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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80CB2C it is the complementary color #7F34D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80CB2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80CB2C shade: #85CB27, #96DD3A, #A7EF4D, #B8FF60 and #C9FF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80CB2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80CB2C shade: #80CB2C, #6FB919, #5EA706, #4D9500 and #3C8300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80CB2C shade: #7FC92C, #A9C92C, #C9BE2C, #C9942C and #C96A2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80CB2C shade: #7FC92C, #55C92C, #2CC92E, #2CC958 and #2CC982

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80CB2C shade matches the following richer shades: #7FC92C, #80DD18 and #81F004

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80CB2C shade: #7FC92C, #7EB540, #7DA154, #7B8D67 and #7A7A7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80CB2C shade: #C9BE2C, #A9C92C, #80C92C, #56C92C and #2CC92C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80CB2C shade: #54851D, #69A725, #7FC92C, #93D747 and #A7DE69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80CB2C shade: #80CB2C, #2CC995 and #C92CBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80CB2C shade: #80CB2C, #2C80C9 and #C92C80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80CB2C shade: #80CB2C, #2CC995, #752CC9 and #C92C60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80CB2C shade: #80CB2C, #2CC9C4, #752CC9 and #C92C31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 78 / 20

HEX #80CB2C

RGB 128 203 44

HSL 88.3, 0.64%, 0.48%

LAB 74.5, -46.97, 66.01

 

Complementary color

CMYK 40 / 75 / 0 / 17

HEX #7F34D3

RGB 127 52 211

HSL 268.3, 0.64%, 0.52%

LAB 40.69, 61.43, -68.68

 

CMYK 34 / 0 / 81 / 20

HEX #85CB27

RGB 133 203 39

HSL 85.61, 0.68%, 0.47%

LAB 74.73, -45.44, 67.72

 

CMYK 32 / 0 / 74 / 13

HEX #96DD3A

RGB 150 221 58

HSL 86.13, 0.71%, 0.55%

LAB 81.02, -46.01, 68.21

 

CMYK 30 / 0 / 68 / 6

HEX #A7EF4D

RGB 167 239 77

HSL 86.67, 0.84%, 0.62%

LAB 87.23, -46.41, 68.04

 

CMYK 28 / 0 / 62 / 0

HEX #B8FF60

RGB 184 255 96

HSL 86.79, 1%, 0.69%

LAB 92.82, -45.83, 66.87

 

CMYK 21 / 0 / 55 / 0

HEX #C9FF73

RGB 201 255 115

HSL 83.14, 1%, 0.73%

LAB 93.96, -38.14, 60.4

 

CMYK 37 / 0 / 78 / 20

HEX #80CB2C

RGB 128 203 44

HSL 88.3, 0.64%, 0.48%

LAB 74.5, -46.97, 66.01

 

CMYK 40 / 0 / 86 / 27

HEX #6FB919

RGB 111 185 25

HSL 87.75, 0.76%, 0.41%

LAB 68.13, -46.25, 64.88

 

CMYK 44 / 0 / 96 / 35

HEX #5EA706

RGB 94 167 6

HSL 87.2, 0.93%, 0.34%

LAB 61.68, -45.23, 62.33

 

CMYK 48 / 0 / 100 / 42

HEX #4D9500

RGB 77 149 0

HSL 88.99, 1%, 0.29%

LAB 55.15, -43.82, 57.74

 

CMYK 54 / 0 / 100 / 49

HEX #3C8300

RGB 60 131 0

HSL 92.52, 1%, 0.26%

LAB 48.5, -42.15, 52.23

 

CMYK 37 / 0 / 78 / 21

HEX #7FC92C

RGB 127 201 44

HSL 88.28, 0.64%, 0.48%

LAB 73.85, -46.49, 65.38

 

CMYK 16 / 0 / 78 / 21

HEX #A9C92C

RGB 169 201 44

HSL 72.23, 0.64%, 0.48%

LAB 76.31, -30.5, 68.55

 

