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Color name
HEX #80C117

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80C117 it is the complementary color #7F3EE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80C117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80C117 shade: #85C112, #96D325, #A7E538, #B8F74B and #C9FF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80C117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80C117 shade: #80C117, #6FAF04, #5E9D00, #4D8B00 and #3C7900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80C117 shade: #7FC016, #ADC016, #C0A516, #C07816 and #C04A16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80C117 shade: #7FC016, #51C016, #24C016, #16C037 and #16C065

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80C117 shade matches the following richer shades: #7FC016 and #83D105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80C117 shade: #7FC016, #7BAE28, #779D39, #738C4A and #6F7A5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80C117 shade: #C0A416, #AFC016, #82C016, #55C016 and #27C016

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80C117 shade: #4E760E, #679B12, #7FC016, #97E41B and #A8E940

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80C117 shade: #80C117, #16C076 and #BA16C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80C117 shade: #80C117, #1682C0 and #C01682

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80C117 shade: #80C117, #16C076, #5516C0 and #C01660

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80C117 shade: #80C117, #16C0A9, #5516C0 and #C0162D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 88 / 24

HEX #80C117

RGB 128 193 23

HSL 82.94, 0.79%, 0.42%

LAB 71.41, -43.59, 68.41

 

Complementary color

CMYK 45 / 73 / 0 / 9

HEX #7F3EE8

RGB 127 62 232

HSL 262.94, 0.79%, 0.58%

LAB 43.92, 62.25, -75.4

 

CMYK 31 / 0 / 91 / 24

HEX #85C112

RGB 133 193 18

HSL 80.57, 0.83%, 0.41%

LAB 71.67, -41.86, 69.6

 

CMYK 29 / 0 / 82 / 17

HEX #96D325

RGB 150 211 37

HSL 81.03, 0.7%, 0.49%

LAB 78, -42.71, 71.49

 

CMYK 27 / 0 / 76 / 10

HEX #A7E538

RGB 167 229 56

HSL 81.5, 0.77%, 0.56%

LAB 84.25, -43.35, 72.27

 

CMYK 26 / 0 / 70 / 3

HEX #B8F74B

RGB 184 247 75

HSL 81.98, 0.91%, 0.63%

LAB 90.42, -43.84, 72.32

 

CMYK 21 / 0 / 63 / 0

HEX #C9FF5E

RGB 201 255 94

HSL 80.12, 1%, 0.68%

LAB 93.77, -39.84, 68.98

 

CMYK 34 / 0 / 88 / 24

HEX #80C117

RGB 128 193 23

HSL 82.94, 0.79%, 0.42%

LAB 71.41, -43.59, 68.41

 

CMYK 37 / 0 / 98 / 31

HEX #6FAF04

RGB 111 175 4

HSL 82.46, 0.96%, 0.35%

LAB 65, -42.58, 65.58

 

CMYK 40 / 0 / 100 / 38

HEX #5E9D00

RGB 94 157 0

HSL 84.08, 1%, 0.31%

LAB 58.5, -41.24, 60.69

 

CMYK 45 / 0 / 100 / 45

HEX #4D8B00

RGB 77 139 0

HSL 86.76, 1%, 0.27%

LAB 51.89, -39.75, 55.19

 

CMYK 50 / 0 / 100 / 53

HEX #3C7900

RGB 60 121 0

HSL 90.25, 1%, 0.24%

LAB 45.13, -38.15, 49.58

 

CMYK 34 / 0 / 89 / 25

HEX #7FC016

RGB 127 192 22

HSL 82.94, 0.79%, 0.42%

LAB 71.06, -43.56, 68.28

 

CMYK 10 / 0 / 89 / 25

HEX #ADC016

RGB 173 192 22

HSL 66.71, 0.79%, 0.42%

LAB 73.96, -25.23, 71.85

 

CMYK 0 / 14 / 89 / 25

HEX #C0A516

RGB 192 165 22

HSL 50.47, 0.79%, 0.42%

LAB 68.15, -3.18, 67.87

 

CMYK 0 / 38 / 89 / 25

HEX #C07816

RGB 192 120 22

HSL 34.59, 0.79%, 0.42%

LAB 56.78, 21.35, 58.89

 

CMYK 0 / 61 / 89 / 25

HEX #C04A16

RGB 192 74 22

HSL 18.35, 0.79%, 0.42%

LAB 47.19, 45.12, 51.38

 

CMYK 34 / 0 / 89 / 25

HEX #7FC016

RGB 127 192 22

HSL 82.94, 0.79%, 0.42%

LAB 71.06, -43.56, 68.28

 

CMYK 58 / 0 / 89 / 25

HEX #51C016

RGB 81 192 22

HSL 99.18, 0.79%, 0.42%

LAB 69.12, -58.09, 65.86

 

CMYK 81 / 0 / 89 / 25

HEX #24C016

RGB 36 192 22

HSL 115.06, 0.79%, 0.42%

LAB 68.12, -66.57, 64.61

 

CMYK 89 / 0 / 71 / 25

HEX #16C037

RGB 22 192 55

HSL 131.65, 0.79%, 0.42%

LAB 68.13, -65.87, 55.02

 

CMYK 89 / 0 / 47 / 25

HEX #16C065

RGB 22 192 101

HSL 147.88, 0.79%, 0.42%

LAB 68.61, -59.92, 34.78

 

CMYK 34 / 0 / 89 / 25

HEX #7FC016

RGB 127 192 22

HSL 82.94, 0.79%, 0.42%

LAB 71.06, -43.56, 68.28

 

CMYK 37 / 0 / 98 / 18

HEX #83D105

RGB 131 209 5

HSL 82.94, 0.95%, 0.42%

LAB 76.34, -49.49, 74.8

 

