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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80CF2C it is the complementary color #7F30D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80CF2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80CF2C shade: #85CF27, #96E13A, #A7F34D, #B8FF60 and #C9FF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80CF2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80CF2C shade: #80CF2C, #6FBD19, #5EAB06, #4D9900 and #3C8700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80CF2C shade: #7FCE2C, #ABCE2C, #CEC52C, #CE992C and #CE6E2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80CF2C shade: #7FCE2C, #54CE2C, #2CCE30, #2CCE5B and #2CCE87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80CF2C shade matches the following richer shades: #7FCE2C, #80E218 and #81F703

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80CF2C shade: #7FCE2C, #7FBA40, #7EA654, #7E9268 and #7D7D7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80CF2C shade: #CEC62C, #ABCE2C, #80CE2C, #54CE2C and #2CCE2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80CF2C shade: #558A1D, #6AAC25, #7FCE2C, #94D94A and #A8E06C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80CF2C shade: #80CF2C, #2CCE9B and #CE2CC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80CF2C shade: #80CF2C, #2C80CE and #CE2C80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80CF2C shade: #80CF2C, #2CCE9B, #7A2CCE and #CE2C5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80CF2C shade: #80CF2C, #2CCECB, #7A2CCE and #CE2C2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 79 / 19

HEX #80CF2C

RGB 128 207 44

HSL 89.08, 0.65%, 0.49%

LAB 75.7, -48.61, 67.12

 

Complementary color

CMYK 40 / 77 / 0 / 17

HEX #7F30D3

RGB 127 48 211

HSL 269.08, 0.65%, 0.51%

LAB 40.13, 63.03, -69.6

 

CMYK 36 / 0 / 81 / 19

HEX #85CF27

RGB 133 207 39

HSL 86.43, 0.68%, 0.48%

LAB 75.92, -47.1, 68.8

 

CMYK 33 / 0 / 74 / 12

HEX #96E13A

RGB 150 225 58

HSL 86.95, 0.74%, 0.55%

LAB 82.18, -47.69, 69.35

 

CMYK 31 / 0 / 68 / 5

HEX #A7F34D

RGB 167 243 77

HSL 87.47, 0.87%, 0.63%

LAB 88.38, -48.1, 69.22

 

CMYK 28 / 0 / 62 / 0

HEX #B8FF60

RGB 184 255 96

HSL 86.79, 1%, 0.69%

LAB 92.82, -45.83, 66.87

 

CMYK 21 / 0 / 55 / 0

HEX #C9FF73

RGB 201 255 115

HSL 83.14, 1%, 0.73%

LAB 93.96, -38.14, 60.4

 

CMYK 38 / 0 / 79 / 19

HEX #80CF2C

RGB 128 207 44

HSL 89.08, 0.65%, 0.49%

LAB 75.7, -48.61, 67.12

 

CMYK 41 / 0 / 87 / 26

HEX #6FBD19

RGB 111 189 25

HSL 88.54, 0.77%, 0.42%

LAB 69.36, -47.87, 65.93

 

CMYK 45 / 0 / 96 / 33

HEX #5EAB06

RGB 94 171 6

HSL 88, 0.93%, 0.35%

LAB 62.94, -46.84, 63.34

 

CMYK 50 / 0 / 100 / 40

HEX #4D9900

RGB 77 153 0

HSL 89.8, 1%, 0.3%

LAB 56.45, -45.4, 58.75

 

CMYK 56 / 0 / 100 / 47

HEX #3C8700

RGB 60 135 0

HSL 93.33, 1%, 0.26%

LAB 49.84, -43.69, 53.29

 

CMYK 38 / 0 / 79 / 19

HEX #7FCE2C

RGB 127 206 44

HSL 89.26, 0.65%, 0.49%

LAB 75.35, -48.55, 66.78

 

CMYK 17 / 0 / 79 / 19

HEX #ABCE2C

RGB 171 206 44

HSL 72.96, 0.65%, 0.49%

LAB 77.86, -32.03, 70.01

 

