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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80FA3B it is the complementary color #7F05C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80FA3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80FA3B shade: #85FA36, #96FF49, #A7FF5C, #B8FF6F and #C9FF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80FA3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80FA3B shade: #80FA3B, #6FE828, #5ED615, #4DC402 and #3CB200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80FA3B shade: #81FA3D, #B4FA3D, #E7FA3D, #FADA3D and #FAA73D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80FA3B shade: #81FA3D, #4EFA3D, #3DFA5F, #3DFA92 and #3DFAC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80FA3B shade matches the following richer shades: #81FA3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80FA3B shade: #81FA3D, #86EA4D, #8ADA5D, #8FCA6D and #93BA7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80FA3B shade: #E7FA3D, #B5FA3D, #82FA3D, #50FA3D and #3DFA5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80FA3B shade: #54DF06, #67F915, #81FA3D, #9BFB65 and #B5FC8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80FA3B shade: #80FA3B, #3DFADB and #FA3DCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80FA3B shade: #80FA3B, #3D82FA and #FA3D82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80FA3B shade: #80FA3B, #3DFADB, #B53DFA and #FA3D5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80FA3B shade: #80FA3B, #3DE1FA, #B53DFA and #FA563D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 76 / 2

HEX #80FA3B

RGB 128 250 59

HSL 98.32, 0.95%, 0.61%

LAB 88.58, -64.34, 74.84

 

Complementary color

CMYK 35 / 97 / 0 / 23

HEX #7F05C4

RGB 127 5 196

HSL 278.32, 0.95%, 0.39%

LAB 35.21, 70.42, -68.92

 

CMYK 47 / 0 / 78 / 2

HEX #85FA36

RGB 133 250 54

HSL 95.82, 0.95%, 0.6%

LAB 88.74, -63.17, 76.49

 

CMYK 41 / 0 / 71 / 0

HEX #96FF49

RGB 150 255 73

HSL 94.62, 1%, 0.64%

LAB 91, -58.82, 73.03

 

CMYK 35 / 0 / 64 / 0

HEX #A7FF5C

RGB 167 255 92

HSL 92.39, 1%, 0.68%

LAB 91.91, -51.98, 67.22

 

CMYK 28 / 0 / 56 / 0

HEX #B8FF6F

RGB 184 255 111

HSL 89.58, 1%, 0.72%

LAB 92.95, -44.56, 60.73

 

CMYK 21 / 0 / 49 / 0

HEX #C9FF82

RGB 201 255 130

HSL 85.92, 1%, 0.75%

LAB 94.12, -36.69, 53.82

 

CMYK 49 / 0 / 76 / 2

HEX #80FA3B

RGB 128 250 59

HSL 98.32, 0.95%, 0.61%

LAB 88.58, -64.34, 74.84

 

CMYK 52 / 0 / 83 / 9

HEX #6FE828

RGB 111 232 40

HSL 97.81, 0.81%, 0.53%

LAB 82.51, -63.54, 74.11

 

CMYK 56 / 0 / 90 / 16

HEX #5ED615

RGB 94 214 21

HSL 97.31, 0.82%, 0.46%

LAB 76.39, -62.42, 72.35

 

CMYK 61 / 0 / 99 / 23

HEX #4DC402

RGB 77 196 2

HSL 96.8, 0.98%, 0.39%

LAB 70.22, -60.91, 69.38

 

CMYK 66 / 0 / 100 / 30

HEX #3CB200

RGB 60 178 0

HSL 99.78, 1%, 0.35%

LAB 64, -58.85, 64.48

 

CMYK 48 / 0 / 76 / 2

HEX #81FA3D

RGB 129 250 61

HSL 98.41, 0.95%, 0.61%

LAB 88.63, -63.95, 74.29

 

CMYK 28 / 0 / 76 / 2

HEX #B4FA3D

RGB 180 250 61

HSL 82.22, 0.95%, 0.61%

LAB 90.97, -47.33, 77.34

 

