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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80BA13 it is the complementary color #7F45EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80BA13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80BA13 shade: #85BA0E, #96CC21, #A7DE34, #B8F047 and #C9FF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80BA13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80BA13 shade: #80BA13, #6FA800, #5E9600, #4D8400 and #3C7200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80BA13 shade: #7FB913, #ACB913, #B99913, #B96C13 and #B94013

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80BA13 shade: #7FB913, #53B913, #26B913, #13B92D and #13B95A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80BA13 shade matches the following richer shades: #7FB913 and #84C903

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80BA13 shade: #7FB913, #7AA824, #759834, #708745 and #6B7755

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80BA13 shade: #B99813, #AEB913, #82B913, #55B913 and #29B913

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80BA13 shade: #4C6E0C, #65930F, #7FB913, #99DE17 and #ABEA35

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80BA13 shade: #80BA13, #13B96C and #AE13B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80BA13 shade: #80BA13, #1382B9 and #B91382

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80BA13 shade: #80BA13, #13B96C, #4A13B9 and #B91360

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80BA13 shade: #80BA13, #13B99D, #4A13B9 and #B9132F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 90 / 27

HEX #80BA13

RGB 128 186 19

HSL 80.84, 0.81%, 0.4%

LAB 69.29, -40.68, 67.37

 

Complementary color

CMYK 46 / 71 / 0 / 7

HEX #7F45EC

RGB 127 69 236

HSL 260.84, 0.81%, 0.6%

LAB 45.39, 60.04, -75.26

 

CMYK 28 / 0 / 92 / 27

HEX #85BA0E

RGB 133 186 14

HSL 78.49, 0.86%, 0.39%

LAB 69.57, -38.88, 68.48

 

CMYK 26 / 0 / 84 / 20

HEX #96CC21

RGB 150 204 33

HSL 78.95, 0.72%, 0.46%

LAB 75.93, -39.79, 70.64

 

CMYK 25 / 0 / 77 / 13

HEX #A7DE34

RGB 167 222 52

HSL 79.41, 0.72%, 0.54%

LAB 82.22, -40.49, 71.58

 

CMYK 23 / 0 / 70 / 6

HEX #B8F047

RGB 184 240 71

HSL 79.88, 0.85%, 0.61%

LAB 88.43, -41.03, 71.73

 

CMYK 21 / 0 / 65 / 0

HEX #C9FF5A

RGB 201 255 90

HSL 79.64, 1%, 0.68%

LAB 93.74, -40.12, 70.51

 

CMYK 31 / 0 / 90 / 27

HEX #80BA13

RGB 128 186 19

HSL 80.84, 0.81%, 0.4%

LAB 69.29, -40.68, 67.37

 

CMYK 34 / 0 / 100 / 34

HEX #6FA800

RGB 111 168 0

HSL 80.36, 1%, 0.33%

LAB 62.83, -39.65, 64.42

 

CMYK 37 / 0 / 100 / 41

HEX #5E9600

RGB 94 150 0

HSL 82.4, 1%, 0.29%

LAB 56.28, -38.25, 58.97

 

CMYK 42 / 0 / 100 / 48

HEX #4D8400

RGB 77 132 0

HSL 85, 1%, 0.26%

LAB 49.59, -36.79, 53.41

 

CMYK 47 / 0 / 100 / 55

HEX #3C7200

RGB 60 114 0

HSL 88.42, 1%, 0.22%

LAB 42.76, -35.23, 47.73

 

CMYK 31 / 0 / 90 / 27

HEX #7FB913

RGB 127 185 19

HSL 80.96, 0.81%, 0.4%

LAB 68.94, -40.62, 67.05

 

CMYK 7 / 0 / 90 / 27

HEX #ACB913

RGB 172 185 19

HSL 64.7, 0.81%, 0.4%

LAB 71.9, -22.3, 70.69

 