CMYK 34 / 0 / 89 / 25

HEX #7FC016

RGB 127 192 22

HSL 82.94, 0.79%, 0.42%

LAB 71.06, -43.56, 68.28

 

CMYK 29 / 0 / 77 / 32

HEX #7BAE28

RGB 123 174 40

HSL 82.84, 0.63%, 0.42%

LAB 65.46, -36.49, 58.67

 

CMYK 24 / 0 / 64 / 38

HEX #779D39

RGB 119 157 57

HSL 82.8, 0.47%, 0.42%

LAB 60.19, -29.01, 46.68

 

CMYK 18 / 0 / 47 / 45

HEX #738C4A

RGB 115 140 74

HSL 82.73, 0.31%, 0.42%

LAB 54.96, -20.44, 32.22

 

CMYK 9 / 0 / 25 / 52

HEX #6F7A5C

RGB 111 122 92

HSL 82, 0.14%, 0.42%

LAB 49.58, -9.82, 15.1

 

CMYK 0 / 15 / 89 / 25

HEX #C0A416

RGB 192 164 22

HSL 50.12, 0.79%, 0.42%

LAB 67.88, -2.65, 67.66

 

CMYK 9 / 0 / 89 / 25

HEX #AFC016

RGB 175 192 22

HSL 66, 0.79%, 0.42%

LAB 74.11, -24.39, 72.04

 

CMYK 32 / 0 / 89 / 25

HEX #82C016

RGB 130 192 22

HSL 81.88, 0.79%, 0.42%

LAB 71.22, -42.45, 68.47

 

CMYK 56 / 0 / 89 / 25

HEX #55C016

RGB 85 192 22

HSL 97.76, 0.79%, 0.42%

LAB 69.25, -57.04, 66.02

 

CMYK 80 / 0 / 89 / 25

HEX #27C016

RGB 39 192 22

HSL 114, 0.79%, 0.42%

LAB 68.16, -66.2, 64.66

 

CMYK 34 / 0 / 88 / 54

HEX #4E760E

RGB 78 118 14

HSL 83.08, 0.79%, 0.26%

LAB 45.09, -29.68, 46.84

 

CMYK 34 / 0 / 88 / 39

HEX #679B12

RGB 103 155 18

HSL 82.77, 0.79%, 0.34%

LAB 58.39, -36.6, 57.88

 

CMYK 34 / 0 / 89 / 25

HEX #7FC016

RGB 127 192 22

HSL 82.94, 0.79%, 0.42%

LAB 71.06, -43.56, 68.28

 

CMYK 34 / 0 / 88 / 11

HEX #97E41B

RGB 151 228 27

HSL 82.99, 0.79%, 0.5%

LAB 82.99, -49.8, 77.85

 

CMYK 28 / 0 / 73 / 9

HEX #A8E940

RGB 168 233 64

HSL 83.08, 0.79%, 0.58%

LAB 85.49, -44.29, 70.91

 

CMYK 34 / 0 / 88 / 24

HEX #80C117

RGB 128 193 23

HSL 82.94, 0.79%, 0.42%

LAB 71.41, -43.59, 68.41

 

CMYK 89 / 0 / 39 / 25

HEX #16C076

RGB 22 192 118

HSL 153.88, 0.79%, 0.42%

LAB 68.88, -56.79, 26.35

 

CMYK 3 / 89 / 0 / 25

HEX #BA16C0

RGB 186 22 192

HSL 297.88, 0.79%, 0.42%

LAB 45.38, 76.04, -49.63

 

CMYK 34 / 0 / 88 / 24

HEX #80C117

RGB 128 193 23

HSL 82.94, 0.79%, 0.42%

LAB 71.41, -43.59, 68.41

 

CMYK 89 / 32 / 0 / 25

HEX #1682C0

RGB 22 130 192

HSL 201.88, 0.79%, 0.42%

LAB 51.77, -5.9, -40.26

 

CMYK 0 / 89 / 32 / 25

HEX #C01682

RGB 192 22 130

HSL 321.88, 0.79%, 0.42%

LAB 43.35, 68.99, -15.62

 

CMYK 34 / 0 / 88 / 24

HEX #80C117

RGB 128 193 23

HSL 82.94, 0.79%, 0.42%

LAB 71.41, -43.59, 68.41

 

CMYK 89 / 0 / 39 / 25

HEX #16C076

RGB 22 192 118

HSL 153.88, 0.79%, 0.42%

LAB 68.88, -56.79, 26.35

 

CMYK 56 / 89 / 0 / 25

HEX #5516C0

RGB 85 22 192

HSL 262.24, 0.79%, 0.42%

LAB 30.18, 62.12, -75.06

 

CMYK 0 / 89 / 50 / 25

HEX #C01660

RGB 192 22 96

HSL 333.88, 0.79%, 0.42%

LAB 42.19, 65.8, 3.83

 

CMYK 34 / 0 / 88 / 24

HEX #80C117

RGB 128 193 23

HSL 82.94, 0.79%, 0.42%

LAB 71.41, -43.59, 68.41

 

CMYK 89 / 0 / 12 / 25

HEX #16C0A9

RGB 22 192 169

HSL 171.88, 0.79%, 0.42%

LAB 69.99, -44.65, 0.38

 

CMYK 56 / 89 / 0 / 25

HEX #5516C0

RGB 85 22 192

HSL 262.24, 0.79%, 0.42%

LAB 30.18, 62.12, -75.06

 

CMYK 0 / 89 / 77 / 25

HEX #C0162D

RGB 192 22 45

HSL 351.88, 0.79%, 0.42%

LAB 41.17, 62.88, 34.33

 

Description

Color code: HEX #80C117 | qconv.com Color code: HEX #80C117 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 193 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 193 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 88 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 88% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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