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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80F5E9 it is the complementary color #7F0A16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80F5E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80F5E9 shade: #85F5E4, #96FFF7, #A7FFFF, #B8FFFF and #C9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80F5E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80F5E9 shade: #80F5E9, #6FE3D6, #5ED1C3, #4DBFB0 and #3CAD9D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80F5E9 shade: #7FF4E8, #7FF4C9, #7FF4A9, #7FF489 and #94F47F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80F5E9 shade: #7FF4E8, #7FE1F4, #7FC1F4, #7FA1F4 and #7F82F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80F5E9 shade matches the following richer shades: #7FF4E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80F5E9 shade: #7FF4E8, #8AE9DF, #95DED6, #A1D3CE and #ACC8C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80F5E9 shade: #7FF4A8, #7FF4C7, #7FF4E7, #7FE3F4 and #7FC3F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80F5E9 shade: #33EEDB, #59F1E1, #7FF4E8, #A5F7EF and #CBFAF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80F5E9 shade: #80F5E9, #897FF4 and #F4B87F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80F5E9 shade: #80F5E9, #E77FF4 and #F4E77F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80F5E9 shade: #80F5E9, #897FF4, #F47F8D and #EAF47F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80F5E9 shade: #80F5E9, #AC7FF4, #F47F8D and #C7F47F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 5 / 4

HEX #80F5E9

RGB 128 245 233

HSL 173.85, 0.85%, 0.73%

LAB 89.76, -36.02, -4.49

 

Complementary color

CMYK 0 / 92 / 83 / 50

HEX #7F0A16

RGB 127 10 22

HSL 353.85, 0.85%, 0.27%

LAB 26.12, 46.4, 28.01

 

CMYK 46 / 0 / 7 / 4

HEX #85F5E4

RGB 133 245 228

HSL 170.89, 0.85%, 0.74%

LAB 89.81, -36.09, -1.78

 

CMYK 41 / 0 / 3 / 0

HEX #96FFF7

RGB 150 255 247

HSL 175.43, 1%, 0.79%

LAB 93.76, -32.31, -5.75

 

CMYK 35 / 0 / 0 / 0

HEX #A7FFFF

RGB 167 255 255

HSL 180, 1%, 0.83%

LAB 94.72, -26.25, -8.39

 

CMYK 28 / 0 / 0 / 0

HEX #B8FFFF

RGB 184 255 255

HSL 180, 1%, 0.86%

LAB 95.55, -21.73, -7.06

 

CMYK 21 / 0 / 0 / 0

HEX #C9FFFF

RGB 201 255 255

HSL 180, 1%, 0.89%

LAB 96.47, -16.89, -5.6

 

CMYK 48 / 0 / 5 / 4

HEX #80F5E9

RGB 128 245 233

HSL 173.85, 0.85%, 0.73%

LAB 89.76, -36.02, -4.49

 

CMYK 51 / 0 / 6 / 11

HEX #6FE3D6

RGB 111 227 214

HSL 173.28, 0.67%, 0.66%

LAB 83.53, -36, -3.74

 

CMYK 55 / 0 / 7 / 18

HEX #5ED1C3

RGB 94 209 195

HSL 172.7, 0.56%, 0.59%

LAB 77.23, -35.91, -2.94

 

CMYK 60 / 0 / 8 / 25

HEX #4DBFB0

RGB 77 191 176

HSL 172.11, 0.47%, 0.53%

LAB 70.85, -35.73, -2.07

 

CMYK 65 / 0 / 9 / 32

HEX #3CAD9D

RGB 60 173 157

HSL 171.5, 0.48%, 0.46%

LAB 64.39, -35.41, -1.11

 

CMYK 48 / 0 / 5 / 4

HEX #7FF4E8

RGB 127 244 232

HSL 173.85, 0.84%, 0.73%

LAB 89.41, -36.02, -4.48

 