CMYK 8 / 0 / 76 / 2

HEX #E7FA3D

RGB 231 250 61

HSL 66.03, 0.95%, 0.61%

LAB 94.18, -27.77, 81.49

 

CMYK 0 / 13 / 76 / 2

HEX #FADA3D

RGB 250 218 61

HSL 49.84, 0.95%, 0.61%

LAB 87.39, -4.37, 75.8

 

CMYK 0 / 33 / 76 / 2

HEX #FAA73D

RGB 250 167 61

HSL 33.65, 0.95%, 0.61%

LAB 75.01, 22.04, 64.09

 

CMYK 48 / 0 / 76 / 2

HEX #81FA3D

RGB 129 250 61

HSL 98.41, 0.95%, 0.61%

LAB 88.63, -63.95, 74.29

 

CMYK 69 / 0 / 76 / 2

HEX #4EFA3D

RGB 78 250 61

HSL 114.6, 0.95%, 0.61%

LAB 87.16, -75.75, 72.37

 

CMYK 76 / 0 / 62 / 2

HEX #3DFA5F

RGB 61 250 95

HSL 130.79, 0.95%, 0.61%

LAB 87.09, -75.44, 59.74

 

CMYK 76 / 0 / 42 / 2

HEX #3DFA92

RGB 61 250 146

HSL 146.98, 0.95%, 0.61%

LAB 87.7, -68.27, 36.99

 

CMYK 76 / 0 / 21 / 2

HEX #3DFAC5

RGB 61 250 197

HSL 163.17, 0.95%, 0.61%

LAB 88.64, -57.92, 12.39

 

CMYK 48 / 0 / 76 / 2

HEX #81FA3D

RGB 129 250 61

HSL 98.41, 0.95%, 0.61%

LAB 88.63, -63.95, 74.29

 

CMYK 48 / 0 / 76 / 2

HEX #81FA3D

RGB 129 250 61

HSL 98.41, 0.95%, 0.61%

LAB 88.63, -63.95, 74.29

 

CMYK 43 / 0 / 67 / 8

HEX #86EA4D

RGB 134 234 77

HSL 98.22, 0.79%, 0.61%

LAB 84.2, -55.35, 64.39

 

CMYK 37 / 0 / 57 / 15

HEX #8ADA5D

RGB 138 218 93

HSL 98.4, 0.63%, 0.61%

LAB 79.8, -46.14, 52.93

 

CMYK 29 / 0 / 46 / 21

HEX #8FCA6D

RGB 143 202 109

HSL 98.06, 0.47%, 0.61%

LAB 75.57, -35.59, 40.33

 

CMYK 21 / 0 / 33 / 27

HEX #93BA7D

RGB 147 186 125

HSL 98.36, 0.31%, 0.61%

LAB 71.42, -24.35, 26.79

 

CMYK 8 / 0 / 76 / 2

HEX #E7FA3D

RGB 231 250 61

HSL 66.03, 0.95%, 0.61%

LAB 94.18, -27.77, 81.49

 

CMYK 28 / 0 / 76 / 2

HEX #B5FA3D

RGB 181 250 61

HSL 81.9, 0.95%, 0.61%

LAB 91.02, -46.97, 77.42

 

CMYK 48 / 0 / 76 / 2

HEX #82FA3D

RGB 130 250 61

HSL 98.1, 0.95%, 0.61%

LAB 88.66, -63.66, 74.34

 

CMYK 68 / 0 / 76 / 2

HEX #50FA3D

RGB 80 250 61

HSL 113.97, 0.95%, 0.61%

LAB 87.2, -75.4, 72.42

 

CMYK 76 / 0 / 63 / 2

HEX #3DFA5D

RGB 61 250 93

HSL 130.16, 0.95%, 0.61%

LAB 87.07, -75.66, 60.55

 

