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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80C92B it is the complementary color #7F36D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80C92B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80C92B shade: #85C926, #96DB39, #A7ED4C, #B8FF5F and #C9FF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80C92B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80C92B shade: #80C92B, #6FB718, #5EA505, #4D9300 and #3C8100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80C92B shade: #80CA2B, #ABCA2B, #CABE2B, #CA932B and #CA682B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80C92B shade: #80CA2B, #56CA2B, #2BCA2B, #2BCA56 and #2BCA81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80C92B shade matches the following richer shades: #80CA2B, #82DE17 and #83F203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80C92B shade: #80CA2B, #7FB63F, #7DA252, #7C8F66 and #7A7B7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80C92B shade: #CABD2B, #ADCA2B, #82CA2B, #58CA2B and #2DCA2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80C92B shade: #55861C, #6BA824, #80CA2B, #95D846 and #A8DF68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80C92B shade: #80C92B, #2BCA92 and #CA2BC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80C92B shade: #80C92B, #2B82CA and #CA2B82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80C92B shade: #80C92B, #2BCA92, #722BCA and #CA2B63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80C92B shade: #80C92B, #2BCAC2, #722BCA and #CA2B33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 79 / 21

HEX #80C92B

RGB 128 201 43

HSL 87.72, 0.65%, 0.48%

LAB 73.89, -46.19, 65.74

 

Complementary color

CMYK 40 / 75 / 0 / 17

HEX #7F36D4

RGB 127 54 212

HSL 267.72, 0.65%, 0.52%

LAB 41.06, 60.83, -68.65

 

CMYK 34 / 0 / 81 / 21

HEX #85C926

RGB 133 201 38

HSL 85.03, 0.68%, 0.47%

LAB 74.13, -44.63, 67.45

 

CMYK 32 / 0 / 74 / 14

HEX #96DB39

RGB 150 219 57

HSL 85.56, 0.69%, 0.54%

LAB 80.43, -45.21, 67.97

 

CMYK 30 / 0 / 68 / 7

HEX #A7ED4C

RGB 167 237 76

HSL 86.09, 0.82%, 0.61%

LAB 86.66, -45.62, 67.82

 

CMYK 28 / 0 / 63 / 0

HEX #B8FF5F

RGB 184 255 95

HSL 86.63, 1%, 0.69%

LAB 92.81, -45.91, 67.26

 

CMYK 21 / 0 / 55 / 0

HEX #C9FF72

RGB 201 255 114

HSL 82.98, 1%, 0.72%

LAB 93.95, -38.23, 60.83

 

CMYK 36 / 0 / 79 / 21

HEX #80C92B

RGB 128 201 43

HSL 87.72, 0.65%, 0.48%

LAB 73.89, -46.19, 65.74

 

CMYK 39 / 0 / 87 / 28

HEX #6FB718

RGB 111 183 24

HSL 87.17, 0.77%, 0.41%

LAB 67.51, -45.46, 64.56

 

CMYK 43 / 0 / 97 / 35

HEX #5EA505

RGB 94 165 5

HSL 86.63, 0.94%, 0.33%

LAB 61.05, -44.44, 61.96

 

CMYK 48 / 0 / 100 / 42

HEX #4D9300

RGB 77 147 0

HSL 88.57, 1%, 0.29%

LAB 54.5, -43.02, 57.23

 

CMYK 53 / 0 / 100 / 49

HEX #3C8100

RGB 60 129 0

HSL 92.09, 1%, 0.25%

LAB 47.83, -41.36, 51.7

 

CMYK 37 / 0 / 79 / 21

HEX #80CA2B

RGB 128 202 43

HSL 87.92, 0.65%, 0.48%

LAB 74.19, -46.6, 66.02

 

CMYK 15 / 0 / 79 / 21

HEX #ABCA2B

RGB 171 202 43

HSL 71.7, 0.65%, 0.48%

LAB 76.72, -30.2, 69.27

 