CMYK 0 / 5 / 78 / 21

HEX #C9BE2C

RGB 201 190 44

HSL 55.8, 0.64%, 0.48%

LAB 75.72, -11.62, 68.93

 

CMYK 0 / 26 / 78 / 21

HEX #C9942C

RGB 201 148 44

HSL 39.75, 0.64%, 0.48%

LAB 64.79, 10.61, 58.97

 

CMYK 0 / 47 / 78 / 21

HEX #C96A2C

RGB 201 106 44

HSL 23.69, 0.64%, 0.48%

LAB 54.98, 33.34, 49.63

 

CMYK 37 / 0 / 78 / 21

HEX #7FC92C

RGB 127 201 44

HSL 88.28, 0.64%, 0.48%

LAB 73.85, -46.49, 65.38

 

CMYK 58 / 0 / 78 / 21

HEX #55C92C

RGB 85 201 44

HSL 104.33, 0.64%, 0.48%

LAB 72.15, -59.23, 63.18

 

CMYK 78 / 0 / 77 / 21

HEX #2CC92E

RGB 44 201 46

HSL 120.76, 0.64%, 0.48%

LAB 71.22, -67.01, 61.34

 

CMYK 78 / 0 / 56 / 21

HEX #2CC958

RGB 44 201 88

HSL 136.82, 0.64%, 0.48%

LAB 71.56, -62.78, 44.81

 

CMYK 78 / 0 / 35 / 21

HEX #2CC982

RGB 44 201 130

HSL 152.87, 0.64%, 0.48%

LAB 72.18, -55.68, 24.5

 

CMYK 37 / 0 / 78 / 21

HEX #7FC92C

RGB 127 201 44

HSL 88.28, 0.64%, 0.48%

LAB 73.85, -46.49, 65.38

 

CMYK 42 / 0 / 89 / 13

HEX #80DD18

RGB 128 221 24

HSL 88.32, 0.8%, 0.48%

LAB 79.82, -54.91, 75.27

 

CMYK 46 / 0 / 98 / 6

HEX #81F004

RGB 129 240 4

HSL 88.22, 0.97%, 0.48%

LAB 85.5, -62.08, 82.07

 

CMYK 37 / 0 / 78 / 21

HEX #7FC92C

RGB 127 201 44

HSL 88.28, 0.64%, 0.48%

LAB 73.85, -46.49, 65.38

 

CMYK 30 / 0 / 65 / 29

HEX #7EB540

RGB 126 181 64

HSL 88.21, 0.48%, 0.48%

LAB 67.91, -36.89, 52.14

 

CMYK 22 / 0 / 48 / 37

HEX #7DA154

RGB 125 161 84

HSL 88.05, 0.31%, 0.48%

LAB 62.07, -25.84, 35.95

 

CMYK 13 / 0 / 27 / 45

HEX #7B8D67

RGB 123 141 103

HSL 88.42, 0.16%, 0.48%

LAB 56.33, -13.66, 18.18

 

CMYK 1 / 1 / 0 / 52

HEX #7A7A7B

RGB 122 122 123

HSL 240, 0%, 0.48%

LAB 51.25, 0.2, -0.55

 

CMYK 0 / 5 / 78 / 21

HEX #C9BE2C

RGB 201 190 44

HSL 55.8, 0.64%, 0.48%

LAB 75.72, -11.62, 68.93

 

CMYK 16 / 0 / 78 / 21

HEX #A9C92C

RGB 169 201 44

HSL 72.23, 0.64%, 0.48%

LAB 76.31, -30.5, 68.55

 

CMYK 36 / 0 / 78 / 21

HEX #80C92C

RGB 128 201 44

HSL 87.9, 0.64%, 0.48%

LAB 73.9, -46.14, 65.45

 

CMYK 57 / 0 / 78 / 21

HEX #56C92C

RGB 86 201 44

HSL 103.95, 0.64%, 0.48%

LAB 72.18, -58.98, 63.22

 