CMYK 0 / 4 / 79 / 19

HEX #CEC52C

RGB 206 197 44

HSL 56.67, 0.65%, 0.49%

LAB 78.01, -13.03, 71.14

 

CMYK 0 / 26 / 79 / 19

HEX #CE992C

RGB 206 153 44

HSL 40.37, 0.65%, 0.49%

LAB 66.59, 10.09, 60.84

 

CMYK 0 / 47 / 79 / 19

HEX #CE6E2C

RGB 206 110 44

HSL 24.44, 0.65%, 0.49%

LAB 56.54, 33.28, 51.39

 

CMYK 38 / 0 / 79 / 19

HEX #7FCE2C

RGB 127 206 44

HSL 89.26, 0.65%, 0.49%

LAB 75.35, -48.55, 66.78

 

CMYK 59 / 0 / 79 / 19

HEX #54CE2C

RGB 84 206 44

HSL 105.19, 0.65%, 0.49%

LAB 73.68, -61.23, 64.62

 

CMYK 79 / 0 / 77 / 19

HEX #2CCE30

RGB 44 206 48

HSL 121.48, 0.65%, 0.49%

LAB 72.82, -68.39, 62.26

 

CMYK 79 / 0 / 56 / 19

HEX #2CCE5B

RGB 44 206 91

HSL 137.41, 0.65%, 0.49%

LAB 73.18, -64.03, 45.32

 

CMYK 79 / 0 / 34 / 19

HEX #2CCE87

RGB 44 206 135

HSL 153.7, 0.65%, 0.49%

LAB 73.82, -56.53, 24.1

 

CMYK 38 / 0 / 79 / 19

HEX #7FCE2C

RGB 127 206 44

HSL 89.26, 0.65%, 0.49%

LAB 75.35, -48.55, 66.78

 

CMYK 43 / 0 / 89 / 11

HEX #80E218

RGB 128 226 24

HSL 89.11, 0.81%, 0.49%

LAB 81.32, -56.83, 76.51

 

CMYK 48 / 0 / 99 / 3

HEX #81F703

RGB 129 247 3

HSL 89.02, 0.98%, 0.49%

LAB 87.58, -64.63, 83.78

 

CMYK 38 / 0 / 79 / 19

HEX #7FCE2C

RGB 127 206 44

HSL 89.26, 0.65%, 0.49%

LAB 75.35, -48.55, 66.78

 

CMYK 32 / 0 / 66 / 27

HEX #7FBA40

RGB 127 186 64

HSL 89.02, 0.49%, 0.49%

LAB 69.47, -38.76, 53.83

 

CMYK 24 / 0 / 49 / 35

HEX #7EA654

RGB 126 166 84

HSL 89.27, 0.33%, 0.49%

LAB 63.63, -27.9, 37.87

 

CMYK 14 / 0 / 29 / 43

HEX #7E9268

RGB 126 146 104

HSL 88.57, 0.17%, 0.49%

LAB 58.03, -15, 19.97

 

CMYK 0 / 0 / 0 / 51

HEX #7D7D7D

RGB 125 125 125

HSL 0, 0%, 0.49%

LAB 52.41, 0, -0.01

 

CMYK 0 / 4 / 79 / 19

HEX #CEC62C

RGB 206 198 44

HSL 57.04, 0.65%, 0.49%

LAB 78.28, -13.53, 71.38

 

CMYK 17 / 0 / 79 / 19

HEX #ABCE2C

RGB 171 206 44

HSL 72.96, 0.65%, 0.49%

LAB 77.86, -32.03, 70.01

 

CMYK 38 / 0 / 79 / 19

HEX #80CE2C

RGB 128 206 44

HSL 88.89, 0.65%, 0.49%

LAB 75.4, -48.2, 66.85

 

CMYK 59 / 0 / 79 / 19

HEX #54CE2C

RGB 84 206 44

HSL 105.19, 0.65%, 0.49%

LAB 73.68, -61.23, 64.62

 

