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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80DF15 it is the complementary color #7F20EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80DF15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80DF15 shade: #85DF10, #96F123, #A7FF36, #B8FF49 and #C9FF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80DF15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80DF15 shade: #80DF15, #6FCD02, #5EBB00, #4DA900 and #3C9700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80DF15 shade: #80E015, #B7E015, #E0D215, #E09B15 and #E06415

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80DF15 shade: #80E015, #4AE015, #15E017, #15E04E and #15E084

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80DF15 shade matches the following richer shades: #80E015 and #82F401

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80DF15 shade: #80E015, #7FCC29, #7EB83C, #7DA550 and #7C9164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80DF15 shade: #E0D215, #B7E015, #81E015, #4BE015 and #15E015

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80DF15 shade: #55940E, #6BBA11, #80E015, #95EC32 and #A8EF58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80DF15 shade: #80DF15, #15E09C and #E015D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80DF15 shade: #80DF15, #1581E0 and #E01581

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80DF15 shade: #80DF15, #15E09C, #7415E0 and #E01559

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80DF15 shade: #80DF15, #15E0D9, #7415E0 and #E0151C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 91 / 13

HEX #80DF15

RGB 128 223 21

HSL 88.22, 0.83%, 0.48%

LAB 80.41, -55.75, 76.22

 

Complementary color

CMYK 46 / 86 / 0 / 8

HEX #7F20EA

RGB 127 32 234

HSL 268.22, 0.83%, 0.52%

LAB 40.39, 73.51, -82.34

 

CMYK 40 / 0 / 93 / 13

HEX #85DF10

RGB 133 223 16

HSL 86.09, 0.87%, 0.47%

LAB 80.63, -54.22, 77.15

 

CMYK 38 / 0 / 85 / 5

HEX #96F123

RGB 150 241 35

HSL 86.5, 0.88%, 0.54%

LAB 86.76, -55.15, 79.53

 

CMYK 35 / 0 / 79 / 0

HEX #A7FF36

RGB 167 255 54

HSL 86.27, 1%, 0.61%

LAB 91.69, -54.28, 79.75

 

CMYK 28 / 0 / 71 / 0

HEX #B8FF49

RGB 184 255 73

HSL 83.41, 1%, 0.64%

LAB 92.66, -47.38, 75.23

 

CMYK 21 / 0 / 64 / 0

HEX #C9FF5C

RGB 201 255 92

HSL 79.88, 1%, 0.68%

LAB 93.76, -39.98, 69.75

 

CMYK 43 / 0 / 91 / 13

HEX #80DF15

RGB 128 223 21

HSL 88.22, 0.83%, 0.48%

LAB 80.41, -55.75, 76.22

 

CMYK 46 / 0 / 99 / 20

HEX #6FCD02

RGB 111 205 2

HSL 87.78, 0.98%, 0.41%

LAB 74.22, -54.62, 73.05

 

CMYK 50 / 0 / 100 / 27

HEX #5EBB00

RGB 94 187 0

HSL 89.84, 1%, 0.37%

LAB 67.96, -53.12, 68.07

 

CMYK 54 / 0 / 100 / 34

HEX #4DA900

RGB 77 169 0

HSL 92.66, 1%, 0.33%

LAB 61.61, -51.47, 62.81

 

CMYK 60 / 0 / 100 / 41

HEX #3C9700

RGB 60 151 0

HSL 96.16, 1%, 0.3%

LAB 55.17, -49.61, 57.48

 

CMYK 43 / 0 / 91 / 12

HEX #80E015

RGB 128 224 21

HSL 88.37, 0.83%, 0.48%

LAB 80.71, -56.14, 76.47

 

CMYK 18 / 0 / 91 / 12

HEX #B7E015

RGB 183 224 21

HSL 72.12, 0.83%, 0.48%

LAB 83.67, -36.14, 80.09

 

