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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80DF1B it is the complementary color #7F20E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80DF1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80DF1B shade: #85DF16, #96F129, #A7FF3C, #B8FF4F and #C9FF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80DF1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80DF1B shade: #80DF1B, #6FCD08, #5EBB00, #4DA900 and #3C9700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80DF1B shade: #80DE1B, #B5DE1B, #DED41B, #DE9F1B and #DE6B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80DF1B shade: #80DE1B, #4BDE1B, #1BDE20, #1BDE55 and #1BDE89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80DF1B shade matches the following richer shades: #80DE1B and #81F307

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80DF1B shade: #80DE1B, #7FCA30, #7FB644, #7EA258 and #7D8E6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80DF1B shade: #DED51B, #B4DE1B, #80DE1B, #4CDE1B and #1BDE1F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80DF1B shade: #569512, #6BBA17, #80DE1B, #94E73C and #A8EB61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80DF1B shade: #80DF1B, #1BDEA1 and #DE1BCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80DF1B shade: #80DF1B, #1B80DE and #DE1B80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80DF1B shade: #80DF1B, #1BDEA1, #7A1BDE and #DE1B59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80DF1B shade: #80DF1B, #1BDEDB, #7A1BDE and #DE1B1F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 88 / 13

HEX #80DF1B

RGB 128 223 27

HSL 89.08, 0.78%, 0.49%

LAB 80.43, -55.6, 75.26

 

Complementary color

CMYK 44 / 86 / 0 / 11

HEX #7F20E4

RGB 127 32 228

HSL 269.08, 0.78%, 0.51%

LAB 39.83, 72.17, -79.85

 

CMYK 40 / 0 / 90 / 13

HEX #85DF16

RGB 133 223 22

HSL 86.87, 0.82%, 0.48%

LAB 80.64, -54.1, 76.35

 

CMYK 38 / 0 / 83 / 5

HEX #96F129

RGB 150 241 41

HSL 87.3, 0.88%, 0.55%

LAB 86.78, -54.95, 78.27

 

CMYK 35 / 0 / 76 / 0

HEX #A7FF3C

RGB 167 255 60

HSL 87.08, 1%, 0.62%

LAB 91.71, -54, 78.1

 

CMYK 28 / 0 / 69 / 0

HEX #B8FF4F

RGB 184 255 79

HSL 84.2, 1%, 0.65%

LAB 92.7, -47.02, 73.2

 

CMYK 21 / 0 / 62 / 0

HEX #C9FF62

RGB 201 255 98

HSL 80.64, 1%, 0.69%

LAB 93.81, -39.55, 67.41

 

CMYK 43 / 0 / 88 / 13

HEX #80DF1B

RGB 128 223 27

HSL 89.08, 0.78%, 0.49%

LAB 80.43, -55.6, 75.26

 

CMYK 46 / 0 / 96 / 20

HEX #6FCD08

RGB 111 205 8

HSL 88.63, 0.92%, 0.42%

LAB 74.23, -54.52, 72.45

 

CMYK 50 / 0 / 100 / 27

HEX #5EBB00

RGB 94 187 0

HSL 89.84, 1%, 0.37%

LAB 67.96, -53.12, 68.07

 

CMYK 54 / 0 / 100 / 34

HEX #4DA900

RGB 77 169 0

HSL 92.66, 1%, 0.33%

LAB 61.61, -51.47, 62.81

 

CMYK 60 / 0 / 100 / 41

HEX #3C9700

RGB 60 151 0

HSL 96.16, 1%, 0.3%

LAB 55.17, -49.61, 57.48

 

CMYK 42 / 0 / 88 / 13

HEX #80DE1B

RGB 128 222 27

HSL 88.92, 0.78%, 0.49%

LAB 80.13, -55.22, 75.01

 

CMYK 18 / 0 / 88 / 13

HEX #B5DE1B

RGB 181 222 27

HSL 72.62, 0.78%, 0.49%

LAB 82.99, -35.91, 78.55

 