CMYK 0 / 6 / 79 / 21

HEX #CABE2B

RGB 202 190 43

HSL 55.47, 0.65%, 0.48%

LAB 75.8, -11.23, 69.34

 

CMYK 0 / 27 / 79 / 21

HEX #CA932B

RGB 202 147 43

HSL 39.25, 0.65%, 0.48%

LAB 64.64, 11.56, 59.25

 

CMYK 0 / 49 / 79 / 21

HEX #CA682B

RGB 202 104 43

HSL 23.02, 0.65%, 0.48%

LAB 54.69, 34.76, 49.85

 

CMYK 37 / 0 / 79 / 21

HEX #80CA2B

RGB 128 202 43

HSL 87.92, 0.65%, 0.48%

LAB 74.19, -46.6, 66.02

 

CMYK 57 / 0 / 79 / 21

HEX #56CA2B

RGB 86 202 43

HSL 103.77, 0.65%, 0.48%

LAB 72.49, -59.39, 63.82

 

CMYK 79 / 0 / 79 / 21

HEX #2BCA2B

RGB 43 202 43

HSL 120, 0.65%, 0.48%

LAB 71.51, -67.64, 62.53

 

CMYK 79 / 0 / 57 / 21

HEX #2BCA56

RGB 43 202 86

HSL 136.23, 0.65%, 0.48%

LAB 71.84, -63.5, 46.06

 

CMYK 79 / 0 / 36 / 21

HEX #2BCA81

RGB 43 202 129

HSL 152.45, 0.65%, 0.48%

LAB 72.45, -56.37, 25.4

 

CMYK 37 / 0 / 79 / 21

HEX #80CA2B

RGB 128 202 43

HSL 87.92, 0.65%, 0.48%

LAB 74.19, -46.6, 66.02

 

CMYK 41 / 0 / 90 / 13

HEX #82DE17

RGB 130 222 23

HSL 87.74, 0.81%, 0.48%

LAB 80.21, -54.67, 75.78

 

CMYK 46 / 0 / 99 / 5

HEX #83F203

RGB 131 242 3

HSL 87.87, 0.98%, 0.48%

LAB 86.17, -62.22, 82.71

 

CMYK 37 / 0 / 79 / 21

HEX #80CA2B

RGB 128 202 43

HSL 87.92, 0.65%, 0.48%

LAB 74.19, -46.6, 66.02

 

CMYK 30 / 0 / 65 / 29

HEX #7FB63F

RGB 127 182 63

HSL 87.73, 0.49%, 0.48%

LAB 68.26, -37.05, 52.95

 

CMYK 23 / 0 / 49 / 36

HEX #7DA252

RGB 125 162 82

HSL 87.75, 0.33%, 0.48%

LAB 62.35, -26.57, 37.3

 

CMYK 13 / 0 / 29 / 44

HEX #7C8F66

RGB 124 143 102

HSL 87.8, 0.17%, 0.48%

LAB 56.97, -14.5, 19.63

 

CMYK 1 / 0 / 1 / 52

HEX #7A7B7A

RGB 122 123 122

HSL 120, 0%, 0.48%

LAB 51.51, -0.57, 0.41

HEX #7A7B7A

CMYK 0 / 6 / 79 / 21

HEX #CABD2B

RGB 202 189 43

HSL 55.09, 0.65%, 0.48%

LAB 75.53, -10.72, 69.1

 

CMYK 14 / 0 / 79 / 21

HEX #ADCA2B

RGB 173 202 43

HSL 70.94, 0.65%, 0.48%

LAB 76.86, -29.38, 69.44

 

CMYK 36 / 0 / 79 / 21

HEX #82CA2B

RGB 130 202 43

HSL 87.17, 0.65%, 0.48%

LAB 74.29, -45.9, 66.15

 

CMYK 56 / 0 / 79 / 21

HEX #58CA2B

RGB 88 202 43

HSL 103.02, 0.65%, 0.48%

LAB 72.55, -58.88, 63.9

 