CMYK 48 / 0 / 18 / 4

HEX #7FF4C9

RGB 127 244 201

HSL 157.95, 0.84%, 0.73%

LAB 88.65, -43.08, 10.57

 

CMYK 48 / 0 / 31 / 4

HEX #7FF4A9

RGB 127 244 169

HSL 141.54, 0.84%, 0.73%

LAB 88.01, -49.4, 26.16

 

CMYK 48 / 0 / 44 / 4

HEX #7FF489

RGB 127 244 137

HSL 125.13, 0.84%, 0.73%

LAB 87.49, -54.62, 41.47

 

CMYK 39 / 0 / 48 / 4

HEX #94F47F

RGB 148 244 127

HSL 109.23, 0.84%, 0.73%

LAB 88.22, -49.98, 47.38

 

CMYK 48 / 0 / 5 / 4

HEX #7FF4E8

RGB 127 244 232

HSL 173.85, 0.84%, 0.73%

LAB 89.41, -36.02, -4.48

 

CMYK 48 / 8 / 0 / 4

HEX #7FE1F4

RGB 127 225 244

HSL 189.74, 0.84%, 0.73%

LAB 84.43, -23.93, -18.21

 

CMYK 48 / 21 / 0 / 4

HEX #7FC1F4

RGB 127 193 244

HSL 206.15, 0.84%, 0.73%

LAB 75.57, -7.45, -31.72

 

CMYK 48 / 34 / 0 / 4

HEX #7FA1F4

RGB 127 161 244

HSL 222.56, 0.84%, 0.73%

LAB 66.93, 10.34, -45.17

 

CMYK 48 / 47 / 0 / 4

HEX #7F82F4

RGB 127 130 244

HSL 238.46, 0.84%, 0.73%

LAB 58.98, 28.45, -57.76

 

CMYK 48 / 0 / 5 / 4

HEX #7FF4E8

RGB 127 244 232

HSL 173.85, 0.84%, 0.73%

LAB 89.41, -36.02, -4.48

 

CMYK 48 / 0 / 5 / 4

HEX #7FF4E8

RGB 127 244 232

HSL 173.85, 0.84%, 0.73%

LAB 89.41, -36.02, -4.48

 

CMYK 41 / 0 / 4 / 9

HEX #8AE9DF

RGB 138 233 223

HSL 173.68, 0.68%, 0.73%

LAB 86.51, -30.46, -3.99

 

CMYK 33 / 0 / 4 / 13

HEX #95DED6

RGB 149 222 214

HSL 173.42, 0.53%, 0.73%

LAB 83.7, -24.36, -3.31

 

CMYK 24 / 0 / 2 / 17

HEX #A1D3CE

RGB 161 211 206

HSL 174, 0.36%, 0.73%

LAB 81.08, -17.18, -2.83

 

CMYK 14 / 0 / 1 / 22

HEX #ACC8C5

RGB 172 200 197

HSL 173.57, 0.2%, 0.73%

LAB 78.53, -9.97, -1.67

 

CMYK 48 / 0 / 31 / 4

HEX #7FF4A8

RGB 127 244 168

HSL 141.03, 0.84%, 0.73%

LAB 87.99, -49.58, 26.64

 

CMYK 48 / 0 / 18 / 4

HEX #7FF4C7

RGB 127 244 199

HSL 156.92, 0.84%, 0.73%

LAB 88.61, -43.51, 11.54

 

CMYK 48 / 0 / 5 / 4

HEX #7FF4E7

RGB 127 244 231

HSL 173.33, 0.84%, 0.73%

LAB 89.38, -36.26, -3.99

 

CMYK 48 / 7 / 0 / 4

HEX #7FE3F4

RGB 127 227 244

HSL 188.72, 0.84%, 0.73%

LAB 84.99, -24.91, -17.37

 

CMYK 48 / 20 / 0 / 4

HEX #7FC3F4

RGB 127 195 244

HSL 205.13, 0.84%, 0.73%

LAB 76.11, -8.52, -30.88

 

