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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80F59C it is the complementary color #7F0A63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80F59C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80F59C shade: #85F597, #96FFAA, #A7FFBD, #B8FFD0 and #C9FFE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80F59C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80F59C shade: #80F59C, #6FE389, #5ED176, #4DBF63 and #3CAD50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80F59C shade: #80F59C, #83F580, #A3F580, #C2F580 and #E2F580

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80F59C shade: #80F59C, #80F5BB, #80F5DB, #80EFF5 and #80CFF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80F59C shade matches the following richer shades: #80F59C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80F59C shade: #80F59C, #8BEAA1, #96DEA7, #A1D3AD and #ACC8B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80F59C shade: #A3F580, #84F580, #80F59B, #80F5BA and #80F5D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80F59C shade: #33EE60, #59F27E, #80F59C, #A6F8B9 and #CCFBD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80F59C shade: #80F59C, #80C2F5 and #F58093

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80F59C shade: #80F59C, #9B80F5 and #F59B80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80F59C shade: #80F59C, #80C2F5, #F580D9 and #F5B280

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80F59C shade: #80F59C, #809FF5, #F580D9 and #F5D580

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 36 / 4

HEX #80F59C

RGB 128 245 156

HSL 134.36, 0.85%, 0.73%

LAB 88.11, -51.81, 32.88

 

Complementary color

CMYK 0 / 92 / 22 / 50

HEX #7F0A63

RGB 127 10 99

HSL 314.36, 0.85%, 0.27%

LAB 28.46, 52.86, -20.04

 

CMYK 46 / 0 / 38 / 4

HEX #85F597

RGB 133 245 151

HSL 129.64, 0.85%, 0.74%

LAB 88.22, -51.3, 35.56

 

CMYK 41 / 0 / 33 / 0

HEX #96FFAA

RGB 150 255 170

HSL 131.43, 1%, 0.79%

LAB 92.09, -47.76, 31.33

 

CMYK 35 / 0 / 26 / 0

HEX #A7FFBD

RGB 167 255 189

HSL 135, 1%, 0.83%

LAB 93.19, -39.65, 23.36

 

CMYK 28 / 0 / 18 / 0

HEX #B8FFD0

RGB 184 255 208

HSL 140.28, 1%, 0.86%

LAB 94.43, -31.18, 15.5

 

CMYK 21 / 0 / 11 / 0

HEX #C9FFE3

RGB 201 255 227

HSL 148.89, 1%, 0.89%

LAB 95.78, -22.44, 7.81

 

CMYK 48 / 0 / 36 / 4

HEX #80F59C

RGB 128 245 156

HSL 134.36, 0.85%, 0.73%

LAB 88.11, -51.81, 32.88

 

CMYK 51 / 0 / 40 / 11

HEX #6FE389

RGB 111 227 137

HSL 133.45, 0.67%, 0.66%

LAB 81.91, -51.93, 34.13

 

CMYK 55 / 0 / 44 / 18

HEX #5ED176

RGB 94 209 118

HSL 132.52, 0.56%, 0.59%

LAB 75.63, -51.95, 35.46

 

CMYK 60 / 0 / 48 / 25

HEX #4DBF63

RGB 77 191 99

HSL 131.58, 0.47%, 0.53%

LAB 69.28, -51.82, 36.84

 

CMYK 65 / 0 / 54 / 32

HEX #3CAD50

RGB 60 173 80

HSL 130.62, 0.48%, 0.46%

LAB 62.87, -51.46, 38.28

 

CMYK 48 / 0 / 36 / 4

HEX #80F59C

RGB 128 245 156

HSL 134.36, 0.85%, 0.73%

LAB 88.11, -51.81, 32.88

 

CMYK 47 / 0 / 48 / 4

HEX #83F580

RGB 131 245 128

HSL 118.46, 0.85%, 0.73%

LAB 87.82, -55.19, 46.25

 

CMYK 33 / 0 / 48 / 4

HEX #A3F580

RGB 163 245 128

HSL 102.05, 0.85%, 0.73%

LAB 89.23, -45.55, 48.31

 

CMYK 21 / 0 / 48 / 4

HEX #C2F580

RGB 194 245 128

HSL 86.15, 0.85%, 0.73%

LAB 90.93, -34.88, 50.78

 

CMYK 8 / 0 / 48 / 4

HEX #E2F580

RGB 226 245 128

HSL 69.74, 0.85%, 0.73%

LAB 93.03, -22.95, 53.81

 

CMYK 48 / 0 / 36 / 4

HEX #80F59C

RGB 128 245 156

HSL 134.36, 0.85%, 0.73%

LAB 88.11, -51.81, 32.88

 

CMYK 48 / 0 / 24 / 4

HEX #80F5BB

RGB 128 245 187

HSL 150.26, 0.85%, 0.73%

LAB 88.68, -46.16, 17.86

 

CMYK 48 / 0 / 11 / 4

HEX #80F5DB

RGB 128 245 219

HSL 166.67, 0.85%, 0.73%

LAB 89.4, -39.31, 2.28

 

CMYK 48 / 2 / 0 / 4

HEX #80EFF5

RGB 128 239 245

HSL 183.08, 0.85%, 0.73%

LAB 88.41, -30.24, -12.76

 

CMYK 48 / 16 / 0 / 4

HEX #80CFF5

RGB 128 207 245

HSL 199.49, 0.85%, 0.73%

LAB 79.5, -14.32, -26.21

 

CMYK 48 / 0 / 36 / 4

HEX #80F59C

RGB 128 245 156

HSL 134.36, 0.85%, 0.73%

LAB 88.11, -51.81, 32.88

 

