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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80CE5C it is the complementary color #7F31A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80CE5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80CE5C shade: #85CE57, #96E06A, #A7F27D, #B8FF90 and #C9FFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80CE5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80CE5C shade: #80CE5C, #6FBC49, #5EAA36, #4D9823 and #3C8610

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80CE5C shade: #7FCE5A, #9ECE5A, #BDCE5A, #CEBF5A and #CEA05A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80CE5C shade: #7FCE5A, #5FCE5A, #5ACE74, #5ACE93 and #5ACEB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80CE5C shade matches the following richer shades: #7FCE5A, #78DF49 and #72F037

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80CE5C shade: #7FCE5A, #85BC6B, #8BAB7D, #929A8E and #98889F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80CE5C shade: #BCCE5A, #9ECE5A, #7FCE5A, #60CE5A and #5ACE73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80CE5C shade: #55A431, #66C43B, #7FCE5A, #97D77A and #B0E19A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80CE5C shade: #80CE5C, #5ACEC0 and #CE5AAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80CE5C shade: #80CE5C, #5A7FCE and #CE5A7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80CE5C shade: #80CE5C, #5ACEC0, #A95ACE and #CE5A68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80CE5C shade: #80CE5C, #5AB9CE, #A95ACE and #CE6F5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 55 / 19

HEX #80CE5C

RGB 128 206 92

HSL 101.05, 0.54%, 0.58%

LAB 75.76, -44.45, 48.56

 

Complementary color

CMYK 22 / 70 / 0 / 36

HEX #7F31A3

RGB 127 49 163

HSL 281.05, 0.54%, 0.42%

LAB 36.66, 51.74, -46.98

 

CMYK 35 / 0 / 58 / 19

HEX #85CE57

RGB 133 206 87

HSL 96.81, 0.55%, 0.57%

LAB 75.96, -43.3, 51.13

 

CMYK 33 / 0 / 53 / 12

HEX #96E06A

RGB 150 224 106

HSL 97.63, 0.66%, 0.65%

LAB 82.29, -43.33, 50.06

 

CMYK 31 / 0 / 48 / 5

HEX #A7F27D

RGB 167 242 125

HSL 98.46, 0.82%, 0.72%

LAB 88.54, -43.28, 48.93

 

CMYK 28 / 0 / 44 / 0

HEX #B8FF90

RGB 184 255 144

HSL 98.38, 1%, 0.78%

LAB 93.33, -41, 46.04

 

CMYK 21 / 0 / 36 / 0

HEX #C9FFA3

RGB 201 255 163

HSL 95.22, 1%, 0.82%

LAB 94.56, -32.77, 38.56

 

CMYK 38 / 0 / 55 / 19

HEX #80CE5C

RGB 128 206 92

HSL 101.05, 0.54%, 0.58%

LAB 75.76, -44.45, 48.56

 

CMYK 41 / 0 / 61 / 26

HEX #6FBC49

RGB 111 188 73

HSL 100.17, 0.46%, 0.51%

LAB 69.35, -44.38, 49.6

 

CMYK 45 / 0 / 68 / 33

HEX #5EAA36

RGB 94 170 54

HSL 99.31, 0.52%, 0.44%

LAB 62.84, -44.14, 50.41

 

CMYK 49 / 0 / 77 / 40

HEX #4D9823

RGB 77 152 35

HSL 98.46, 0.63%, 0.37%

LAB 56.24, -43.66, 50.7

 

CMYK 55 / 0 / 88 / 47

HEX #3C8610

RGB 60 134 16

HSL 97.63, 0.79%, 0.29%

LAB 49.55, -42.79, 49.91

 

CMYK 38 / 0 / 56 / 19

HEX #7FCE5A

RGB 127 206 90

HSL 100.86, 0.54%, 0.58%

LAB 75.7, -44.99, 49.39

 

CMYK 23 / 0 / 56 / 19

HEX #9ECE5A

RGB 158 206 90

HSL 84.83, 0.54%, 0.58%

LAB 77.37, -34.06, 51.76

 

