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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80DC5F it is the complementary color #7F23A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80DC5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80DC5F shade: #85DC5A, #96EE6D, #A7FF80, #B8FF93 and #C9FFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80DC5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80DC5F shade: #80DC5F, #6FCA4C, #5EB839, #4DA626 and #3C9413

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80DC5F shade: #81DC60, #A2DC60, #C4DC60, #DCD360 and #DCB260

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80DC5F shade: #81DC60, #60DC61, #60DC82, #60DCA4 and #60DCC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80DC5F shade matches the following richer shades: #81DC60, #79EC50 and #72FB41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80DC5F shade: #81DC60, #88CC70, #90BD7F, #97AD8F and #9E9D9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80DC5F shade: #C3DC60, #A2DC60, #81DC60, #60DC60 and #60DC81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80DC5F shade: #52C02A, #66D53E, #81DC60, #9CE482 and #B7EBA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80DC5F shade: #80DC5F, #60DCD4 and #DC60B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80DC5F shade: #80DC5F, #6081DC and #DC6081

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80DC5F shade: #80DC5F, #60DCD4, #BB60DC and #DC6068

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80DC5F shade: #80DC5F, #60BFDC, #BB60DC and #DC7D60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 57 / 14

HEX #80DC5F

RGB 128 220 95

HSL 104.16, 0.64%, 0.62%

LAB 79.96, -49.97, 52.08

 

Complementary color

CMYK 21 / 78 / 0 / 37

HEX #7F23A0

RGB 127 35 160

HSL 284.16, 0.64%, 0.38%

LAB 34.5, 56.65, -48.64

 

CMYK 40 / 0 / 59 / 14

HEX #85DC5A

RGB 133 220 90

HSL 100.15, 0.65%, 0.61%

LAB 80.13, -48.9, 54.57

 

CMYK 37 / 0 / 54 / 7

HEX #96EE6D

RGB 150 238 109

HSL 100.93, 0.79%, 0.68%

LAB 86.37, -48.95, 53.52

 

CMYK 35 / 0 / 50 / 0

HEX #A7FF80

RGB 167 255 128

HSL 101.57, 1%, 0.75%

LAB 92.26, -48.5, 52.07

 

CMYK 28 / 0 / 42 / 0

HEX #B8FF93

RGB 184 255 147

HSL 99.44, 1%, 0.79%

LAB 93.37, -40.63, 44.64

 

CMYK 21 / 0 / 35 / 0

HEX #C9FFA6

RGB 201 255 166

HSL 96.4, 1%, 0.83%

LAB 94.61, -32.36, 37.13

 

CMYK 42 / 0 / 57 / 14

HEX #80DC5F

RGB 128 220 95

HSL 104.16, 0.64%, 0.62%

LAB 79.96, -49.97, 52.08

 

CMYK 45 / 0 / 62 / 21

HEX #6FCA4C

RGB 111 202 76

HSL 103.33, 0.54%, 0.55%

LAB 73.64, -49.84, 53.09

 

CMYK 49 / 0 / 69 / 28

HEX #5EB839

RGB 94 184 57

HSL 102.52, 0.53%, 0.47%

LAB 67.24, -49.53, 53.84

 

CMYK 54 / 0 / 77 / 35

HEX #4DA626

RGB 77 166 38

HSL 101.72, 0.63%, 0.4%

LAB 60.77, -48.95, 54.08

 

CMYK 59 / 0 / 87 / 42

HEX #3C9413

RGB 60 148 19

HSL 100.93, 0.77%, 0.33%

LAB 54.23, -47.95, 53.31

 

CMYK 41 / 0 / 56 / 14

HEX #81DC60

RGB 129 220 96

HSL 104.03, 0.64%, 0.62%

LAB 80.01, -49.55, 51.71

 

CMYK 26 / 0 / 56 / 14

HEX #A2DC60

RGB 162 220 96

HSL 88.06, 0.64%, 0.62%

LAB 81.68, -38.38, 54.07

 