CMYK 0 / 5 / 88 / 13

HEX #DED41B

RGB 222 212 27

HSL 56.92, 0.78%, 0.49%

LAB 83.28, -14.17, 80.05

 

CMYK 0 / 28 / 88 / 13

HEX #DE9F1B

RGB 222 159 27

HSL 40.62, 0.78%, 0.49%

LAB 69.76, 13.36, 69.36

 

CMYK 0 / 52 / 88 / 13

HEX #DE6B1B

RGB 222 107 27

HSL 24.62, 0.78%, 0.49%

LAB 58.15, 40.72, 60.25

 

CMYK 42 / 0 / 88 / 13

HEX #80DE1B

RGB 128 222 27

HSL 88.92, 0.78%, 0.49%

LAB 80.13, -55.22, 75.01

 

CMYK 66 / 0 / 88 / 13

HEX #4BDE1B

RGB 75 222 27

HSL 105.23, 0.78%, 0.49%

LAB 78.36, -69.24, 72.79

 

CMYK 88 / 0 / 86 / 13

HEX #1BDE20

RGB 27 222 32

HSL 121.54, 0.78%, 0.49%

LAB 77.63, -75.55, 70.89

 

CMYK 88 / 0 / 62 / 13

HEX #1BDE55

RGB 27 222 85

HSL 137.85, 0.78%, 0.49%

LAB 77.95, -71.43, 53.53

 

CMYK 88 / 0 / 38 / 13

HEX #1BDE89

RGB 27 222 137

HSL 153.85, 0.78%, 0.49%

LAB 78.63, -63.37, 29.48

 

CMYK 42 / 0 / 88 / 13

HEX #80DE1B

RGB 128 222 27

HSL 88.92, 0.78%, 0.49%

LAB 80.13, -55.22, 75.01

 

CMYK 47 / 0 / 97 / 5

HEX #81F307

RGB 129 243 7

HSL 88.98, 0.94%, 0.49%

LAB 86.4, -63.14, 82.53

 

CMYK 42 / 0 / 88 / 13

HEX #80DE1B

RGB 128 222 27

HSL 88.92, 0.78%, 0.49%

LAB 80.13, -55.22, 75.01

 

CMYK 37 / 0 / 76 / 21

HEX #7FCA30

RGB 127 202 48

HSL 89.22, 0.62%, 0.49%

LAB 74.17, -46.69, 64.45

 

CMYK 30 / 0 / 63 / 29

HEX #7FB644

RGB 127 182 68

HSL 88.95, 0.46%, 0.49%

LAB 68.3, -36.64, 50.87

 

CMYK 22 / 0 / 46 / 36

HEX #7EA258

RGB 126 162 88

HSL 89.19, 0.3%, 0.49%

LAB 62.49, -25.46, 34.42

 

CMYK 12 / 0 / 24 / 44

HEX #7D8E6C

RGB 125 142 108

HSL 90, 0.14%, 0.49%

LAB 56.87, -12.6, 16.13

 

CMYK 0 / 4 / 88 / 13

HEX #DED51B

RGB 222 213 27

HSL 57.23, 0.78%, 0.49%

LAB 83.55, -14.66, 80.26

 

CMYK 19 / 0 / 88 / 13

HEX #B4DE1B

RGB 180 222 27

HSL 72.92, 0.78%, 0.49%

LAB 82.93, -36.3, 78.47

 

CMYK 42 / 0 / 88 / 13

HEX #80DE1B

RGB 128 222 27

HSL 88.92, 0.78%, 0.49%

LAB 80.13, -55.22, 75.01

 

CMYK 66 / 0 / 88 / 13

HEX #4CDE1B

RGB 76 222 27

HSL 104.92, 0.78%, 0.49%

LAB 78.38, -69.04, 72.82

 

CMYK 88 / 0 / 86 / 13

HEX #1BDE1F

RGB 27 222 31

HSL 121.23, 0.78%, 0.49%

LAB 77.62, -75.59, 71.09

 