CMYK 0 / 17 / 90 / 27

HEX #B99913

RGB 185 153 19

HSL 48.43, 0.81%, 0.4%

LAB 64.28, 0.05, 65.14

 

CMYK 0 / 42 / 90 / 27

HEX #B96C13

RGB 185 108 19

HSL 32.17, 0.81%, 0.4%

LAB 53.04, 24.83, 56.42

 

CMYK 0 / 65 / 90 / 27

HEX #B94013

RGB 185 64 19

HSL 16.27, 0.81%, 0.4%

LAB 44.27, 47, 49.72

 

CMYK 31 / 0 / 90 / 27

HEX #7FB913

RGB 127 185 19

HSL 80.96, 0.81%, 0.4%

LAB 68.94, -40.62, 67.05

 

CMYK 55 / 0 / 90 / 27

HEX #53B913

RGB 83 185 19

HSL 96.87, 0.81%, 0.4%

LAB 66.96, -55.17, 64.6

 

CMYK 79 / 0 / 90 / 27

HEX #26B913

RGB 38 185 19

HSL 113.13, 0.81%, 0.4%

LAB 65.87, -64.35, 63.23

 

CMYK 90 / 0 / 76 / 27

HEX #13B92D

RGB 19 185 45

HSL 129.4, 0.81%, 0.4%

LAB 65.77, -64.84, 56.21

 

CMYK 90 / 0 / 51 / 27

HEX #13B95A

RGB 19 185 90

HSL 145.66, 0.81%, 0.4%

LAB 66.19, -59.57, 37.25

 

CMYK 31 / 0 / 90 / 27

HEX #7FB913

RGB 127 185 19

HSL 80.96, 0.81%, 0.4%

LAB 68.94, -40.62, 67.05

 

CMYK 34 / 0 / 99 / 21

HEX #84C903

RGB 132 201 3

HSL 80.91, 0.97%, 0.4%

LAB 73.99, -45.87, 73.19

 

CMYK 31 / 0 / 90 / 27

HEX #7FB913

RGB 127 185 19

HSL 80.96, 0.81%, 0.4%

LAB 68.94, -40.62, 67.05

 

CMYK 27 / 0 / 79 / 34

HEX #7AA824

RGB 122 168 36

HSL 80.91, 0.65%, 0.4%

LAB 63.57, -34.35, 58.14

 

CMYK 23 / 0 / 66 / 40

HEX #759834

RGB 117 152 52

HSL 81, 0.49%, 0.4%

LAB 58.5, -27.81, 47.01

 

CMYK 17 / 0 / 49 / 47

HEX #708745

RGB 112 135 69

HSL 80.91, 0.32%, 0.4%

LAB 53.17, -19.67, 32.6

 

CMYK 10 / 0 / 29 / 53

HEX #6B7755

RGB 107 119 85

HSL 81.18, 0.17%, 0.4%

LAB 48.23, -10.92, 17.26

 

CMYK 0 / 18 / 90 / 27

HEX #B99813

RGB 185 152 19

HSL 48.07, 0.81%, 0.4%

LAB 64.01, 0.59, 64.94

 

CMYK 6 / 0 / 90 / 27

HEX #AEB913

RGB 174 185 19

HSL 63.98, 0.81%, 0.4%

LAB 72.06, -21.44, 70.88

 

CMYK 30 / 0 / 90 / 27

HEX #82B913

RGB 130 185 19

HSL 79.88, 0.81%, 0.4%

LAB 69.11, -39.48, 67.26

 

CMYK 54 / 0 / 90 / 27

HEX #55B913

RGB 85 185 19

HSL 96.14, 0.81%, 0.4%

LAB 67.03, -54.61, 64.69

 

CMYK 78 / 0 / 90 / 27

HEX #29B913

RGB 41 185 19

HSL 112.05, 0.81%, 0.4%

LAB 65.92, -63.95, 63.29

 

