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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80C13B it is the complementary color #7F3EC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80C13B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80C13B shade: #85C136, #96D349, #A7E55C, #B8F76F and #C9FF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80C13B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80C13B shade: #80C13B, #6FAF28, #5E9D15, #4D8B02 and #3C7900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80C13B shade: #7FBF3B, #A3BF3B, #BFB83B, #BF943B and #BF713B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80C13B shade: #7FBF3B, #5BBF3B, #3BBF3E, #3BBF62 and #3BBF85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80C13B shade matches the following richer shades: #7FBF3B, #80D327 and #80E812

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80C13B shade: #7FBF3B, #7EAB4F, #7E9763, #7D8377 and #7D6E8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80C13B shade: #BFB93B, #A2BF3B, #7FBF3B, #5CBF3B and #3BBF3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80C13B shade: #558027, #6AA031, #7FBF3B, #93CC58 and #A8D577

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80C13B shade: #80C13B, #3BBF95 and #BF3BB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80C13B shade: #80C13B, #3B7FBF and #BF3B7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80C13B shade: #80C13B, #3BBF95, #7B3BBF and #BF3B65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80C13B shade: #80C13B, #3BBFBD, #7B3BBF and #BF3B3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 69 / 24

HEX #80C13B

RGB 128 193 59

HSL 89.1, 0.53%, 0.49%

LAB 71.59, -41.84, 58.06

 

Complementary color

CMYK 35 / 68 / 0 / 23

HEX #7F3EC4

RGB 127 62 196

HSL 269.1, 0.53%, 0.51%

LAB 41.13, 53.33, -59.28

 

CMYK 31 / 0 / 72 / 24

HEX #85C136

RGB 133 193 54

HSL 85.9, 0.56%, 0.48%

LAB 71.82, -40.36, 60.24

 

CMYK 29 / 0 / 65 / 17

HEX #96D349

RGB 150 211 73

HSL 86.52, 0.61%, 0.56%

LAB 78.2, -40.71, 59.85

 

CMYK 27 / 0 / 60 / 10

HEX #A7E55C

RGB 167 229 92

HSL 87.15, 0.72%, 0.63%

LAB 84.5, -40.94, 59.1

 

CMYK 26 / 0 / 55 / 3

HEX #B8F76F

RGB 184 247 111

HSL 87.79, 0.89%, 0.7%

LAB 90.72, -41.07, 58.15

 

CMYK 21 / 0 / 49 / 0

HEX #C9FF82

RGB 201 255 130

HSL 85.92, 1%, 0.75%

LAB 94.12, -36.69, 53.82

 

CMYK 34 / 0 / 69 / 24

HEX #80C13B

RGB 128 193 59

HSL 89.1, 0.53%, 0.49%

LAB 71.59, -41.84, 58.06

 

CMYK 37 / 0 / 77 / 31

HEX #6FAF28

RGB 111 175 40

HSL 88.44, 0.63%, 0.42%

LAB 65.12, -41.4, 58.11

 

CMYK 40 / 0 / 87 / 38

HEX #5E9D15

RGB 94 157 21

HSL 87.79, 0.76%, 0.35%

LAB 58.55, -40.7, 57.17

 

CMYK 45 / 0 / 99 / 45

HEX #4D8B02

RGB 77 139 2

HSL 87.15, 0.97%, 0.28%

LAB 51.89, -39.7, 54.83

 

CMYK 50 / 0 / 100 / 53

HEX #3C7900

RGB 60 121 0

HSL 90.25, 1%, 0.24%

LAB 45.13, -38.15, 49.58

 

CMYK 34 / 0 / 69 / 25

HEX #7FBF3B

RGB 127 191 59

HSL 89.09, 0.53%, 0.49%

LAB 70.93, -41.33, 57.37

 

CMYK 15 / 0 / 69 / 25

HEX #A3BF3B

RGB 163 191 59

HSL 72.73, 0.53%, 0.49%

LAB 73.13, -27.43, 60.32

 

