYK 1 / 75 / 0 / 40

HEX #972699

RGB 151 38 153

HSL 298.96, 0.6%, 0.37%

LAB 38.31, 59.29, -38.08

 

CMYK 2 / 67 / 0 / 33

HEX #A838AC

RGB 168 56 172

HSL 297.93, 0.51%, 0.45%

LAB 44.42, 59.96, -39.59

 

CMYK 3 / 61 / 0 / 25

HEX #B94ABF

RGB 185 74 191

HSL 296.92, 0.48%, 0.52%

LAB 50.66, 60.02, -40.67

 

CMYK 4 / 56 / 0 / 18

HEX #CA5CD2

RGB 202 92 210

HSL 295.93, 0.57%, 0.59%

LAB 56.94, 59.71, -41.49

 

CMYK 7 / 86 / 0 / 45

HEX #81148B

RGB 129 20 139

HSL 294.96, 0.75%, 0.31%

LAB 31.88, 57.46, -40

 

CMYK 7 / 98 / 0 / 53

HEX #700278

RGB 112 2 120

HSL 295.93, 0.97%, 0.24%

LAB 26.29, 54.51, -37.21

 

CMYK 6 / 100 / 0 / 60

HEX #5F0065

RGB 95 0 101

HSL 296.44, 1%, 0.2%

LAB 21.48, 48.72, -32.82

 

CMYK 5 / 100 / 0 / 68

HEX #4E0052

RGB 78 0 82

HSL 297.07, 1%, 0.16%

LAB 16.65, 42.35, -28.06

 

CMYK 3 / 100 / 0 / 75

HEX #3D003F

RGB 61 0 63

HSL 298.1, 1%, 0.12%

LAB 11.63, 35.74, -23.09

 

CMYK 7 / 86 / 0 / 46

HEX #80148A

RGB 128 20 138

HSL 294.92, 0.75%, 0.31%

LAB 31.63, 57.09, -39.78

 

CMYK 0 / 86 / 16 / 46

HEX #8A1474

RGB 138 20 116

HSL 311.19, 0.75%, 0.31%

LAB 32.18, 55.66, -24.99

 

CMYK 0 / 86 / 39 / 46

HEX #8A1454

RGB 138 20 84

HSL 327.46, 0.75%, 0.31%

LAB 30.74, 51.64, -6.53

 

CMYK 0 / 86 / 62 / 46

HEX #8A1434

RGB 138 20 52

HSL 343.73, 0.75%, 0.31%

LAB 29.79, 48.85, 13.38

 

CMYK 0 / 86 / 86 / 46

HEX #8A1414

RGB 138 20 20

HSL 0, 0.75%, 0.31%

LAB 29.3, 47.36, 33.11

 

CMYK 7 / 86 / 0 / 46

HEX #80148A

RGB 128 20 138

HSL 294.92, 0.75%, 0.31%

LAB 31.63, 57.09, -39.78

 

CMYK 30 / 86 / 0 / 46

HEX #60148A

RGB 96 20 138

HSL 278.64, 0.75%, 0.31%

LAB 26.22, 51.36, -48.79

 

CMYK 54 / 86 / 0 / 46

HEX #40148A

RGB 64 20 138

HSL 262.37, 0.75%, 0.31%

LAB 21.67, 46.72, -56.43

 

CMYK 77 / 86 / 0 / 46

HEX #20148A

RGB 32 20 138

HSL 246.1, 0.75%, 0.31%

LAB 18.55, 43.68, -61.69

 

CMYK 86 / 86 / 0 / 46

HEX #14148A

RGB 20 20 138

HSL 240, 0.75%, 0.31%

LAB 17.85, 43.02, -62.88

 

CMYK 7 / 86 / 0 / 46

HEX #80148A

RGB 128 20 138

HSL 294.92, 0.75%, 0.31%

LAB 31.63, 57.09, -39.78

 

CMYK 8 / 95 / 0 / 41

HEX #8B0797

RGB 139 7 151

HSL 295, 0.91%, 0.31%

LAB 33.72, 63.53, -44.33

 

CMYK 7 / 86 / 0 / 46

HEX #80148A

RGB 128 20 138

HSL 294.92, 0.75%, 0.31%

LAB 31.63, 57.09, -39.78

 

CMYK 6 / 74 / 0 / 51

HEX #76217E

RGB 118 33 126

HSL 294.84, 0.58%, 0.31%

LAB 30.51, 48.82, -34.18

 

CMYK 5 / 60 / 0 / 56

HEX #6B2D71

RGB 107 45 113

HSL 294.71, 0.43%, 0.31%

LAB 29.9, 38.06, -27.04

 

CMYK 4 / 42 / 0 / 61

HEX #603A64

RGB 96 58 100

HSL 294.29, 0.27%, 0.31%

LAB 30.48, 24.45, -17.95

 