CMYK 31 / 0 / 89 / 57

HEX #4C6E0C

RGB 76 110 12

HSL 80.82, 0.8%, 0.24%

LAB 42.33, -26.76, 44.9

 

CMYK 31 / 0 / 90 / 42

HEX #65930F

RGB 101 147 15

HSL 80.91, 0.81%, 0.32%

LAB 55.75, -33.86, 56.23

 

CMYK 31 / 0 / 90 / 27

HEX #7FB913

RGB 127 185 19

HSL 80.96, 0.81%, 0.4%

LAB 68.94, -40.62, 67.05

 

CMYK 31 / 0 / 90 / 13

HEX #99DE17

RGB 153 222 23

HSL 80.8, 0.81%, 0.48%

LAB 81.33, -46.69, 77.17

 

CMYK 27 / 0 / 77 / 8

HEX #ABEA35

RGB 171 234 53

HSL 80.88, 0.81%, 0.56%

LAB 85.89, -44.17, 74.78

 

CMYK 31 / 0 / 90 / 27

HEX #80BA13

RGB 128 186 19

HSL 80.84, 0.81%, 0.4%

LAB 69.29, -40.68, 67.37

 

CMYK 90 / 0 / 42 / 27

HEX #13B96C

RGB 19 185 108

HSL 152.17, 0.81%, 0.4%

LAB 66.46, -56.43, 28.39

 

CMYK 6 / 90 / 0 / 27

HEX #AE13B9

RGB 174 19 185

HSL 296.02, 0.81%, 0.4%

LAB 42.71, 73.34, -49.93

 

CMYK 31 / 0 / 90 / 27

HEX #80BA13

RGB 128 186 19

HSL 80.84, 0.81%, 0.4%

LAB 69.29, -40.68, 67.37

 

CMYK 90 / 30 / 0 / 27

HEX #1382B9

RGB 19 130 185

HSL 199.88, 0.81%, 0.4%

LAB 51.39, -8.71, -36.85

 

CMYK 0 / 90 / 30 / 27

HEX #B91382

RGB 185 19 130

HSL 319.88, 0.81%, 0.4%

LAB 41.83, 67.93, -18.06

 

CMYK 31 / 0 / 90 / 27

HEX #80BA13

RGB 128 186 19

HSL 80.84, 0.81%, 0.4%

LAB 69.29, -40.68, 67.37

 

CMYK 90 / 0 / 42 / 27

HEX #13B96C

RGB 19 185 108

HSL 152.17, 0.81%, 0.4%

LAB 66.46, -56.43, 28.39

 

CMYK 60 / 90 / 0 / 27

HEX #4A13B9

RGB 74 19 185

HSL 259.88, 0.81%, 0.4%

LAB 27.91, 60.26, -74.71

 

CMYK 0 / 90 / 48 / 27

HEX #B91360

RGB 185 19 96

HSL 332.17, 0.81%, 0.4%

LAB 40.61, 64.6, 1.37

 

CMYK 31 / 0 / 90 / 27

HEX #80BA13

RGB 128 186 19

HSL 80.84, 0.81%, 0.4%

LAB 69.29, -40.68, 67.37

 

CMYK 90 / 0 / 15 / 27

HEX #13B99D

RGB 19 185 157

HSL 169.88, 0.81%, 0.4%

LAB 67.48, -45.1, 3.31

 

CMYK 60 / 90 / 0 / 27

HEX #4A13B9

RGB 74 19 185

HSL 259.88, 0.81%, 0.4%

LAB 27.91, 60.26, -74.71

 

CMYK 0 / 90 / 75 / 27

HEX #B9132F

RGB 185 19 47

HSL 349.88, 0.81%, 0.4%

LAB 39.56, 61.62, 30.91

 

Description

Color code: HEX #80BA13 | qconv.com Color code: HEX #80BA13 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 186 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 186 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 90 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 90% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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