CMYK 0 / 6 / 91 / 12

HEX #E0D215

RGB 224 210 21

HSL 55.86, 0.83%, 0.48%

LAB 82.91, -12.42, 80.8

 

CMYK 0 / 31 / 91 / 12

HEX #E09B15

RGB 224 155 21

HSL 39.61, 0.83%, 0.48%

LAB 69, 16.26, 70.2

 

CMYK 0 / 55 / 91 / 12

HEX #E06415

RGB 224 100 21

HSL 23.35, 0.83%, 0.48%

LAB 57.09, 44.81, 61.41

 

CMYK 43 / 0 / 91 / 12

HEX #80E015

RGB 128 224 21

HSL 88.37, 0.83%, 0.48%

LAB 80.71, -56.14, 76.47

 

CMYK 67 / 0 / 91 / 12

HEX #4AE015

RGB 74 224 21

HSL 104.33, 0.83%, 0.48%

LAB 78.94, -70.25, 74.27

 

CMYK 91 / 0 / 90 / 12

HEX #15E017

RGB 21 224 23

HSL 120.59, 0.83%, 0.48%

LAB 78.19, -76.82, 73.03

 

CMYK 91 / 0 / 65 / 12

HEX #15E04E

RGB 21 224 78

HSL 136.85, 0.83%, 0.48%

LAB 78.47, -73.18, 57.04

 

CMYK 91 / 0 / 41 / 12

HEX #15E084

RGB 21 224 132

HSL 152.81, 0.83%, 0.48%

LAB 79.12, -65.35, 32.67

 

CMYK 43 / 0 / 91 / 12

HEX #80E015

RGB 128 224 21

HSL 88.37, 0.83%, 0.48%

LAB 80.71, -56.14, 76.47

 

CMYK 47 / 0 / 100 / 4

HEX #82F401

RGB 130 244 1

HSL 88.15, 0.99%, 0.48%

LAB 86.73, -63.28, 83.28

 

CMYK 43 / 0 / 91 / 12

HEX #80E015

RGB 128 224 21

HSL 88.37, 0.83%, 0.48%

LAB 80.71, -56.14, 76.47

 

CMYK 38 / 0 / 80 / 20

HEX #7FCC29

RGB 127 204 41

HSL 88.34, 0.67%, 0.48%

LAB 74.74, -47.87, 67.07

 

CMYK 32 / 0 / 67 / 28

HEX #7EB83C

RGB 126 184 60

HSL 88.06, 0.51%, 0.48%

LAB 68.78, -38.55, 54.72

 

CMYK 24 / 0 / 52 / 35

HEX #7DA550

RGB 125 165 80

HSL 88.24, 0.35%, 0.48%

LAB 63.22, -28.26, 39.37

 

CMYK 14 / 0 / 31 / 43

HEX #7C9164

RGB 124 145 100

HSL 88, 0.18%, 0.48%

LAB 57.52, -15.88, 21.48

 

CMYK 0 / 6 / 91 / 12

HEX #E0D215

RGB 224 210 21

HSL 55.86, 0.83%, 0.48%

LAB 82.91, -12.42, 80.8

 

CMYK 18 / 0 / 91 / 12

HEX #B7E015

RGB 183 224 21

HSL 72.12, 0.83%, 0.48%

LAB 83.67, -36.14, 80.09

 

CMYK 42 / 0 / 91 / 12

HEX #81E015

RGB 129 224 21

HSL 88.08, 0.83%, 0.48%

LAB 80.76, -55.81, 76.52

 

CMYK 67 / 0 / 91 / 12

HEX #4BE015

RGB 75 224 21

HSL 104.04, 0.83%, 0.48%

LAB 78.96, -70.05, 74.3

 

CMYK 91 / 0 / 91 / 12

HEX #15E015

RGB 21 224 21

HSL 120, 0.83%, 0.48%

LAB 78.18, -76.87, 73.33

 