CMYK 78 / 0 / 79 / 21

HEX #2DCA2B

RGB 45 202 43

HSL 119.25, 0.65%, 0.48%

LAB 71.54, -67.38, 62.57

 

CMYK 37 / 0 / 79 / 47

HEX #55861C

RGB 85 134 28

HSL 87.74, 0.65%, 0.32%

LAB 50.76, -33.63, 47.96

 

CMYK 36 / 0 / 79 / 34

HEX #6BA824

RGB 107 168 36

HSL 87.73, 0.65%, 0.4%

LAB 62.73, -40.04, 57.06

 

CMYK 37 / 0 / 79 / 21

HEX #80CA2B

RGB 128 202 43

HSL 87.92, 0.65%, 0.48%

LAB 74.19, -46.6, 66.02

 

CMYK 31 / 0 / 68 / 15

HEX #95D846

RGB 149 216 70

HSL 87.53, 0.65%, 0.56%

LAB 79.58, -43.47, 62.46

 

CMYK 25 / 0 / 53 / 13

HEX #A8DF68

RGB 168 223 104

HSL 87.73, 0.65%, 0.64%

LAB 82.97, -36.78, 52.02

 

CMYK 36 / 0 / 79 / 21

HEX #80C92B

RGB 128 201 43

HSL 87.72, 0.65%, 0.48%

LAB 73.89, -46.19, 65.74

 

CMYK 79 / 0 / 28 / 21

HEX #2BCA92

RGB 43 202 146

HSL 158.87, 0.65%, 0.48%

LAB 72.78, -52.75, 16.84

 

CMYK 0 / 79 / 4 / 21

HEX #CA2BC2

RGB 202 43 194

HSL 303.02, 0.65%, 0.48%

LAB 49.71, 75, -43.74

 

CMYK 36 / 0 / 79 / 21

HEX #80C92B

RGB 128 201 43

HSL 87.72, 0.65%, 0.48%

LAB 73.89, -46.19, 65.74

 

CMYK 79 / 36 / 0 / 21

HEX #2B82CA

RGB 43 130 202

HSL 207.17, 0.65%, 0.48%

LAB 52.67, -0.38, -44.52

 

CMYK 0 / 79 / 36 / 21

HEX #CA2B82

RGB 202 43 130

HSL 327.17, 0.65%, 0.48%

LAB 46.84, 66.72, -10.16

 

CMYK 36 / 0 / 79 / 21

HEX #80C92B

RGB 128 201 43

HSL 87.72, 0.65%, 0.48%

LAB 73.89, -46.19, 65.74

 

CMYK 79 / 0 / 28 / 21

HEX #2BCA92

RGB 43 202 146

HSL 158.87, 0.65%, 0.48%

LAB 72.78, -52.75, 16.84

 

CMYK 44 / 79 / 0 / 21

HEX #722BCA

RGB 114 43 202

HSL 266.79, 0.65%, 0.48%

LAB 37.06, 60.88, -69.47

 

CMYK 0 / 79 / 51 / 21

HEX #CA2B63

RGB 202 43 99

HSL 338.87, 0.65%, 0.48%

LAB 45.89, 63.84, 7.5

 

CMYK 36 / 0 / 79 / 21

HEX #80C92B

RGB 128 201 43

HSL 87.72, 0.65%, 0.48%

LAB 73.89, -46.19, 65.74

 

CMYK 79 / 0 / 4 / 21

HEX #2BCAC2

RGB 43 202 194

HSL 176.98, 0.65%, 0.48%

LAB 73.97, -40.47, -7.35

 

CMYK 44 / 79 / 0 / 21

HEX #722BCA

RGB 114 43 202

HSL 266.79, 0.65%, 0.48%

LAB 37.06, 60.88, -69.47

 

CMYK 0 / 79 / 75 / 21

HEX #CA2B33

RGB 202 43 51

HSL 356.98, 0.65%, 0.48%

LAB 44.97, 61, 35.6

 

Description

Color code: HEX #80C92B | qconv.com Color code: HEX #80C92B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 201 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 201 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 79 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 79% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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