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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80C002 it is the complementary color #7F3FFD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80C002. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80C002 shade: #85C000, #96D210, #A7E423, #B8F636 and #C9FF49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80C002. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80C002 shade: #80C002, #6FAE00, #5E9C00, #4D8A00 and #3C7800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80C002 shade: #80C002, #B3C002, #C09902, #C06602 and #C03302

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80C002 shade: #80C002, #4DC002, #19C002, #02C01E and #02C051

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80C002 shade matches the following richer shades: #80C002

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80C002 shade: #80C002, #7BB012, #76A121, #719131 and #6B8141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80C002 shade: #C09A02, #B3C002, #81C002, #4EC002 and #1BC002

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80C002 shade: #496E01, #659702, #80C002, #9BE902 and #B0FD18

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80C002 shade: #80C002, #02C067 and #B302C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80C002 shade: #80C002, #0281C0 and #C00281

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80C002 shade: #80C002, #02C067, #4102C0 and #C0025B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80C002 shade: #80C002, #02C0A0, #4102C0 and #C00222

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 99 / 25

HEX #80C002

RGB 128 192 2

HSL 80.21, 0.98%, 0.38%

LAB 71.07, -43.56, 70.94

 

Complementary color

CMYK 50 / 75 / 0 / 1

HEX #7F3FFD

RGB 127 63 253

HSL 260.21, 0.98%, 0.62%

LAB 45.85, 67.12, -84.04

 

CMYK 31 / 0 / 100 / 25

HEX #85C000

RGB 133 192 0

HSL 78.44, 1%, 0.38%

LAB 71.34, -41.72, 71.49

 

CMYK 29 / 0 / 92 / 18

HEX #96D210

RGB 150 210 16

HSL 78.56, 0.86%, 0.44%

LAB 77.65, -42.83, 75.11

 

CMYK 27 / 0 / 85 / 11

HEX #A7E423

RGB 167 228 35

HSL 78.96, 0.78%, 0.52%

LAB 83.87, -43.75, 77.41

 

CMYK 25 / 0 / 78 / 4

HEX #B8F636

RGB 184 246 54

HSL 79.38, 0.91%, 0.59%

LAB 90.03, -44.48, 78.57

 

CMYK 21 / 0 / 71 / 0

HEX #C9FF49

RGB 201 255 73

HSL 77.8, 1%, 0.64%

LAB 93.63, -41.15, 76.52

 

CMYK 33 / 0 / 99 / 25

HEX #80C002

RGB 128 192 2

HSL 80.21, 0.98%, 0.38%

LAB 71.07, -43.56, 70.94

 

CMYK 36 / 0 / 100 / 32

HEX #6FAE00

RGB 111 174 0

HSL 81.72, 1%, 0.34%

LAB 64.69, -42.23, 65.85

 

CMYK 40 / 0 / 100 / 39

HEX #5E9C00

RGB 94 156 0

HSL 83.85, 1%, 0.31%

LAB 58.19, -40.82, 60.44

 

CMYK 44 / 0 / 100 / 46

HEX #4D8A00

RGB 77 138 0

HSL 86.52, 1%, 0.27%

LAB 51.56, -39.33, 54.94

 

CMYK 50 / 0 / 100 / 53

HEX #3C7800

RGB 60 120 0

HSL 90, 1%, 0.24%

LAB 44.79, -37.74, 49.32

 

CMYK 33 / 0 / 99 / 25

HEX #80C002

RGB 128 192 2

HSL 80.21, 0.98%, 0.38%

LAB 71.07, -43.56, 70.94

 

CMYK 7 / 0 / 99 / 25

HEX #B3C002

RGB 179 192 2

HSL 64.11, 0.98%, 0.38%

LAB 74.37, -22.98, 74.9

 

CMYK 0 / 20 / 99 / 25

HEX #C09902

RGB 192 153 2

HSL 47.68, 0.98%, 0.38%

LAB 64.96, 2.97, 68.58

 

CMYK 0 / 47 / 99 / 25

HEX #C06602

RGB 192 102 2

HSL 31.58, 0.98%, 0.38%

LAB 52.63, 30.81, 60.31

 

CMYK 0 / 73 / 99 / 25

HEX #C03302

RGB 192 51 2

HSL 15.47, 0.98%, 0.38%

LAB 43.62, 54.28, 55.18

 

CMYK 33 / 0 / 99 / 25

HEX #80C002

RGB 128 192 2

HSL 80.21, 0.98%, 0.38%

LAB 71.07, -43.56, 70.94

 

CMYK 60 / 0 / 99 / 25

HEX #4DC002

RGB 77 192 2

HSL 96.32, 0.98%, 0.38%

LAB 68.95, -59.56, 68.37

 

CMYK 87 / 0 / 99 / 25

HEX #19C002

RGB 25 192 2

HSL 112.74, 0.98%, 0.38%

LAB 67.95, -68.18, 67.15

 

CMYK 99 / 0 / 84 / 25

HEX #02C01E

RGB 2 192 30

HSL 128.84, 0.98%, 0.38%

LAB 67.88, -68.63, 62.56

 

CMYK 99 / 0 / 58 / 25

HEX #02C051

RGB 2 192 81

HSL 144.95, 0.98%, 0.38%

LAB 68.25, -63.96, 44.05

 

CMYK 33 / 0 / 99 / 25

HEX #80C002

RGB 128 192 2

HSL 80.21, 0.98%, 0.38%

LAB 71.07, -43.56, 70.94

 

CMYK 33 / 0 / 99 / 25

HEX #80C002

RGB 128 192 2

HSL 80.21, 0.98%, 0.38%

LAB 71.07, -43.56, 70.94

 