CMYK 79 / 0 / 8 / 7

HEX #33EEDB

RGB 51 238 219

HSL 173.9, 0.85%, 0.57%

LAB 85.49, -48.54, -3.66

 

CMYK 63 / 0 / 7 / 5

HEX #59F1E1

RGB 89 241 225

HSL 173.68, 0.84%, 0.65%

LAB 87.23, -43.58, -4.17

 

CMYK 48 / 0 / 5 / 4

HEX #7FF4E8

RGB 127 244 232

HSL 173.85, 0.84%, 0.73%

LAB 89.41, -36.02, -4.48

 

CMYK 33 / 0 / 3 / 3

HEX #A5F7EF

RGB 165 247 239

HSL 174.15, 0.84%, 0.81%

LAB 92.02, -26.55, -4.1

 

CMYK 19 / 0 / 2 / 2

HEX #CBFAF6

RGB 203 250 246

HSL 174.89, 0.82%, 0.89%

LAB 95.04, -15.68, -3.05

 

CMYK 48 / 0 / 5 / 4

HEX #80F5E9

RGB 128 245 233

HSL 173.85, 0.85%, 0.73%

LAB 89.76, -36.02, -4.49

 

CMYK 44 / 48 / 0 / 4

HEX #897FF4

RGB 137 127 244

HSL 245.13, 0.84%, 0.73%

LAB 59, 32.47, -57.69

 

CMYK 0 / 25 / 48 / 4

HEX #F4B87F

RGB 244 184 127

HSL 29.23, 0.84%, 0.73%

LAB 79.07, 15, 37.29

 

CMYK 48 / 0 / 5 / 4

HEX #80F5E9

RGB 128 245 233

HSL 173.85, 0.85%, 0.73%

LAB 89.76, -36.02, -4.49

 

CMYK 5 / 48 / 0 / 4

HEX #E77FF4

RGB 231 127 244

HSL 293.33, 0.84%, 0.73%

LAB 68.53, 56.97, -41.99

 

CMYK 0 / 5 / 48 / 4

HEX #F4E77F

RGB 244 231 127

HSL 53.33, 0.84%, 0.73%

LAB 90.74, -9.18, 51.84

 

CMYK 48 / 0 / 5 / 4

HEX #80F5E9

RGB 128 245 233

HSL 173.85, 0.85%, 0.73%

LAB 89.76, -36.02, -4.49

 

CMYK 44 / 48 / 0 / 4

HEX #897FF4

RGB 137 127 244

HSL 245.13, 0.84%, 0.73%

LAB 59, 32.47, -57.69

 

CMYK 0 / 48 / 42 / 4

HEX #F47F8D

RGB 244 127 141

HSL 352.82, 0.84%, 0.73%

LAB 66.78, 46.04, 13.17

 

CMYK 4 / 0 / 48 / 4

HEX #EAF47F

RGB 234 244 127

HSL 65.13, 0.84%, 0.73%

LAB 93.33, -19.48, 54.78

 

CMYK 48 / 0 / 5 / 4

HEX #80F5E9

RGB 128 245 233

HSL 173.85, 0.85%, 0.73%

LAB 89.76, -36.02, -4.49

 

CMYK 30 / 48 / 0 / 4

HEX #AC7FF4

RGB 172 127 244

HSL 263.08, 0.84%, 0.73%

LAB 62.07, 41.09, -52.62

 

CMYK 0 / 48 / 42 / 4

HEX #F47F8D

RGB 244 127 141

HSL 352.82, 0.84%, 0.73%

LAB 66.78, 46.04, 13.17

 

CMYK 18 / 0 / 48 / 4

HEX #C7F47F

RGB 199 244 127

HSL 83.08, 0.84%, 0.73%

LAB 90.95, -32.71, 51.35

 

Description

Color code: HEX #80F5E9 | qconv.com Color code: HEX #80F5E9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 245 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 245 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 5 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 5% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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