CMYK 79 / 0 / 78 / 19

HEX #2CCE2E

RGB 44 206 46

HSL 120.74, 0.65%, 0.49%

LAB 72.81, -68.52, 62.88

 

CMYK 38 / 0 / 79 / 46

HEX #558A1D

RGB 85 138 29

HSL 89.17, 0.65%, 0.33%

LAB 52.06, -35.37, 48.85

 

CMYK 38 / 0 / 78 / 33

HEX #6AAC25

RGB 106 172 37

HSL 89.33, 0.65%, 0.41%

LAB 63.92, -42.06, 57.85

 

CMYK 38 / 0 / 79 / 19

HEX #7FCE2C

RGB 127 206 44

HSL 89.26, 0.65%, 0.49%

LAB 75.35, -48.55, 66.78

 

CMYK 32 / 0 / 66 / 15

HEX #94D94A

RGB 148 217 74

HSL 88.95, 0.65%, 0.57%

LAB 79.85, -43.96, 61.16

 

CMYK 25 / 0 / 52 / 12

HEX #A8E06C

RGB 168 224 108

HSL 88.97, 0.65%, 0.65%

LAB 83.29, -36.83, 50.56

 

CMYK 38 / 0 / 79 / 19

HEX #80CF2C

RGB 128 207 44

HSL 89.08, 0.65%, 0.49%

LAB 75.7, -48.61, 67.12

 

CMYK 79 / 0 / 25 / 19

HEX #2CCE9B

RGB 44 206 155

HSL 161.11, 0.65%, 0.49%

LAB 74.22, -52.16, 14.05

 

CMYK 0 / 79 / 6 / 19

HEX #CE2CC1

RGB 206 44 193

HSL 304.81, 0.65%, 0.49%

LAB 50.42, 75.4, -41.99

 

CMYK 38 / 0 / 79 / 19

HEX #80CF2C

RGB 128 207 44

HSL 89.08, 0.65%, 0.49%

LAB 75.7, -48.61, 67.12

 

CMYK 79 / 38 / 0 / 19

HEX #2C80CE

RGB 44 128 206

HSL 208.89, 0.65%, 0.49%

LAB 52.32, 2.41, -47.34

 

CMYK 0 / 79 / 38 / 19

HEX #CE2C80

RGB 206 44 128

HSL 328.89, 0.65%, 0.49%

LAB 47.6, 67.24, -7.72

 

CMYK 38 / 0 / 79 / 19

HEX #80CF2C

RGB 128 207 44

HSL 89.08, 0.65%, 0.49%

LAB 75.7, -48.61, 67.12

 

CMYK 79 / 0 / 25 / 19

HEX #2CCE9B

RGB 44 206 155

HSL 161.11, 0.65%, 0.49%

LAB 74.22, -52.16, 14.05

 

CMYK 41 / 79 / 0 / 19

HEX #7A2CCE

RGB 122 44 206

HSL 268.89, 0.65%, 0.49%

LAB 38.54, 62.63, -69.33

 

CMYK 0 / 79 / 54 / 19

HEX #CE2C5F

RGB 206 44 95

HSL 341.11, 0.65%, 0.49%

LAB 46.64, 64.33, 11.15

 

CMYK 38 / 0 / 79 / 19

HEX #80CF2C

RGB 128 207 44

HSL 89.08, 0.65%, 0.49%

LAB 75.7, -48.61, 67.12

 

CMYK 79 / 0 / 1 / 19

HEX #2CCECB

RGB 44 206 203

HSL 178.89, 0.65%, 0.49%

LAB 75.45, -39.61, -10.02

 

CMYK 41 / 79 / 0 / 19

HEX #7A2CCE

RGB 122 44 206

HSL 268.89, 0.65%, 0.49%

LAB 38.54, 62.63, -69.33

 

CMYK 0 / 79 / 78 / 19

HEX #CE2C2E

RGB 206 44 46

HSL 359.26, 0.65%, 0.49%

LAB 45.8, 61.69, 39.58

 

Description

Color code: HEX #80CF2C | qconv.com Color code: HEX #80CF2C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 207 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 207 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 79 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 79% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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