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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80E60D it is the complementary color #7F19F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80E60D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80E60D shade: #85E608, #96F81B, #A7FF2E, #B8FF41 and #C9FF54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80E60D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80E60D shade: #80E60D, #6FD400, #5EC200, #4DB000 and #3C9E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80E60D shade: #81E70D, #BCE70D, #E7D80D, #E79D0D and #E7630D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80E60D shade: #81E70D, #46E70D, #0DE70F, #0DE74A and #0DE785

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80E60D shade matches the following richer shades: #81E70D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80E60D shade: #81E70D, #80D421, #7FC035, #7DAC49 and #7C985D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80E60D shade: #E7D90D, #BCE70D, #82E70D, #48E70D and #0DE70D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80E60D shade: #559909, #6BC00B, #81E70D, #95F32B and #A9F552

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80E60D shade: #80E60D, #0DE79F and #E70DD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80E60D shade: #80E60D, #0D82E7 and #E70D82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80E60D shade: #80E60D, #0DE79F, #730DE7 and #E70D56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80E60D shade: #80E60D, #0DE7E0, #730DE7 and #E70D15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 94 / 10

HEX #80E60D

RGB 128 230 13

HSL 88.2, 0.89%, 0.48%

LAB 82.49, -58.56, 78.89

 

Complementary color

CMYK 48 / 90 / 0 / 5

HEX #7F19F2

RGB 127 25 242

HSL 268.2, 0.89%, 0.52%

LAB 40.6, 76.92, -86.51

 

CMYK 42 / 0 / 97 / 10

HEX #85E608

RGB 133 230 8

HSL 86.22, 0.93%, 0.47%

LAB 82.7, -57.04, 79.59

 

CMYK 40 / 0 / 89 / 3

HEX #96F81B

RGB 150 248 27

HSL 86.61, 0.94%, 0.54%

LAB 88.78, -58.1, 82.63

 

CMYK 35 / 0 / 82 / 0

HEX #A7FF2E

RGB 167 255 46

HSL 85.26, 1%, 0.59%

LAB 91.65, -54.59, 81.72

 

CMYK 28 / 0 / 75 / 0

HEX #B8FF41

RGB 184 255 65

HSL 82.42, 1%, 0.63%

LAB 92.62, -47.81, 77.77

 

CMYK 21 / 0 / 67 / 0

HEX #C9FF54

RGB 201 255 84

HSL 78.95, 1%, 0.66%

LAB 93.7, -40.51, 72.72

 

CMYK 44 / 0 / 94 / 10

HEX #80E60D

RGB 128 230 13

HSL 88.2, 0.89%, 0.48%

LAB 82.49, -58.56, 78.89

 

CMYK 48 / 0 / 100 / 17

HEX #6FD400

RGB 111 212 0

HSL 88.58, 1%, 0.42%

LAB 76.35, -57.27, 74.93

 

CMYK 52 / 0 / 100 / 24

HEX #5EC200

RGB 94 194 0

HSL 90.93, 1%, 0.38%

LAB 70.15, -55.71, 69.79

 

CMYK 56 / 0 / 100 / 31

HEX #4DB000

RGB 77 176 0

HSL 93.75, 1%, 0.35%

LAB 63.86, -54.01, 64.58

 

CMYK 62 / 0 / 100 / 38

HEX #3C9E00

RGB 60 158 0

HSL 97.22, 1%, 0.31%

LAB 57.48, -52.09, 59.31

 

CMYK 44 / 0 / 94 / 9

HEX #81E70D

RGB 129 231 13

HSL 88.07, 0.89%, 0.48%

LAB 82.83, -58.63, 79.18

 

CMYK 19 / 0 / 94 / 9

HEX #BCE70D

RGB 188 231 13

HSL 71.83, 0.89%, 0.48%

LAB 85.94, -37.43, 82.96

 

CMYK 0 / 6 / 94 / 9

HEX #E7D80D

RGB 231 216 13

HSL 55.87, 0.89%, 0.48%

LAB 85.06, -12.53, 83.68

 

CMYK 0 / 32 / 94 / 9

HEX #E79D0D

RGB 231 157 13

HSL 39.63, 0.89%, 0.48%

LAB 70.27, 18.1, 72.87

 

CMYK 0 / 57 / 94 / 9

HEX #E7630D

RGB 231 99 13

HSL 23.67, 0.89%, 0.48%

LAB 57.98, 47.8, 64.5

 

CMYK 44 / 0 / 94 / 9

HEX #81E70D

RGB 129 231 13

HSL 88.07, 0.89%, 0.48%

LAB 82.83, -58.63, 79.18

 

CMYK 70 / 0 / 94 / 9

HEX #46E70D

RGB 70 231 13

HSL 104.31, 0.89%, 0.48%

LAB 81.01, -73.31, 76.94

 

CMYK 94 / 0 / 94 / 9

HEX #0DE70F

RGB 13 231 15

HSL 120.55, 0.89%, 0.48%

LAB 80.33, -79.28, 75.89

 

CMYK 94 / 0 / 68 / 9

HEX #0DE74A

RGB 13 231 74

HSL 136.79, 0.89%, 0.48%

LAB 80.59, -75.98, 60.9

 

CMYK 94 / 0 / 42 / 9

HEX #0DE785

RGB 13 231 133

HSL 153.03, 0.89%, 0.48%

LAB 81.25, -67.86, 34.95

 

CMYK 44 / 0 / 94 / 9

HEX #81E70D

RGB 129 231 13

HSL 88.07, 0.89%, 0.48%

LAB 82.83, -58.63, 79.18

 

CMYK 44 / 0 / 94 / 9

HEX #81E70D

RGB 129 231 13

HSL 88.07, 0.89%, 0.48%

LAB 82.83, -58.63, 79.18

 