CMYK 43 / 0 / 91 / 42

HEX #55940E

RGB 85 148 14

HSL 88.21, 0.83%, 0.32%

LAB 55.22, -40.33, 55.63

 

CMYK 42 / 0 / 91 / 27

HEX #6BBA11

RGB 107 186 17

HSL 88.05, 0.83%, 0.4%

LAB 68.23, -48.25, 66.38

 

CMYK 43 / 0 / 91 / 12

HEX #80E015

RGB 128 224 21

HSL 88.37, 0.83%, 0.48%

LAB 80.71, -56.14, 76.47

 

CMYK 37 / 0 / 79 / 7

HEX #95EC32

RGB 149 236 50

HSL 88.06, 0.83%, 0.56%

LAB 85.31, -52.93, 74.67

 

CMYK 30 / 0 / 63 / 6

HEX #A8EF58

RGB 168 239 88

HSL 88.21, 0.83%, 0.64%

LAB 87.37, -45.25, 63.93

 

CMYK 43 / 0 / 91 / 13

HEX #80DF15

RGB 128 223 21

HSL 88.22, 0.83%, 0.48%

LAB 80.41, -55.75, 76.22

 

CMYK 91 / 0 / 30 / 12

HEX #15E09C

RGB 21 224 156

HSL 159.9, 0.83%, 0.48%

LAB 79.54, -60.51, 20.89

 

CMYK 0 / 91 / 6 / 12

HEX #E015D2

RGB 224 21 210

HSL 304.14, 0.83%, 0.48%

LAB 52.99, 85.4, -47.52

 

CMYK 43 / 0 / 91 / 13

HEX #80DF15

RGB 128 223 21

HSL 88.22, 0.83%, 0.48%

LAB 80.41, -55.75, 76.22

 

CMYK 91 / 42 / 0 / 12

HEX #1581E0

RGB 21 129 224

HSL 208.08, 0.83%, 0.48%

LAB 53.21, 6.86, -56.1

 

CMYK 0 / 91 / 42 / 12

HEX #E01581

RGB 224 21 129

HSL 328.08, 0.83%, 0.48%

LAB 49.46, 76.14, -5.2

 

CMYK 43 / 0 / 91 / 13

HEX #80DF15

RGB 128 223 21

HSL 88.22, 0.83%, 0.48%

LAB 80.41, -55.75, 76.22

 

CMYK 91 / 0 / 30 / 12

HEX #15E09C

RGB 21 224 156

HSL 159.9, 0.83%, 0.48%

LAB 79.54, -60.51, 20.89

 

CMYK 48 / 91 / 0 / 12

HEX #7415E0

RGB 116 21 224

HSL 268.08, 0.83%, 0.48%

LAB 37.17, 72.72, -81.98

 

CMYK 0 / 91 / 60 / 12

HEX #E01559

RGB 224 21 89

HSL 339.9, 0.83%, 0.48%

LAB 48.39, 73.2, 17.81

 

CMYK 43 / 0 / 91 / 13

HEX #80DF15

RGB 128 223 21

HSL 88.22, 0.83%, 0.48%

LAB 80.41, -55.75, 76.22

 

CMYK 91 / 0 / 3 / 12

HEX #15E0D9

RGB 21 224 217

HSL 177.93, 0.83%, 0.48%

LAB 81.01, -45.03, -9.26

 

CMYK 48 / 91 / 0 / 12

HEX #7415E0

RGB 116 21 224

HSL 268.08, 0.83%, 0.48%

LAB 37.17, 72.72, -81.98

 

CMYK 0 / 91 / 88 / 12

HEX #E0151C

RGB 224 21 28

HSL 357.93, 0.83%, 0.48%

LAB 47.58, 70.92, 51.8

 

Description

Color code: HEX #80DF15 | qconv.com Color code: HEX #80DF15 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 223 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 223 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 91 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 91% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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