CMYK 11 / 0 / 56 / 14

HEX #C4DC60

RGB 196 220 96

HSL 71.61, 0.64%, 0.62%

LAB 83.84, -25.48, 57.12

 

CMYK 0 / 4 / 56 / 14

HEX #DCD360

RGB 220 211 96

HSL 55.65, 0.64%, 0.62%

LAB 83.26, -11.38, 56.95

 

CMYK 0 / 19 / 56 / 14

HEX #DCB260

RGB 220 178 96

HSL 39.68, 0.64%, 0.62%

LAB 74.76, 5.7, 47.12

 

CMYK 41 / 0 / 56 / 14

HEX #81DC60

RGB 129 220 96

HSL 104.03, 0.64%, 0.62%

LAB 80.01, -49.55, 51.71

 

CMYK 56 / 0 / 56 / 14

HEX #60DC61

RGB 96 220 97

HSL 120.48, 0.64%, 0.62%

LAB 78.77, -58.6, 49.49

 

CMYK 56 / 0 / 41 / 14

HEX #60DC82

RGB 96 220 130

HSL 136.45, 0.64%, 0.62%

LAB 79.21, -53.88, 34.04

 

CMYK 56 / 0 / 25 / 14

HEX #60DCA4

RGB 96 220 164

HSL 152.9, 0.64%, 0.62%

LAB 79.81, -47.52, 17.29

 

CMYK 56 / 0 / 10 / 14

HEX #60DCC5

RGB 96 220 197

HSL 168.87, 0.64%, 0.62%

LAB 80.57, -40.03, 0.89

 

CMYK 41 / 0 / 56 / 14

HEX #81DC60

RGB 129 220 96

HSL 104.03, 0.64%, 0.62%

LAB 80.01, -49.55, 51.71

 

CMYK 49 / 0 / 66 / 7

HEX #79EC50

RGB 121 236 80

HSL 104.23, 0.8%, 0.62%

LAB 84.3, -59.72, 63.17

 

CMYK 55 / 0 / 74 / 2

HEX #72FB41

RGB 114 251 65

HSL 104.19, 0.96%, 0.62%

LAB 88.43, -68.09, 72.67

 

CMYK 41 / 0 / 56 / 14

HEX #81DC60

RGB 129 220 96

HSL 104.03, 0.64%, 0.62%

LAB 80.01, -49.55, 51.71

 

CMYK 33 / 0 / 45 / 20

HEX #88CC70

RGB 136 204 112

HSL 104.35, 0.47%, 0.62%

LAB 75.82, -38.51, 39.07

 

CMYK 24 / 0 / 33 / 26

HEX #90BD7F

RGB 144 189 127

HSL 103.55, 0.32%, 0.62%

LAB 72.13, -26.59, 26.65

 

CMYK 13 / 0 / 17 / 32

HEX #97AD8F

RGB 151 173 143

HSL 104, 0.15%, 0.62%

LAB 68.35, -13.36, 12.9

 

CMYK 1 / 1 / 0 / 38

HEX #9E9D9F

RGB 158 157 159

HSL 270, 0.01%, 0.62%

LAB 64.87, 0.75, -0.92

 

CMYK 11 / 0 / 56 / 14

HEX #C3DC60

RGB 195 220 96

HSL 72.1, 0.64%, 0.62%

LAB 83.77, -25.87, 57.02

 

CMYK 26 / 0 / 56 / 14

HEX #A2DC60

RGB 162 220 96

HSL 88.06, 0.64%, 0.62%

LAB 81.68, -38.38, 54.07

 

CMYK 41 / 0 / 56 / 14

HEX #81DC60

RGB 129 220 96

HSL 104.03, 0.64%, 0.62%

LAB 80.01, -49.55, 51.71

 

CMYK 56 / 0 / 56 / 14

HEX #60DC60

RGB 96 220 96

HSL 120, 0.64%, 0.62%

LAB 78.76, -58.72, 49.93

 