CMYK 0 / 4 / 69 / 25

HEX #BFB83B

RGB 191 184 59

HSL 56.82, 0.53%, 0.49%

LAB 73.33, -12.19, 61.23

 

CMYK 0 / 23 / 69 / 25

HEX #BF943B

RGB 191 148 59

HSL 40.45, 0.53%, 0.49%

LAB 63.81, 6.92, 51.49

 

CMYK 0 / 41 / 69 / 25

HEX #BF713B

RGB 191 113 59

HSL 24.55, 0.53%, 0.49%

LAB 55.28, 26.16, 42.28

 

CMYK 34 / 0 / 69 / 25

HEX #7FBF3B

RGB 127 191 59

HSL 89.09, 0.53%, 0.49%

LAB 70.93, -41.33, 57.37

 

CMYK 52 / 0 / 69 / 25

HEX #5BBF3B

RGB 91 191 59

HSL 105.45, 0.53%, 0.49%

LAB 69.33, -52.93, 55.2

 

CMYK 69 / 0 / 68 / 25

HEX #3BBF3E

RGB 59 191 62

HSL 121.36, 0.53%, 0.49%

LAB 68.42, -60.14, 52.76

 

CMYK 69 / 0 / 49 / 25

HEX #3BBF62

RGB 59 191 98

HSL 137.73, 0.53%, 0.49%

LAB 68.8, -55.6, 36.64

 

CMYK 69 / 0 / 30 / 25

HEX #3BBF85

RGB 59 191 133

HSL 153.64, 0.53%, 0.49%

LAB 69.39, -49.11, 19.15

 

CMYK 34 / 0 / 69 / 25

HEX #7FBF3B

RGB 127 191 59

HSL 89.09, 0.53%, 0.49%

LAB 70.93, -41.33, 57.37

 

CMYK 39 / 0 / 82 / 17

HEX #80D327

RGB 128 211 39

HSL 88.95, 0.69%, 0.49%

LAB 76.87, -50.46, 69.56

 

CMYK 45 / 0 / 92 / 9

HEX #80E812

RGB 128 232 18

HSL 89.16, 0.86%, 0.49%

LAB 83.1, -59.23, 78.82

 

CMYK 34 / 0 / 69 / 25

HEX #7FBF3B

RGB 127 191 59

HSL 89.09, 0.53%, 0.49%

LAB 70.93, -41.33, 57.37

 

CMYK 26 / 0 / 54 / 33

HEX #7EAB4F

RGB 126 171 79

HSL 89.35, 0.37%, 0.49%

LAB 65.06, -30.86, 42.07

 

CMYK 17 / 0 / 34 / 41

HEX #7E9763

RGB 126 151 99

HSL 88.85, 0.21%, 0.49%

LAB 59.41, -18.39, 24.58

 

CMYK 5 / 0 / 9 / 49

HEX #7D8377

RGB 125 131 119

HSL 90, 0.05%, 0.49%

LAB 53.95, -4.58, 5.72

 

CMYK 11 / 21 / 0 / 45

HEX #7D6E8C

RGB 125 110 140

HSL 270, 0.12%, 0.49%

LAB 48.77, 11.99, -14.26

 

CMYK 0 / 3 / 69 / 25

HEX #BFB93B

RGB 191 185 59

HSL 57.27, 0.53%, 0.49%

LAB 73.6, -12.71, 61.5

 

CMYK 15 / 0 / 69 / 25

HEX #A2BF3B

RGB 162 191 59

HSL 73.18, 0.53%, 0.49%

LAB 73.06, -27.84, 60.22

 

CMYK 34 / 0 / 69 / 25

HEX #7FBF3B

RGB 127 191 59

HSL 89.09, 0.53%, 0.49%

LAB 70.93, -41.33, 57.37

 

CMYK 52 / 0 / 69 / 25

HEX #5CBF3B

RGB 92 191 59

HSL 105, 0.53%, 0.49%

LAB 69.36, -52.65, 55.25

 