CMYK 42 / 0 / 88 / 42

HEX #569512

RGB 86 149 18

HSL 88.85, 0.78%, 0.33%

LAB 55.6, -40.27, 55.15

 

CMYK 42 / 0 / 88 / 27

HEX #6BBA17

RGB 107 186 23

HSL 89.08, 0.78%, 0.41%

LAB 68.25, -48.08, 65.32

 

CMYK 42 / 0 / 88 / 13

HEX #80DE1B

RGB 128 222 27

HSL 88.92, 0.78%, 0.49%

LAB 80.13, -55.22, 75.01

 

CMYK 36 / 0 / 74 / 9

HEX #94E73C

RGB 148 231 60

HSL 89.12, 0.78%, 0.57%

LAB 83.85, -50.74, 70.27

 

CMYK 29 / 0 / 59 / 8

HEX #A8EB61

RGB 168 235 97

HSL 89.13, 0.78%, 0.65%

LAB 86.31, -42.77, 59

 

CMYK 43 / 0 / 88 / 13

HEX #80DF1B

RGB 128 223 27

HSL 89.08, 0.78%, 0.49%

LAB 80.43, -55.6, 75.26

 

CMYK 88 / 0 / 27 / 13

HEX #1BDEA1

RGB 27 222 161

HSL 161.23, 0.78%, 0.49%

LAB 79.07, -58.34, 17.63

 

CMYK 0 / 88 / 7 / 13

HEX #DE1BCE

RGB 222 27 206

HSL 304.92, 0.78%, 0.49%

LAB 52.7, 83.69, -45.71

 

CMYK 43 / 0 / 88 / 13

HEX #80DF1B

RGB 128 223 27

HSL 89.08, 0.78%, 0.49%

LAB 80.43, -55.6, 75.26

 

CMYK 88 / 42 / 0 / 13

HEX #1B80DE

RGB 27 128 222

HSL 208.92, 0.78%, 0.49%

LAB 52.89, 7.03, -55.49

 

CMYK 0 / 88 / 42 / 13

HEX #DE1B80

RGB 222 27 128

HSL 328.92, 0.78%, 0.49%

LAB 49.34, 74.73, -4.81

 

CMYK 43 / 0 / 88 / 13

HEX #80DF1B

RGB 128 223 27

HSL 89.08, 0.78%, 0.49%

LAB 80.43, -55.6, 75.26

 

CMYK 88 / 0 / 27 / 13

HEX #1BDEA1

RGB 27 222 161

HSL 161.23, 0.78%, 0.49%

LAB 79.07, -58.34, 17.63

 

CMYK 45 / 88 / 0 / 13

HEX #7A1BDE

RGB 122 27 222

HSL 269.23, 0.78%, 0.49%

LAB 38.19, 71.56, -79.13

 

CMYK 0 / 88 / 60 / 13

HEX #DE1B59

RGB 222 27 89

HSL 340.92, 0.78%, 0.49%

LAB 48.3, 71.82, 17.62

 

CMYK 43 / 0 / 88 / 13

HEX #80DF1B

RGB 128 223 27

HSL 89.08, 0.78%, 0.49%

LAB 80.43, -55.6, 75.26

 

CMYK 88 / 0 / 1 / 13

HEX #1BDEDB

RGB 27 222 219

HSL 179.08, 0.78%, 0.49%

LAB 80.51, -43.31, -11.06

 

CMYK 45 / 88 / 0 / 13

HEX #7A1BDE

RGB 122 27 222

HSL 269.23, 0.78%, 0.49%

LAB 38.19, 71.56, -79.13

 

CMYK 0 / 88 / 86 / 13

HEX #DE1B1F

RGB 222 27 31

HSL 358.77, 0.78%, 0.49%

LAB 47.51, 69.54, 50.17

 

Description

Color code: HEX #80DF1B | qconv.com Color code: HEX #80DF1B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 223 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 223 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 88 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 88% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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