CMYK 56 / 0 / 41 / 14

HEX #60DC81

RGB 96 220 129

HSL 135.97, 0.64%, 0.62%

LAB 79.19, -54.05, 34.53

 

CMYK 57 / 0 / 78 / 25

HEX #52C02A

RGB 82 192 42

HSL 104, 0.64%, 0.46%

LAB 69.23, -56.93, 60.98

 

CMYK 52 / 0 / 71 / 16

HEX #66D53E

RGB 102 213 62

HSL 104.11, 0.64%, 0.54%

LAB 76.53, -57.88, 61.65

 

CMYK 41 / 0 / 56 / 14

HEX #81DC60

RGB 129 220 96

HSL 104.03, 0.64%, 0.62%

LAB 80.01, -49.55, 51.71

 

CMYK 32 / 0 / 43 / 11

HEX #9CE482

RGB 156 228 130

HSL 104.08, 0.64%, 0.7%

LAB 84.05, -40.17, 40.78

 

CMYK 22 / 0 / 30 / 8

HEX #B7EBA4

RGB 183 235 164

HSL 103.94, 0.64%, 0.78%

LAB 88.05, -29.47, 29.21

 

CMYK 42 / 0 / 57 / 14

HEX #80DC5F

RGB 128 220 95

HSL 104.16, 0.64%, 0.62%

LAB 79.96, -49.97, 52.08

 

CMYK 56 / 0 / 4 / 14

HEX #60DCD4

RGB 96 220 212

HSL 176.13, 0.64%, 0.62%

LAB 80.98, -36.25, -6.51

 

CMYK 0 / 56 / 19 / 14

HEX #DC60B3

RGB 220 96 179

HSL 319.84, 0.64%, 0.62%

LAB 58.82, 57.83, -20.66

 

CMYK 42 / 0 / 57 / 14

HEX #80DC5F

RGB 128 220 95

HSL 104.16, 0.64%, 0.62%

LAB 79.96, -49.97, 52.08

 

CMYK 56 / 41 / 0 / 14

HEX #6081DC

RGB 96 129 220

HSL 224.03, 0.64%, 0.62%

LAB 55.44, 14.96, -50.16

 

CMYK 0 / 56 / 41 / 14

HEX #DC6081

RGB 220 96 129

HSL 344.03, 0.64%, 0.62%

LAB 57.24, 51.56, 6.06

 

CMYK 42 / 0 / 57 / 14

HEX #80DC5F

RGB 128 220 95

HSL 104.16, 0.64%, 0.62%

LAB 79.96, -49.97, 52.08

 

CMYK 56 / 0 / 4 / 14

HEX #60DCD4

RGB 96 220 212

HSL 176.13, 0.64%, 0.62%

LAB 80.98, -36.25, -6.51

 

CMYK 15 / 56 / 0 / 14

HEX #BB60DC

RGB 187 96 220

HSL 284.03, 0.64%, 0.62%

LAB 56.19, 55.88, -48.47

 

CMYK 0 / 56 / 53 / 14

HEX #DC6068

RGB 220 96 104

HSL 356.13, 0.64%, 0.62%

LAB 56.66, 49.21, 19.89

 

CMYK 42 / 0 / 57 / 14

HEX #80DC5F

RGB 128 220 95

HSL 104.16, 0.64%, 0.62%

LAB 79.96, -49.97, 52.08

 

CMYK 56 / 13 / 0 / 14

HEX #60BFDC

RGB 96 191 220

HSL 194.03, 0.64%, 0.62%

LAB 72.84, -19.91, -23.04

 

CMYK 15 / 56 / 0 / 14

HEX #BB60DC

RGB 187 96 220

HSL 284.03, 0.64%, 0.62%

LAB 56.19, 55.88, -48.47

 

CMYK 0 / 43 / 56 / 14

HEX #DC7D60

RGB 220 125 96

HSL 14.03, 0.64%, 0.62%

LAB 62.28, 34.02, 31.8

 

Description

Color code: HEX #80DC5F | qconv.com Color code: HEX #80DC5F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 220 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 220 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 57 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 57% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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