CMYK 69 / 0 / 68 / 25

HEX #3BBF3D

RGB 59 191 61

HSL 120.91, 0.53%, 0.49%

LAB 68.41, -60.24, 53.15

 

CMYK 34 / 0 / 70 / 50

HEX #558027

RGB 85 128 39

HSL 88.99, 0.53%, 0.33%

LAB 48.9, -30.1, 41.86

 

CMYK 34 / 0 / 69 / 37

HEX #6AA031

RGB 106 160 49

HSL 89.19, 0.53%, 0.41%

LAB 60.27, -36.06, 49.93

 

CMYK 34 / 0 / 69 / 25

HEX #7FBF3B

RGB 127 191 59

HSL 89.09, 0.53%, 0.49%

LAB 70.93, -41.33, 57.37

 

CMYK 28 / 0 / 57 / 20

HEX #93CC58

RGB 147 204 88

HSL 89.48, 0.53%, 0.57%

LAB 76.13, -37.4, 51.07

 

CMYK 21 / 0 / 44 / 16

HEX #A8D577

RGB 168 213 119

HSL 88.72, 0.53%, 0.65%

LAB 80.32, -30.52, 41.63

 

CMYK 34 / 0 / 69 / 24

HEX #80C13B

RGB 128 193 59

HSL 89.1, 0.53%, 0.49%

LAB 71.59, -41.84, 58.06

 

CMYK 69 / 0 / 22 / 25

HEX #3BBF95

RGB 59 191 149

HSL 160.91, 0.53%, 0.49%

LAB 69.73, -45.52, 10.98

 

CMYK 0 / 69 / 6 / 25

HEX #BF3BB4

RGB 191 59 180

HSL 305, 0.53%, 0.49%

LAB 48.88, 65.57, -37.01

 

CMYK 34 / 0 / 69 / 24

HEX #80C13B

RGB 128 193 59

HSL 89.1, 0.53%, 0.49%

LAB 71.59, -41.84, 58.06

 

CMYK 69 / 34 / 0 / 25

HEX #3B7FBF

RGB 59 127 191

HSL 209.09, 0.53%, 0.49%

LAB 51.69, -0.46, -39.76

 

CMYK 0 / 69 / 34 / 25

HEX #BF3B7F

RGB 191 59 127

HSL 329.09, 0.53%, 0.49%

LAB 46.63, 58.25, -8.84

 

CMYK 34 / 0 / 69 / 24

HEX #80C13B

RGB 128 193 59

HSL 89.1, 0.53%, 0.49%

LAB 71.59, -41.84, 58.06

 

CMYK 69 / 0 / 22 / 25

HEX #3BBF95

RGB 59 191 149

HSL 160.91, 0.53%, 0.49%

LAB 69.73, -45.52, 10.98

 

CMYK 36 / 69 / 0 / 25

HEX #7B3BBF

RGB 123 59 191

HSL 269.09, 0.53%, 0.49%

LAB 39.75, 52.75, -58.62

 

CMYK 0 / 69 / 47 / 25

HEX #BF3B65

RGB 191 59 101

HSL 340.91, 0.53%, 0.49%

LAB 45.83, 55.54, 5.91

 

CMYK 34 / 0 / 69 / 24

HEX #80C13B

RGB 128 193 59

HSL 89.1, 0.53%, 0.49%

LAB 71.59, -41.84, 58.06

 

CMYK 69 / 0 / 1 / 25

HEX #3BBFBD

RGB 59 191 189

HSL 179.09, 0.53%, 0.49%

LAB 70.78, -35.06, -9.34

 

CMYK 36 / 69 / 0 / 25

HEX #7B3BBF

RGB 123 59 191

HSL 269.09, 0.53%, 0.49%

LAB 39.75, 52.75, -58.62

 

CMYK 0 / 69 / 68 / 25

HEX #BF3B3D

RGB 191 59 61

HSL 359.09, 0.53%, 0.49%

LAB 45, 52.63, 29.22

 

Description

Color code: HEX #80C13B | qconv.com Color code: HEX #80C13B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 193 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 193 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 69 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 69% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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