CMYK 40 / 0 / 84 / 17

HEX #80D421

RGB 128 212 33

HSL 88.16, 0.73%, 0.48%

LAB 77.15, -51.09, 71.25

 

CMYK 34 / 0 / 72 / 25

HEX #7FC035

RGB 127 192 53

HSL 88.06, 0.57%, 0.48%

LAB 71.19, -42.17, 59.87

 

CMYK 27 / 0 / 58 / 33

HEX #7DAC49

RGB 125 172 73

HSL 88.48, 0.4%, 0.48%

LAB 65.24, -32.33, 45.13

 

CMYK 18 / 0 / 39 / 40

HEX #7C985D

RGB 124 152 93

HSL 88.47, 0.24%, 0.48%

LAB 59.46, -20.55, 27.89

 

CMYK 0 / 6 / 94 / 9

HEX #E7D90D

RGB 231 217 13

HSL 56.15, 0.89%, 0.48%

LAB 85.32, -13.03, 83.88

 

CMYK 19 / 0 / 94 / 9

HEX #BCE70D

RGB 188 231 13

HSL 71.83, 0.89%, 0.48%

LAB 85.94, -37.43, 82.96

 

CMYK 44 / 0 / 94 / 9

HEX #82E70D

RGB 130 231 13

HSL 87.8, 0.89%, 0.48%

LAB 82.87, -58.31, 79.23

 

CMYK 69 / 0 / 94 / 9

HEX #48E70D

RGB 72 231 13

HSL 103.76, 0.89%, 0.48%

LAB 81.05, -72.95, 76.99

 

CMYK 94 / 0 / 94 / 9

HEX #0DE70D

RGB 13 231 13

HSL 120, 0.89%, 0.48%

LAB 80.33, -79.32, 76.1

 

CMYK 44 / 0 / 94 / 40

HEX #559909

RGB 85 153 9

HSL 88.33, 0.89%, 0.32%

LAB 56.81, -42.54, 57.8

 

CMYK 44 / 0 / 94 / 25

HEX #6BC00B

RGB 107 192 11

HSL 88.18, 0.89%, 0.4%

LAB 70.07, -50.75, 68.72

 

CMYK 44 / 0 / 94 / 9

HEX #81E70D

RGB 129 231 13

HSL 88.07, 0.89%, 0.48%

LAB 82.83, -58.63, 79.18

 

CMYK 39 / 0 / 82 / 5

HEX #95F32B

RGB 149 243 43

HSL 88.2, 0.89%, 0.56%

LAB 87.32, -56, 78.27

 

CMYK 31 / 0 / 67 / 4

HEX #A9F552

RGB 169 245 82

HSL 87.98, 0.89%, 0.64%

LAB 89.09, -47.89, 68.12

 

CMYK 44 / 0 / 94 / 10

HEX #80E60D

RGB 128 230 13

HSL 88.2, 0.89%, 0.48%

LAB 82.49, -58.56, 78.89

 

CMYK 94 / 0 / 31 / 9

HEX #0DE79F

RGB 13 231 159

HSL 160.18, 0.89%, 0.48%

LAB 81.7, -62.73, 22.29

 

CMYK 0 / 94 / 6 / 9

HEX #E70DD9

RGB 231 13 217

HSL 303.85, 0.89%, 0.48%

LAB 54.33, 88.34, -49.31

 

CMYK 44 / 0 / 94 / 10

HEX #80E60D

RGB 128 230 13

HSL 88.2, 0.89%, 0.48%

LAB 82.49, -58.56, 78.89

 

CMYK 94 / 44 / 0 / 9

HEX #0D82E7

RGB 13 130 231

HSL 207.8, 0.89%, 0.48%

LAB 53.84, 8.62, -59.02

 

CMYK 0 / 94 / 44 / 9

HEX #E70D82

RGB 231 13 130

HSL 327.8, 0.89%, 0.48%

LAB 50.56, 78.62, -4.03

 

CMYK 44 / 0 / 94 / 10

HEX #80E60D

RGB 128 230 13

HSL 88.2, 0.89%, 0.48%

LAB 82.49, -58.56, 78.89

 

CMYK 94 / 0 / 31 / 9

HEX #0DE79F

RGB 13 231 159

HSL 160.18, 0.89%, 0.48%

LAB 81.7, -62.73, 22.29

 

CMYK 50 / 94 / 0 / 9

HEX #730DE7

RGB 115 13 231

HSL 268.07, 0.89%, 0.48%

LAB 37.3, 75.55, -85.77

 

CMYK 0 / 94 / 63 / 9

HEX #E70D56

RGB 231 13 86

HSL 339.91, 0.89%, 0.48%

LAB 49.43, 75.58, 21.29

 

CMYK 44 / 0 / 94 / 10

HEX #80E60D

RGB 128 230 13

HSL 88.2, 0.89%, 0.48%

LAB 82.49, -58.56, 78.89

 

CMYK 94 / 0 / 3 / 9

HEX #0DE7E0

RGB 13 231 224

HSL 178.07, 0.89%, 0.48%

LAB 83.24, -46.33, -9.65

 

CMYK 50 / 94 / 0 / 9

HEX #730DE7

RGB 115 13 231

HSL 268.07, 0.89%, 0.48%

LAB 37.3, 75.55, -85.77

 

CMYK 0 / 94 / 91 / 9

HEX #E70D15

RGB 231 13 21

HSL 357.8, 0.89%, 0.48%

LAB 48.67, 73.48, 56.2

 

Description

Color code: HEX #80E60D | qconv.com Color code: HEX #80E60D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 230 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 230 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 94 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 94% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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