CMYK 8 / 0 / 56 / 19

HEX #BDCE5A

RGB 189 206 90

HSL 68.79, 0.54%, 0.58%

LAB 79.44, -21.97, 54.67

 

CMYK 0 / 7 / 56 / 19

HEX #CEBF5A

RGB 206 191 90

HSL 52.24, 0.54%, 0.58%

LAB 76.75, -7.43, 51.97

 

CMYK 0 / 22 / 56 / 19

HEX #CEA05A

RGB 206 160 90

HSL 36.21, 0.54%, 0.58%

LAB 68.75, 8.98, 42.6

 

CMYK 38 / 0 / 56 / 19

HEX #7FCE5A

RGB 127 206 90

HSL 100.86, 0.54%, 0.58%

LAB 75.7, -44.99, 49.39

 

CMYK 54 / 0 / 56 / 19

HEX #5FCE5A

RGB 95 206 90

HSL 117.41, 0.54%, 0.58%

LAB 74.39, -54.42, 47.53

 

CMYK 56 / 0 / 44 / 19

HEX #5ACE74

RGB 90 206 116

HSL 133.45, 0.54%, 0.58%

LAB 74.56, -52.03, 35.06

 

CMYK 56 / 0 / 29 / 19

HEX #5ACE93

RGB 90 206 147

HSL 149.48, 0.54%, 0.58%

LAB 75.09, -46.42, 19.68

 

CMYK 56 / 0 / 14 / 19

HEX #5ACEB2

RGB 90 206 178

HSL 165.52, 0.54%, 0.58%

LAB 75.78, -39.55, 4.07

 

CMYK 38 / 0 / 56 / 19

HEX #7FCE5A

RGB 127 206 90

HSL 100.86, 0.54%, 0.58%

LAB 75.7, -44.99, 49.39

 

CMYK 46 / 0 / 67 / 13

HEX #78DF49

RGB 120 223 73

HSL 101.2, 0.7%, 0.58%

LAB 80.32, -55.65, 61.66

 

CMYK 53 / 0 / 77 / 6

HEX #72F037

RGB 114 240 55

HSL 100.86, 0.86%, 0.58%

LAB 85.08, -64.84, 72.52

 

CMYK 38 / 0 / 56 / 19

HEX #7FCE5A

RGB 127 206 90

HSL 100.86, 0.54%, 0.58%

LAB 75.7, -44.99, 49.39

 

CMYK 29 / 0 / 43 / 26

HEX #85BC6B

RGB 133 188 107

HSL 100.74, 0.38%, 0.58%

LAB 70.88, -32.89, 35.31

 

CMYK 19 / 0 / 27 / 33

HEX #8BAB7D

RGB 139 171 125

HSL 101.74, 0.21%, 0.58%

LAB 66.59, -19.74, 20.19

 

CMYK 5 / 0 / 8 / 40

HEX #929A8E

RGB 146 154 142

HSL 100, 0.06%, 0.58%

LAB 62.66, -5.19, 5.3

 

CMYK 4 / 14 / 0 / 38

HEX #98889F

RGB 152 136 159

HSL 281.74, 0.11%, 0.58%

LAB 58.78, 10.42, -10

 

CMYK 9 / 0 / 56 / 19

HEX #BCCE5A

RGB 188 206 90

HSL 69.31, 0.54%, 0.58%

LAB 79.37, -22.37, 54.57

 

CMYK 23 / 0 / 56 / 19

HEX #9ECE5A

RGB 158 206 90

HSL 84.83, 0.54%, 0.58%

LAB 77.37, -34.06, 51.76

 

CMYK 38 / 0 / 56 / 19

HEX #7FCE5A

RGB 127 206 90

HSL 100.86, 0.54%, 0.58%

LAB 75.7, -44.99, 49.39

 

CMYK 53 / 0 / 56 / 19

HEX #60CE5A

RGB 96 206 90

HSL 116.9, 0.54%, 0.58%

LAB 74.42, -54.16, 47.58

 