CMYK 62 / 0 / 97 / 13

HEX #54DF06

RGB 84 223 6

HSL 98.43, 0.95%, 0.45%

LAB 78.85, -68.13, 75.97

 

CMYK 59 / 0 / 92 / 2

HEX #67F915

RGB 103 249 21

HSL 98.42, 0.95%, 0.53%

LAB 87.33, -71.95, 81.57

 

CMYK 48 / 0 / 76 / 2

HEX #81FA3D

RGB 129 250 61

HSL 98.41, 0.95%, 0.61%

LAB 88.63, -63.95, 74.29

 

CMYK 38 / 0 / 60 / 2

HEX #9BFB65

RGB 155 251 101

HSL 98.4, 0.95%, 0.69%

LAB 90.28, -53.49, 61.59

 

CMYK 28 / 0 / 44 / 1

HEX #B5FC8E

RGB 181 252 142

HSL 98.73, 0.95%, 0.77%

LAB 92.31, -40.93, 45.67

 

CMYK 49 / 0 / 76 / 2

HEX #80FA3B

RGB 128 250 59

HSL 98.32, 0.95%, 0.61%

LAB 88.58, -64.34, 74.84

 

CMYK 76 / 0 / 12 / 2

HEX #3DFADB

RGB 61 250 219

HSL 170.16, 0.95%, 0.61%

LAB 89.15, -52.59, 1.71

 

CMYK 0 / 76 / 18 / 2

HEX #FA3DCE

RGB 250 61 206

HSL 313.97, 0.95%, 0.61%

LAB 59.99, 81.99, -33.91

 

CMYK 49 / 0 / 76 / 2

HEX #80FA3B

RGB 128 250 59

HSL 98.32, 0.95%, 0.61%

LAB 88.58, -64.34, 74.84

 

CMYK 76 / 48 / 0 / 2

HEX #3D82FA

RGB 61 130 250

HSL 218.1, 0.95%, 0.61%

LAB 55.95, 19.23, -66.13

 

CMYK 0 / 76 / 48 / 2

HEX #FA3D82

RGB 250 61 130

HSL 338.1, 0.95%, 0.61%

LAB 57.34, 73.93, 6.28

 

CMYK 49 / 0 / 76 / 2

HEX #80FA3B

RGB 128 250 59

HSL 98.32, 0.95%, 0.61%

LAB 88.58, -64.34, 74.84

 

CMYK 76 / 0 / 12 / 2

HEX #3DFADB

RGB 61 250 219

HSL 170.16, 0.95%, 0.61%

LAB 89.15, -52.59, 1.71

 

CMYK 28 / 76 / 0 / 2

HEX #B53DFA

RGB 181 61 250

HSL 278.1, 0.95%, 0.61%

LAB 51.91, 75.57, -72.21

 

CMYK 0 / 76 / 63 / 2

HEX #FA3D5D

RGB 250 61 93

HSL 349.84, 0.95%, 0.61%

LAB 56.54, 71.38, 27.08

 

CMYK 49 / 0 / 76 / 2

HEX #80FA3B

RGB 128 250 59

HSL 98.32, 0.95%, 0.61%

LAB 88.58, -64.34, 74.84

 

CMYK 76 / 10 / 0 / 2

HEX #3DE1FA

RGB 61 225 250

HSL 187.94, 0.95%, 0.61%

LAB 82.78, -32.9, -24.06

 

CMYK 28 / 76 / 0 / 2

HEX #B53DFA

RGB 181 61 250

HSL 278.1, 0.95%, 0.61%

LAB 51.91, 75.57, -72.21

 

CMYK 0 / 66 / 76 / 2

HEX #FA563D

RGB 250 86 61

HSL 7.94, 0.95%, 0.61%

LAB 59.27, 61.17, 48.19

 

Description

Color code: HEX #80FA3B | qconv.com Color code: HEX #80FA3B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 250 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 250 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 76 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 76% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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