CMYK 48 / 0 / 36 / 4

HEX #80F59C

RGB 128 245 156

HSL 134.36, 0.85%, 0.73%

LAB 88.11, -51.81, 32.88

 

CMYK 41 / 0 / 31 / 8

HEX #8BEAA1

RGB 139 234 161

HSL 133.89, 0.69%, 0.73%

LAB 85.46, -43.33, 26.86

 

CMYK 32 / 0 / 25 / 13

HEX #96DEA7

RGB 150 222 167

HSL 134.17, 0.52%, 0.73%

LAB 82.66, -33.61, 20

 

CMYK 24 / 0 / 18 / 17

HEX #A1D3AD

RGB 161 211 173

HSL 134.4, 0.36%, 0.73%

LAB 80.28, -23.77, 13.61

 

CMYK 14 / 0 / 11 / 22

HEX #ACC8B3

RGB 172 200 179

HSL 135, 0.2%, 0.73%

LAB 78.07, -13.48, 7.35

 

CMYK 33 / 0 / 48 / 4

HEX #A3F580

RGB 163 245 128

HSL 102.05, 0.85%, 0.73%

LAB 89.23, -45.55, 48.31

 

CMYK 46 / 0 / 48 / 4

HEX #84F580

RGB 132 245 128

HSL 117.95, 0.85%, 0.73%

LAB 87.86, -54.91, 46.3

 

CMYK 48 / 0 / 37 / 4

HEX #80F59B

RGB 128 245 155

HSL 133.85, 0.85%, 0.73%

LAB 88.09, -51.98, 33.36

 

CMYK 48 / 0 / 24 / 4

HEX #80F5BA

RGB 128 245 186

HSL 149.74, 0.85%, 0.73%

LAB 88.66, -46.36, 18.34

 

CMYK 48 / 0 / 11 / 4

HEX #80F5D9

RGB 128 245 217

HSL 165.64, 0.85%, 0.73%

LAB 89.35, -39.77, 3.25

 

CMYK 79 / 0 / 60 / 7

HEX #33EE60

RGB 51 238 96

HSL 134.44, 0.85%, 0.57%

LAB 83.28, -72.83, 54.94

 

CMYK 63 / 0 / 48 / 5

HEX #59F27E

RGB 89 242 126

HSL 134.51, 0.85%, 0.65%

LAB 85.57, -64.25, 44.11

 

CMYK 48 / 0 / 36 / 4

HEX #80F59C

RGB 128 245 156

HSL 134.36, 0.85%, 0.73%

LAB 88.11, -51.81, 32.88

 

CMYK 33 / 0 / 25 / 3

HEX #A6F8B9

RGB 166 248 185

HSL 133.9, 0.85%, 0.81%

LAB 91.12, -37.5, 22.53

 

CMYK 19 / 0 / 14 / 2

HEX #CCFBD7

RGB 204 251 215

HSL 134.04, 0.85%, 0.89%

LAB 94.63, -21.76, 12.35

 

CMYK 48 / 0 / 36 / 4

HEX #80F59C

RGB 128 245 156

HSL 134.36, 0.85%, 0.73%

LAB 88.11, -51.81, 32.88

 

CMYK 48 / 21 / 0 / 4

HEX #80C2F5

RGB 128 194 245

HSL 206.15, 0.85%, 0.73%

LAB 75.93, -7.47, -31.7

 

CMYK 0 / 48 / 40 / 4

HEX #F58093

RGB 245 128 147

HSL 350.26, 0.85%, 0.73%

LAB 67.25, 46.53, 10.46

 

CMYK 48 / 0 / 36 / 4

HEX #80F59C

RGB 128 245 156

HSL 134.36, 0.85%, 0.73%

LAB 88.11, -51.81, 32.88

 

CMYK 37 / 48 / 0 / 4

HEX #9B80F5

RGB 155 128 245

HSL 253.85, 0.85%, 0.73%

LAB 60.78, 36.48, -55.31

 

CMYK 0 / 37 / 48 / 4

HEX #F59B80

RGB 245 155 128

HSL 13.85, 0.85%, 0.73%

LAB 72.5, 30.77, 28.22

 

CMYK 48 / 0 / 36 / 4

HEX #80F59C

RGB 128 245 156

HSL 134.36, 0.85%, 0.73%

LAB 88.11, -51.81, 32.88

 

CMYK 48 / 21 / 0 / 4

HEX #80C2F5

RGB 128 194 245

HSL 206.15, 0.85%, 0.73%

LAB 75.93, -7.47, -31.7

 

CMYK 0 / 48 / 11 / 4

HEX #F580D9

RGB 245 128 217

HSL 314.36, 0.85%, 0.73%

LAB 69.37, 55.88, -25.66

 

CMYK 0 / 27 / 48 / 4

HEX #F5B280

RGB 245 178 128

HSL 25.64, 0.85%, 0.73%

LAB 77.76, 18.66, 35.11

 

CMYK 48 / 0 / 36 / 4

HEX #80F59C

RGB 128 245 156

HSL 134.36, 0.85%, 0.73%

LAB 88.11, -51.81, 32.88

 

CMYK 48 / 35 / 0 / 4

HEX #809FF5

RGB 128 159 245

HSL 224.1, 0.85%, 0.73%

LAB 66.5, 12.02, -46.38

 

CMYK 0 / 48 / 11 / 4

HEX #F580D9

RGB 245 128 217

HSL 314.36, 0.85%, 0.73%

LAB 69.37, 55.88, -25.66

 

CMYK 0 / 13 / 48 / 4

HEX #F5D580

RGB 245 213 128

HSL 43.59, 0.85%, 0.73%

LAB 86.29, 0.41, 45.91

 

Description

Color code: HEX #80F59C | qconv.com Color code: HEX #80F59C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 245 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 245 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 36 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 36% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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