CMYK 56 / 0 / 44 / 19

HEX #5ACE73

RGB 90 206 115

HSL 132.93, 0.54%, 0.58%

LAB 74.54, -52.19, 35.55

 

CMYK 48 / 0 / 70 / 36

HEX #55A431

RGB 85 164 49

HSL 101.22, 0.54%, 0.42%

LAB 60.52, -44.97, 49.87

 

CMYK 48 / 0 / 70 / 23

HEX #66C43B

RGB 102 196 59

HSL 101.17, 0.54%, 0.5%

LAB 71.3, -51.67, 57.38

 

CMYK 38 / 0 / 56 / 19

HEX #7FCE5A

RGB 127 206 90

HSL 100.86, 0.54%, 0.58%

LAB 75.7, -44.99, 49.39

 

CMYK 30 / 0 / 43 / 16

HEX #97D77A

RGB 151 215 122

HSL 101.29, 0.54%, 0.66%

LAB 79.95, -37.08, 39.47

 

CMYK 22 / 0 / 32 / 12

HEX #B0E19A

RGB 176 225 154

HSL 101.41, 0.54%, 0.74%

LAB 84.7, -28.63, 29.75

 

CMYK 38 / 0 / 55 / 19

HEX #80CE5C

RGB 128 206 92

HSL 101.05, 0.54%, 0.58%

LAB 75.76, -44.45, 48.56

 

CMYK 56 / 0 / 7 / 19

HEX #5ACEC0

RGB 90 206 192

HSL 172.76, 0.54%, 0.58%

LAB 76.14, -36.07, -2.94

 

CMYK 0 / 56 / 16 / 19

HEX #CE5AAD

RGB 206 90 173

HSL 317.07, 0.54%, 0.58%

LAB 55.53, 55.6, -22.4

 

CMYK 38 / 0 / 55 / 19

HEX #80CE5C

RGB 128 206 92

HSL 101.05, 0.54%, 0.58%

LAB 75.76, -44.45, 48.56

 

CMYK 56 / 38 / 0 / 19

HEX #5A7FCE

RGB 90 127 206

HSL 220.86, 0.54%, 0.58%

LAB 53.82, 10.37, -44.84

 

CMYK 0 / 56 / 38 / 19

HEX #CE5A7F

RGB 206 90 127

HSL 340.86, 0.54%, 0.58%

LAB 53.99, 49.52, 2.29

 

CMYK 38 / 0 / 55 / 19

HEX #80CE5C

RGB 128 206 92

HSL 101.05, 0.54%, 0.58%

LAB 75.76, -44.45, 48.56

 

CMYK 56 / 0 / 7 / 19

HEX #5ACEC0

RGB 90 206 192

HSL 172.76, 0.54%, 0.58%

LAB 76.14, -36.07, -2.94

 

CMYK 18 / 56 / 0 / 19

HEX #A95ACE

RGB 169 90 206

HSL 280.86, 0.54%, 0.58%

LAB 52.07, 51.37, -47.2

 

CMYK 0 / 56 / 50 / 19

HEX #CE5A68

RGB 206 90 104

HSL 352.76, 0.54%, 0.58%

LAB 53.42, 47.18, 15.11

 

CMYK 38 / 0 / 55 / 19

HEX #80CE5C

RGB 128 206 92

HSL 101.05, 0.54%, 0.58%

LAB 75.76, -44.45, 48.56

 

CMYK 56 / 10 / 0 / 19

HEX #5AB9CE

RGB 90 185 206

HSL 190.86, 0.54%, 0.58%

LAB 70.4, -22.06, -19.12

 

CMYK 18 / 56 / 0 / 19

HEX #A95ACE

RGB 169 90 206

HSL 280.86, 0.54%, 0.58%

LAB 52.07, 51.37, -47.2

 

CMYK 0 / 46 / 56 / 19

HEX #CE6F5A

RGB 206 111 90

HSL 10.86, 0.54%, 0.58%

LAB 57.3, 35.42, 28.39

 

Description

Color code: HEX #80CE5C | qconv.com Color code: HEX #80CE5C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 206 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 206 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 55 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 55% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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