CMYK 78 / 0 / 78 / 21

HEX #2CC92C

RGB 44 201 44

HSL 120, 0.64%, 0.48%

LAB 71.21, -67.14, 61.95

 

CMYK 37 / 0 / 78 / 48

HEX #54851D

RGB 84 133 29

HSL 88.27, 0.64%, 0.32%

LAB 50.39, -33.5, 47.24

 

CMYK 37 / 0 / 78 / 35

HEX #69A725

RGB 105 167 37

HSL 88.62, 0.64%, 0.4%

LAB 62.32, -40.28, 56.32

 

CMYK 37 / 0 / 78 / 21

HEX #7FC92C

RGB 127 201 44

HSL 88.28, 0.64%, 0.48%

LAB 73.85, -46.49, 65.38

 

CMYK 32 / 0 / 67 / 16

HEX #93D747

RGB 147 215 71

HSL 88.33, 0.64%, 0.56%

LAB 79.19, -43.68, 61.63

 

CMYK 25 / 0 / 53 / 13

HEX #A7DE69

RGB 167 222 105

HSL 88.21, 0.64%, 0.64%

LAB 82.64, -36.59, 51.16

 

CMYK 37 / 0 / 78 / 20

HEX #80CB2C

RGB 128 203 44

HSL 88.3, 0.64%, 0.48%

LAB 74.5, -46.97, 66.01

 

CMYK 78 / 0 / 26 / 21

HEX #2CC995

RGB 44 201 149

HSL 160.13, 0.64%, 0.48%

LAB 72.55, -51.57, 14.91

 

CMYK 0 / 78 / 5 / 21

HEX #C92CBE

RGB 201 44 190

HSL 304.2, 0.64%, 0.48%

LAB 49.42, 73.94, -41.89

 

CMYK 37 / 0 / 78 / 20

HEX #80CB2C

RGB 128 203 44

HSL 88.3, 0.64%, 0.48%

LAB 74.5, -46.97, 66.01

 

CMYK 78 / 36 / 0 / 21

HEX #2C80C9

RGB 44 128 201

HSL 207.9, 0.64%, 0.48%

LAB 52.05, 0.56, -44.92

 

CMYK 0 / 78 / 36 / 21

HEX #C92C80

RGB 201 44 128

HSL 327.9, 0.64%, 0.48%

LAB 46.68, 65.98, -9.19

 

CMYK 37 / 0 / 78 / 20

HEX #80CB2C

RGB 128 203 44

HSL 88.3, 0.64%, 0.48%

LAB 74.5, -46.97, 66.01

 

CMYK 78 / 0 / 26 / 21

HEX #2CC995

RGB 44 201 149

HSL 160.13, 0.64%, 0.48%

LAB 72.55, -51.57, 14.91

 

CMYK 42 / 78 / 0 / 21

HEX #752CC9

RGB 117 44 201

HSL 267.9, 0.64%, 0.48%

LAB 37.48, 60.69, -68.18

 

CMYK 0 / 78 / 52 / 21

HEX #C92C60

RGB 201 44 96

HSL 340.13, 0.64%, 0.48%

LAB 45.72, 63.05, 9.09

 

CMYK 37 / 0 / 78 / 20

HEX #80CB2C

RGB 128 203 44

HSL 88.3, 0.64%, 0.48%

LAB 74.5, -46.97, 66.01

 

CMYK 78 / 0 / 2 / 21

HEX #2CC9C4

RGB 44 201 196

HSL 178.09, 0.64%, 0.48%

LAB 73.74, -39.36, -8.78

 

CMYK 42 / 78 / 0 / 21

HEX #752CC9

RGB 117 44 201

HSL 267.9, 0.64%, 0.48%

LAB 37.48, 60.69, -68.18

 

CMYK 0 / 78 / 76 / 21

HEX #C92C31

RGB 201 44 49

HSL 358.09, 0.64%, 0.48%

LAB 44.86, 60.34, 36.57

 

Description

Color code: HEX #80CB2C | qconv.com Color code: HEX #80CB2C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 203 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 203 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 78 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 78% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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