CMYK 1 / 18 / 0 / 66

HEX #564757

RGB 86 71 87

HSL 296.25, 0.1%, 0.31%

LAB 32.2, 9.64, -7.1

 

CMYK 54 / 86 / 0 / 46

HEX #3F148A

RGB 63 20 138

HSL 261.86, 0.75%, 0.31%

LAB 21.55, 46.6, -56.63

 

CMYK 31 / 86 / 0 / 46

HEX #5F148A

RGB 95 20 138

HSL 278.14, 0.75%, 0.31%

LAB 26.06, 51.19, -49.06

 

CMYK 9 / 86 / 0 / 46

HEX #7E148A

RGB 126 20 138

HSL 293.9, 0.75%, 0.31%

LAB 31.28, 56.71, -40.37

 

CMYK 0 / 86 / 14 / 46

HEX #8A1477

RGB 138 20 119

HSL 309.66, 0.75%, 0.31%

LAB 32.34, 56.09, -26.65

 

CMYK 0 / 86 / 37 / 46

HEX #8A1457

RGB 138 20 87

HSL 325.93, 0.75%, 0.31%

LAB 30.86, 51.96, -8.33

 

CMYK 8 / 86 / 0 / 74

HEX #3D0942

RGB 61 9 66

HSL 294.74, 0.76%, 0.15%

LAB 13.11, 32.62, -22.83

 

CMYK 7 / 85 / 0 / 60

HEX #5F0F66

RGB 95 15 102

HSL 295.17, 0.74%, 0.23%

LAB 22.77, 45.31, -31.4

 

CMYK 7 / 86 / 0 / 46

HEX #80148A

RGB 128 20 138

HSL 294.92, 0.75%, 0.31%

LAB 31.63, 57.09, -39.78

 

CMYK 7 / 86 / 0 / 32

HEX #A219AE

RGB 162 25 174

HSL 295.17, 0.75%, 0.39%

LAB 40.3, 68.4, -47.41

 

CMYK 8 / 86 / 0 / 17

HEX #C31ED3

RGB 195 30 211

HSL 294.7, 0.75%, 0.47%

LAB 48.55, 79.2, -55.47

 

CMYK 7 / 86 / 0 / 45

HEX #81148B

RGB 129 20 139

HSL 294.96, 0.75%, 0.31%

LAB 31.88, 57.46, -40

 

CMYK 0 / 77 / 86 / 46

HEX #8A2014

RGB 138 32 20

HSL 6.1, 0.75%, 0.31%

LAB 30.61, 43.67, 34.33

 

CMYK 86 / 0 / 43 / 46

HEX #148A4F

RGB 20 138 79

HSL 150, 0.75%, 0.31%

LAB 50.56, -44.8, 23.11

 

CMYK 7 / 86 / 0 / 45

HEX #81148B

RGB 129 20 139

HSL 294.96, 0.75%, 0.31%

LAB 31.88, 57.46, -40

 

CMYK 0 / 9 / 86 / 46

HEX #8A7E14

RGB 138 126 20

HSL 53.9, 0.75%, 0.31%

LAB 52.26, -6.73, 53.25

 

CMYK 86 / 0 / 9 / 46

HEX #148A7E

RGB 20 138 126

HSL 173.9, 0.75%, 0.31%

LAB 51.65, -33.03, -2.26

 

CMYK 7 / 86 / 0 / 45

HEX #81148B

RGB 129 20 139

HSL 294.96, 0.75%, 0.31%

LAB 31.88, 57.46, -40

 

CMYK 0 / 77 / 86 / 46

HEX #8A2014

RGB 138 32 20

HSL 6.1, 0.75%, 0.31%

LAB 30.61, 43.67, 34.33

 

CMYK 77 / 0 / 86 / 46

HEX #208A14

RGB 32 138 20

HSL 113.9, 0.75%, 0.31%

LAB 50.14, -50.54, 49.12

 

CMYK 86 / 9 / 0 / 46

HEX #147E8A

RGB 20 126 138

HSL 186.1, 0.75%, 0.31%

LAB 48.14, -23.31, -14.53

 

CMYK 7 / 86 / 0 / 45

HEX #81148B

RGB 129 20 139

HSL 294.96, 0.75%, 0.31%

LAB 31.88, 57.46, -40

 

CMYK 0 / 51 / 86 / 46

HEX #8A4314

RGB 138 67 20

HSL 23.9, 0.75%, 0.31%

LAB 36.87, 27.15, 39.98

 

CMYK 77 / 0 / 86 / 46

HEX #208A14

RGB 32 138 20

HSL 113.9, 0.75%, 0.31%

LAB 50.14, -50.54, 49.12

 

CMYK 86 / 34 / 0 / 46

HEX #145B8A

RGB 20 91 138

HSL 203.9, 0.75%, 0.31%

LAB 36.87, -3.25, -32

 

Description

Color code: HEX #81148B | qconv.com Color code: HEX #81148B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 20 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 20 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 86 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 86% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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