CMYK 30 / 0 / 90 / 31

HEX #7BB012

RGB 123 176 18

HSL 80.13, 0.81%, 0.38%

LAB 65.99, -38.22, 64.69

 

CMYK 27 / 0 / 80 / 37

HEX #76A121

RGB 118 161 33

HSL 80.16, 0.66%, 0.38%

LAB 61.18, -32.86, 56.77

 

CMYK 22 / 0 / 66 / 43

HEX #719131

RGB 113 145 49

HSL 80, 0.49%, 0.38%

LAB 56.07, -26.26, 45.64

 

CMYK 17 / 0 / 50 / 49

HEX #6B8141

RGB 107 129 65

HSL 80.63, 0.33%, 0.38%

LAB 50.93, -19.08, 31.89

 

CMYK 0 / 20 / 99 / 25

HEX #C09A02

RGB 192 154 2

HSL 48, 0.98%, 0.38%

LAB 65.22, 2.43, 68.76

 

CMYK 7 / 0 / 99 / 25

HEX #B3C002

RGB 179 192 2

HSL 64.11, 0.98%, 0.38%

LAB 74.37, -22.98, 74.9

 

CMYK 33 / 0 / 99 / 25

HEX #81C002

RGB 129 192 2

HSL 79.89, 0.98%, 0.38%

LAB 71.13, -43.19, 71

 

CMYK 59 / 0 / 99 / 25

HEX #4EC002

RGB 78 192 2

HSL 96, 0.98%, 0.38%

LAB 68.98, -59.31, 68.41

 

CMYK 86 / 0 / 99 / 25

HEX #1BC002

RGB 27 192 2

HSL 112.11, 0.98%, 0.38%

LAB 67.97, -68.01, 67.17

 

CMYK 34 / 0 / 99 / 57

HEX #496E01

RGB 73 110 1

HSL 80.37, 0.98%, 0.22%

LAB 42.11, -28.38, 47.28

 

CMYK 33 / 0 / 99 / 41

HEX #659702

RGB 101 151 2

HSL 80.13, 0.97%, 0.3%

LAB 56.98, -35.97, 59.36

 

CMYK 33 / 0 / 99 / 25

HEX #80C002

RGB 128 192 2

HSL 80.21, 0.98%, 0.38%

LAB 71.07, -43.56, 70.94

 

CMYK 33 / 0 / 99 / 9

HEX #9BE902

RGB 155 233 2

HSL 80.26, 0.98%, 0.46%

LAB 84.61, -50.83, 82.04

 

CMYK 30 / 0 / 91 / 1

HEX #B0FD18

RGB 176 253 24

HSL 80.17, 0.98%, 0.54%

LAB 91.48, -51.23, 85.79

 

CMYK 33 / 0 / 99 / 25

HEX #80C002

RGB 128 192 2

HSL 80.21, 0.98%, 0.38%

LAB 71.07, -43.56, 70.94

 

CMYK 99 / 0 / 46 / 25

HEX #02C067

RGB 2 192 103

HSL 151.89, 0.98%, 0.38%

LAB 68.53, -60.53, 33.63

 

CMYK 7 / 99 / 0 / 25

HEX #B302C0

RGB 179 2 192

HSL 295.89, 0.98%, 0.38%

LAB 43.41, 77.12, -52.87

 

CMYK 33 / 0 / 99 / 25

HEX #80C002

RGB 128 192 2

HSL 80.21, 0.98%, 0.38%

LAB 71.07, -43.56, 70.94

 

CMYK 99 / 33 / 0 / 25

HEX #0281C0

RGB 2 129 192

HSL 199.89, 0.98%, 0.38%

LAB 51.29, -6.19, -41.03

 

CMYK 0 / 99 / 33 / 25

HEX #C00281

RGB 192 2 129

HSL 319.89, 0.98%, 0.38%

LAB 42.51, 71.2, -16.28

 

CMYK 33 / 0 / 99 / 25

HEX #80C002

RGB 128 192 2

HSL 80.21, 0.98%, 0.38%

LAB 71.07, -43.56, 70.94

 

CMYK 99 / 0 / 46 / 25

HEX #02C067

RGB 2 192 103

HSL 151.89, 0.98%, 0.38%

LAB 68.53, -60.53, 33.63

 

CMYK 66 / 99 / 0 / 25

HEX #4102C0

RGB 65 2 192

HSL 259.89, 0.98%, 0.38%

LAB 26.66, 64.97, -80.97

 

CMYK 0 / 99 / 53 / 25

HEX #C0025B

RGB 192 2 91

HSL 331.89, 0.98%, 0.38%

LAB 41.22, 67.82, 5.6

 

CMYK 33 / 0 / 99 / 25

HEX #80C002

RGB 128 192 2

HSL 80.21, 0.98%, 0.38%

LAB 71.07, -43.56, 70.94

 

CMYK 99 / 0 / 17 / 25

HEX #02C0A0

RGB 2 192 160

HSL 169.89, 0.98%, 0.38%

LAB 69.65, -47.87, 4.79

 

CMYK 66 / 99 / 0 / 25

HEX #4102C0

RGB 65 2 192

HSL 259.89, 0.98%, 0.38%

LAB 26.66, 64.97, -80.97

 

CMYK 0 / 99 / 82 / 25

HEX #C00222

RGB 192 2 34

HSL 349.89, 0.98%, 0.38%

LAB 40.19, 65.03, 39.69

 

Description

Color code: HEX #80C002 | qconv.com Color code: HEX #80C002 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 192 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 192 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 99 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 99% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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